After about a half hour of trial and error, they finally synched.
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The actor famously lip-synched to Bob Seger's "Old Time Rock and Roll."
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Overbooking occurs when the calendars between the different sites are not synched in time.
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Of course, this is the only time in Rio that Verniaiev synched up with Leyva.
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There's better Apple Music integration, too (personalized playlists like New Music Mix are auto-synched).
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Once you do this, all of your messages will be synched between the two devices.
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When Drake lip-synched to Taylor Swift's "Bad Blood" in the new Apple Music ad.
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Peloton stock tumbled The backlash synched up with a significant tumble in the company's stock.
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Victoria Beckham reveals she's lip-synched during her Spice Girls days, but it wasn't her fault!
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Everything synched up perfectly, as if the person setting off the explosions was also conducting my vibrator.
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All look as though they have learnt how to perform by watching lip-synched 1980s pop videos.
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Dropbox offered a solution that synched files across multiple desktop PCs, and subsequently across other devices too.
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He steadied his musket on the horse's side and synched their breaths like a pair of dancers.
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Mr. Carter, for instance, wears a vulgar waistcoat tightly synched around his gut and an outdated wig.
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Every minute, 22019 hours of footage is uploaded to YouTube, much of it synched to copyrighted music.
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It's rare that we get five men on court synched up in an eerie, beautiful simultaneous dance.
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The only thing even remotely comparable is when user Rob Whisman successfully lip synched to "The Next Episode."
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Originally, I thought that keeping the two spheres separate and un-synched would help me be more organized.
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Miss American Dream had descended into being a Louisiana swamp creature, smacking her gums as she lip-synched.
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The museum provides headphones, so that visitors can hear Bowie singing and speaking, synched to what they're looking at.
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His invention, which he calls the iGun, is synched to a ring that he wears on his right hand.
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It was also synched with the local weather patterns so when it rained in Berlin, the tequila poured down, too.
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A.I.s can also generate entirely fake video synched up to real audio—and "real" audio is even easier to fake.
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"So the winner of the biggest category of the night lip-synched in the biggest moment on the show?" he added.
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Users will be able to record video from their perspective in 10-second increments, which can be synched with their smartphones.
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For women, trousers were wide-legged and calf-length, culotte-like, while dresses were synched at the waist with big belts.
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However, the award was later rescinded after the pop duo admitted they had lip-synched on their albums or in concert.
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From the inside, it often feels like a poorly improvised performance; leading is like starring in a lip-synched music video.
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The ballroom theme came in the shape of voluminous skirts synched at the waist, corseted tops and asymmetric draped silk gowns.
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The girls, who Chance said looked "a little bit older than me," danced and lip-synched to "Independent Women" by Destiny's Child.
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Right now, the Watch must be synched with a handset in order to deliver cloud-based services, like streaming music and messaging.
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We're talking about Posh Spice, the well-regarded fashion maven who once admitted that she lip-synched many a Spice Girls performance.
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The sum of a few brand-backed, lip-synched videos amounted to more than she earned from both of her jobs, she said.
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And while their fashion designer mom lip-synched during her Spice Girls days, it wasn't her fault — they used to shut down her mic.
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The form here is mad, extravagant, and, I think, not entirely synched to what by all accounts is remarkable when Oswald performs it live.
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Then they sewed sensors into the linings of some test pants and synched them to an app that they had created, using the data.
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The monitors are typically synched to a handheld device for patients to record irregularities and a bedside transmitter that sends data to doctors overnight.
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At home, she's widely regarded as the 'Queen of item numbers' — Bollywood movie dance tracks that are then lip-synched by leading actresses in films.
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If you don't have every random national holiday synched to your iCloud, you may not know that today, July 29th, is National Lipstick Day in America.
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During her lip-synched rendition of her smash hit "Emotions," Carey said she couldn't hear the track before asking the audience to fill in for her.
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Not sure if this is #FakeNews, but this was: To clear the air, supposedly Meek didn't record this video and some internet treasure troll synched it up.
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Or is it on the side of Gaga's Ally, with her dyed red hair and her trashy-fun lip-synched pop songs about a cute boy's butt?
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And he's synched that feed to the screen so that the videos show the closest camera to the location described in the audio for a disturbingly voyeuristic experience.
