It's not a book that will inspire hot takes or incendiary tweets; the author is unfashionably male and the concerns unfashionably universal.
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I was shamefully and deeply unfashionably late to the cult of Azzedine Alaïa.
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The album was denigrated by critics as "unfashionably pop," as Spin put it.
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From the start, it championed an outcast art and stood boldly, unfashionably, by it.
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And unlike The Matrix, another film liable to spawn imitations, it is sweetly, unfashionably benign.
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Carsie Blanton: Buck Up (Carsie Blanton) The unfashionably chirpy, unabashedly horny Blanton has been making albums since 2005.
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Left-versus-right bellwethers like Lower Saxony, where the old duopoly remains unfashionably strong, now seem like political museums.
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Unfashionably consistent, the songs indeed all sound the same, but since they're all fabulous this is hardly a deficiency.
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Matt Forde, an unfashionably forthright Blairite, did an impression of Labour's leader sniffing constantly, "as if someone is cooking a delicious meal in the room next door".
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Sure, the randomness of the magazine's content and the vague, plaintive earnestness of some lyrics are more unfashionably adolescent — more Tumblr — than you'd want from a 28-year-old.
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Amy Klobuchar's hesitancy to endorse a fracking ban, and her endorsement of natural gas as a "transition fuel"—both sensible policies, on the merits—made her look unfashionably cautious.
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"It's a contribution to an important cause and to another form of community," she says, meaning the nerdy and unfashionably courteous Old Weather Forum, an online chat room that many volunteers speak of with affection.
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No, whereas Catholic ritual and mysticism provided enduring if somewhat generalized inspiration for the younger Stockhausen, Zimmermann was more traditionally observant — unfashionably so, for a modernist composer — and more traditionally inspired, both on and beneath the musical surface.
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But Mr. Hannah, who at 63 still looks the wide-eyed enthusiast, has continued doing what he has done for decades: cobbling a persona from old movies and books and clothes, and making unfashionably romantic paintings that seem conjured from another century.
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MODEL TAKEN HOSTAGE BY ABUSIVE BOYFRIEND SAVES HERSELF USING SELFIE OF BADLY BEATEN FACE But when a downpour unfashionably soaked an outdoor Dior show last week in Chantilly, France, the shaman was back on the payroll for Louis Vuitton's fashion show at the Fondation Maeght, near Antibes, this week.
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To learn, for instance, that the Anglo-Dutch giant Unilever, one of the world's largest consumer-goods companies, had by the 1990s achieved control of a third of the world tea trade is dismaying to those who unfashionably recall with affection the imperial planter life of Assam and Ceylon and the hills of Kenya.
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New York (CNN)The audience gathered in New York's Delacorte Theater in Central Park for a new rendition of William Shakespeare's "Julius Caesar" gasped in delight when the title character first strode across the stage, not in a toga, but adorned in a business suit and tie that fell unfashionably below his belt and sporting a presidential yellow coif of hair atop his head.
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We're not ignorant of our stereotypes. West Cornwall? Aaarrrrr!" Miranda Sawyer in The Observer also praised the show saying it was, "A simple idea, kindly and wittily executed by another unfashionably humane Englishman.
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The Racing Post's breeding correspondent Tony Morris wrote that the colt was "unfashionably bred" and that Tout Seul was "better than he could have been predicted to be, based on our knowledge of his immediate antecedents".
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Julian gained no admiration for his personal involvement in the sacrifices, only the nickname axeman, wrote Ammianus. The emperor's high-handed, severe methods and his rigid administration prompted Antiochene lampoons about, among other things, Julian's unfashionably pointed beard.Ridebatur enim ut Cercops...barbam prae se ferens hircinam. Ammianus XXII 14.
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Freedman joins the famous Mummify was one Freedman's favourite horses. Unfashionably bred, he managed to win a South Australian Derby as a three-year-old, but his effort to win the Caulfield Cup in 2003, leading all the way, was by far his greatest. Mummify's other significant wins were in the 2004 Yalumba Stakes, and 2005 Singapore Airlines International Cup.
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After the First World War, when Queen Mary wished to follow fashion by raising her skirts a few inches from the ground, she requested a lady-in-waiting to shorten her own skirt first to gauge the King's reaction. King George V disapproved, so the Queen kept her hemline unfashionably low.Healey, p. 233, quoting The Memoirs of Mabell, Countess of Airlie, edited and arranged by Jennifer Ellis, London: Hutchinson, 1962.
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St. Michael and All Angels, Great Badminton (webpage), 19 July 2013 Roger North, in his Life of the Lord Keeper, gave an account of the state maintained by Beaufort: "a princely way of living" with a household of about 200. The Duke spent much time in hunting, planting, and building, and was unfashionably strict: his servants lived in constant fear of dismissal, and even neighbouring landowners were reluctant to cross him.
