Vamos a meter algunos versos aquí que se sientan como latigazos.
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En sus versos un hombre derruido vive su mala estrella en soledad.
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What's more, they all listed the same company, Frases & Versos, as their employer.
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"Soy constructor de casas y palacios", escribió Le Corbusier en uno de los últimos versos.
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Me gustaría escuchar esos versos, en catalán, de boca de Carles Puigdemont, el expresidente de la Generalitat autoexiliado en Bélgica.
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The setup is significant: paintings and sculptures are exhibited with their versos exposed, so that identifying marks and numbers are revealed.
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Al final, las dos mitades de la canción se mezclan, con los versos inaugurales encima del ritmo de marcha, lo cual oscurece aún más el tono.
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Sus versos se han vuelto más breves y furiosos (y ha dicho que no siempre los escribe él), además, sus mejores canciones funcionan principalmente en dimensiones viscerales y no textuales.
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"Selah" aumenta su intensidad hasta que West cita versos de la Biblia al ritmo de percusiones que suenan como puertas cerrándose, lo cual insinúa el estallido de un despertar religioso.
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En la mañana del 10 de mayo, Yazmin se encontraba en el cuarto de Mariee, leyendo la Biblia en su teléfono y escribiendo sus versos preferidos en un block de notas del hospital.
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The team dug deeper, looking into the managers of Frases & Versos, and found that they were connected with an entity called PCSD, which maintained a number of pages where Facebook users could buy and sell likes, shares, and even entire pages.
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Es una verdadera lástima que la temática "Free Winona" no traspasase el mundo de las camisetas, porque si lo mejor que pudimos sacar de ese robo son versos como "Winona Ryder no puede robar suficiente mierda como para hacer feliz a esa puta"... Quizá no valió la pena.
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Vitale ha recibido numerosos galardones y el Cervantes supone la consagración de su obra simbolista y política con versos brillantes como estos dedicados a Uruguay: "Todo aquí es palimpsesto, / pasión del palimpsesto: a la deriva […] Cuidado: / no se pierde sin castigo el pasado, / no se pisa en el aire".
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La nota incluye imágenes de los paisajes del Oeste estadounidense, así como videos de los participantes leyendo sus versos, dedicados al campo, a las labores agrícolas, al paso del tiempo: "El nuestro es un canto de trabajo / un canto de hacer, con las manos y el corazón", escribe la poeta Amy Hale Auker.
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En "Use This Gospel", una de las mejores del álbum, su propio canto entregado a la oración es una introducción a los versos consecutivos de The Clipse (Pusha-T y No Malice), los hermanos que no habían aparecido juntos en un disco desde hace diez años, cuando Malice encontró a Dios y se cambió el nombre.
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Some of the resulting versos speak of the distances the paintings travelled: featuring a neat cluster of international stickers on an otherwise clean back, Fernand Léger's "The Smokers (Les fumeurs)" (1911–1912) was an experienced voyager — especially compared to Henri Matisse's "The Red Studio" (1911), which rarely left the Museum of Modern Art (MoMA) as its blank reverse indicates, Muniz says.
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Volume 2 (1933): Passacalles, Paseos, several Tocatas, Xácara, misc. Pieces. Volume 3 (1936): Various genres. Volume 4 (1956): Various genres. 1 B- The following additional 5 volumes were edited by José Clíment, Barcelona: Biblioteca de Catalunya. Volume 5 (1986): Tientos 71–90; Versos for Magnificat, Pange lingua. Volume 6 (1989): Tientos 91-110 and miscellaneous Versos. Volume 7 (1992): Tientos 111–130; Versos for the Mass, for Marian festivals and for miscellaneous occasions. Volume 8 (2006): Tientos: 131–150; Duo de 1º Tom, Sacris Solemniis. Volume 9 (2008): Tientos: 151–168; Versos.
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Published works by Luis Sam-Colop include two poem collections, Versos sin refugio Luis Enrique Sam-Colop, Versos sin refugio (1980). 32 pages, in Spanish. and La copa y la raíz Luis Enrique Sam-Colop, La copa y la raíz. Editorial San Antonio, Guatemala (1979). In Spanish and K‘iche‘.