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The newly single Lip Kit entrepreneur lip-synched and Snapchatted the lyrics to "Act Ghetto" and "100s," which her on/off-again boyfriend, 27, premiered on Soundcloud Monday.
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"She takes a big deep breath before she takes her first dive and I take a deep breath at the same time so we're synched up," says Elaine.
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The designer's first collection in 1947 featured the Bar suit - a hip-length jacket synched at the waist worn with long skirt - that was dubbed the "New Look".
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In addition to food developed by celebrity chefs served in high-end design settings, it also offers synched iPads that allow travelers to order, pay and track flights.
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Compare this scene with the music video of the same song, from 2001, when it was lip-synched by Robert Downey, Jr., as he wandered around a house.
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When Taylor Swift's collaboration with Hadid's boyfriend Zayn Malik "I Don't Wanna Live Forever" dropped, the two happily lip-synched to the song in their version of Carpool Karaoke.
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Government agencies have arranged truck deliveries of fuel after a damaged pipeline cut the supply to Auckland Airport, and have even synched traffic lights to help hasten the journey.
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She said she was most proud of her contributions to the first moon mission, which included the calculations that synched the lunar lander craft and the orbiting command module.
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Before a packed auditorium in LA, Velour lip synched her way to the title of America's Next Drag Superstar with a pair of elaborate performances of classic Whitney Houston songs.
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"Tonight was one of those nights I think, for the first time in a while, where we've seen all three of (Kershaw's) pitches synched up," Dodgers manager Dave Roberts said.
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Shockingly, my phone had already synched up with the Smithsonian's wayfinding platform, which guided me up two separate elevators then shunted me out a service exit onto Mangakāhia's rhizomatic terrace.
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The first hardware to be sold by Snap, the sunglasses will record video from the user's perspective in 10-second increments that can be synched with his or her smart-phone.
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I have to admit I was particularly interested in one of his videos over others, because its entire soundtrack was the excellent dark electropop band TR/ST perfectly synched to gay porn.
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So later on, "River" was synched in Big Little Lies and I was excited because everyone watches HBO and I thought how cool it was, knowing that Reese had heard my music before.
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As she prepared to enter her second round of chemo last month, co-stars Tony Hale and Timothy Simons lip-synched "Roar" as they held up signs reminding her that she's a fighter.
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Following her performance of "Wolves," Twitter exploded with rumors that she'd suffered a panic attack before the show, and that was why she looked rather despondent as she apparently lip-synched the song.
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Missy Elliott was kept out of a Raven-Symoné music video early in her career because she didn't "fit the image," and her verse was lip-synched by a thinner, light-skinned actress instead.
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By then, the hosts of the next party, Witches Against Fascist Totalitarianism, had arrived, and even the straight men were singing along to Daphne's lip-synched final set (Future, Natalie Imbruglia, "Con Te Partirò").
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"We provide video or audio snippets of the program you're watching to third-party providers that use this information in order to return content or advertising 'synched' to what you're watching," the policy states.
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"The moments when Khashoggi was interrogated, tortured and murdered were recorded in the Apple Watch's memory," the paper said, adding that the watch had synched with his iPhone, which his fiancée was carrying outside the consulate.
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"The moments when Khashoggi was interrogated, tortured and murdered were recorded in the Apple Watch's memory," the paper said, adding that the watch had synched with his iPhone, which his fiancee was carrying outside the consulate.
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Israel's Ministry of Defense said that, as part of the Alaska tests, Arrow-3 was successfully synched up with the AN-TPY2 radar - also known as X-band - which provides the United States with extensive global coverage.
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Around the time of their 2011 release The King of Limbs, they released a music video for album single "Lotus Flower," in which a top-hatted Thom Yorke lip-synched and danced like no one was watching.
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Not that too much emphasis should be placed on the shelf life of clothes, per se, but it was particularly interesting to spot as many coats synched by Off-White belts outside of the shows as there were.
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But while his "evolution" on that issue synched up with an increasingly tolerant view of gays and lesbians among the American people, few expected his administration to institute an even more aggressive platform for transgender rights later in his presidency.
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I would have done what I did with all the other songs, and I'd have listened to it on this little iPod that they give you, and I'd have played it on repeat and lip synched to it in my hotel room.