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Although offered originally as a chassis only model, post-war the most common version was a four-door saloon which Daimler themselves produced. The interior was fitted out with traditional "good taste" using mat leather and polished wood fillets. By the early 1950s, this coachwork was beginning to look unfashionably upright and "severe yet dignified". In 1939, Winston Churchill commissioned Carlton Carriage Co to build a drophead coupe on a DB18 chassis, chassis No.49531.
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Trigo, a bay horse with a narrow white blaze was bred at the Cloghran Stud in County Dublin, Ireland by his owner, the Belfast grain merchant William Barnett. Barnett inherited the unfashionably-bred mare Athasi from his brother and bred her consistently to the stallion Blandford. In 1925, the pairing produced Athford, who won the Phoenix Plate and was then sent to be trained in England where his wins included the Doncaster Cup. Trigo arrived a year later.
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The policeman doll was borrowed from Winifred Warne. She was reluctant to part with it but the doll was safely returned. Many years later she remembered Potter arriving at the house to borrow the doll: > She was very unfashionably dressed; and wore a coat and skirt and hat, and > carried a man's umbrella. She came up to the nursery dressed in her outdoor > clothes and asked if she might borrow the policeman doll; Nanny hunted for > the doll and eventually found it.
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Sweet Solera (1958-1978) was an Irish-bred, British-trained Thoroughbred racehorse. In a racing career lasting from June 1960 until June 1961, the unfashionably-bred filly ran eight times and won six races. As a two-year-old she was beaten in her first two races, but her five-lengths win in the Cherry Hinton Stakes at Newmarket Racecourse was enough to see her rated among the best juveniles of the year. Sweet Solera was unbeaten in four races including the 1000 Guineas at Newmarket and Oaks at Epsom.
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Moorestyle (1977-1984) was a British Thoroughbred racehorse and sire. He was unfashionably bred, sold cheaply as a yearling and began his career in minor handicap races. As a three-year-old however, he improved to become the one of the outstanding British sprinters of the post-war era and was named the best horse of the year in Europe by all the major rating organisations. His wins that year included the July Cup at Newmarket, the Haydock Sprint Cup, the Prix de l'Abbaye and the Prix de la Forêt.
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He elaborated: In 1999, music biographer David Buckley described Station to Station as a "masterpiece of invention" that "some critics would argue, perhaps unfashionably, is his finest record". The same year, Eno called it "one of the great records of all time". The album was ranked No. 323 on Rolling Stone magazine's 2003 list of the 500 greatest albums of all time, 324 on the 2012 revised list, and 52 on the 2020 revised list. In 2004, The Observer ranked the album No. 80 on its list of the 100 greatest British albums.
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Bob's Return was a dark brown horse with a small white star bred by the Baronrath stud at Straffan in County Kildare. In colouring and markings, he closely resembled his sire Bob Back, who defeated Pebbles at Royal Ascot in 1985, and was a successful sire of both flat racers and jumpers. Bob's Return was the first foal of his dam, Quality of Life, and was described as being "unfashionably bred". He was sent as a yearling to the Goffs sales in October 1991, where he was bought for IR£14,500 by Mark Tompkins who trained him at his Flint Cottage stables.
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The film received mixed reviews upon release. It currently holds a 27% 'rotten' critical score on Rotten Tomatoes based on 11 reviews. It has been described as "gogglingly boring and appallingly acted" by Catherine Shoard of The Guardian, "a British twist on the mumblecore genre" by Amber Wilkinson of Eye for Film and "unimaginative and quite frankly dull" by Jennifer Tate of ViewLondon. Tim Robey of The Daily Telegraph was more positive, awarding the film three out of five stars and calling it a "Thoughtful, affable, unfashionably angsty shoestring debut about young Londoners figuring stuff out in their post-college years".
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Towards the end of the war he became pianist in an army dance band. Back in Cambridge, a number of his compositions were successfully performed, but he was insecure about their unfashionably conservative idiom, and eventually destroyed most of his works. After graduating in 1947 Cooke joined the BBC; apart from an interlude (1959–65) working as a freelance writer and critic, he worked for the corporation for the remainder of his life. His job involved writing and editing scripts for the music department and broadcasting for radio and television, where his thoughtful, unaffected manner made him an ideal communicator.
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He opposed what he perceived to be lax discipline, both in modern education and in the wider society, and at Highbury Grove he introduced an unfashionably traditional regime, with strictly enforced uniforms, caning for misbehaviour, and a house system. He claimed in his book that this proved so popular with local parents that the school was consistently oversubscribed.Boyson, Rhodes, Oversubscribed: The Story of Highbury Grove School, London, 1974. From 1957 to 1961 Boyson was a Labour councillor in Haslingden, where his father was at that time a Labour alderman and had been a trade union secretary.