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Versos is the ninth album by the Portuguese music composer António Pinho Vargas. It was released in 2001.
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Modern compositions paying homage to the Baroque verso include Roberto Sierra (b.1953) 4 Versos for cello and orchestra.
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The verso is a genre in Iberian organ music, a local variant of the organ mass verset or alternatim.John R. Shannon -The Evolution of Organ Music in the 17th Century 0786488662 2012 - Page 282 "Verset (also verso): In the practice of alternation, a short section of music designed to substitute for a single passage of . " The most prominent examples of the verso or verset in Spanish Baroque organ music are the Versos tertii toni of Antonio Cabezón, and Verso para orquesta of Ignacio de Jerusalem with lesser known examples such as Versos de quatro tono of Carmelite friar Pedro Carrera y Lanchares and Versos de Kyrie of Portuguese composer Manuel Rodrigues Coelho. The vocal lines were not always sung, and today usually not performed or recorded.
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The books Socabón, Décimas Populares para Cantar (1959), Los Versos del Pueblo (1973) and Cantadera, 130 Décimas para Cantar (1995) have been used as references and inspiration to generations of décimas performers.
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A different chord is struck with Luis Hernando de Larramendi, the third in sequence from a dynasty of Carlist authors. Since his 40s he had been publishing poetic volumes;titled Horas vividas (1997), A fuerza de corazón, a fuerza de razón (2002) and Poemario de la luz (2006). Traditionalist zealJorge del Arco, Versos de ocasión, [in:] AndaluciaInformación service, available here is more than explicit in his latest collection, Fronda Carlista (2010), much of its content dedicated to Carlist kings and leaders.the volume is subtitled Versos hechos en honor de los reyes proscritos y sus paladines The current leader of Comunión Tradicionalista Carlista, Javier Garisoain, is also a poet; some of his poems advance explicit Carlist themes and threads.
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8- Archivo de la Catedral de Astorga (vide: Alvarez; 1970) Ms. with 55 peças: Francisco Andreu, Cabanilles, Juan Saló, Rafael Llistosellas, Fray Rafael Crest, Isidro Serrada, Nassarre, Pablo Rouxa, Sebastián Viladrosa, Francisco Llusá, J. Elias. 9- Biblioteca privada de moss. Cosme Bauzá, de Felanitx (Mallorca) Ms. núm. 2 with 2 versos from Pablo Bruna.
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Ambrosio Echemendia was a Cuban negro slave and poet. He authored poems such as Al Damují and Un incrédulo de mis versos in 1843. Accused of being involved in slave rebellions on the island, Cuba's white literary elite were so impressed by his verses that they raised $1000 to set him free in 1865.
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Her articles were published in newspapers and magazines of the time: Crítica, Noticias Gráficas, Clarín, La Nación, El Hogar, Caras y Caretas, Fray Mocho, Atlántida, as well as others. She published her first book of poetry, Versos de mujer, in 1922 at the age of 24, and two years later, published a second on, Rama frágil.
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Alexei Bueno, "Uma história da poesia brasileira ". G. Ermakoff Casa Editorial: 2007, pages 390 sqq. Others critics have expressed similar doubts about the reality of Tolentino's biographical claims,Wilson Martins, "Versos anacrônicos da militância tardia", O Globo , n.d.g. such as being advised to write in English by Samuel Beckett, given the quality of his writing in Portuguese.
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A large number of arms, including cannons and small arms, bowls and storage jars, surgical and carpentry tools, as well as wooden pieces of the hull and metal pieces from the rigging, have been recovered from the wreck. Arms on the ship included two bombardettas, fifteen versos (a type of breech-loading swivel gun), haquebuts, haquebuzes (a smaller type of arquebus), grenades, crossbows and quarrels, swords, daggers, breech chambers (powder cartridges) for the bombardetas and versos, shot molds and sheets of lead to be melted as needed to make shot. The wreck also contained many pot sherds from a variety of olive jars, escudillas (bowls) and lebrillos (basins) of styles typical of Spanish and Portuguese pottery of the late 15th and early 16th centuries. Some more crudely made vessels of uncertain provenance were also found.
