Those sites can include videos that were uploaded directly to Unreel.
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Unreel has raised $1.5 million in seed funding from Digital Ignition Entertainment and angel investors.
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After that, the standard revenue share deal will be 85 percent to creators, 15 percent to Unreel.
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In his film "Reel-Unreel," a child rolls a reel of film through the streets of Kabul, Afghanistan.
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As part of the launch, the company is also announcing a $1 million "Creator Appreciation Fund," where the first $1 million earned through Unreel.
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Come To Papa is a blues album by Carl Weathersby. It was released in 2000 on the Evidence Records label # ECD 26108-2. It was produced by John Snyder and recorded December 18–21, 1999 at Sounds Unreel in Memphis, Tennessee.
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The contest was won by Monk Turner and Fascinoma. In 2015, the FMA held a contest, challenging users to create videos remixing audio from the FMA with video content which in the public domain (from the Prelinger Archives) calls "Unreel Trailers: A Challenge". In 2016, the archive surpassed 100,000 songs hosted.
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The album consisted of a collection of classical songs reworked with jazz arrangements. His second album, UnReel, was released in 2001 and featured a variety of soundtrack and theme music from many different films and television shows. In 2002, he worked on the soundtrack for Ice Age before releasing a third album, Timing is Everything, in 2003. In 2017, Waldman appeared on Seal's Standards album which features Frank Sinatra's songs.
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It became possible to display animated ASCII art via JavaScript or Java applets. Static ASCII art pictures are loaded and displayed one after another, creating the animation, very similar to how movie projectors unreel film reel and project the individual pictures on the big screen at movie theaters. A new term was born: "ASCIImation" – another name of animated ASCII art. A seminal work in this arena is the Star Wars ASCIImation.
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Between 2010 and 2014, Alÿs traveled extensively to Afghanistan following his invitation to participate in dOCUMENTA(13). In collaboration with Julien Devaux and Ajmal Maiwandi, he produced Reel-Unreel (2011), a 20 min film. The camera follows two young Afghan boys as they chase the reel rolling down the hills of Kabul, with one boy unrolling the strip of film and leading the way, while another follows him, rewinding it. The title Reel- Unreel alludes to the real/unreal image of Afghanistan conveyed by the media in the West: how the Afghan way of life, along with its people, has gradually been dehumanized and, after decades of war, turned into a Western fiction. In 2013, he served as an embedded war artist with the UK’s Task Force in the province of Helmand (Adrenalotourism, 2013). Originally invited by the Baghdad-based Ruya Foundation to do a project in Yezidi refugee camps, Alÿs’ main focus of production from 2015 to 2020 took place in Iraq.
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He is an ardent supporter of digital cinema, believing the medium to be the pinnacle of quality. He has scored two short films, and won a CineVegas award for his work with Unreel Invasion. Klepacki believes that the genre of video game music is more respected than it has ever been. He notes that complex and quality music comes at a higher cost, prompting certain producers to simply "get somebody who could cop the Hollywood sound" instead of nurturing original style.
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Archer Records is an independent record label with notoriety in the classical guitar and Americana genres. The label was founded in 2001 in downtown Memphis by Ward Archer, who founded Cotton Row Recording Studios in 1978 and is a former trustee of the National Academy of Recording Arts and Sciences. It is housed at Music+Arts Studio in Memphis, Tennessee, formerly Sounds Unreel Studio. Located at 1902 Nelson Avenue, the building was converted to a recording studio in 1981 and was purchased by Archer Records owner Ward Archer in 2007.
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Thinking simple, the Coyote attempts to simply trip the Road Runner with a fake coyote foot (to avoid unpleasant repercussions on himself), but only ends up getting the fake foot winded. As he walks out, he kneels on the leg and scratches his head, only for the leg to unreel itself, twisting his body in turn. 2\. Wile E. broods in the dirt, and soon comes up with a new plan: Throw out a dynamite stick with a string. However, when Wile E. circles the string over his head, it lassos itself around the coyote's face before exploding. 3\.
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From 2013 to 2016, as Curator at Large, he has been responsible for the research and development of the Madre Museum's collection ('Per_forming a collection' project ) and co-curated the first Italian large- scale exhibition of Boris Mikhailov and Francis Alÿs (Reel-Unreel. Afghan Projects, 2010–14); a complex Daniel Buren’s project, conceived in two times: 'Comme un jeu d’enfant' (Work in situ, 2014-2015, Madre Museum, Naples - #1); 'Axer / Désaxer' (Work in situ, 2015, Madre Museum, Napoli - #2); the biggest exhibition ever devoted to the Italian artists Gian Maria Tosatti, Vettor Pisani and Giulia Piscitelli.
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Todd McCarthy of The Hollywood Reporter considered the film to be "one of the most obnoxious and least necessary animated films of the century thus far". Kyle Smith from the New York Post only gave the film half of a star and wrote, "Few were those who demanded a sequel to 2005's "Hoodwinked," and those few should have been ignored. "Hoodwinked Too" doesn't unreel so much as dump on the screen busted fairy-tale characters, dumb would- be jokes, rusty pop-culture references and inert action scenes." Even many of the critics who enjoyed the first film were disappointed with the sequel.
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On this five-day Discovery flight, launched on April 24, 1990, from the Kennedy Space Center in Florida, the crew deployed the Hubble Space Telescope from their record-setting altitude of . During the deployment of Hubble, one of the observatory's solar arrays stopped as it unfurled. While ground controllers searched for a way to command HST to unreel the solar array, Mission Specialists McCandless and Sullivan began preparing for a contingency spacewalk in the event that the array could not be deployed through ground control. The array eventually came free and unfurled through ground control, while McCandless and Sullivan were pre-breathing inside the partially depressurized airlock.
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Air drop specialists cut the binding on rolls of wire being flung into the aircraft's slipstream so the wire would unreel; although dropped in irregular patterns, its coils proved suitably obstructive when seeded with aerial area denial ordnance. However, by 5 February, the PAVN had infiltrated the ruined town; they set up an 82mm mortar in a hut, firing shells out through the thatch roof. A Raven FAC spotted it and called in an F-100 Super Sabre strike to destroy it. The following day, more mines were dropped by F-4 Phantom IIs in a horseshoe bend around the Royalists, limiting the battlefield to a single avenue of attack or retreat.
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