If all time is eternally present All time is unredeemable.
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Their characters tend to be kind of awful in a way that's slightly unredeemable.
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WEST I hadn't seen Valjean played as initially completely unredeemable in other versions of the novel.
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What causes occasional sparring and discontent to transform into the unredeemable tragedy of a Richard Yates novel?
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Unlike you, I was deemed unworthy, unredeemable at the age of 21 and given a 50-to-life sentence.
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From wide-angle to close-up, Bacon portrays daily existence as more grueling — and more unredeemable — than any bullfight.
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Note that knotweed (outside of Japan, where it has natural predators) is a thug and a scourge that many find unredeemable.
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Reviewers frequently cited his satirical voice, the authenticity of his vision and his continued attempts, in his fiction, to redeem the unredeemable.
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The unredeemable monstrousness of Dill's and Travis's fathers may prove hard for some readers to take, and a senseless, drug-fueled tragedy may seem over the top.
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But to the movie's credit, it doesn't just use the dissociative identity disorder that plagues his character as as easy shortcut, nor is he shown to be an unredeemable monster, either.
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Now, it appears the company's technology is being used in an attempt for him to posthumously prove that he's not an unredeemable monster — and he's failing, loop after loop after loop.
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She returns to the year she dared to disrupt the status quo by dancing with middle-school heartthrob Eric Cassio, eliciting the ire of the unredeemable Mean Girls (one has a "fascinating stutter").
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None of it helps when you find yourself back at the beginning, confronted with your own unredeemable prose, convinced, as Jennifer Egan was not so long ago, that you'll never produce a decent chapter again.
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For Bullock, if someone voted for Trump — especially if they voted for him and Trump, or for Obama in 2008 or 2012 and then Trump — it doesn't mean they're a horrible person, or a racist, or unredeemable.
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By 1932, veterans were so unhappy about their service bonuses, issued in 1924 but unredeemable for two decades, that they descended en masse on Washington, which succeeded in scuppering Herbert Hoover's reelection bid but didn't achieve much for the vets.
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"Theologically, this assumes that there's something intrinsically unredeemable about the women that are being pictured, and that's what I think is so concerning in the commentary by Bill Donahue: the idea that these women don't deserve to be figured like the religious icons of the past," Rosen said.
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They don't even realize that the presence of Byrd in the Democratic Party after his racist early life illustrates that Democrats, many of whom are black and brown, are willing to embrace people who have atoned for awful racist mistakes instead of throwing them away and labeling them forever unredeemable.
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Most of the humor came from Bill's completely unredeemable qualities and from the staff's frustration at dealing with him.
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The only villain that is depicted as unredeemable is Krösus Sork ("Croesus Vole"), a crude capitalist who will do practically anything for money.
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He also opposed the abolition of death penalty, proposed in 1906 by an alliance of Radicals and Socialists and rejected in 1908, as he considered that some criminals were unredeemable. Lacassagne died in Lyon.
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She rescues Victor from his life of abject poverty, placing him in a charitable institution. But Victor is completely unredeemable, given over to greed, laziness, and thievery. After he attacks one of the women at the institution, he disappears into the streets, never to be seen again. Eventually, the Banque Universelle cannot sustain itself.
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Critical reception has been predominantly negative, with Film.com criticizing the character of Duffy. The A.V. Club gave a mostly negative review for the film, but stated that "for lovers of utter, unredeemable trash, it is highly recommended." CraveOnline also gave a negative review, but also recommended it as a film for "Bad Movie Night".
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He was stubborn, self-righteous, inflexible, intolerant—especially of > the French—and quite humourless ... Indeed, one powerful legacy of Haig's > performance is the conviction among the imaginative and intelligent today of > the unredeemable defectiveness of all civil and military leaders. Haig could > be said to have established the paradigm.Paul Fussell. 1975. "The Great War > and Modern Memory".
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French film historian Tim Palmer has analyzed Dujardin's career and rise to success in France, noting how his formative roles were often unredeemable buffoons, very skillful portrayals of childlike men who aggressively and unabashedly reject the responsibilities and compromises of adult life. Dujardin's breakthrough roles as Brice de Nice and OSS 117 exemplified this tendency.Palmer, Tim (2011). Brutal Intimacy: Analyzing Contemporary French Cinema, Wesleyan University Press, Middleton CT. .
