Americans, by contrast, paid 192% of GDPcapPPP for their patented drugs and a titchy 14% for generics.
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There is a titchy airport; the nearest seaport is a four-hour drive away, past an orangutan reserve.
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A box that measured 32cm on each side, it carried three video cameras, the idea being to test whether such a titchy spacecraft could capture useful imagery of Earth.
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Long before it was forced to move to the concrete foot of Grenfell Tower on Latimer Road in 2002, "the Dale" was situated in a titchy hall on Walmer Road—a rough, tough, hard-edged street with spit buckets of boxing history.
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As the crowd waited for Mr Trump to land, anxiously scanning the horizon for anything that looked like a Boeing (a tiny private plane was cheered by mistake at one point, until its titchy size became more clear), local Republicans played warm-up speaker and boasted of being deplorable, asking supporters to raise their hands if they were too.
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In British advertising in the 1980s, Weetabix anthropomorphized the biscuits, representing a group of 'street-wise' young teens, beginning as 'skinheads'. Their appearances on the packaging and associated publicity featured catch phrases such as "titchy breakfast cereals" to describe rivals, with the response "Neet Weet Mate", "OK!". The lead Weetabix was voiced by Bob Hoskins.Chris Fillm (2002).
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In 1977, Ralph Bass produced another album for Gibson, but it was not released until 1996, when it was issued by Delmark Records. He played on Son Seals's 1978 album Live and Burning. Alligator Records included four tracks by Gibson on its 1980 compilation album Living Chicago Blues, Vol. 3. Gibson's album Switchy Titchy was released in 1982 by Black Magic Records, a Dutch label.
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Lacy Gibson (May 1, 1936 – April 11, 2011) was an American Chicago blues guitarist, singer and songwriter. He notably recorded the songs "My Love Is Real" and "Switchy Titchy" and in a long and varied career worked with Buddy Guy and Son Seals. One commentator noted that Gibson "developed a large and varied repertoire after long stays with numerous bands, many recording sessions, and performances in Chicago nightclubs".
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"North Texas Blues" By Tim Schuller Blues Access No. 20 Winter 1994–1995, pps. 22–29 50. "Niche busters – Six Who Are Kicking Down New Doors" By Tim Schuller Blues Access No. 24 Winter 1996 51. "'Till I Find My Way Home:' The Lost Brownie McGhee Interview" (Brownie McGhee) By Tim Schuller Blues Access No. 26 Summer 1996 52. "Lacy Gibson – Switchy Titchy" (Lacy Gibson) Black Magic 9002 CD Review By Tim Schuller Blues Access No. 27 Fall 1996 53.
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Initially considered by co-founder Carroll as a "titchy little maverick event", the Choice Music Prize has gained a reputation for producing "unpredictable" winners. Winners thus far consist of one solo female performer, four bands and one solo male performer. Julie Feeney won the inaugural prize for Irish Album of the Year 2005. She was followed by The Divine Comedy, Super Extra Bonus Party and Jape, winners of Irish Album of the Year 2006, 2007 and 2008 respectively. Adrian Crowley won Irish Album of the Year 2009, while Two Door Cinema Club won Irish Album of the Year 2010.
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He travelled to London and appeared at the Forester's Music Hall in 1884. Later that year, he adopted the stage name "Little Tich", which he based on his childhood nickname of "Tichborne", acquired through his portly stature and physical likeness to the suspected Tichborne Claimant Arthur Orton. The terms "titchy" or "titch" were later derived from "Little Tich" and are used to describe things that are small. Little Tich's act further developed during a tour of the United States between 1887 and 1889 where he established the Big-Boot Dance and impressed audiences with his ability to stand on the tips of the shoes and to lean at extraordinary angles.
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