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"womanliness" Definitions
  1. ways of behaving, dressing, etc. that people think are typical of or very suitable for a woman

36 Sentences With "womanliness"

How to use womanliness in a sentence? Find typical usage patterns (collocations)/phrases/context for "womanliness" and check conjugation/comparative form for "womanliness". Mastering all the usages of "womanliness" from sentence examples published by news publications.

"… He really celebrated my womanliness and my body," said Shields.
It implies that our womanliness is diseased, not our bodies.
Their dress, their behavior, their inherent womanliness are all stumbling blocks for hapless men.
I feel good about my body, I like my womanliness, and I want a sports bra that doesn't hide that.
Avoiding major surgery made the most sense in my specific situation; that mastectomy would threaten my womanliness did not factor in.
Other recurring themes of her work include anthropomorphism, wild-haired womanliness, uncertain space, and the horse as a symbol of free sexuality.
This reaction gave Nesbit renewed admiration for Thaw; "you saw all that was best in him then, all the finer sides of him, all the womanliness in him," she wrote.
Thetis criticizes his "masculine" mannerisms and leaves him on Scyros to learn more about how to act in a womanly fashion.Heslin (2005). p. 126. Hence, this instruction on "womanliness" can be interpreted as insight into Rome's feminine world during Statius's lifetime.
Men were educated to become leaders of society and their own households. The government’s philosophy towards women was expressed with the slogan “good wife, wise mother”, which stressed women as caretakers and obedient wives. Women’s education focused on “womanliness” and preparation for marriage.
Caroline Sullivan in The Guardian noted its "uplifting sung-spoken pieces" and wrote, "It's Scott's warm womanliness over the whole album that makes it a must-hear."Sullivan, Caroline (June 24, 2011). "Jill Scott: The Light of the Sun – review". The Guardian. Retrieved June 25, 2011.
First used in the U.S. Navy, it was found in 1925 in Britain, too. With the Great Depression came the change to a feminine ideal of womanliness again. The waist line was put higher and the skirts became longer. In addition, the cut of women's clothes was more complex, which made a more elegant silhouette.
Some cultures view the vulva as something shameful that should be hidden. For example, the term pudendum, the Latin term used in medical English for the external genitalia, literally means "shameful thing". Positive views of the vagina use it to represent female sexuality, spirituality, or life, e.g. as a "powerful symbol of womanliness, openness, acceptance, and receptivity ... the inner valley spirit".
Femininism is the promotion or appreciation of femininity or "womanliness", and is the direct counterpart to masculinism. The concept originates as far back as the 19th century. It is a philosophy of elevating and attempting to live by traits or virtues that accentuate the femininity of women, while still supporting intellectual equality between the sexes. It is acceptance of womanhood as strength.
Often they conflate images of womanliness with images of death, as in Frisch's take on the Don Juan legend: "The woman reminds me of death, the more she seems to blossom and thrive"."Das Weib erinnert mich an Tod, je blühender es erscheint."Max Frisch: Don Juan oder Die Liebe zur Geometrie. In: Gesammelte Werke zeitlicher Folge (Collected edition, chronologically sequenced).
Varied notions of femininity and womanliness are examined through this medium. Uberoi's work joins a number of emerging discourses on the print economies and varied interpretations of calendar art. The iconography of the baby or child in calendar art is also noted in the book. Babies are variedly represented as the God-Baby, the Welcome Baby, the Hero Baby, the Citizen Baby, and the Customized Baby.
In his book, In Darkest Africa, Stanley described meeting a "pygmy" couple. Stanley writes of them: "In him was a mimicked dignity, as of Adam; in her the womanliness of a miniature Eve". In 1906, a Congolese "pygmy" Ota Benga, was exhibited, among apes, at the Bronx Zoo in New York City. According to The New York Times, Ota was 4 feet and 11 inches.
Venus with a Mirror ( 1555) by Titian, showing the goddess Venus as the personification of femininity. Femininity (also called womanliness or girlishness) is a set of attributes, behaviors, and roles generally associated with women and girls. Although femininity is socially constructed, research indicates that some behaviors considered feminine are biologically influenced. To what extent femininity is biologically or socially influenced is subject to debate.
Lisa Appignanesi and John Forrester, Freud's Women (London 1993) p. 359 Her account of "womanliness" as a masquerade was taken up by Lacan as part of his exploration of The Imaginary and The Symbolic: 'a term which I have not introduced, but of which one female psycho-analyst has pin-pointed the feminine sexual attitude – the term masquerade '.Jacques Lacan, The Four Fundamental Concepts of Psycho -Analysis (London 1994) p.
