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12 Sentences With "shapeliness"

How to use shapeliness in a sentence? Find typical usage patterns (collocations)/phrases/context for "shapeliness" and check conjugation/comparative form for "shapeliness". Mastering all the usages of "shapeliness" from sentence examples published by news publications.

He spoke of my toes in particular: their contours, shapeliness and perfection.
In the 403th century, portraits of women showing off their newfound shapeliness were not uncommon.
It would not want a doll with a teen-age body — a bust and such shapeliness.
An Iyer improvisation has a shapeliness that involves holding in mind possible serial forms and evoking them.
Indeed, a pervasive danciness, a rhythmic shapeliness even in slower moments, is a mark of a good performance.
Stedman, p. 157 One critic wrote that, although the piece was now more successful, it was hardly worthwhile to revise the piece: "It can never hope ... to occupy a place with its author's best work having neither the strength nor the shapeliness of the plays by which Mr Gilbert is known and judged."Knight, p. 213 Other reviews criticised Gilbert for his "failure... to acknowledge the public verdict".
The Zimba, elevation , is the most familiar mountain in the Austrian mountain range called Rätikon. Located in the hinterland of Bludenz, this horn is the landmark of Montafon valley and especially of the main village of Schruns. Three ridges and three walls emphasize the shapeliness of the form. The eastern ridge is one of the most familiar climbing routes of the whole Rätikon range, but the normal way leads along the western ridge.
Camille Paglia, who called the poem "the greatest poem of the twentieth century," and said "all human beings, like Leda, are caught up moment by moment in the 'white rush' of experience. For Yeats, the only salvation is the shapeliness and stillness of art." See external links for a bas relief arranged in the position as described by Yeats. Nicaraguan poet Rubén Darío's 1892 poem "Leda" contains an oblique description of the rape, watched over by the god Pan.
Lyric Essay is a literary hybrid that combines elements of poetry, essay, and memoir. The lyric essay is a relatively new form of creative nonfiction. John D’Agata and Deborah Tall published a definition of the lyric essay in the Seneca Review in 1997: "The lyric essay takes from the prose poem in its density and shapeliness, its distillation of ideas and musicality of language." A forerunner of the lyrical essay is Truman Capote, author of In Cold Blood (1966), a book which introduced the nonfiction American novel.
The Landau-Unger Company was sold to Commonwealth United Corporation in 1967, at which time he was named president and CEO. In 1970, he compiled and produced the 185-minute television documentary King: A Filmed Record... Montgomery to Memphis, an account of the public career of the Rev. Dr. Martin Luther King, Jr. The documentary was praised as achieving a density and shapeliness that would be rare in any movie, let alone a documentary committed to the sequence of actual events. Always interested in adapting theatrical productions to film, he founded the American Film Theatre in 1972 to make movies of distinguished (mainly American and British) plays.
"Review of Allman's Curve Away from Stillness, Beloit Poetry Journal, Vol. 40, No. 1, pp. 36–38. "Allman uses the formal powers of verse to bring shapeliness and elegance to the random mess of his own remembered experience.... Loew's Triboro is an eloquent meditation on the way mind, body, language, and desire get infused with the ghostliness of popular culture, stories and pictures inhaled in the dark.;" ––Michigan Quarterly Review "[Allman] handles his narratives the way somebody might set about untying a formidably knotted piece of rope, grabbing hold of an end and following it back and forth, under and over as it twists and turns on itself, but never losing sight of the fact that the thing is finally, all one piece.
These ' resemble sirens defeated by Odysseus to such a degree, "Homeric influence" is plainly evident. The medieval scribes of ' eschewed physical descriptions. However, Michael O'Clery's 17th century recension of the Book of Invasions interpolated a decidedly half-fish half-female depiction of the ' in his copy of the ': > In this wise are those seamonsters, with the form of a woman from their > navels upwards, excelling every female form in beauty and shapeliness, with > light yellow hair down over their shoulders; but fishes are they from their > navels downwards. They sing a musical ever-tuneful song to the crews of the > ships that sail near them, so that they fall into the stupor of sleep in > listening to them ; they afterwards drag the crews of the ships towards them > when they find them thus asleep, and so devour them...

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