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While singling out the site's alleged sexism (with listicles such as "21 Signs She's Expired" – #15 of which was "3 fingers fit"), it also criticizes the site's "sweatshop" labor model of publishing content primarily by contributors whose only compensation is exposure. In a 2015 Gawker story, writer Max Read credits Elite Daily for shifting "away from aggressively dumb misogyny" but notes that the site remains "imbecilic", "dull", and "utterly charmless and completely unredeemable".
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" Jeff Bridges and his brother, Beau Bridges, were also acclaimed for their performances. Time thought that "the Bridges boys are better than fabulous in it - Jeff not quite falling over the line into unredeemable cynicism, Beau never succumbing to the pull of moral blandness." The New Yorker wrote that "Jeff Bridges has never been as glamorously beyond reach as he is here." The New York Times thought that "Beau Bridges also has a chance to shine.
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It was along these lines that white and non-white prisoners were separated, and their meals, prison tasks, treatment, and punishment were contingent on their outward appearances (Filippi, 2011). Underlying these lines was the sub-categorization of political, insane, and common-law prisoners (Filippi, 2011). All non-white prisoners were considered unredeemable and required harsh punishment, while white prisoners were mostly perceived as being capable of institutional self-reform. During apartheid, prisons remained overcrowded and were unequally flooded with nonwhite prisoners (Filippi, 2011).
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Time is viewed as unredeemable and problematic, whereas eternity is beautiful and true. Living under time's influence is a problem. Within Burnt Norton section 3, people trapped in time are similar to those stuck in between life and death in Dante's Inferno Canto Three.Bergonzi 1972 pp. 166–7 When Eliot deals with the past in The Dry Salvages, he emphasises its importance to combat the influence of evolution as encouraging people to forget the past and care only about the present and the future.
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These were mostly used in a political manner that either served as propaganda for the Spanish Empire or to cast their opponents as villains. As a rebel hometown hero, Cofresí's depiction is an antithesis of the norm. She also lists how it differs from contemporary pirate literature, where the authors choose to depict pirates that share their own cultural identity as vile and unredeemable characters. This is the case with angloparlant writers J. M. Barrie and Robert Louis Stevenson, who created the villainous figures of Captain Hook and Long John Silver.
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Jon Tattrie. Sunday Chronicle- Herald, November 29, 2009 Garvey argued that black people would never get a fair deal in white society, so they ought to form separate republics or return to Africa. White people are considered a homogenous group who are essentially racist and, in that sense, are considered unredeemable in efforts to address racism. Garvey visited Nova Scotia twice, first in the 1920s, which led to a Universal Negro Improvement Association and African Communities League (UNIA) office in Cape Breton, and then the famous 1937 visit.
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England described the novel as, "domestic Mormon realism, with a touch of magical realism". He described the juxtaposition and struggle between the evil existent in the prelude and the rest of the novel and the sacrifice of Stevie as "Manicheistic" and that Bappy and Stevie together create a personal form of "independent and ultimately unredeemable existence". He concluded that though Card's theology may be poor, he is a great storyteller and understands "like Shakespeare and Milton, the power of redeeming love". Lost Boys won the 1992 Association of Mormon Letters Award for Best Novel.
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Orthodox Judaism requires taking terumah from produce grown in Israel, although in the absence of a Temple it is no longer given to the priests. In contemporary practice, most of the Terumah and various other biblical tithes (including first tithe and second tithe are first set aside. The "second tithe" (maaser sheni) is then redeemed upon a coin of nominal value (not generally equal to the value of the produce). The coin and the unredeemable portion of the produce are then discarded in a manner that prevents their use.
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The Born Losers is also significant for its social criticism and portrayal of the biker gang as a force of pure, unredeemable evil. Here, for the first time, a lone hero stands up to, and ultimately defeats, the gang. Prior to this, the majority of the films in this genre imitated The Wild One with a sympathetic gang member (the reluctant leader or a new member) who ultimately rejects the outlaw biker lifestyle. Prime examples are the Fonda character in The Wild Angels, Jack Nicholson in Hells Angels on Wheels (1967), and Joe Namath in C.C. and Company (1970).