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First edition Los versos del capitán is a book by the Chilean poet Pablo Neruda, winner of the Nobel Prize in Literature in 1971. It was published for the first time anonymously in Italy in 1952 by his friend Paolo Ricci. The book with his own name in it was first published in Chile, in 1963, with a note written by Neruda explaining why he used anonymity.
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In the book he tells the history of the group and its importance to Brazilian music. After Galvão released the book, the group reunited to record a new album, named Infinito Circular, recorded live at Metropolitan, Rio de Janeiro. In 2007, Moreira also published a book about the group. It was written as a cordel text and was named A História dos Novos Baianos e Outros Versos.
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In 1987 published the first book, "Limeriques", published by FTD, based on the Irish limericks. From this publication, Tatiana began to work feverishly on new creations, and wrote over a hundred works. Her publications are accompanied by several literary awards, including the renowned Jabuti Prize, received in 1989. From her vast work stand out "Coral dos Bichos", "Limeriques", "O Grande Rabanete", "Di-versos Russos", "Limerique das Coisas Boas," among others.
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Feinstein (2005) p. 290 A Chilean singer named Matilde Urrutia was hired to care for him and they began an affair that would, years later, culminate in marriage. During his exile, Urrutia would travel from country to country shadowing him and they would arrange meetings whenever they could. Matilde Urrutia was the muse for Los versos del capitán, a book of poetry which Neruda later published anonymously in 1952.
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She published two poetry books. Her first book, Corazón ombligo (Sistemas Editoriales, 2004) was illustrated by painter and sculptor from León, José Ramón Villa. Her second book of poems, Versos bipolares y otras criaturas luminiscentes (Ediciones Atlantis, 2009) whose prologue was written by Spanish singer and composer Joaquín Sabina. She took part in two poem anthologies published by Ediciones Atlantis: Tic-tac (2006) y Golpe a la corrupción (2013).
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He began his poetic work with El romancero de la novia (1920). After discovering the Chilean poet Vicente Huidobro, founder of the Creationist movement, Diego became one of the most enthusiastic followers of Creacionismo. The extensive poetic work of Diego has always varied between the themes and expressions of Vanguardism and the more classical structures of poetry. In 1925, he was awarded the National Prize for Literature for his book Versos humanos.
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" In 1994 she published Versos de escalera, and three years later she was honored with the Pablo Neruda Award. Since then she has continued to produce with her customary expressive quality. As points out, "the handling of the word and its manifestation, expressed in just and precise verses, in images of great beauty and intimacy. Isabel must be one of the poets who best develops her inner self without being unattainable in the understanding of her verses.
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She underwent a lung operation soon after, in 1995. Television specials, interviews and tributes were held. She released a new album with original recordings from the 1960s and 1970s, Segredo (1997), and a book of her poems, including the ones she had sung: Amália: Versos (1997). In 1998, Rodrigues was paid a national tribute at Lisbon's Universal Exhibition (Expo '98), and in February 1999 was considered one of Portugal's 25 most important personalities of the democratic period.
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In 1990 Fátima moved to Lisbon, where she believed she could better pursue a career as a fashion designer. With a friend she opened a boutique named "Versos", which sold mainly clothes from international designers. In 1992 the boutique changed its name to "Fátima Lopes" and in that year the Fátima Lopes brand was born. In September of the same year, she participated in a fashion show made in an old convent in Lisbon (Convento do Beato), where her work was widely applauded.
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In 2001, González returned to record a studio album, Árboles nuevos. In parallel, co- produced and played the Spanish guitar in Nunca el Tiempo es Perdido (2001) and Para que no se duerman mis sentidos (2004) with Manolo García. The latter album earned him the nomination of the Premios de la Música for "Best Music Arranger", shared with Manolo and Nacho Lesko. He collaborated with Serrat in Versos en la boca (2003), in which he performed as a flamenco guitarist.
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The text's editor, Christopher Tolkien, dates much of the composition and revision of the tale to the early 1940s on the basis of datable content on the versos of the manuscript leaves. The tale was actually accepted for publication in the forties by Gwyn Jones, who had already published "The Lay of Aotrou and Itroun" for Tolkien in The Welsh Review; but the collapse of the latter in 1948 prevented "Sellic Spell" from appearing for almost seventy years.J. Rateliff ed., Mr Baggins (London 2007) p.
