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"tentation" Definitions
  1. [archaic] (archaic) TEMPTATION
  2. a mode of adjusting or operating by successive steps, trials, or experiments

52 Sentences With "tentation"

How to use tentation in a sentence? Find typical usage patterns (collocations)/phrases/context for "tentation" and check conjugation/comparative form for "tentation". Mastering all the usages of "tentation" from sentence examples published by news publications.

On Sunday, French churches began using a version of the Lord's Prayer in which the line "Ne nous soumets pas à la tentation" (roughly, "do not expose us to temptation") was replaced with "Ne nous laisse pas entrer en tentation" ("do not let us give in to temptation").
La Tentation de Bramafam is a fluffy eggplant-walnut dip with a clear connection to dishes like baba ghanouj.
To achieve the look, Bachik actually combined two Chanel lacquers — Tentation, a high-gloss fuchsia, and Provocation, a muted mauve — for a custom, cool-toned pink we'd happily use in place of our traditional red or burgundy polish.
Tentation delblush is a commercial apple variety (also known as Delblush) that was created in France in 1979 by Georges Delbard as the result of a crossing of Grifer (Blushing Golden) × Golden Delicious.orangepippin.com Retrieved 11/1/2015. New Zealand is the sole southern hemisphere grower of Tentation, providing fruit domestically and to the northern hemisphere from June to September. In the late 1990s, a selected group of New Zealand fruit growers started planting Tentation trees.
Dix infernal is the first album by Moi dix Mois and was released on March 19, 2003. "Tentation" and "Pessimiste" were re-recorded on the Dixanadu album.
Gabriel Badea-Păun, "Michel Simonidy, la tentation d'une carrière parisienne", in Revue Roumaine d'Histoire de l'Art. Série Beaux-arts, 2007, p.103-118. See also Drăguț et al., p.
In 1989 Fortier joined the faculty of dance at Université du Québec à Montréal. He also created dance solos for himself by reactivating his old dance company Fortier-Danse Création. As a solo artist, he created the trilogy Les Males Heures (1989), La Tentation de la transparence (1991), and Bras de Plomb (1993), the latter two created with the collaboration of Betty Goodwin. La Tentation de la transparence received the Dora Mavor Moore Award.
Dixanadu is an album released by Moi dix Mois on March 28, 2007. It contains re-recordings of "Tentation" ("Last Temptation") and "Pessimiste" ("Neo Pessimist"), originally from the album Dix Infernal.
During this time Gerrit Jäger committed suicide by drowning. Couperus now started working on what was to become Wereldvrede ("World Peace") and wrote a translation of Flaubert's La Tentation de Saint Antoine.
After the distinctive artistic lead of Gustave Flaubert (1821–1880) in his La tentation de Saint Antoine (1874),Gustave Flaubert, La tentation de Saint Antoine (Paris: Charpentier et Cie 1874), translated as The Temptation of Saint Anthony (Paris: H. S. Nicols 1895). there eventually followed, in a decidedly more skeptical, yet still historic-religious vein, the French novel Thaïs (1890). This inspired the French opera Thaïs (1894). Later followed the London play Thais (1911), the Hollywood film Thais (1917), and the Franco- Rumanian statue Thaïs (1920s).
He considered himself a "moderate" anti-Semite and was replaced as editor of Je suis partout in 1943 by the even more extreme Pierre-Antoine Cousteau.for a history of Je suis partout see: Pierre-Marie Dioudonnat Je suis partout (1930-1944). Les maurrassiens devant la tentation fasciste (éd.
We ... busied ourselves with ... rehearsals for La > tentation. This five-act fairy tale was merely a series of tableaux, of > which the chorus and the corps de ballet were the stars. [These] can always > be replaced, and scenery, at least, never falls ill. La tentation ... was > thus a work always in readiness for presentation.cited in Smith (2001), p. > 35 The date of the premiere is given by Marian Smith as 12 March 1832;Smith (2003) p. 102, n. 19 however the printed libretto gives the date 20 June.Halévy (1832), p. (iii). This date is supported by the Almanach des Spectacles de 1831 à 1834, which gives the date as 20 June 1832 on p. 27.
