". The ship rises a few inches and the astronaut "strokes it absentmindedly, almost voluptuously.
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"I don't think that I am the right person to voluptuously and elaborately decorate," he said.
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This Barbera is voluptuously spicy, carnal, and blood-red, but there's a certain lightness to its density.
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The conductor Philippe Jordan presided over the orchestra, where he whipped up voluptuously sulfurous playing from the Met players.
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The form is even more voluptuously material from behind, where the figure of Madame Noblet has all but disappeared.
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Here he has created a restaurant that is handsome and comfortable, with plenty of polished wood and voluptuously cushioned chairs and banquettes.
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It's also our preferred loaf for grilled cheese, where its slight sweetness makes a nice contrast to the extra-sharp aged Cheddar melting voluptuously inside.
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In each of the works, the carefully cut canvas drapes voluptuously to evoke a womb-like space that is decorated with cross-stitching of flowers.
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Add some tinned mackerel, a pint of tangy chicken adobo or voluptuously offal-tastic dinuguan, and a vividly purple ube cake for breakfast in the morning.
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This jumble of onions, tomatoes, cilantro, French fries and thick, soy-marinated beef tenderloin slices makes a voluptuously good taco when pinched inside a thin, crisp-edge scallion crepe.
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In the voluptuously disorienting music she has been releasing since 2012, love has been pleasure and pain, sacrifice and self-realization, strife and comfort, public performance and private revelation.
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She couldn't remember the last time she had lain down to read during the day—it was like being a teen-ager, time stretching out voluptuously in all directions.
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Born in the 1930s, Betty Boop made a name for herself as a rebellious, if voluptuously drawn through a male-gaze, female personality that's endured for the last 88 years.
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The faith in that future might now count as an object of nostalgia in its own right, and it's hard to deny that Visconti offers 21st-century audiences a banquet of voluptuously old-fashioned delights.
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His subsequent features were increasingly sex-obsessed and even pornographic — the relatively staid "Goto" is a voluptuously shabby Punch and Judy show anticipating the work of the Brothers Quay or the great Czech animator Jan Svankmajer.
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"The Omen," in addition to being a voluptuously silly horror movie, was a statement on the horrors of modern parenting: The Antichrist was a thoroughly human monster child, driving his helpless, guilty parents to seek psychiatric help.
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" Roast pigeon she sets great store by, as a recipe she used to "route" the proverbial wolf from the door, "because of the impertinent recklessness of roasting a little pigeon and savoring it recklessly and voluptuously too.
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"In the voluptuously disorienting music she has been releasing since 2012, love has been pleasure and pain, sacrifice and self-realization, strife and comfort, public performance and private revelation," wrote Jon Pareles in The New York Times.
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In a video of the maiden voyage, shown on a nearby wall, Lady Gaga, wearing white vinyl boots and a white helmet, steps into a voluptuously contoured torso of molded white fiberglass attached to a small platform.
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Scenes of Armando drilling dentures make you think of mouths, and the images of two sets of prosthetics, one being repaired, the other a loathsome facsimile of rotten teeth, are played off against shots of Elder's voluptuously puffy lips.
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"Where Dessert Is Much More Than an Afterthought," by Tejal Rao At Birdie G's, this fat, enchanting rose-petal pie was a real beast of a slice, wobbling exuberantly, but it wasn't nearly as sugary, or as voluptuously floral, as it first appeared.
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This willingness to mix pattern and color, layer voluminously and wallow voluptuously in the past — even when it means grappling (or not) with Orientalist fantasies and colonialism — makes the droll optimism of this cabal's unmistakably English work, which spans houses, hotels and London's proliferating members' clubs, seem paradoxically modern.
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Face in the Crowd At the Calvin Klein Collection show on Thursday, there was Margot Robbie, the Hollywood siren — so voluptuously gorgeous that when she appeared as herself in "The Big Short," she was shown sipping Champagne in a bubble bath — demurely attired in a coat, trousers and turtleneck sweater.
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The siren call of the pool runs deep: Impossibly blue from the sky's refracted light, it is a watery cinematic paradise in which Hollywood stars communed with marble beauties — shapely nymphs, mermaids with pageboy hairdos and Venus rising voluptuously from a conch shell held by musclebound mermen — the statues positioned just so, so the water laps at their perfect Carrara derrières.