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Urrea's short novels are used in the United States as reading material for bilingual middle graders. She is the author of “English for the Latin Student” and “Spanish for the Foreign Student” language textbooks, and of two books of poetry: “Versos Prohibidos” and “Historias familiares”. Urrea's multimedia lecture “The Goodness of Reading” has been presented in libraries and schools around the world. Urrea's writing depicts her vast traveling and her desire to give children a glimpse of the diversity of cultures in the world.
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Ako'y mumunting lumot sa iyo'y pupulupot ." Translation: "Oh be resilient you stake Should the waters be coming! I shall cower as the moss To you I shall be clinging." The above Tanaga is attributed to Friars Juan de Noceda and Pedro de Sanlucar by Vim Nadera, and quoted them as saying “Poesia muy alta en tagalo, compuesta de siete silabas, y cuatro versos, llena de metafora.” (16th century) ("Poetry is quite high in Tagalog, composed of seven syllables, and four verses, full of metaphor.
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146 Con capa y chistera (1945) and Mi ciudad y yo (1948) are Spanish translations of originally Catalan novels of Ramón Solsona, both heavily based on his own experience when in hiding in the Republican zone. In the 1940s Eladio Esparza wrote a number of novels which did not explicitly endorse Carlism, but rather formed a praise of general Traditionalism which gave rise to Carlist currents.Oyarzun 2008, pp. 502-503, Carlos Mata Indurain, Eladio Esparza (1888-1961). Poeta sin versos del atardecer, [in:] Rio Arga, Pamplona 1976, pp.
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Accessed through Biblioteca Virtual de Prensa Histórica In 1937-38 he wrote a satirical poem in Galician, Seis cregos escollidos (Versos divinos) (En: Six chosen priests (divine verses)), published posthumously in 2001 by Xesús Alonso Montero.Madrygal. Revista de estudios gallegos.Xesús Alonso Montero editará en mayo la obra inédita de Juan Tizón Herreros (En: X.A.M. will publish in May (sc. 2001) the unpublished works of J.T.H.), La Voz de Galicia, 6 February 2001 In 2010 the Luis Tilve Foundation recompiled and published all of his hitherto unpublished work under the title of Juan Tizón Herreros.
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There is also a long tradition of vocalic lipograms, in which a vowel (or vowels) is omitted. This tends to be the most difficult form of the lipogram. This practice was developed mainly in Spain by the Portuguese author Alonso de Alcala y Herrera who published an octavo entitled Varios efectos de amor, en cinco novelas exemplares, y nuevo artificio para escribir prosa y versos sin una de las letras vocales. From Spain, the method moved into FranceSee, for example Jacques Arago's Curieux voyage autour du monde(1853), omitting A. and England.
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In 1973, she composed Girón, la victoria ("Girón, the victory") a tribute to the Bay of Pigs Invasion victory in April 1961. Her discography includes: José Martí's Versos sencillos ("Simple Verses", 1975), Cuatro cosas ("Four Things", 1982), Con un poco de amor ("With a Little of Love", 1987), Con apuros y paciencia ("With Hardships and Patience", 1991), Si yo fuera mayo ("If I Were May", 1996), and Mírame ("Look at Me", 1999). In December 2006, she attended the Second Iberoamerican Meeting of Languages, in the Villa de Cempoala.
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Matilde Urrutia Cerda (30 April 1912 – 5 January 1985) was the third wife of Chilean poet Pablo Neruda, from 1966 until his death in 1973. They met in Santiago in 1946, when she was working as a physical therapist in Chile. She was the first woman in Latin America to work as a pediatric therapist. Urrutia was the inspiration behind Neruda's later love poems beginning with Los Versos del Capitan in 1951, which the poet withheld publication until 1961 to spare the feelings of his previous wife; as well as 100 Love Sonnets which includes a beautiful dedication to her.