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Tarzan the Untamed was one of Burroughs' most controversial novels. The controversy stemmed from his blanket portrayal of Germans as stereotypical, unredeemable villains, one that was also extended to his contemporary science fiction novel The Land That Time Forgot. This portrayal, while perhaps understandable in wartime, ultimately ruined the market for his writing in Germany, where the character of Tarzan had formerly been quite popular. Burroughs' later introduction of heroic Germans into his subsequent novels Tarzan and the Lost Empire, Tarzan at the Earth's Core and Back to the Stone Age did little to repair the damage to his reputation there.
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The main purpose of the Kaechon internment camp is to keep politically unreliable persons classed "unredeemable" isolated from society and to exploit their labour. Those sent to the camp include officials perceived to have performed poorly in their job, people who criticize the regime, their children, anyone who was born in the camp, and anyone suspected of engaging in "anti-government" activities. Prisoners have to work in one of the coal mines, in agriculture, or in one of the factories that produce textiles, paper, food, rubber, shoes, ceramics, and cement. Livestock raising is considered the occupation of choice for the prisoners as it gives them the chance to steal animal food and pick through animal droppings for undigested grains.
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REI is owned by its active members, persons who have paid a $20 lifetime membership fee and have purchased $10 or more of merchandise from REI in a given calendar year. Each active member is entitled to vote for members of the company's board of directors and is eligible to receive a patronage dividend on qualifying purchases. The annual dividend is normally equal to 10% of what a member spent at REI on regular-priced merchandise in the prior year. The dividend, which becomes unredeemable on December 31 two years from the date of issue, can be used as credit for further purchases or taken as cash or check between July 1 and December 31 of the year that the dividend is valid.
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Williams, 2004. p. 52 While the protagonist's personal failings contribute to his own oppression, the film censures capitalism as an unredeemable system.Williams, 2004. p. 6: "Aldrich's protagonists face their own personal demons as well as the oppressive nature of the social systems that created them in the first place…they do have a choice...something can be reversed..." See also p. 57-58 Aldrich would revisit Body and Soul throughout his career when seeking guidance on how to convey the progressive ideals of the 1930s while working in the reactionary political atmosphere of the Cold War era.Williams, 2004. p. 3Arnold and Miller, 1986. p. 10 In 1948 Aldrich joined Polansky and Garfield on the early noir film, Force of Evil.
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Bang Tae-sik is perennially unemployed as he drifts from one job to another, from manual labor to serving coffee. His appearance (dark skin and short height), being rather atypical for a Korean is to blame it seems, but best buddy Yong-cheol persuades Tae-sik to make better use of these disadvantages: Desperate and having nothing better to do, he adopts a strange accent and ethnic hat and is reborn as Bang-ga (a twist on his family name) from Bhutan, and immediately lands a job at a chair manufacturing factory. Despite a shaky beginning ― due to his unredeemable clumsiness, rather than doubts about his alleged Bhutani roots that are all too convincing ― Tae-sik gets along with his co-workers, and even starts romancing the lovely Jang-mi from Vietnam. He is even voted to become president of a migrant workers labor union and competent Korean language instructor, and joins in a harmonious effort to win a local singing competition for foreigners.
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Getting to the bridge they discover two Timothy McVeigh-inspired white supremacists who have shown up at the same time with the same plan. The terrorists despise each other at first but then, in song, eventually discover a mutual hatred of Jews and bond before being forced to disguise themselves as Hasidic Jews to escape capture by the police. On the run, they fall in love with two girls who turn out to be the president's daughters who have escaped from rehab. The Beastly Bombing drew comparison to Mel Brooks and was dubbed by The Huffington Post: “the first great work of comedy to emerge from the post-9/11 little planet of horrors.” The play also had its detractors. Stephen Schwartz, the composer of Wicked and Godspell, called The Beastly Bombing “the most offensive and morally unredeemable musical I’ve ever heard.” The show became a sellout cult hit attracting celebrities including Diane von Furstenberg, John C. Reilly, Spike Jonze, Paul Reiser, Stephen Gaghan and Liev Schreiber. At the prestigious LA Weekly Theater Awards, The Beastly Bombing won the Musical of the Year Award.
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