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Adgal synched her waist with a brown belt for a comfy, cool look: "This is the simplest look ever, but you can dress it up and dress it down however you want," she tells PEOPLE of the head-to-toe Uniqlo outfit.
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As night fell over the city's 16th century El Badi Palace and its pool and gardens, models - some wearing bandanas - showcased flowing gowns in maroon or black alongside patterned styles in fabrics from Ivory Coast, fashioned into the brand's trademark synched suit jackets.
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We've done a lot here at Madewell to make sure the organization is synched up early so we're kicking things off together, so it's okay to have these conversations, and they don't feel so tense because there's not much work that's already been done.
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Her dancers filled the stage a few minutes later, and for the third tune, Britney lip-synched "Breathe on Me." She had never released the song as a single, so it was shocking for her to perform it at a pop concert, a genre dependent on hits.
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It is launched in partnership with music technology company Pioneer DJ and the Association for Electronic Music (AFEM), and is a tool where DJ setups in clubs around the world are synched in a centralized network, which logs what tracks are played and distributes payment accordingly.
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She wore black tights, a black T-shirt and a baggy white cardigan (costumes created by Houston's former stylist would be worn in a subsequent shoot) and stood atop a sort of oversize lazy susan, which crouching tech guys, who referred to the device as a turntable, slowly spun as she lip-synched to the song.
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The ride-hailing app is currently shilling Mono, a wearable with some legitimately cool specs: it has BLE tech to pair with your phone, a micro-controller synched with the Lyft API that reads gyroscope and accelerometer data to request rides, and motion-triggered LED confirmation indicators to let you know your trip status without having to check your phone.
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Radan lip synched the song and moved the santour mallets in the correct manner but wasn't actually playing.
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The dragon, expertly lip-synched, is my friend with a T. Rex toothsomeness plus a sweet, silly grin.
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On television, fellow Drifters member Charlie Thomas usually lip- synched the songs that King had recorded with the Drifters.
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Jonathan Rhys Meyers lip- synched the original version of the song in a scene from Elvis, where it shows him performing at the Jacksonville Theater.
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In the summer of 2019, he reached his 16th track synched with a Tomorrowland promo video, confirming once again the strong collaboration with the famous Festival.
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Though actors Kunal and Sonali Bendre had synched their dialogues in Hindi, the rest of the film was dubbed and became a failure at box office.
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Gaye lip-synched the song with a band on Soul Train soon after the song's release. This video was edited to achieve a music video format.
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Like the games before it, Cross Days is presented with limited animation. The game is audibly stereophonic with lip- synched voice acting, sound effects and background music.
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Cher performed the song live in Dame Edna's TV Show and in David Letterman's Late Night Show. During Cher's ABC Coca-Cola Concert Special, as a part of the promotional campaign for her album, she also performed the song live—even though she actually lip- synched. This special was taped in a studio; Cher lip-synched to four songs of her latest album and had her band play along.
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Traditionally, performers on "Soul Train" lip- synched, however, the recorded tracks contained Marc Nelson's vocals prompting the group to perform live, a rarity for the long-running show.
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Because he did not have the equipment to shoot sync sound the only dialogue is the voiceover narration, because it does not have to be synched to anyone's lip movements.
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The Super Bowl has used lip-synching during singers' performances at the live-to-air sports event. During Super Bowl XLIII, "Jennifer Hudson's performance of the national anthem" was "lip-synched ...to a previously recorded track, and apparently so did Faith Hill who performed before her". The singers lip-synched "...at the request of Rickey Minor, the pregame show producer", who argued that "There's too many variables to go live." Subsequent Super Bowl national anthems were performed live.
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The song is frequently played at Washington Football Team football games at FedExField. Actor Jack Black has lip-synched to the song as a part of his #RadOnes series of lip-synch videos.
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Most viewers notice the sound is not necessarily synched to the video. This is because when making Soundies the artist first recorded an acceptable copy of the audio, then various camera takes were made using different camera angles and closeups as the performers lip-synched the lyrics and acted as though playing the instruments. The results were edited to create the appearance of several cameras doing the filming, when in most cases one camera was used. This films was shown at many Army Camps.
