With free downloads replacing expensive and unwieldy Photostats, musicians are increasingly reading music directly from manuscripts.
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According to Cyrus Harmon, a chemist at Olema Pharmaceuticals, to whom I showed the photostats, one route attempted in my grandfather's effort to produce a "magnetic paint" involved the synthesis of aryl halides by means of a Sandmeyer reaction.
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In addition to the Bayou Fever collages — all of which measure around six by nine inches — there are more than thirty other works, ranging from large watercolors to unique hand-colored etchings, to collages made from Photostats of photographs — a heady visual feast for the mind and eye.
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The photographic prints produced by such machines are commonly referred to as "photostats". The verbs "photostat", "photostatted", and "photostatting" refer to making copies on such a machine in the same way that the trademarked name "Xerox" was later used to refer to any copy made by means of electrostatic photocopying. People who operated these machines were known as photostat operators. It was the expense and inconvenience of photostats that drove Chester Carlson to study electrophotography.
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Johnny tells Frank about Dutch's bad childhood. All Dutch has ever known is the world of crime. Frank then asks Johnny for concrete evidence against Dutch. Johnny gives Frank some photostats that make Dutch look pretty dirty.
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The editio princeps of the collection was published in 1653 by Carlo Borrelli, who also gave the document the name by which it is known, Catalogus Baronum. A modern critical edition by Evelyn Jamison was published in 1972 based on surviving photostats.
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Multi-media triptych. Enlarged negative photostats on transparent film of facsimiles of declassified, redacted pages of opponents of the Vietnam War. From the FBI files requested by the artist using the Freedom of Act. Teak frames with Plexiglas, 22" x 51" (3 panels).
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Leon H. Sullivan, a leader in the Philadelphia civil right's movement, noticed her superior mathematical skills after giving her an aptitude test. With his help, she became a clerk- photographer at Continental Bank in 1959, where she made photostats of deposited checks for bank records.
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A typical typewritten document would appear on the photostat print with a black background and white letters. Thanks to the prism, the text would remain legible. Producing photostats took about two minutes in total. The result could, in turn, be photostated again to make any number of positive prints.
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A significant collection of materials relating to Hope Emily Allen's life can be found at the Bryn Mawr College Library. The papers consist primarily of research notes by Allen, photostats and typescripts of manuscripts, and professional correspondence. Topics include the Book of Margery Kempe, the Ancrene Riwle, and Richard Rolle.
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Multi-media installation with film and video. Enlarged negative photostats on transparent film, with teak frames, of facsimiles of documents from MIT archives, government defense programs, war and peace initiatives, budget priorities, newspaper articles, and other relevant documents. Archival film footage from Hiroshima and Nagasaki showing the effects of nuclear war.
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88; Lart, Canadian Historical Review, vol. 3 (1922), p. 355 In 1773, McGill joined with Isaac Todd (who would remain a close lifelong friend) in a trading venture beyond Grand Portage, which was renewed under the name Todd & McGill in 1776.Letters, Todd to Edgar, in Edgar Papers (photostats), Library & Archives Canada, MG19 A1, pp.
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Photograph by Margia Kramer. MKramer IAWOman "I a WO/MAN: The FBI File on Andy Warhol" (1989). Mixed media installation. Enlarged negative photostats on transparent film, with redwood frames, of facsimiles of redacted pages from Andy Warhol's FBI File — using the Freedom of Information Act, the artist requested that the file be declassified following Warhol's death.
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The large photostats were hung from the ceiling over 30' long, horizontal platform that concealed all but the screens of video monitors pointed towards the ceiling, continuously playing three, commercially released Warhol/Morrisey films: Flesh, Trash, and Heat. Pamphlet by Margia Kramer, "Andy Warhol et al. The FBI File on Andy Warhol" (New York, 1988). Approximately 25' x 40'.
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It seems probable that Frank Zappa was inspired by a sign painted on the front window of Rats 14th Street office, originally the previous tenant's advertisement reading "photostats made while you wait," now neatly altered to proclaim "Hot Rats made while you wait," in early March 1969; Zappa's first solo album appeared in October with that title in similar typography.
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" I had never heard of Alger Hiss, and made the entry > because the folder bearing his name happened to be second in the pile. It > contained hundreds of Photostats of what seemed to be military reports. > There was a third name which I did not copy but which stuck in my mind > because it was the same as that of my dentist. The tab read: "From Geiger.