Florence Collins Porter, from the Library of Congress. Porter attended the World Congress of Representative Women in 1893, where she gave a paper titled "The Power of Womanliness in Dealing with Stern Problems." For her, those "stern problems" facing women included temperance and suffrage. She joined the Woman's Christian Temperance Union, and was a national officer in the offshoot Nonpartisan Woman's Christian Temperance Union when it was founded in 1888.
In December 1870, Cutler spoke several times in Lincoln, Nebraska while on her way to California. "Her womanliness and logic won and convinced her hearers",Stanton, History of Woman Suffrage, Volume III, p. 675. but didn't result in the formation of a local woman suffrage organization until Susan B. Anthony came through later that winter.Women on the Rails: Nebraska Suffragists and the Railroad. Extract from History of Woman Suffrage, Vol. 3.
In the years after its founding, HA continued to grow. In 1927 the BVMs dedicated an imposing new building on the school's original site. From its beginnings, HA established strong academic and religious education programs that included four years of English, Latin, science, history, and fine arts. Reflecting the times, emphasis was placed on teaching patriotism, social service, and a concern for the development of "womanliness" and the social graces.
Women must "'masculinize' their spectatorship" to avoid masochism (from over-identification) or narcissism (from becoming their own object of desire), and because of this, Doane claims "womanliness is a mask which can be worn and removed". Doane has also written, published, and co-edited numerous other articles and books, including The Desire to Desire: The Woman's Films of the 1940s and The Emergence of Cinematic Time: Modernity, Contingency, the Archive.Doane, Mary Ann (2002).
The bronze bust was sculpted by Arnold Rechberg and cast by the Rudier Foundry in France. The pedestal is inscribed on the front: "William Lisle Blenkinsopp Coulson, 1841–1911. Erected by public subscription in memory of his efforts to assist the weak and defenceless among mankind and in the animal world." On the back of the pedestal is inscribed a quotation from Coulson: > What is really needed is an all round education in the higher impulses, true > manliness and womanliness, justice and pity.
The chief characteristics of her poetry are natural melody, smoothness of versification and exalted sentiment, the expression of a mind filled with refined and uplifting thoughts. Her spirituality was pronounced, and an abiding faith in a supreme wisdom, whose dictations proceed from infinite love, carried many a message of comfort to sorrowing hearts, and inspired strangers to become her grateful friends. This quality of sympathy and understanding of others' trials and sorrows is peculiar to her verse and to the earnest sincere womanliness of the woman herself.
Author Denise Linn stated that the vagina "is a powerful symbol of womanliness, openness, acceptance, and receptivity. It is the inner valley spirit." Sigmund Freud placed significant value on the vagina, postulating the concept that vaginal orgasm is separate from clitoral orgasm, and that, upon reaching puberty, the proper response of mature women is a changeover to vaginal orgasms (meaning orgasms without any clitoral stimulation). This theory made many women feel inadequate, as the majority of women cannot achieve orgasm via vaginal intercourse alone.
" She explained, "The stale, worn-out argument that higher education detracts from womanliness has lost its force... Everywhere one sees high bred women in careers. Independence is one of the highest attributes of womanhood. The Conway Institute Class of 1891 By 1884, the school had expanded to 250 pupils, leading to the incorporation of the school and its naming of the Clara Conway Institute. The Board of Trustees included some of the most influential businessmen in the city, and by 1888, the school had over 300 young women enrolled and 26 faculty members.
Spiritual conflict is not, as so often appears, between the ways of God and the ways of this world, but between the seed of the serpent and the seed of the woman (38.13). The woman is Eve, the first woman. The serpent is the reprobate angel who "was thrown down into this perishing world, where his desired kingdom of god-like government was prepared for him" (5.19). Eve was defiled by the serpent entering into her private parts there to make an end of himself by mixing with her womanliness and to launch a new career of evil in this world.
35n and when in her paper on "Hate" she wrote of 'an elation which is pleasurable on overcoming an obstacle, or on getting one's own way'Melanie Klein/Joan Riviere, Love, Hate and Reparation (New York 1964) p. 5 she may (as so often) have been rooting her comments in personal experience. As well as translating Freud's work, Riviere published several seminal works of her own. In 1929 she published "Womanliness as a Masquerade" in which she looks at an area of sexual development of intellectual women in particular, where femininity is a defensive mask that is put on to hide masculinity.