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Portuguese pastoral poetry is more natural and sincere than that of the other nations because Ribeiro, the founder of the bucolic school, sought inspiration in the national serranilhas, but his eclogues, despite their feeling and rhythmic harmony, are surpassed by the "Crisfal" of Cristóvão Falcão. These and the eclogues and sententious "Cartas" of Sá de Miranda are written in versos de arte mayor, and the popular medida velha (as the national metre was afterwards called to distinguish it from the Italian hendecasyllable), continued to be used by Camões in his so-called minor works, by Bandarra for his prophecies, and by Gil Vicente.
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Díez-Canedo also was involved in some publications with the purpose of introducing new writers and, for example, he published the first verses of León Felipe in the magazine España and also helped Juan Ramón Jiménez to publish some of his collaborations in El Sol. Thanks to him, a poem by Gerardo Diego was published in España. He also helped with reviews and critic articles about the works they were publishing. Among other numerous examples, it can be mentioned the case of Versos Humanos, by Gerardo Diego, of which he made an acute critic in La Nación.
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In praise of her poem "Arbol de la esperanza", Spanish literary critic Marcelino Menéndez y Pelayo wrote that her verses had more intimacy of lyrical feeling than anything else in the Parnasso Boliviano.In Historia de la poesía Hispanoamericana Marcelino Menéndez y Pelayo wrote "De esta infeliz señora (…) a quien su inmenso infortunio presta de todos modos la majestad solemne de la muerte, hay unos sencillos e inspirados versos que quiero poner aquí, porque su forma casi infantil tiene más intimidad de sentimiento lírico que todo lo que he visto del Parnaso boliviano". Her body of work was collected by Gustavo Jordán Ríos in 2009 into María Josefa Mujía: Obra Completa.
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2- Barcelona E-Bc Ms. 751.21 [antigo 889]: It has 39 peças. It has 5 compositions from Pablo Bruna and one de Jusepe Ximénez. 3- Barcelona E-Bc Ms. 386 [antiga cota 887], [Available on-line] 360 pages; the manuscript, dated 1722, contains 98 compositions by Cabanilles, the copy made by a fervent admirer. 4- Barcelona E-Bc Ms. 387 [antiga cota 888] 424 folios; dating from 1694–7, the manuscript consists of 500 entirely by Cabanilles. It has 11 versos de Jusepe Ximénez. 5- Barcelona E-Bc Ms. 1328: Tiento de todas manos de J. Cabanilles; Tonada de 5º Tono: Tiento Lheno de J. Cabanilles.
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The first copies of the book had sold out by 29 December, Smith reporting that sales in the first six weeks matched Versos expectations of sales after a year. The book was nominated for the Bread and Roses Award in 2019, a British award which aims to honour the best radical left-wing books of the year. The Chronicle of Higher Education listed the book as one of "The Best Scholarly Books" published in the 2010s, with the reviewer Amia Srinivasan calling it a "thrilling and formidable intervention into contemporary discussions of sex work". The book received positive reviews from Real Changes Mike Wold and Wendy Lyon of Irish Legal News.
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Archeological To the east of the town archaeological remains have been located of what was the prehispanic town of Tonaya. Highlighting what could be the ruins of a "cue" or shrine. Historical monuments La Diosa del Agave There are five bronze busts erected in honor of illustrious figures such as Benito Juárez, Miguel Hidalgo and Costilla, José María Morelos, Manuel M. Bravo and La Diosa del Agave located in the entrance of Tonaya. Artwork Literature and poetry works titled "El Quijote Huehuenche" and "Versos Picarescos" from the inspiration of José Antonio Michel stand out; as well as a series of stories by José Trinidad Lepe Preciado.
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The text inscribed on the bottom of the frames of most miniatures is the start of the next text section, which continues over the page.Kren & Evans, 16 The standard arrangement of a book of hours, though somewhat variable, allows the sequence of the original volume to be reconstructed with some confidence, helped by the texts at the bottom and versos of miniature pages.Kren & Evans, Appendix A; Full illustrated sequence on French Wikipedia article The calendar, showing the astrological sign of the Zodiac for the month, and the appropriate one of the Labours of the Months, would have followed the portrait opening. Each month has the recto and verso of a single folio.