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C.J.'s lip-synched performance of "The Jackal" by Ronny Jordan in the episode "Six Meetings Before Lunch" was written in after Sorkin witnessed Janney doing "some impromptu lip-synching" in her trailer on the set.
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Some of Herrmann's cues for Torn Curtain were later post-synched to the final cut, where they showed how remarkably attuned the composer was to the action, and how, arguably, more effective his score could have been.
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Singer Taylor Swift lip-synched the song in an Apple Music commercial that debuted on April 18, 2016. The song was used in the TV show The Middle pilot episode. The song is featured in the movie Zoom.
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The group performed a full concert, which was followed by lip-synched performances of some songs. "Rip and Destroy", an altered version of "Hotter than Hell" that was featured in the movie, was not performed during the concert.
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"Johnny Angel" also charted at #41 on the UK Singles Chart and peaked at #1 in Canada. Fabares lip-synched her hit single on American Bandstand during a June 19, 1962 television appearance to promote her debut album.
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She wore the same wardrobe as Cyrus and used the blonde wig and large glasses to obscure her face. Furthermore, live cameras barely captured her and did not film close-ups as she danced, ran hectically, and lip-synched the rest of "We Got the Party". Numerous fans and critics questioned whether Cyrus lip-synched the entire show during the Best of Both Worlds Tour. On January 11, 2008, Cyrus' publicist confirmed that the videos were legitimate and that the body double, backup dancer Ashlee Nino, was being used throughout all stops of the Best of Both Worlds Tour.
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In 1988, she achieved Bangladesh National Film Award for Best Actress for her portrayal in Koshai (1988). She lip-synched several songs by Sabina Yasmin such as "O Amar Rasiya Bandhure", "Ei Mon Tomake Dilam", "Jalpari", and "Chhairo Na Chhairo Na Haat".
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Some sources state lead vocals were performed by Maurizio Bassi, the group's keyboardist, with McShane actually providing the backing vocals. This still remains uncertain, and McShane lip synched while appearing in the "Tarzan Boy" music video, and not Bassi.See "Epilogue" section. euro-flash.com, 2004.
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The song was written by Mack Gordon, lyrics, and Harry Warren, music. The song is lip- synched by Lynn Bari in the movie Sun Valley Serenade. Pat Friday sang the vocals with John Payne and The Modernaires. The single, RCA Bluebird B-11230-A, reached no.
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The majority of performances on the show were lip synched. Molly Meldrum, the program's talent co-ordinator, began appearing on-air in 1975, presenting the "Humdrum" music news segment and conducting interviews. Meldrum soon became the "face" of Countdown. He appeared regularly on-air until 1986.
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EOTO uses Ableton Live as their primary software for looping. It is installed on Travis' and Hann's laptops which are MIDI synched together through an Ethernet network hub. Travis loops Keyboards, Bass, Guitar and Vocals through his laptop. Hann loops Vocals and Electronic Percussion through his laptop.
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The show begins with a brief documentary. Then, Jorgensen's entire interview is lip synched by the two actors. The show received a generally positive critical response and earned the 2006 Drama Desk Award for Unique Theatrical Experience. It has been mounted several times since its 2005 Off-Broadway production.
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She was later identified as Lorraine Crosby. However, she does not appear in the video, in which her vocals are lip-synched by Dana Patrick. Meat Loaf promoted the single with American singer Patti Russo. The power ballad was a commercial success, reaching number one in 28 countries.
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"Film Reviews: Bluebeard". Variety. August 23, 1972. 6. Kevin Thomas of the Los Angeles Times panned the film as "123 minutes of unrelieved boredom and morbidity", adding: "Heavily made up and dyed, and speaking in a post-synched German accent, Burton seems to be sleepwalking."Thomas, Kevin (August 17, 1972).
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In November 1963 Standford Whitmore was writing The Hank Williams Story for Katzman. The film was made with the assistance of Williams' widow Audrey and featuring the songs ("Long Gone Lonesome Blues", "I Can’t Help It", and "Hey, Good Lookin’") lip-synched by Hamilton but sung by Hank Williams, Jr.
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The technological aspects of the play rely mainly on bot technology which could be categorised in two main groups i.e. Infobots that are based on archived data and Avabots characterised by some AI which real-time live input by actors. The Avabots are synched with the actors' gestures and animations according to their lines.