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Two years later Kite wrote Lebegre Duportail, Comdt. of Engineers, 1777–1783. In 1934, she wrote Lafayette and His Companions in the Victorie, followed by The Catholic Part in the Making of America two years later. Kite was instrumental in placing photostats of documents from the French Revolution in the Library of Congress, for which she was awarded the Légion d’honneur in the grade of Chevalier.
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The thinly-veiled boss was understood to be Ham Fisher. Fisher retaliated, doctoring photostats of Li'l Abner and falsely accusing Capp of sneaking obscenities into his comic strip. Fisher submitted examples of Li'l Abner to Capp's syndicate and to the New York courts, in which Fisher had identified pornographic images that were hidden in the background art. However, the X-rated material had been drawn there by Fisher.
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Patterson returns home to Los Angeles and immediately contacts Dr. Horvathy. Unable to persuade him to decline the position, he presents him with photostats of the dossiers. Horvathy, who is a lifelong refugee from Fascism and Communism, commits suicide. Remorse causes Patterson to confide in his wife, Vivian (Rosemary Forsyth), and his father-in-law Harry Masters (Maurice Evans), and he announces a desire to reveal the Brotherhood's actions to the public.
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Frances MacFadden, Bazaar's managing editor for much of Brodovitch's tenure, explained his working method: > It was a pleasure to watch him work. He was so swift and sure. In > emergencies, like the time the Clipper bearing the report of the Paris > Collections was held up in Bermuda, his speed was dazzling. A quick splash > or two on the cutting board, a minute's juggling of the photostats, a > slather of art gum, and the sixteen pages were complete.
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Compared to The Surface of Behavior (1988), Meaningful Work (1991) demonstrates the versatility in Gurney's style which she maintains from piece to piece by using Cibachromes, photostats, plexiglass, and duratrans from photographer Robert Flack. With its multitude of elements, this piece emulates a collage effect. While Gurney does not necessarily intend to create a collage of images by using a layering technique in this piece, the images side by side create the same sense of collaboration.
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Each set also contains background articles on the artists, essays, and previously unpublished art. The artwork of most of the Stanley-drawn stories in the books, however, was "crudely trace[d...]as photostats for them did not exist." The contents of the books were later scanned and republished (minus background material) as the first 18 volumes of Dark Horse Comics' Little Lulu reprint series, which then continued on in full colour, reprinting Little Lulu comics that Another Rainbow had not managed to get to.
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Naudé asked Geyser for his advice because the anti-apartheid stance of the Christian Institute was increasingly at odds with his membership of the Broederbond. To help Geyser understand the tensions between these two loyalties Naudé provided Geyser with a number of secret Broederbond documents which included minutes of meetings and the names of members of the Broederbond. Unknown to Naudé, Geyser (who was a keen amateur photographer) made photostats of the documents before returning them. Geyser's advice was crucial in Naudé's subsequent decision to resign from the Broederbond.
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James applied for his candidacy at the Institute of Jesuit novices with a first certificate from Charles II himself,M. Pagnol obtained photostats of Charles II's letters through the archivist Father of the Gesù in RomeThe certificate of King Charles II ends with the words: "The 27th of September 1665. Written and signed by our hand, sealed with the ordinary stamp for our letters and in no other way." recognising him as his son the "Prince Stuart". In other letters, Charles II promised the throne to James and a generous reward to the Jesuits.
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In the 1930s, the Abraham Lincoln Association began collecting photostats of Lincoln documents and by 1945 began drafting plans that eventually culminated in The Collected Works of Abraham Lincoln, edited by Roy P. Basler, Marion Dolores Pratt, and Lloyd A. Dunlap. It was published in 8 volumes (plus an index) between 1953 and 1955, with two supplemental volumes published in 1974 and 1990. Basler’s Collected Works has become a standard resource for Lincoln and Civil War scholarship, but it suffers from limitations and omissions. Collected Works did not include incoming correspondence to Lincoln, which denies the reader important context.
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Thgrough his daughter Marion, he was a grandfather of former Director of Central Intelligence and United States Ambassador to Iran, Richard McGarrah Helms (1913–2002). In 1950, Helms published The Gates W. McGarrah Collection of Presidential Autographs, photostats of sixty-eight autograph letters of the presidents from George Washington through Theodore Roosevelt, assembled by McGarrah. Another grandson, World War II naval officer, Gates McGarrah Helms, was married to Mount Holyoke College graduate, Alberta Brantley Loughran, daughter of Roger Hall Loughran. Through his daughter Helen, he was a grandfather to three boys, Hugh Watson, David Watson and Michael Watson.