Aisha Matthews tackles the effects of institutional structures that oppress woman and womanhood and connects those to the themes present in The Handmaid's Tale. She first asserts that structures and social frameworks, such as the patriarchy and societal role of traditional Christian values, are inherently detrimental to the liberation of womanhood. She then makes the connection to the relationship between Offred, Serena Joy, and their Commander, explaining that through this "perversion of traditional marriage, the Biblical story of Rachel, Jacob, and Bilhah is taken too literally." Their relationship and other similar relationships in The Handmaid's Tale mirror the effects of patriarchal standards of womanliness.
Schiebinger argues that it was the attempt to define the position of women (especially white middle- class women) in European society at large and in science in particular that spawned the first representations of the female skeleton. Great debate arose over the particular strengths and weakness of these female skeletons, focusing in particular on depictions of the skull as a measure of intelligence and pelvis as a measure of womanliness. After the 1750s, the anatomy of sex difference provided a kind of bedrock upon which to build natural relations between the sexes. The seemingly superior build of the male body (and mind) was cited to justify his social role.
Carmen was discovered at sixteen working in a Kings Cross pizza bar and cast as the "wild and haunted" Freya Olson in John Duigan's The Year My Voice Broke (1987). Her performance, and that of her co-stars Noah Taylor and Ben Mendelsohn, was described as "deeply memorable, central characters [that] are played by a trio of fine actors in the formative stages of their careers". She was nominated for an Australian Film Institute Best Actress award for her role as Freya, 'arguably one of Australian cinema's most finely developed female characters, evoking the subtle shades of a burgeoning womanliness.' Ben Mendelsohn calls it 'one of the greatest films I have made'.
While watching Shinjuuten no Amijima, Kaname takes particular notice of the character Koharu—the doll that becomes the very Form of what Kaname thinks women should be (later to be replaced by Ohisa). The conception of womanliness that Koharu inspires in Kaname is what lies at the heart of his Madonna-Harlot conflict, what makes him attracted both to an image of the Virgin Mary and to Hollywood movie stars: he isn’t interested in real women at all, but in idealized forms of them: women who can be appreciated from afar for what they represent, not for who they are. And dolls encapsulate this perfectly, being masterfully sculpted, subtle in their beauty, and silently manipulated by men.
In 1865, she left the Cincinnati Female Seminary to become the Chair of Chemistry and Toxicology at the Woman's Medical College of Pennsylvania, where she would spend the rest of her career. She was the first woman to hold the title Professor of Chemistry at a medical school, the first female chemist on the faculty, and the first faculty member appointed from outside Philadelphia. Bodley brought a science-focused approach to teaching her students in medicine, emphasizing the science of medicine rather than the art of medicine. Bodley stressed attention to detail and use of facts, logic, and solid arguments to her students rather than intuition, "womanliness", and emotion, the latter of which was common in medical instruction at the time.
Conversely, in certain cultures which link family honor with female virginity, the word girl (or its equivalent in other languages) is still used to refer to a never- married woman; in this sense it is used in a fashion roughly analogous to the more-or-less obsolete English maid or maiden. There are various words used to refer to the quality of being a woman. The term "womanhood" merely means the state of being a woman, having passed the menarche; "femininity" is used to refer to a set of typical female qualities associated with a certain attitude to gender roles; "womanliness" is like "femininity", but is usually associated with a different view of gender roles. "Distaff" is an archaic adjective derived from women's conventional role as a spinner, now used only as a deliberate archaism.
In some cultures, nail art can be tied to the concept of femininity and the sense of belonging in a group of females. Nail art is also a way to create its own identity through fashion, using colours and shapes as a disruption of childhood and entering to the female teen/adult world, also leaving the influence of their parents to create their own selves. The nail is also part of the puzzle of mounting the gender identity, the nails for teenagers and adult women represents a piece of the symbol of what is a woman and how the woman should present herself. Though the women use nail art to express their womanliness, the different types of art define as a woman with particular personality, as using French manicure (delicate) or using black nails (aggressive).
Budgeted at over US$125 million, the film grossed a modest US$238 million internationally and is often considered one of the worst films of all time. Thurman's performance, however, was largely highlighted upon the film's premiere; the Houston Chronicle remarked that "Thurman [...] sometimes seems to be doing Mae West by way of Jessica Rabbit", and a similar comparison was made by The New York Times: "[L]ike Mae West, she mixes true femininity with the winking womanliness of a drag queen". She obtained a Blockbuster Entertainment Award for Best Sci-fi Actress and was also nominated for Favourite Movie Actress at the Kids' Choice Awards. In 1998, she starred as a British secret agent in The Avengers, another financial and critical flop; CNN described her as "so distanced you feel like you're watching her through the wrong end of a telescope".

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