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Spears' vocals during the performance were lip-synched. The shows received mixed reviews from critics and fans. Some said that Spears looked happy and in great shape, while others deemed the show as subpar. Scalpers outside the San Diego venue sold tickets with a face value of $35 for prices between $200 and $500.
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Avoiding an Oregon law that prohibited the use of more than one instrument during performances, entertainers at Darcelle XV Showplace lip-synched. The business was fined after Neuhardt performed a "ballet-like adagio" with another man. Darcelle and the Showplace have become part of Portland's culture over the years. Darcelle attends many social functions throughout the city.
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Patsy Cline performed at the Mint Casino's "Merri-Mint Theater" from November 23 - December 28, 1962, three months before her fatal plane crash. She appeared with Tompall & the Glaser Brothers, and at one point developed "Vegas Throat" due to the dry desert heat. For several shows, Cline lip- synched to her records. Kitty Wells followed Patsy into The Mint.
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For some reason, Georgie Woods played it." The song was "Shivers", which was a local hit in Chicago. This helped Fabian meet Dick Clark, who agreed to try Fabian at one of Clark's record hops, where singers would perform to teenage audiences. Fabian lip synched to a song and Clark wrote "the little girls at the hop went wild.
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RuPaul performs "Hey Sis, It's Christmas" on the runway alongside the dancers. For the main challenge, the queens must lip sync to RuPaul's song "Get to You" in a 1980s-inspired costume to choreography by Todrick Hall. The runway theme is "Non-denominational Christmas Eleganza Extravaganza". All the queens lip synched in pairs against one another: Mayhem Miller vs.
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In the music video for "Lips Like Sugar," he can be seen playing a vintage Hagström Deluxe 90, (possibly a prop since the performance is lip-synched to the studio track). When the Bunnymen reformed in 1997 he started using his Jaguar as his main instrument with a lot of tremolo. He also uses a Vox 12 string guitar.
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The video was produced by BarelyPolitical.com, was lip-synched for the video by actress and model Amber Lee Ettinger, and Leah Kauffman (of "My Box in a Box" fame) provided the vocals. The concept was the brainchild of 32-year-old advertising executive Ben Relles. "Crush on Obama" was co-written and produced by Rick Friedrich.
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Beat! Beat! Beat!, a West German television show, where they lip synched "Ain't Nothin' But a House Party" and their new release, "Eeny Meeny". After Milton Samuel negotiated a deal in October 1968 to distribute Beacon Records recordings through EMI, on November 13, 1968 "Eeny Meeny", (MGM 1436), entered the UK chart, where it spent the next seven weeks, peaking at No. 33.
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Otis Day and the Knights was created as a fictional band to perform in the 1978 movie National Lampoon's Animal House. They are best known for their version of "Shout" and "Shama Lama Ding Dong". Both songs were sung by Lloyd G. Williams, and lip synched by DeWayne Jessie in the film. Backing vocals were provided by Melvin Britt and Sidney Juston.
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Ward is the singing voice of Cindy Bear in Hey There, It's Yogi Bear!, and the Singer in Charlotte's Web. In 1965 movie Beach Blanket Bingo, Ward sings "New Love" and "Fly Boy", lip-synched by actor Linda Evans. Along with her TV, movie and advertising singing, Ward is heard on hundreds of pop recordings, including backing Barbra Streisand on "Stoney End".
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The band appeared in a few rock n' roll movies such as: "The Girl Can't Help It", "Don't Knock the Rock", and "Mister Rock and Roll". They did not actually play, nor did Little Richard sing, but they lip synched to their hits "Tutti Frutti", "Long Tall Sally", "Ready Teddy", "The Girl Can't Help It", and "She's Got It" from 1956 to 1957.
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In film production, lip synching is often part of the post-production phase. Most film today contains scenes where the dialogue has been re-recorded afterwards; lip-synching is the technique used when animated characters speak, and lip synching is essential when films are dubbed into other languages. In many musical films, actors sang their own songs beforehand in a recording session and lip-synched during filming, but many also lip-synched to voices other than their own. Marni Nixon sang for Deborah Kerr in The King and I and for Audrey Hepburn in My Fair Lady, Annette Warren for Ava Gardner in Show Boat, Robert McFerrin for Sidney Poitier in Porgy and Bess, Betty Wand for Leslie Caron in Gigi, Lisa Kirk for Rosalind Russell in Gypsy, and Bill Lee for Christopher Plummer in The Sound of Music.