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In the series Daria which followed Beavis and Butt-head, Daria remains bespectacled and plain. She is an unfashionably dressed, highly intellectual, entirely pessimistic about life altogether, cynical/Diogenean, and sarcastic teenage girl who is portrayed as an icon of sanity in an insane household in an equally insane upper middle class suburb. She resides with her vacuous, fashion-obsessed younger sister Quinn and career-obsessed parents Helen and Jake. John Allemang of The Globe and Mail said that Daria is "both the disappointment of her overachieving parents and an embarrassment to her boy-crazy sister Quinn".
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"Variety review In The Guardian, Peter Bradshaw called it "a gallant, ghastly fantasy" and added, "half a pound of Roquefort left overnight in a glove compartment could not be cheesier. It's a camp extravaganza of such exquisite awfulness, such unembarrassable silliness, that you watch it hypnotised."The Guardian review Mark Kermode of The Observer said it was "directed by Zeffirelli like a man still living in the Seventies, replete with ostentatious zooms and unfashionably smouldering close-ups."The Observer review Mick LaSalle of the San Francisco Chronicle enthused, "For Callas lovers, it doesn't get much better than this.
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Barrett, two years younger, had moved to London in 1962 to study at the Camberwell College of Arts. Waters and Barrett were childhood friends; Waters had often visited Barrett and watched him play guitar at Barrett's mother's house. Mason said about Barrett: "In a period when everyone was being cool in a very adolescent, self-conscious way, Syd was unfashionably outgoing; my enduring memory of our first encounter is the fact that he bothered to come up and introduce himself to me." Noble and Metcalfe left the Tea Set in late 1963, and Klose introduced the band to singer Chris Dennis, a technician with the Royal Air Force (RAF).
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He published a quartet of books on Australian character: Wowsers (1968), Knockers (1972), Sports (1973) and Ratbags (1979) and many works of history on popular subjects ranging from wine to sport to retailing, and including an unfashionably critical study of the Australian outlaw Ned Kelly, Saint Ned (1980). His pioneering works of Australian sports history included The Paddock That Grew (1962) on the Melbourne Cricket Ground, which has now seen several editions and updates. He also wrote an autobiography, No Brains at All (1990). Other publications included The Melbourne I Remember (2004) and Moonee Ponds to Broadway (2006), a study of his friend and fellow Melburnian, the satirist Barry Humphries.
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In some cases, the firm may go so far as to turn away customers who are not in its target segment. The doorman at a swanky nightclub, for example, may deny entry to unfashionably dressed individuals because the business has made a strategic decision to target the "high fashion" segment of nightclub patrons. In conjunction with targeting decisions, marketing managers will identify the desired positioning they want the company, product, or brand to occupy in the target customer's mind. This positioning is often an encapsulation of a key benefit the company's product or service offers that is differentiated and superior to the benefits offered by competitive products.
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The show has also revealed that Steve at least has four relatives who care about him in Uncle Ernie who owns a horse trailer, Uncle Cecil who despite his gambling problems come over to the Urkel home to keep an eye on him, Aunt Oona from Altoona whom is like a mother to him and Myrtle. Urkel dresses unfashionably for someone his age (he is most commonly seen wearing suspenders, brightly colored shirts, and high water pants) and has a number of eccentric hobbies and interests, including polka dancing and accordion playing. His motor vehicle of choice is the small three- wheeled Isetta. Unlike his friends, he has little interest in popular culture and athletic endeavors.
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In comparison to their earlier work, Gregory McIntosh of Allmusic writes that the combo is "more focused on an overall concept for the record as an atmospheric listen" and that the album "is a document of a band that has really hit its stride". When commenting on the combo's use of computers John L. Walters of The Guardian wrote that they use them for "anything from ambient noise to throbbing riffs". He goes on to write that "Mazurek's inventive improvisations dance around Taylor's live, open-sounding kit, while Kupersmith's bass sound stays oddly, unfashionably low." Rex Butters of All About Jazz wrote that Slon has "heated high speed interplay and cold techno ice caps" and calls the musicians "gifted improvisers at the top of their game".
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Odihnă pe câmp, (1956) Perhaps unfashionably for a 20th-century painter, Baba consciously worked in the tradition of the Old Masters,"[My] old schoolfriend, Tiberiu Iliescu… was all for a revolution in pictorial representation… while I… would endeavour to make the case for the artistic benchmarks of the past, for 'classic judiciousness'…" (quoted at Susara, 2001, p. 15). "The classical realism with which I … executed [the 1953 portrait of Mihail Sadoveanu]…" (quoted at Susara, 2001, p. 20). "I have very much enjoyed seeing myself as the last hero at the bridgehead of great painting." (quoted at Susara, 2001, p.158). See also web page from a 1998 exhibition at the National Museum of Art of Romania, accessed 9 July 2006.