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In 1965, Gold Key Comics planned to reprint "Donald Duck and the Mummy's Ring", but found they were missing photostats of three of the pages, and the original art had been destroyed. The publisher asked Barks to redraw the three pages, and the story was published with the redrawn pages in Uncle Scrooge and Donald Duck #1 (Sept 1965). In 1984, when Another Rainbow published the collection The Carl Barks Library, they restored the three pages from the original comic using a computer. The three redrawn pages were also included in the volume, in a smaller size.
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Enlarged negative photostats on transparent film of facsimile of a 4-page recruitment brochure published by the Central Intelligence Agency (CIA) for its Clandestine Service. Teak frames with Plexiglas, 72" x 80" (4 panels). In the exhibition "Democracy and Politics," (1988) curated by Group Material at the Dia Art Foundation, New York."Democracy and Politics," Group Material, Dia Art Foundation (New York, 1988)Brian Wallis (ed.) "DEMOCRACY A Project of Group Material," Dia Art Foundation, Discussions in Contemporary Culture, Number 5 (Seattle, 1990) Photograph by the Margia Kramer. MIT IMG 0254(1) "Looking At Militarism" (1989).
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He supported his application with two certificates acknowledging him as "Prince Stuart", King Charles II's son: one from Charles II himself and the other from Queen Christina of Sweden. Other letters from Charles II arrived at the Institute:Pagnol obtained photostats of Charles II's letters through the archivist Father at the Church of the Gesù in Rome Shortly after James's arrival, Father Olivia thus learned that the King was preparing to convert to Catholicism, and that he could only count on his son to convert him as soon as he was ordained as a priest. Charles II promised the throne to James and a generous reward to the Jesuits.
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He continued with an impromptu art education in December 1949Heck in when at the recommendation of a college friend he landed a job at Harvey Comics, repurposing newspaper comic strip Photostats into comic-book form — including the work of Heck's idol, famed cartoonist Milton Caniff. Heck remained at Harvey, where one co-worker in the production department was future comics artist Pete Morisi, for two-and-a-half years until a Harvey employee, Allen Hardy, broke off "to start his own line, Media Comics [sic; actually Comic Media], in 1952," Heck recalled in 1993. "He called me up and asked me to join."Heck, Comics Scene #37, p.
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The Heyworth-Dunne papers at the Michigan Islamic Manuscripts Collection in Ann Arbor, in addition to collections of Abdul Hamid, Tiflis, Yahuda, and McGregor, constitute the majority holdings of Islamic material held by the M.I.M.C. The university acquired his personal collection of almost exclusively Arabic texts in 1950. The collection of his papers (1919-49) at the Hoover Institution on War, Revolution and Peace- now the Hoover Institution Archives at Stanford University, California- comprises six boxesPreliminary Inventory to the James Heyworth-Dunne papers of studies, notes, photostats, manuscripts, correspondence, etc., dealing with history, philosophy, literature, education and religion in Egypt, the Arab world and Turkey.
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Shortly thereafter, he served in the Korean War, first in California, then Japan, and finally Korea. LeWitt moved to New York City in 1953 and set up a studio on the Lower East Side, in the old Ashkenazi Jewish settlement on Hester Street. During this time he studied at the School of Visual Arts while also pursuing his interest in design at Seventeen magazine, where he did paste-ups, mechanicals, and photostats. In 1955, he was a graphic designer in the office of architect I.M. Pei for a year. Around that time, LeWitt also discovered the work of the late 19th-century photographer Eadweard Muybridge, whose studies in sequence and locomotion were an early influence.
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"In the course of my patent work," wrote Carlson, "I frequently had need for copies of patent specifications and drawings, and there was no really convenient way of getting them at that time." At the time, the department primarily made copies by having typists retype the patent application in its entirety, using carbon paper to make multiple copies at once. There were other methods available, such as mimeographs and Photostats, but they were more expensive than carbon paper, and they had other limitations that made them impractical. The existing solutions were 'duplicating' machines—they could make many duplicates, but one had to create a special master copy first, usually at great expense of time or money.
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Egbert's oldest brother was Clerk of the New York State Senate, Robert Benson (1739–1823), father of his namesake, Egbert Benson. According to manuscripts and notes found in the Arthur D. Benson manuscript collection at Queens Library, Benson's name was engraved on a bronze tablet on the Butterick Building on 6th Avenue and Spring Street in New York City; this tablet was placed there by the Greenwich Village Historical Society. Hevelyn D. Benson, great-grandnephew of Egbert Benson, sent Jerome D. Greene, director of Harvard's Trancentanery, seven photostats concerning Egbert Benson.Arthur D. Benson Genealogical Notes and Correspondence Concerning Egbert Benson and the Benson Family 1938 Control, manuscript collection finding aid, Archives at Queens Library: "Correspondence" Folder: 179/1 1938-1939: Benson, Hevlyn Dirck.