Le Devoir, Yves Hébert 6 January 2015 a work of historical fiction."Le Premier Jardin d'Anne Hébert et La Maison Trestler de Madeleine Ouellette-Michalska". SCL, Volume 27, Number 1 (2002) . Elena Marchese, Université d'Ottawa Her diary, La Tentation de dire, was published in 1985 and broadcast on CBC Radio-Canada.
"François Mitterrand ou la tentation de l'histoire, Éditions du Seuil, 1977 , chap. 5, p.43-50," il débarque à Vichy pour y travailler : un ami de sa mère, le colonel Le Corbeiller, lui a trouvé un emploi. C'est un poste de contractuel avec une solde de 2100 francs par mois.
In 1934 she performed a highly successful version of Richard Strauss's opera Salome at the Théâtre des Champs-Élysées. She danced duets with her sister Elia, like Tentation (1935), with scenario by Divoire, which dramatized the struggle between consciousness and the unconscious. Cirul continued dancing until the early 1940s, and taught dance until 1962, when she retired to Nice.
Game is popular, as are the fish-based dishes maboké and soussou. Manioc flour is used for preparing fufu. There are three types of restaurants in Bangui. Some focus on foreign cuisine, such as 'Relais des Chasses,' 'La Tentation' and 'L'Escale,' which are oriented towards French food, and 'Ali Baba' and 'Beyrouth,' which serve Lebanese food.
La tentation is a "ballet-opera", a hybrid work in which both singers and dancers play major roles. It was premiered in 1832 in its original five-act form by the Paris Opéra at the Salle Le Peletier. Most of the music was by Fromental Halévy, and the libretto was by Edmond Cavé and Henri Duponchel.Smith (2003) p.
The opera was a failure at its premiere, which was attended by the recently crowned King Charles X, and only the final tableau with Dabadie was singled out for praise. She appeared on a cloud dressed in a gold breastplate and helmet and carrying a banner emblazoned with the fleur-de-lis. She then gestured to the back curtain, which parted to reveal a receding line of illustrious French kings ending with the Arc de Triomphe and the Tuileries Palace on the far horizon. Dabadie as the angel Mizaël in La tentation, 1832 Dabadie went on to create the roles of Sinaïde in Moïse et Pharaon (1827), Lady Macbeth in Chélard's Macbeth (1827), Jemmy in William Tell (1829), Mizaël in La tentation (1832), and Arvedson in Gustave III (1833).
Manioc flour is used for preparing fufu. There are three types of restaurants in Bangui. Some focus on foreign cuisine, such as 'Relais des Chasses', 'La Tentation' and 'L'Escale', which are orientated towards French food, and 'Ali Baba' and 'Beyrouth', which serve Lebanese cuisine food. There are a large number of African restaurants, such as the "Madame M'boka", a favorite of the locals.
Delbard has a separate program for pear breeding, aiming to combat fireblight. Delbard Jubilee is an apple cultivar developed by Delbard. One of the very special apple cultivars developed by Delbard is the Tentation apple also called DellblushRecent advances in Apple Breeding which is limited for cultivation to New Zealand, Delbard Jubilee and Delbarestivale which has excellent taste in Southern Indiana, USA for a mid season apple.
The hotel had been built between 1927 and 1928 by architects Georges Wybo and Constant Lefranc and over the years Delamarre was to execute several major works for the hotel; "Frise d’enfants" for the " Salon anglais", "La Tentation" or "Adam et Eve" for the "Salon Chantilly", two eagles for an atrium in the hotel and the "Ronde de jeunes filles" for the terrasse garden of the hotel's "suite royale".
Le bon Aristophane me promena sur la scène, et l'empereur Claudius Drusus me fit asseoir à sa table. Dans les laticlaves des patriciens j'ai circulé majestueusement! Les vases d'or, comme des tympanons, résonnaient sous moi;--et quand plein de murènes, de truffes et de pâtés, l'intestin du maître se dégageait avec fracas, l'univers attentif apprenait que César avait dîné!La Tentation de St. Antoine, Project Gutenberg etext (French).
The format of La tentation is unusual, with both singers and dancers taking leading roles. The music for the opera sections was written by Halévy; that for the ballet portions by Halévy and Casimir Gide.Halévy (1832), p. (ii) The director of the Opéra, Louis Véron, wrote in his memoirs that, during the cholera epidemic in Paris; > I wished neither to make use of nor to jeopardize any of the important works > of the repertory.