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Within hours of the discovery of the body of Helen Puttock, an additional composite drawing of the suspect was created using the detailed description provided by her sister; this composite drawing would rapidly become one of the most famous facial composites in Scotland. Detective Superintendent Joe Beattie asked the public to closely study this composite drawing, should it resemble anyone they knew. Due to the suspect's hair being unfashionably short for the era, over 450 hairdressers in and around Glasgow were shown the updated composite drawing of the suspect, and all dentists in and around Glasgow were asked to examine their records to determine whether they held records of a male patient with overlapping incisors and a missing tooth in the upper right jaw. Both lines of inquiry would prove fruitless.
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Verge escapements were used in virtually all clocks and watches for 400 years. Then the increase in accuracy due to the introduction of the pendulum and balance spring in the mid 17th century focused attention on error caused by the escapement. By the 1820s, the verge was superseded by better escapements, though many examples of mid 19th century verge watches exist, as they were much cheaper by this time. In pocketwatches, besides its inaccuracy, the vertical orientation of the crown wheel and the need for a bulky fusee made the verge movement unfashionably thick. French watchmakers adopted the thinner cylinder escapement, invented in 1695. In England, high end watches went to the duplex escapement, developed in 1782, but inexpensive verge fusee watches continued to be produced until the mid 19th century, when the lever escapement took over.
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A club Hamburg bouncer (doorman) on the Große Freiheit cross street in Hamburg stated on around 12 January 2016 that Hamburg's nightlife and red-light district situated near the Reeperbahn – nicknamed der Kiez – in the St. Pauli quarter had, since 2014, experienced hassle from "refugees"; it was claimed that these were mostly dark-haired men who did not speak any German, and were dressed unfashionably. In late 2014, some underaged "refugees" had reportedly robbed clients of prostitutes during their negotiations; these youths were then ruthlessly beaten up by der Kiez, said this bouncer. Since the autumn of 2015, groups of "refugees" had been photographing the women around Große Freiheit and "grabbing girls" around there, said the same club bouncer. A similar assertion about sexual harassment by "refugees" was given during a crisis meeting held by clubs from the Große Freiheit with police on 13 January 2016.
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" The Vinyl District's Michael Little gave the 2015 EP an A grade, saying, "I love Nelson and her band, paranoid or not. I expect great things of The Paranoid Style, because they have it all. They’re a thinking person’s rock band that never fails to set Nelson’s ingenious and humorous musings to great melodies, and then to jack up the volume to remind you that what you’re hearing is good old- fashioned explosive hard rock, in the vein of Sleater-Kinney only with better lyrics." The following year, Spin premiered the single "Common Emergencies" (a collaboration between Nelson and Scott McCaughey from the Young Fresh Fellows). Of that track, Weiss wrote, "[it] is as good as any to introduce an unsuspecting indie-rock fan to Nelson’s confrontational melodies, referencing the novel As I Lay Dying and the Stones’ 'Beast of Burden' in between its addictive call-response refrains, along with the aforementioned 'I've Been Working on the Railroad' flip and an unfashionably ripping guitar solo.
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Maybe that's because of the inordinate amount of screen time spent on the rivalry between two villains who are as uninteresting as they are unpleasant." Michael Phillips of the Chicago Tribune gave the film two out of four stars, saying "Part of the problem here is one of proportion: The movie throws a misjudged majority of the material to the villains and lets the unfashionably sincere and sweet- natured Muppets fend for themselves." Robbie Collin of The Daily Telegraph gave the film two out of five stars, saying "Muppet film number eight is a resounding disappointment: it's uneven and often grating, with only a few moments of authentic delight, and almost none of the sticky-sweet, toast-and- honey crunch of its vastly enjoyable 2011 forerunner." James Berardinelli of ReelViews gave the film three out of four stars, saying "The inevitable sequel, arriving three years later, isn't as giddily entertaining as its predecessor but much of the charm remains, making this an ideal destination for a family excursion.
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The Diplomat initially, in 1934, took over the body from the previous year's Adler Standard 6. However, the Standard Six had received an all new body for its final year of production, and for keen eyed observers the final year's Standard Six was differentiated from the first year's Diplomat by redesigned fender aprons. The chassis which had been a defining feature of the 1933 Standard 6 had been of an underslung design whereby the axles emerged directly above the principal chassis members: this allowed for a lower centre of gravity and a lower-bodied car than the overslung chassis, with axles mounted directly below the chassis, which had left the earlier Standard Six looking unfashionably high-bodied in the early 1930s. The four-door “Limousine” (sedan/Saloon) came with an all-steel body from Ambi-Budd, the country's largest specialist steel body producer, based in the Spandau district of Berlin. A longer wheel base six light “Pullman-Limousine” with six seats was also offered, its body probably also from Ambi-Budd.
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