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Dennis Kardon (born 1950) is an American painter based in Brooklyn, New York. The New York Times' Ken Johnson has described Dennis Kardon's paintings as "generously painterly, voluptuously creepy narrative pictures of familial conflict, sexual angst and infantile yearning." Kardon's work has been exhibited widely in the United States and abroad.
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The first season received mixed reviews from critics. Review aggregator Metacritic calculated a score of 56/100 based on 27 reviews. Glenn Garvin of the Miami Herald said of the series: "The sordid ugliness that festers inside Magic City's voluptuously beautiful wrappings makes irresistible television." The Contra Costa Times’ Chuck Barney praised the cast and visual style.
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Marie Laurencin's decor, according to Garafola, had "the same ambiguous blend of innocence and corruption" as the ballet. It opens in a flood of pink light that is "voluptuously feminine". A host of taboos are explored: "narcissism, voyeurism, female sexual power, castration, sapphism". Garafola a few pages earlier mentions the career importance of her years in Kiev "fired by the Revolution's brave new art".
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The pilot has received mixed to positive reviews from critics. Review aggregator Metacritic, which assigns a rating out of 100 of reviews from mainstream critics, calculated a score of 56 based on 27 reviews. Glenn Garvin of the Miami Herald said of the series "The sordid ugliness that festers inside Magic City's voluptuously beautiful wrappings makes irresistible television." The Contra Costa Times' Chuck Barney praised the cast and visual style.
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The Lady Godiva Clock in Coventry displays her naked ride through the city and Peeping Tom's voyeurism. The Herbert Art Gallery and Museum in Coventry maintains a permanent exhibition on the subject. The oldest painting was commissioned by the County of the City of Coventry in 1586 and produced by Adam van Noort, a refugee Flemish artist. His painting depicts a "voluptuously displayed" Lady Godiva against the background of a "fantastical Italianate Coventry".
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Nina is the voluptuously alluring girlfriend of Johnny, a charming but delusional crook. To escape from her life with Johnny she casually sleeps with an old friend, Teddy. One night after an argument with Johnny, she storms home where she is abducted by a pair of thugs but is rescued by a beautiful and timid girl, Monella. Together Nina and Monella begin an erotic and passionate relationship that leads to a plot to steal Johnny's drug stash hidden in a safety deposit box.
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Debussy had insisted that his music should be the servant of Maurice Maeterlinck's text, and had practised an aesthetic of "Gallic restraint and understatement". Karajan had brazenly betrayed the composer with "a voluptuously lush orchestral sound that, ravishing as it is, ... again and again boils over in a scarcely containable ecstasy". The engineering of the album was marred by several instances of erratic balancing and a general "kind of patina ... which acts like a dark varnish on a painting". The album remained as controversial and as thought-provoking as it had been when first released.
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In the following episode "Home Is the Sailor" (episode 122, 1987), Sam sells Cheers to the Lillian Corporation six months before the episode and later returns to the bar to work under employment of the "voluptuously beautiful" new manager, Rebecca Howe. Within this period, Sam constantly flirts with and attempts to seduce Rebecca, but she rejects all of his advances. In "Cry Harder" (episode 194, 1990), Sam is able to buy back the bar from the Lillian Corporation after Sam has saved the corporation from financial victimization by Robin Colcord (Roger Rees), Rebecca's lover.
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" Arion Berger, writing for Entertainment Weekly, felt that Funky Divas "delivers flirtatious R&B; set to a mechanized beat [...] The four sweet-voiced members of En Vogue are versatile enough to handle reggae-, gospel- and doo-wop-tinted dance music with game if not very deep enthusiasm. Still, Funky Divas has an awkward charm." In her uneven review for Rolling Stone journalist Danyel Smith wrote that "En Vogue come off, on Funky Divas, as voluptuously voiced and impeccably rehearsed as they did on their 1990 debut, Born to Sing. But the audacious production that outfitted Dawn, Terry, Cindy and Maxine has not found its way to 1992.
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Howard Thompson of The New York Times said it was basically a movie that involved "mostly a voluptuously drawn Cleopatra and a bevy of cuties that trot around bare breasted", but praised it for the "lavish backgrounds" and imagery. Variety called the movie "partly sophomoric", with "emphasis on vulgar low comedy", but praised it for having "good animation and color." books.google.com Retrieved 18 April 2020 Cleopatra was not submitted to the MPAA, and may not have received an X-rating if it had been. It is currently unknown if an English dub actually exists or not; however people who claim its existence say that the English dub has since been lost.
