He sat down, unlaced his boots, and took them off.
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But she doesn't see Unlaced as much of a solution.
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Enter: Nike Unlaced, a sneaker and style destination, the first-of-its-kind for women.
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His unlaced shoes lay beneath outstretched legs, a morbid still life of what this town has become.
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I wore Polo and Hilfiger two sizes too big, jeans that could have sailed a yacht, Timberlands unlaced.
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"Where is everyone?" she remembers screaming after noticing a pair of her father's boots unlaced and unmuddied by the entrance.
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It shows him standing in unlaced boots, facing the viewer and brandishing his palette knife the way an aging warrior would a dagger.
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Sleep Good single-handedly unlaced everything we remember about our fuzzy early years and replaced it with the sounds of a mid-2000s MTV beach party.
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Mota climbs the metal staircase to the plane, stepping carefully to avoid losing one of his unlaced red sneakers or tripping over the chains between his legs.
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"So it has pockets and it also has…" the 1991 Best Supporting Actress winner said as she lifted up her billowing skirt to reveal the unlaced boots she was wearing beneath it.
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In both tests, all the mice that had had their water laced with L. reuteri, regardless of how their autism had been induced, were more sociable than equivalents that had been drinking unlaced water.
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From Taraji P. Henson's sheer back gown to Allison Janney's $4 million worth of diamond jewelry to Whoopi Goldberg's unlaced combat boots worn beneath her gown, celebrities pulled out all the stops at this year's show.
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And the style gestures for which Agnelli became best known — Tod's boots left unlaced, wristwatch worn atop a shirt cuff, necktie left flapping outside a pullover — were a bit too considered to be truly elegant, after all.
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He has essentially written two plays: a Trump-era tragedy for Trevor, about a man's losing his place in the world, and a cheeky comedy for Alice, about a strait-laced woman who falls in with an unlaced crowd.
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Nike VP Amy Montagne became the general manager of Nike Women in 2014, and she has been open about Unlaced as a way for Nike to push its women's business from a $6.6 billion annual endeavor to an $11 billion one by 2020.
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Reddit user jetejypsy, who did not want to be referred to by name, is active in the major women's streetwear subreddits and tells Vox that she appreciates expanded size options for sneakers but doesn't love the other elements of the Unlaced project.
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A nurse came with a plastic trash bag, and I took off my belt and unlaced my shoes and tugged the laces through their holes and handed them over, and Regan and I put laces, keys, change, and the belt, anything that might be used for harm, into the bag.
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Women can be prepared to shop highly coveted products like "the Virgil Abloh x Jordan I, unisex sizing as well as the latest innovative performance platforms in an array of colors she can style as she wants, and products she wants to stand for — all in one fantasy sneaker destination," Julie Igarashi, vice president and creative director of NikeWomen (and one of the key Nike execs responsible for bringing Unlaced to life), tells Refinery29.
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Nike's new women-oriented Unlaced project will tackle that problem by offering "unisex sizing on select classic Jordan styles," expanding sizing for the wildly popular Nike Air Force 1 and Air Max lines, and breaking with its tradition of collaborating almost exclusively with buzzy male designers by hiring two super-famous women — cult favorite British menswear designer Martine Rose and avant-garde Japanese jewelry designer Yoon — to create new ready-to-wear clothing lines and sneakers.
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And therewithal he unlaced his helm like as he would slay him.
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Liar/Dead Is the New Alive is an EP by Emilie Autumn; the title derives from two tracks taken from the Opheliac album. The release also includes a preview version of the song "Unlaced", which was later released on the Laced/Unlaced album.
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The album was re-recorded and re-released as "Laced" on Emilie's second instrumental album Laced / Unlaced.
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Laced/Unlaced is a two-disc instrumental album. Disc one, "Laced", is a re- release of On a Day..., Emilie's fledgling record. Disc two, "Unlaced", contains all electric violin recordings by Emilie Autumn. A limited-edition CD + book set was released on March 9, 2007 with 2000 copies being printed worldwide, and the jewel case album was re-released on June 15.