The music contains several direct quotations from Beethoven, including from his Fifth Symphony (in the act 2 meeting of the demons) and his Pathétique sonata.Smith(2001), 38 On 2 August 1832, Frédéric Chopin wrote to Ferdinand Hiller that "La tentation, an opera-ballet by Halévy and Gide, tempted no-one with any good taste, since it is as dull as your German parliament is out of keeping with the spirit of our century".
Together with her husband, she developed a gift wrap box in 1915 which became known as the ballotin. The design for the ballotin was patented, the registration document is date 16 August 1915 at 2.30pm (Belgian time). Jean's son-in-law, Adelson de Gavre, took over the running of the business. In 1958, he created a series of highly acclaimed pralines such as the Caprice and the Tentation which were first displayed at Expo 58.
Notré Cinéma Retrieved 18 September 2016. Jean Peyrière's last film of the 1920s silent film era was the 1929 René Barberis and René Leprince directed drama La tentation (Temptation), starring Lucien Dalsace. Peyrière would only make one sound film, which would also be his last appearance on screen, in the Robert Péguy directed 1937 comedy Monsieur Breloque a disparu, starring Lucien Baroux and Junie Astor.Le Cinéma Français: Monsieur Breloque a disparu Retrieved 18 September 2016.
In June 1832, he worked at the Paris Opera on the sets of La tentation, a five acts opéra-ballet by Jean Coralli. In 1833, with Charles Séchan (1803–1874), a student of Ciceri, he founded an association under the name Séchan et Diéterle. joined them, followed by Édouard Desplechin. From 1832 until 1848, his career as a decorator merged with those of his collaborators, but their association was dissolved in 1849.
Debate rages in France as to the significance of this. When François Mitterrand's Vichy past was exposed in the 1950s, he at first denied having received the Francisque (some sources say he was designated for the award, but never received the medal because he went into hiding before the ceremony took place)"autumn 1943", from: Franz-Olivier Giesbert, François Mitterrand ou la tentation de l'histoire, Éditions du Seuil, 1977 , chap. 5, p.49.
Eastern facade of the castle of Villiers-le-Mahieu (Yvelines, France) The Château de Villiers-le-Mahieu is a modernised castle in the commune of Villiers-le-Mahieu in the Yvelines département of France. It was built in the 13th century and was extensively remodelled in the 17th.Ministry of Culture: Villiers-le-Mahieu: Château (ancien) (Accessed 1 February 2013) It is now in use as a hotel.Roland Escaig, "Le Charme absolu d'un week-end en tête-à-tête", Tentation, no.
The Rif War is still considered controversial among historians. Some see in it a harbinger of the decolonization process in North Africa. Others consider it one of the last colonial wars, as it was the decision of the Spanish to conquer the Rif — nominally part of their Moroccan protectorate but de facto independent — that catalyzed the entry of France in 1924.Jan Pascal, L’Armée française face à Abdelkrim ou la tentation de mener une guerre conventionnelle dans une guerre irrégulière 1924-1927, Cairn.
The novel also added dialogue that had been cut out of the film: finishing, for example Christian's cry – in the film – of "That's the hand I use to..." with "masturbate with."Latter Days: A Novel, (Alyson Publications, 2004), p. 176. In France, Latter Days has been titled La Tentation d'Aaron ("The Temptation of Aaron"), and the DVD given a cover showing Aaron in a nude and suggestive pose. A new trailer was also released, which is considerably more sexual than the original.
Cohen was made a Chevalier of the Ordre des Arts et des Lettres in 2001. He is the recipient of the 2003 Medal for Architectural Analysis from the Académie d'Architecture and the 2010 Schelling Architecture Theory Prize in architectural theory. Two of his books won the Grand Prix du livre from the Académie d'Architecture—Scènes de la vie future: l'architecture européenne et la tentation de l'Amérique 1893-1960 (1996) and Architecture en uniforme: projeter et construire pour la seconde guerre mondiale (2012).The Schelling Architecture Foundation.
The first eight people of the L.A. season. Diana and Brandon have been together for four years, before leaving the L'île de la tentation 2001 in separate. Daniela and Jonathan have been a couple for Secret Story 2009, but Jonathan has broken with her for Sabrina, another candidate (Daniela already been eliminated during the break). Julie and Amelie were friends at Secret Story 2010, but since Julie was in a relationship with Senna (Amelie's boyfriend, met in SS, and during the first season ofAngels) Amelie was hate.