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António Nobre died of tuberculosis in Foz do Douro, Porto, on 18 March 1900, after trying to recover from the disease in Switzerland, Madeira and New York City. Other than Só (Paris, 1892), two other posthumous works were published: Despedidas (1st edition, 1902), with a fragment from O Desejado, and Primeiros Versos (1st edition, 1921). António Nobre's correspondence is compiled in several volumes: Cartas Inéditas a A.N., with an introduction and notes by A. Casais Monteiro, Cartas e Bilhetes-Postais a Justino de Montalvão with a foreword and notes by Alberto de Serpa, Porto, 1956; Correspondência, with an introduction and notes by Guilherme de Castilho, Lisbon, 1967 (a compilation of 244 letters, 56 of which were unpublished).
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In 2009, he released his first album Gusttavo Lima, containing 24 tracks. The song that most stood out was "Rosas, Versos e Vinhos", which reached the first position in a local radio, and it also reached #57 in Billboard Brasil charts. In 2010, he signed with Som Livre labelR7 entretenimento: Gusttavo Lima faz 18 anos e comemora sucesso, mesmo achando suas canções bregas and released Inventor dos Amores, as a CD and DVD, with sales of 15,000 copies. The title track was a collaboration with Jorge & Mateus, reaching #17 in the Brazilian Billboard Brasil charts. Based on this initial success, he released the single "Cor de Ouro" that reached #18 in Brazil.
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Blas Jiménez was dedicated to increasing the value of historic, cultural, and ecological tourism in the Dominican Republic and is considered an Afro-Dominican cultural icon in his nation. He dedicated his life to promoting the value of African Heritage in Dominican culture, and published multiple poetry compilations including "Versos del Negro Blas". He spent a number of years in the United States and was once involved in a dispute with a passport official at customs and immigrations in Santo Domingo who told him to write "Dark Indian" as his race and Blas refused and insisted that he was black. Jiménez struck a mayor blow against invisibility by asking questions about black and national identity.
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In 1969, he became part of the Grupo de Experimentación Sonora, a seminal group of young musicians, many of whom became founding members of the nueva trova, which started as a movement with a concert given by Pablo, Silvio Rodriguez, and Noel Nicola on February 18, 1968. Until the late 1980s, nueva trova was the unofficial musical style of the Cuban Revolution. Since his first recording ("Versos sencillos de José Martí" in 1973), he has issued more than 40 solo records, and many more in collaboration with other artists from Cuba, elsewhere in Latin America, and Spain. His first record with original songs (the eponymous "Pablo Milanés") was not issued until 1976.
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The Fototeca Berenson contained 170,000 photographs at Berenson's death and now contains approximately 250,000 photographs. They are organized topographically, according to Berenson's original scheme: Florence, Siena, Central Italy, Northern Italy, Lombardy, Venice, Southern Italy, and within each school by artist and location. A section of the Fototeca is devoted to images of “homeless” works of art—the term used by Berenson for objects that were once on the art market but whose presents locations are now unknown. The versos of many photographs contain handwritten notes by Bernard and Mary Berenson, Nicky Mariano and other art connoisseurs from the first half of the twentieth century. A project to digitize the Fototeca Berenson, making its holdings accessible through the Harvard Libraries’ website, is currently in progress.
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He received inter alia, the National Poetry Award in 1949, the Critics Award in 1962 and the Ciutat de Barcelona Prize for his Collected poems 1945–1990. In poetry, his books include Hombre de Dios in 1945, La espera in 1949, Versos del domingo in 1954, Voces y acompañamientos para San Mateo in 1959, La conquista de este mundo in 1960, Años inciertos in 1970, and Ser de palabra in 1976. His personal archive is located in the Pavelló de la República CRAI Library – University of Barcelona . It consists of published and not published writings, handwritten translations and notes; writer's personal papers, letters sent and/or received by José María Valverde, press clippings, tributes and condolence letters written to the Valverde family.