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She released the 2006 album Opheliac with the German label Trisol Music Group. In 2007, she released Laced/Unlaced; the re-release of On a Day... appeared as Laced with songs on the electric violin as Unlaced. She later left Trisol to join New York based The End Records in 2009 and release Opheliac in the United States, where previously it had only been available as an import. In 2012, she released the album Fight Like a Girl.
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All songs can be found on other releases: "By the Sword" and "I Know It's Over" are featured on A Bit o' This & That, "Castle Down" is found on Enchant, and "Willow" is on Laced/Unlaced.
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The officer's jackets were unlaced, with 10 twist buttonholes placed in pairs. The jacket of the other ranks had 10 square loops spaced in pairs.Franklin, p. 195–196 The regiment fought at the Battle of Quatre Bras, arriving about 3 pm on 16 June 1815 just in time to help halt the French advance.
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Autumn in Frankfurt, 2007 Her music encompasses a wide range of styles. Autumn's vocal range is contralto, but also has the ability to perform in the dramatic soprano range. Her vocal work has been compared to Tori Amos, Kate Bush, and The Creatures. She has released two instrumental albums (On a Day... and Laced/Unlaced), and four featuring her vocals: Enchant, Opheliac, A Bit o' This & That, and "Fight Like a Girl".
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In 1776, the men of the KOR mostly wore civilian clothing, essentially, whatever they were wearing when enlisted. Their first uniforms arrived in early 1777, green coats faced white, with white smallclothes, in common with most other Loyalist corps of the American command at that time. In keeping with their name, the regiment was issued with red coats faced orange from 1780 to their disbandment.Chartrand, René; American Loyalist Troops 1775-84, Osprey Publishing, Oxford, UK, 2008, p 23 As Rangers, their coats were most likely unlaced.
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Quackenbush defeated Tiger Mask at the now defunct Fight Sports Midwest, to capture the NWA World Junior Heavyweight Championship on May 11, 2007. Throughout the match, Quackenbush unlaced and loosened Tiger Mask's mask, a major sign of disrespect amongst masked wrestlers. In the finish of the match Quackenbush completely pulled off his opponent's mask and used the distraction to pin him for the title. In a promo after the match, Quackenbush explained that he did everything to get the NWA World Junior Heavyweight Championship and that he was, in no way, proud of it.
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Teatro Luna took this show with them to their new location in Los Angeles, Teatro Luna West, in 2014 for the west coast premiere. The company then took their collaborative show Luna Unlaced on tour across the nation to different colleges and theaters in 2013. In 2015 Teatro Luna premiered Generation Sex at their Los Angeles location after a year long workshop tour. In 2017 the company returned to Chicago to perform Lovesick, a collection of stories about the violence inflicted on Latina bodies as a part of the Chicago International Latino Theater Festival: Destinos.
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To squelch skepties of his ability to be levitated by spirits of the dead, Mr. Evans permitted a London newspaper to set up its camera in the dark séance chamber. When the spirits had supposedly lifted him high out of his chair, Medium Evans pressed a button at the end of the wire in his hand, which turned on an infrared light which exposed the photograph you see here. (Infrared light does not disturbe psychic vibrations.) Magicians point out that Evans' blurred feet indicate that he was simply jumped high into the air. His shoes are unlaced for relaxation.
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After a short career with Soho Roses in the late 80s, Davies opened Damajive Studios in Hitchin, Hertfordshire in 1991. During this time, he recorded for numerous local bands, notably SMASH's Spring 1994 mini album, including the double A side "Lady, Love Your Cunt"/"Shame", King Rizla's seminal 1994 album Time For A New Day and the Guns n' Wankers LP For Dancing And Listening, released on Fat Wreck Chords. In 1995, due to SMASH's notoriety as an independent band, Shame appeared on the EMI compilation Unlaced. The studio remained open until 1996, when Davies semi-retired due to stress.