He said "the French" (i.e., the Bishops' Conference of France) had changed the petition to "Do not let us fall in/into temptation". He was referring to the 2017 change to a new French version, Et ne nous laisse pas entrer en tentation ("Do not let us enter into temptation"), but spoke of it in terms of the Spanish translation, no nos dejes caer en la tentación ("do not let us fall in/into temptation"), that he was accustomed to recite in Argentina before his election as Pope.
She then joined full international tours. Leroux had her first success when she created the role of Marie in La tentation by Jean Coralli (1832), then in Filippo Taglioni's Leda, the Swiss Milkmaid (1832) and triumphed in Coralli's Le Diable Boiteux (1836), then as Uriel in The Devil in Love with Joseph Mazilier (1840). She danced regularly in London between 1824 and 1833, appearing before a young Princess Victoria who painted watercolour portraits of Leroux as Fenella in Massaniello at the Royal Opera House at Covent Garden (1832),Mad.
"An analysis of the discrepancies between Madeleine Ouellette-Michalska's diaries broadcasted by Radio Canada and her published version, La 'Tentation de Dire' - The theory and practice of autobiography". Etudes Litteraires, 31(2):107-118 · December 1999 As well as fiction, Ouellette-Michalska also published a number of essays, including L'Amour de la carte postale in 1987.Making and Breaking the Rules: Women in Quebec, 1919-1939. 2010. Andrée Lévesque Translated by Yvonee M. Klein She has contributed as a journalist to publications such as Perspectives and Le Devoir.
After working for Bobby Flay's New York restaurants, Mesa Grill and Bolo, where she served as food and beverage director, Clapp was an event coordinator at Tentation Special Events Catering. Starting in 2002, Clapp was deputy food editor for Everyday Food magazine, a Martha Stewart Living Omnimedia publication, which launched her foray into television through its companion TV show. Clapp also managed the test kitchen for Everyday Food, where her duties included recipe development and testing. She also wrote a monthly column, "How-To With Allie," where she offered instruction on basic cooking techniques.
In 1928, he produced the group "Adam et Eve" or "La tentation" in bronze, which composition was to appear subsequently in various limited editions, in both bronze and plaster. In 1931, he participated in the Exposition Coloniale de Paris, creating the figure of Christ carved from acajou wood from Cuba and eight Beatitudes. 1935 saw completion of his work for the ocean liner "Normandie" and 1937 he completed his great work in bronze for the Palais de Chaillot with three 4-metre-high figures being created symbolizing Philosophy, the Visual Arts and the Arts. These figures were erected after the 1939–40 war.
In 1831, Coralli was engaged as premier maître de ballet of the Paris Opera, replacing Jean-Louis Aumer. His first work there was a revival and restaging of his 1828 work Léocadie, with a new scenario by Eugene Scribe, a new score by Michel Carafa, and a new title, L'Orgie (1831). It told the story of a young girl seduced by a nobleman and then abandoned, a theme to which Coralli would return in later works. His next was the ballet for the opera La Tentation (1852), which capitalized on the growing vogue for plays, ballets, and operas with a supernatural aspect.
The Calvary, regarded as one of Brittany's finest, dates to 1554 and was the creation of Bastien and Henry Prigent. Many of the Prigent sculptures were destroyed during the Terror and in 1897 Larhantec reconstructed the crucifixion cross. Amongst those included in the sculptural composition are Saint Yves a much venerated Saint in Brittany and Satan ("Le Diable de la tentation") and the three kings Balthazar, Melchior and Gaspard. The chapel has sober lines in contrast to the flamboyance of the church and the ossuary contains the tomb of the Abbé Le Teurnier decorated with the Abbe's statue sculpted by Larhantec.
After a first experience in the fifth season of the reality program L'Île de la Tentation (French version of Temptation Island), Gyselle took theater classes in Paris while purisuing her modeling career. In 2007, she participated at the reality program Big Brother Brasil, where she reached the final but losing at 1% of the votes. After her success in the program, she appeared in several magazine covers and many fan clubs were created in her country. In 2010, she became the presenter of the television program Miss Bikini broadcast on TF6 and where she is a coach for two French women who have to confront ten Brazilians.