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Erwin Zijleman for the Dutch website De krenten uit de pop, described the album as "the best roots album I have heard for ages" and "the third of Melissa Greener's highly addictive catalog... Melissa Greener's voice has no equal". Germany's Wasser-Prawda – Musik under Meer (Music and More) cultural magazine praised Greener's "voluptuously arranged folk poems", helping you paint a "dreamy atmosphere". One minute you are "in the middle of a Mexican fiesta"; the next, you are forty miles out of Jackson pondering the meaning of a broken love affair. Italy's Roots Highway described Transistor Corazón as "a classic product of the new independent roots music" and Melissa Greener as "an artist who is certainly finding her own way".
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His admirers praised him for thinking "on his pulses", for having developed a style which was more heavily loaded with sensualities, more gorgeous in its effects, more voluptuously alive than any poet who had come before him: "loading every rift with ore".Keats Letter To Percy Bysshe Shelley, 16 August 1820 Shelley often corresponded with Keats in Rome and loudly declared that Keats' death had been brought on by bad reviews in the Quarterly Review. Seven weeks after the funeral he wrote Adonais, a despairing elegy,Adonais by Shelley is a despairing elegy of 495 lines and 55 Spenserian stanzas. It was published that July 1820 and he came to view it as his "least imperfect" work.
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Apart from Justified Sinner, which even his detractors acknowledged as unusually powerful (and often attributed to someone else, usually Lockhart), his novels were regarded as turgid, his verse as light, his short tales and articles as ephemera. James Hogg monument at St Mary's Loch by Andrew Currie This situation only began to change in 1924, when the French writer André Gide was loaned Justified Sinner by Raymond Mortimer. Gide was amazed, writing that "It is long since I can remember being so taken hold of, so voluptuously tormented by any book." Its republication in 1947, with an enthusiastic introduction by Gide, helped bring about the modern critical and academic appreciation of this novel.
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Review aggregator website Rotten Tomatoes reported that 77% of 124 collected reviews for the film were positive, with an average score of 6.97/10. The site's consensus states "Director Gus Van Sant once again superbly captures the ins and outs of teenage life in Paranoid Park, a quietly devastating portrait of a young man living with guilt and anxiety." At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the film received an average score of 83 based on 27 reviews, indicating "universal acclaim". Manohla Dargis of The New York Times described Paranoid Park as "a haunting, voluptuously beautiful portrait of a teenage boy" and as "a modestly scaled triumph without a false or wasted moment".
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Anyone who was around at the time and concerned with what was called "post-war British art" will remember the painting called "A Family".'John Russell, 'Introduction', Dorothy Walker, Louis le Brocquy (Dublin: Ward River Press 1981; London: Hodder & Stoughton 1982), p. 9. Louis le Brocquy explains: 'I have always been fascinated by the horizontal monumentality of traditional Odalisque painting, the reclining woman depicted voluptuously by one Master after another throughout the history of European art - Titians' Venus of Urbino, Velázquez' Rokeby Venus turning her back on the Spanish Court, Goya's Maja clothed and unclothed, Ingres' Reclining Odalisque in her seraglio and finally the great Olympia of Édouard Manet celebrating his favourite model, Victorine Meurent. My own painting A Family was conceived in 1950 in very different circumstances in face of the atomic threat, social upheaval and refugees of World War II and its aftermath.
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Etty's alt=Large number of semi-naked people Etty exhibited the painting in February 1828 at the British Institution under the title of Venus Now Wakes, and Wakens Love. It immediately met with a storm of derision from critics for the style in which Venus was painted; one of the few positive reviews was that of The New Monthly Magazine, whose critic considered "the figure of Venus is delightfully drawn and most voluptuously coloured; and the way in which she awakens love, by ruffling the feathers of his wings, is exquisitely imagined and executed". The Times commented that "the drawing is free and flowing" and "the colouring, though rich, is perfectly natural", but felt that "the subject is, however, handled in a way entirely too luscious (we might, with great propriety, use a harsher term) for the public eye". The Literary Gazette conceded that the painting was "very attractive, especially in colour", but considered the painting's "voluptuousness" as "one of the most unpardonable sins against taste", and chided Etty's "careless" drawing, observing that "it is impossible that an artist who has for so many years, and so unremittingly, studied the living model, can err in that respect from want of knowledge".
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