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Secret Re-inventions and Confessions on Tour, Madonna lip-synched the performance. During this section, the singer wore a jewel encrusted corset, created by designer Christian Lacroix. After the opening number, "Vogue", she started an energetic version of the song, on a conveyor belt with some laser light words appearing on the backdrop screens behind her. It also features a giant catwalk lowered from the ceiling.
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Apart from that, "La Marseillaise" is performed by child singer Cassandre Berger (lip-synched by Pauline Burlet, who plays the young Édith in the film), and Mistinguett's "Mon Homme" (My Man) and "Il m'a vue nue" (He saw me naked) (sung in part by Emmanuelle Seigner) also appear. Recordings of Piaf are also used. The film premiered at the 57th Berlin International Film Festival.
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The Tarriers appeared in a 1957 low-budget musical Calypso Heat Wave, in which they lip-synched to "The Banana Boat Song" and "Choucoune." After completing a European tour in early 1958, Arkin left the group to pursue acting. His replacement was Clarence Cooper, a singer rooted in blues and gospel. In March 1958, Darling was recruited to replace Pete Seeger in The Weavers.
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The show had Cyrus performing first under character, as Hannah Montana. She then performed a duet with the opening act, which continued performing an interlude of songs. For the latter half of the duet, a body double was used to facilitate the transition from Hannah Montana to herself. Videos online caused many fans to become outraged and question whether Cyrus lip-synched on the tour.
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The music was written by Georges Auric. The original French lyrics were by Jacques Larue, the English words by William Engvick. However, in the film the song is called "It's April Again", and there is no mention of the phrase "Where Is Your Heart". In Moulin Rouge, the theme song was sung by Muriel Smith, dubbing for Zsa Zsa Gabor who lip-synched to Smith's singing.
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The show begins with a brief documentary. Then, Jorgensen's entire interview is lip synched by the two actors, who "at the same time [provide a] visual counterpart to every phoneme, snort, scratch, or hesitation". The Jorgensen character sits next to a television that plays a recording of the interview, with a microphone hanging overhead, as in a TV studio. Jorgenson is portrayed as "beautiful, intelligent and media-savvy".
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Greentree is written in JADE which allows its implementers to write complex customised add-ons without causing any interference to the core product. It also allows customisations to stay synched and also provides continuous incremental upgrades. Greentree is able to operate in the cloud, on local servers, or a combination of both. Greentree launched a Software as a Service offering for its business management software in April 2016.
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He was also complemented on his "disco moves ... synched with lights on the stage floor". Later that month, he performed the single on the Norwegian television talk show Skavlan and on the following day at the 2016 NRJ Music Awards. Mars also performed the single at the 2016 American Music Awards on November 20. His band joined him on the stage, which featured an electric blue background and pyro.
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The song was recorded by Holly and the Crickets from June to August 1958 at Norman Petty's studio in Clovis, New Mexico. Holly lip-synched to recordings of "It's So Easy!" and his song "Heartbeat" on the television program American Bandstand on October 28, 1958. The Crickets recorded "It's So Easy!" for Brunswick Records, which released it as a 45-rpm single in 1958. It did not chart.
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The disc contained their biggest hit single, "Circles". Tchad Blake, who produced the tune, hated it, and told them it would be a mistake to release it. Cartoon Network gave it a music video in which a Flintstones cartoon was synched to the song as part of their Groovies interstitial. The music video featured Fred, Barney and other Hanna-Barbera characters walking in front of the same repeating background.
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On his Discovery Science Channel series It's All Geek to Me, New York Times technology writer David Pogue dressed up as Fogarty—hair, glasses, and all—and lip-synched one of her actual podcasts as part of a "visual demonstration" of what podcasts were in that program's episode about the iPod. He also gave the same treatment to Grammar Girl's fellow Quick and Dirty Tips podcaster Legal Lad.