This gave rise to the sentiment that the conscript army of citizen-soldiers (see Levée en masse and Milicia Nacional) was a truer expression of the people and the nation than the monarchs themselves, paving the way for elements within the army to take politics into their own hands. This process in Spain has been compared to the experience of France during the same period: from Bonaparte's own military- backed coup of 1799, to the participation of liberal generals Lafayette, Gérard and Mouton in the 1830 overthrow of the Bourbon Restoration.Chanet, J 'La République entre tradition parlementaire et tentation du coup d'État'. Cahiers Jaurès, 200 (2011).
Pauline Duvernay was born at Versailles and became a student of Hippolyte Barrez at the Paris Opera Ballet, where she also worked with Auguste Vestris, and Filippo Taglioni. She made her debut on the stage of the Théâtre de l´Académie Royale de Musique in Paris performing Venus in Jean- Baptiste Blache's Mars et Vénus. That same year she made her debut in London at the Drury Lane Theatre in Jean-Pierre Aumer's La Belle au bois dormant ("Sleeping Beauty"). Working with the renowned Ballet du Théâtre de l´Académie Royale de Musique (today known as the Paris Opera Ballet), she also gave outstanding performances in Jean Coralli's La tentation (music by Fromental Halévy and Casimir Gide) in 1832.
In 2004, he is invited by the Paul Verlaine University (Metz, France) to participate to the Colloque sur l'Art du Peu (Seminar on the Art of the Few): he gives a solo kora performance based on haikus and writes an essay: La Tentation du peu (The Temptation of the Few). On 12 May 2006 his music is featured among the works of twelve composers from around the world in Sonic Channels, a concert hosted by the New School University and the Lower Manhattan Cultural Council. Since 2006, Jacques Burtin also plays the gravi-kora and composes for this instrument. He gives kora and gravi-kora master classes and works on kora pedadogy.
The Temptation of Saint Anthony (French La Tentation de Saint Antoine) is a novel upon which the French author Gustave Flaubert spent his whole adult life working fitfully. In 1845, at age 24, Flaubert visited the Balbi Palace in Genoa, and was inspired by a painting of the same title, then attributed to Bruegel the Elder (now thought to be by one of his followers). Flaubert worked at the subject in three versions, completed in 1849, 1856 (with extracts published at that time) and 1872, before publishing the final version in 1874. It takes as its subject the famous temptation faced by Saint Anthony the Great, in the Egyptian desert, a theme often repeated in medieval and modern art.
Modern districts like Plateau or Cocody have developed similar to those in Europe with the construction of large office towers and apartment buildings between the 1970s and the mid-1980s. Traditional neighborhoods like Treichville or Marcory maintained the system of "concessions" where housing is adjacent to the plant and an area of several houses, within the normal organization and multi centuries-old African villages.Haeringer Ph., Vingt- cinq ans de politique urbaine à Abidjan ou la tentation de l'urbanisme intégral, Politique Africaine, n°17, 20–40, 1985 The district of Cocody is also home to many single-storey wooden villas, surrounded by vast gardens of lush vegetation, fed by the heavy rains that water the city. Wealthier inhabitants constructed villas in imitation of Greek temples in this district.
Louis de Funès during the shooting of Le gendarme et les extra- terrestres In 1945, thanks to his contact with Daniel Gélin, de Funès made his film debut at the age of 31 with a bit part in Jean Stelli's La Tentation de Barbizon.Louis de Funès called Stelli Ma Chance ("My Luck") whenever they were together (Louis de Funès : Jusqu’au bout du rire, p. 43.). He appears on screen for less than 40 seconds in the role of the porter of the cabaret Le Paradis, welcoming the character played by Jérôme Chambon in the entrance hall and pointing him to the double doors leading to the main room, saying: "C'est par ici, Monsieur" ("It's this way, Sir"). Chambon declines the invitation, pushing the door himself instead of pulling it open.