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The evolution of Darío's poetry is marked by the publication of the books in which scholars have recognized his fundamental works: Azul... (1888), Prosas profanas y otros poemas (1896) y Cantos de vida y esperanza (1905). Before Azul... Darío wrote three books and a great number of loose poems which make up what is known as his "literary prehistory" ("prehistoria literaria".) The books are Epístolas y poemas (written in 1885, but published until 1888, under the title Primeras notas), Rimas (1887) and Abrojos (1887). In the first of these works his readings of Spanish classics is patent, as is the stamp of Victor Hugo. The metric is classicdécimas, romances, estancias, tercetos encadenados, en versos predominantemente heptasílabos, octosílabos y endecasílabos and the tone is predominantly romantic.
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Vergara y Vergara admired and read assiduously the works of Fernán Caballero, Antonio Trueba, François René de Chateaubriand and Miguel de Cervantes. He published the Historia de la literatura en Nueva Granada (1867), the anthologies Parnaso colombiano and La lira granadina, and the biography Vida y escritos del general Nariño. He also wrote lyric poetry (Versos en borrador, 1869), costumbrismo portraits, emulating Fernán Caballero, (Las tres tazas y otros cuentos, 1863), and novels (Olivas y aceitunas, todas son unas, 1868). According to his autobiography, he left some unedited manuscripts: the novel Mercedes; Cuadros Políticos o Días Históricos (starting from 1849); an incomplete dictionary of geography; a dictionary of biographies; and two incomplete novels, Un chismoso and Un odio a muerte.
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He sympathised with Krauseanism and was a denizen of the Ateneo, where he organized a number of acts (homages to Rubén Darío, Benito Pérez Galdós and Mariano de Cavia; and presentations like the one with José María Gabriel y Galán). He frequented the gathering of the Café Regina, where he became friend of Manuel Azaña, and started his poetic path publishing his first poems in Versos de las horas, 1906. At the same tame, he started to collaborate with the press through El Liberal, where he publishes in 1903 a poem with an award given by that newspaper. This collaboration was followed by others in the magazine Renacimiento, and shortly after that his activities in journalism extend to literary and art criticism.
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Nivaldo Batista Lima (born September 3, 1989), known by his stage name Gusttavo Lima, is a Brazilian singer, songwriter and record producer. He is known in Brazil for his many hit songs, and gained international prominence through the song "Balada". Lima started his career at the age of 7, with his elder brothers Willian and Marcelo, as a member of the Trio Remelexo. After leave the trio, he went to the sertanejo duo Gustavo & Alessandro. In 2009, Lima released his debut solo studio album, which produced the successful song "Rosas, Versos e Vinhos", that topped regional radio charts and later entered in the Brasil Hot 100 Airplay. In 2010, the singer released his first live album, Inventor dos Amores, which produced three successful singles, "Inventor dos Amores", "Cor de Ouro" and "Refém".
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Cf. Mário Simões Dias, entry in Grande Enciclopédia Portuguesa e Brasileira (Lisboa: Edições Enciclopédia Portuguesa e Brasileira, 1960)Cf. Simões Dias, M. Vida e Obra de Mozart: notas para uma rubrica da Emissora Nacional (unpublished, collection of notebooks submitted to the Emissora Nacional, 1953–1957)Cf. Simões Dias, M. O Compositor do Mês: notas para uma rubrica da Emissora Nacional (Coimbra, 1957) As a poet,Mário Simões Dias actua no Conservatório Nacional, in Diário de Notícias, February 5, 1930: (...) sacrificou à música toda a sua vida, mesmo a sua vocação para as letras, revelada auspiciosamente num livro de versos denominado "Outonos", publicado em 1921, a que se seguiu um poemeto, "Puríssima", obras estas em que largamente foi demonstrada a sua sensibilidade de artista e que mereceram elogios de toda a crítica. he was affiliated with the Portuguese neo-realist tradition and is celebrated chiefly for his book-length poem Cântico das Urzes (The Song of the Heathers).