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Old school rappers like Afrika Bambaataa and Melle Mel of Grandmaster Flash and the Furious Five tended to dress in the flashy attire that was commonly attributed to glam rock and disco acts of the era: tight leather, chest-baring shirts, gloves and hats with rhinestones and spikes, leather boots, etc. Run-DMC discarded the more glam aspects of early hip hop fashion (which were later readopted in 1990 by more "pop" rappers like MC Hammer and Vanilla Ice) and incorporated a more "street" sense of style such as Kangol hats, leather jackets, and unlaced Adidas shoes. The group's look had been heavily influenced by Mizell's own personal style. When Russell Simmons saw Jay's flashy, yet street b-boy style; he insisted the entire group follow suit.
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The words were a shared vision of Lawlor and Blake, and recall their childhood neighborhoods and those who grew up with them. It was a universal longing for youth, yesteryear, and place, although it was also idealized because both Lawlor and Blake had grown up quite poor. Lawlor said that he envisioned a "big husky policeman leaning against a lamppost and twirling his club, an organ grinder playing nearby, and the east side kids with dirty faces, shoes unlaced, stockings down, torn clothes, dancing to the music, while from a tenement window an old Irish woman with a checkered cap and one of those old time checkered shawls around her shoulders, looking down and smiling at the children." The children's names in the lyrics were those of Blake's childhood friends.
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He pushes forward on horse against Mordred and the two strike one another down from their horses with their lances; Gawain then attempts to cut Mordred's throat but Mordred stabs him though the helmet, and then gives a sorrowful eulogy to his dead brother, the best and most glorious of knights. In the Didot Perceval, Gawain attempts to disembark when one of Mordred's Saxon allies fatally strikes him in the head through an unlaced helmet; a similar account is told in the Stanzaic Morte Arthur. Thomas Malory's English compilation work Le Morte d'Arthur (The Death of Arthur) is based mainly, but not exclusively, on French works from the Vulgate and Post- Vulgate Cycles. Here Gawain partly retains the negative characteristics attributed to him by the later French authors, and partly retains his earlier positive representations, creating a character seen by some as inconsistent, and by others as a believably flawed hero.
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The words were a shared vision of Lawlor and Blake, and recall their childhood neighborhoods and those who grew up with them. It was a universal longing for youth, yesteryear, and place, although it was also idealized because both Lawlor and Blake had grown up quite poor. Lawlor said that he envisioned a "big husky policeman leaning against a lamppost and twirling his club, an organ grinder playing nearby, and the east side kids with dirty faces, shoes unlaced, stockings down, torn clothes, dancing to the music, while from a tenement window an old Irish woman with a checkered cap and one of those old time checkered shawls around her shoulders, looking down and smiling at the children." The words of the song tell the story of Blake's childhood, including the friends (all with Irish surnames) with whom he played as a child, namely Johnny Casey, Jimmy Crowe, Nellie Shannon (who danced the waltz), and Mamie O'Rourke (who taught Blake how to "trip the light fantastic" — an extravagant expression for dancing).
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The first live performance of the song was made at the premiere of the artist's Politia Live Clubbing concert series in Thessaloniki on 14 May. For the live performance of the song it is played with smoke and bright green and pink lights in the background as Rouvas sings standing in front of a microphone stand while playing his black Gibson Les Paul.Politia Live Clubbing Summer 2010 Rouvas was also short-listed as a performer at the MAD Video Music Awards 2010, where he led the nominations for a solo artist with six, and performed a similar routine as the third act of the night. For the performance, all of the lights in the stadium were dimmed to bring lights from the cellular phones of audience members into prominence, while an animation of the new "Sakis" logo, also exhibited on the single cover, ran on the black video wall as Rouvas appeared on stage wearing tight black pants, unlaced boots, and a torn black T-shirt designed by Dimitris Kaïdantzis, while playing an excerpt of an unrelated guitar riff as he walked to his platform on the side of the stage.
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