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During a story meeting on January 15, 1948, the cat-and-mouse sequences began to grow into an important element in the film so much that Disney placed veteran story artist Bill Peet in charge of the cat-and-mouse segments. By the late 1940s, Disney's involvement during production had shrunken noticeably. As he was occupied with trains and the filming of Treasure Island, the directors were left to exercise their own judgment more on details. Although Disney no longer held daily story meetings, the three directors still communicated with him by mailing him memoranda, scripts, Photostats of storyboards, and acetates of soundtrack recordings while he was in England for two and a half months during the summer of 1949.
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Kramer presented these original FBI and CIA documents to the public in her art works, exactly as they were released to her, including redactions, and unchanged in text and format. To underscore the inherent repressiveness of the official government documents' deletions and redactions, Kramer's creative process included enlarging or reducing their scale, shifting their positive/negative ratios (documents were made into negatives and enlarged), and changing the materials upon which they were printed from paper to transparent film.Lippard, Lucy R. "A Different War, Vietnam in Art," (Whatcom Museum of History and Art, Seattle, 1990), p.111,114 Kramer transformed the hieratic, primary materials into installations of giant negative photostats on transparent film that were suspended on threads from ceilings to cast shadows on surrounding walls.
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For magazines, newspapers, and other recurring projects, often the boards would be pre-printed in this color. Other camera-ready materials like photostats and line art would also be prepared with adhesive and attached to the boards. Continuous-tone photographs would need halftoning, which would require black paper or red film (which photo-imaged the same as black) to be trimmed and placed on the board in place of the image; in the process of creating the negative film for the printing plates, the solid black area would create a clear spot on the negative, called a window. The photographs would be converted to halftone film separately and then positioned in this window to complete the page (although this process was typically performed by a different worker, known as a negative "stripper").
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It was also learned that Tannebaum, who had not examined the manuscript but relied instead on photostats, had compared the section with writing Forman had done ten years earlier instead of using a control from the same period. Finally, the record Halliwell had found identifying Black as the librarian that had made a transcript of the Forman manuscript for Collier in 1832 was rediscovered, confirming that Collier never had access to the manuscript.Altick, Richard D. The Scholar Adventurers, Columbus: Ohio State UP, 1950, 1987: 155-159; Wilson, J. Dover, and R. W. Hunt. "The Authenticity of Simon Forman's Bocke of Plaies" in Review of English Studies 23 (July 1947), 193-200; Halliday, F. E.. A Shakespeare Companion 1564-1964, Baltimore: Penguin, 1964: 109, 173. Most modern scholars accept the section as authentic,Schoenbaum, S. William Shakespeare: Records and Images, New York: Oxford UP, 1981, pp.
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The Einsatzgruppen Operational Situation Reports (OSRs), or ERM for the (plural: Ereignismeldungen), were dispatches of the Nazi death squads (Einsatzgruppen), which documented the progress of the Holocaust behind the German-Soviet frontier in the course of Operation Barbarossa, during World War II. The extant reports were sent between June 1941 and April 1942 to the Chief of the Security Police and the SD () in Berlin, from the occupied eastern territories including modern-day Poland, Belarus, Ukraine, Russia, Moldova, and the Baltic Countries. During the Nuremberg War Crimes Trials the originals were grouped according to year and month and catalogued using a consecutive numbering system, as listed in the below table. The original photostats are held at the National Archives in Washington D.C..Yitzhak Arad, with Shmuel Krakowski and Shmuel Spector (1989), The Einsatzgruppen reports: selections from the dispatches of the Nazi Death Squads’ campaign against the Jews July 1941-January 1943, New York, N.Y.: Holocaust Library. Edition details.
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Ideally there would be a five-week lead time between press day (the date on which all text and artwork was handed over to the printer) and the cover date (the day on which the magazine went on sale to the public). This five-week period allowed time for the typesetters to set the text copy, and for the planners to produce a visual "dummy" (an exact-size page-for-page mock up of what the magazine will look like, having followed the designer's layouts). This "dummy" is put together from cut-and-pasted pieces of paper that show all the pictures scaled to their correct size (using what used to be called "photostats") and with text and headings in their correct positions. The dummy is sent to the publisher for the editing staff to re-read the copy, to make sure there are no mistakes, and to make any changes necessary.
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