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The first event corresponds El primer evento corresponde a la visita al Cuzco del Virrey Conde de Lemos en 1668, paso que permite al Virrey la lectura (o audición) de obras líricas y sagradas de Juan de Espinosa Medrano, las mismas que quizás fueron preparadas para su recepción. El evento es fundamental por demostrar, en la biografía del author, reconocimiento oficial a la distinción de su producción barroca (cuya singularidad los coterráneos alababan). Según el testimonio del ya mencionado primer biógrafo y albacea, Agustín Cortés de la Cruz, "El señor Conde de Lemos luego que oyó en el Cuzco algunas obras y versos [de Espinosa Medrano] con que le celebró el Colegio de San Antonio, los hizo trasladar, sin que quedase papel que no fuese digno de su estimación, por darlos a la estampa en España". Lamentablemente, nada concreto se sabe sobre la veracidad y el paradero de este traslado de su obra a Europa.
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Iparraguirre A separate genre which might not fully fit into the literature rubric is a flood of rhymes of mostly popular and rural origin, which remained alive at times for generations when passed on in oral tradition; they entered literature only when put into writing by later scholars, be it ethnographers or historians. Two such Carlist-related anthologies are available for rhymes in Castellano and in Euskara;Joseba Agirreazkuenaga Zigorraga, Antologia de versos, canciones y sonetos relacionados con los fueros, la guerra y el Convenio de Bergara, [in:] Joseba Agirreazkuenaga Zigorraga (ed.), 150 años del Convenio de Bergara, Vitoria 1990, pp. 509-572; Antonio Zavala (ed.), Karlisten Leenengo Gerrateko bertsoak, Oiartzun 1992, both demonstrate overwhelming support for the Carlist cause among the rural folk, though principally among the Basques. Among mostly anonymous though at times identified authors (or co- authors), the one which definitely stands out is José María Iparraguirre, the best known Carlist bertsolari, author (or co-author) of perhaps the most famous Basque verses, Gernikako arbola, by some considered the iconic genuine poetic embodiment of Carlism.
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Correa's writings make reference to two other publications (a Libro de versos and a book on music theory), that were not published yet by that time; however, all his surviving works are contained in a single publication entitled Libro de tientos y discursos de música practica, y theorica de organo intitulado Facultad organica, published in 1626. This publication serves not only as a book of compositions, but as a treatise on music theory and performance practice, and it is one of the most important works of its kind to emerge from Spain in the 17th century. Correa's compositions take advantage of all the devices available to Spanish organists of the time, most notably the medio registro, or divided keyboard, an innovation unique to the Iberian peninsula which appeared towards the end of the 16th century, while his theoretical writings give great insight into his ideas of harmony and counterpoint. The Libro de tientos contains 69 works, of which 62 are tientos (that is, fantasias), ordered by increasing levels of difficulty - an indication that the purpose behind this work was at least partly pedagogical.
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From the 1970s onwards, he published more frequently and received numerous awards. He published "Lletres de canvi" (Bills of Exchange)(1970), "Primera audició" (First Audition) (1971), "L'inventari clement" (The Clement Inventory) (1971). In (1971) he published two major works: "La clau que obri tots els panys" (The Key That Opens All Locks) (which contained "Coral Romput" (Broken Coral)) and the best-seller "Llibre de les meravelles" (Book of Marvels), perhaps his most famous work. From that moment onwards, Estellés began to gain recognition and published his Complete Works, including "Recomane tenebres" (I Would Recommend the Dark) (1972), "Les pedres de l'àmfora" (The Stones from the Amphora) (1974), "Manual de conformitats" (Manual of Conformities) (1977), "Balanç de Mar" (Swing of the Sea) (1978), "Cant temporal" (Temporary Singing) (1980), "Les homilies d'Organyà" (Homilies of Organyà) (1981) which includes "Coral romput", "Versos para Jackeley" (Verses for Jackeley) (1983), "Vaixell de vidre" (Glass Ship) (1984), "La lluna de colors" (Colourful Moon) (1986), y "Sonata d'Isabel" (Isabel’s Sonata) (1990). His most important prose works are "El coixinet" (The Little Cushion) (1988), his play "L'oratori del nostre temps" (The Oratory of Our Times) (1978), and his memoirs: "Tractat de les maduixes" (Strawberry Treaty) (1985), "Quadern de Bonaire" (Bonaire’s Notebook) (1985), and "La parra boja" (The Crazy Vine) (1988).
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