Anggun then decided to employ members of her new musical family on her papers, including French rappers. The singer was surrounded by Tunisiano ("Plus Forte") and Sako dog Flaw ("Rien à écrire", "Si je t'emmène", "Tentation"). After the latter, a slameuse, Julie Grignon, who brought sweetness and candor to original title "J'ignorais tout", Anggun has even offered the prestigious collaborations with Pras of the Fugees and Big Ali, not to mention a participation with the guitarist Järvelä Bruno, a member of rock band French Indochina, on the original song "Plus forte". "Cette Nuit" expresses a voluptuous sensuality, "Si Tu L'avoues" offers a strong statement of love, "Le Temps Perdu" presents a painful admission of failure, while "Eden in Her Eyes" marks a break on a folk acoustic guitar in honor of her daughter, Kirana.
Born in Paris, Dérivis was the son of operatic bass Henri-Étienne Dérivis. He studied singing at the Conservatoire de Paris with Auguste Nourrit and Felice Pellegrini. He made his professional debut at the Paris Opera in 1831 as Pharaon in Gioachino Rossini's Moïse et Pharaon. He remained committed to that opera house for the next ten years, notably performing in the world premieres of Fromental Halévy's La tentation (1832), Daniel Auber's Le serment (1832), Luigi Cherubini's Ali Baba (1833), Halevy's La Juive (1835, the Herald), Giacomo Meyerbeer's Les Huguenots (1836, the Comte de Nevers), Louis Niedermeyer's Stradella (1837), Halevy's Guido et Ginevra (1838, the Duke of Ferrara), Hector Berlioz's Benvenuto Cellini (1838, Balducci), Gaetano Donizetti's Les martyrs (1840, Félix), and Ambroise Thomas's Le comte de Carmagnola (1841).
According to Eric Rossi, the PCN belongs to a strand of the Francophone far-right that he identifies as "ethno-differentialist revolutionary nationalism" in which he also includes Nouvelle Résistance, Groupe Union Défense, Troisième voie and Groupement de recherche et d'études pour la civilisation européenne. He contrasts this with the "exclusivist nationalists" (as represented by Œuvre française) and the "supremacist racialist nationalists" (Fédération d'action nationale et européenne and Parti nationaliste français et européen), although including all three groups within a wider model of neo-fascism.E. Rossi, Jeunesse française des années 80-90 : la tentation néo-fasciste,, Editions LGDJ, 1995, p. 97. The party has from time to time contested elections in Belgium and France (without securing elected office), although at the last Belgian elections they told their supporters to vote for the Vlaams Belang.
He published Parias (Parias), Lunes de fiel (Evil Angels) (adapted as a film by Roman Polanski) and Les voleurs de beauté (The Beauty Stealers) (Prix Renaudot in 1997). Among his essays are La tentation de l'innocence ("The Temptation of Innocence," Prix Médicis in 1995) and, famously, Le Sanglot de l'Homme blanc (The Tears of the White Man), an attack on narcissistic and destructive policies intended to benefit the Third World, and more recently La tyrannie de la pénitence (2006), a book on the West's endless self-criticism, translated as "The Tyranny of Guilt" (2010). From 1992 to 1999, Bruckner was a supporter of the Croatian, Bosnian and Kosovar causes against Serbian aggression, and endorsed the NATO intervention in Kosovo in 1999. In 2003, he supported the toppling of Saddam Hussein, but later criticized the mistakes of the U.S. military and the use of torture in Abu Ghraib and Guantanamo.
The French Bases Autonomes were founded on the 1st of August 1991 by members of Serge Ayoub's Jeunesses Nationalistes Révolutionnaires (JNR), a white power skinhead gang of the nationalist revolutionary tendency, following the schism within Troisième Voie, a French Third Position organisation founded in 1985 by a merger of the small neo- fascist Mouvement nationaliste révolutionnaire, which gathered former members of François Duprat's Revolutionary Nationalist Groups (GNR), with dissidents from the Parti des forces nouvelles.Annuaire de l'extrême-droite en France: Troisième VoieEric Rossi, Hugues Portelli, Jeunesse française des années 80-90: La tentation néo-fasciste, Presses Universitaires de Paris, 1995, page 298Jean-Yves Camus, René Monzat, Les Droites nationales et radicales en France: répertoire critique, Presses Universitaires de Lyon, 1992, pp. 249 et 337Jean-Yves Camus, Centre européen de recherche et d'action sur le racisme et l'antisémitisme, Extrémismes en Europe, 1997, p. 165Panorama des Actes Racistes et de l'Extremisme de Droite en Europe, CEDIDELP/CRIDA, Centre de recherche d'information et de documentation antiraciste, 1998, p.

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