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As Bangalter stated, "Everything was synched up—the drum machines, the bass lines. The sequencer was just sending out the tempos and controlling the beats and bars. On top of this structure we built all these layers of samples and various parts that we could bring in whenever we wanted to." 25 May 1997 saw them perform at the Tribal Gathering festival at Luton Hoo, England, headlining with Orbital and Kraftwerk.
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The EA-1 has many functions, such as the ability to build analog-style sounds by using its waveform, filter, effect knobs. It is possible to create two-part sequenced phrases using the two analog modelling tone generators. External audio sources can also be input, and processed with its resonant filter or effects knobs, and then synched to a sequence. The oscillator can be modulated using Ring modulation, Sync, or Decimator.
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'I Do This Everyday' was featured on the Skins advert in February 2011. The Delta Heavy remix of "I Love London" was featured on the soundtrack to the film Harry Brown. They were featured on a small documentary 4Play: Crystal Fighters, which aired 25 February 2011 on Channel 4. Their track "Plage" was used on the 2011 television commercials for both Matalan and Target. Also in 2011, a portion of their song "Follow" was used in the U.S. Puma Shoes commercial "Pumagility". A portion of their track "At Home" is being used in Portugal and Spain in a History Channel advert since the start of 2012. "At Home" was synched to Google Advert in April 2012. This track was also featured in the last episode of the second season of MTV’s TV series Teen Wolf. Crystal Fighters' "Follow" was synched to Sony Xperia TV Advert in September 2012, and was also featured in the video game by EA Sports, FIFA 13.
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On January 1, 1989, the similarly titled made-for-TV movie The Karen Carpenter Story aired on CBS with Cynthia Gibb in the title role. Gibb lip-synched the songs to Carpenter's recorded voice, with the exception of "The End of the World." Both films use the song "This Masquerade" in the background while showing Carpenter's marriage to Burris. The movie helped revive the Carpenters' critical standing and increased their music's popularity.
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They attributed voice-work for the popular Max Fleischer Cartoons synched with their early radio-work, and by 1933 they had a regular time-slot with NBC Radio. They continued on the airwaves until 1938, and were still popular at the Chicago Theater in Illinois, Palace Theater in NYC, and the Stanley Theater (now Benedum Center) in Pennsylvania on the same playbill as The Three Stooges. Entertainment news columnists found amusement in the name recognition.
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It was also featured in the final scenes of the fourth-season premiere of Cougar Town in January 2013. Their song "In The Summer" was featured on Beauty & the Beast episode 7 of season 1, in November 2012. Crystal Fighters' "Plage" was synched to the trailer for the DreamWorks movie The Croods in December 2012. A portion of Crystal Fighters' "Plage" was used in Marks & Spencer's summer 2013 food campaign 'Make Today Delicious'.
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The film was considered a lost film, with only the Vitaphone soundtrack still in existence. However, a print was discovered in an Italian film archive in 2015. SHOW GIRL (1928) LOST ALICE WHITE FEATURE FOUND! - Turner Classics Movies A restored version, with the original Vitaphone soundtrack synched to the print, screened at New York's Film Forum on October 25, 2016, marking the first time the film was publicly exhibited in 88 years.
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November 2010, V V Brown was featured on the MTV series World of Jenks. The documentary series followed her as she tried to break into the U.S. music scene.Joel Hanek, "V V Brown Enters The 'World Of Jenks'", 8 November 2010. Her music has also been synched in several American TV shows and movies across America, including CSI, Sex and The City, Ugly Betty, The Back Up Plan and Lesbian Vampire Killers.
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This cartoon was first theatrically released with the lost Warner Bros./Vitaphone Technicolor film Song of the Flame. This is the first publicly released non-Disney cartoon to have a pre-recorded soundtrack (in addition, "Bosko, the Talk-Ink Kid" had a pre-synched track.) Some of the animation by Hugh Harman and Rudy Ising was lifted from some of the Oswald the Lucky Rabbit cartoons they made a couple of years earlier.
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In February 1974, David Bowie was unable to appear on the show "Top of the Pops" to perform "Rebel Rebel", and a replacement act was urgently needed. Queen was booked for the show and lip- synched "Seven Seas of Rhye". EMI then rushed the single into release on February 23, just five days after the television appearance was confirmed. It was the band's first hit single, peaking at number 10 in the UK charts.
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After Rowland departed the show in 1971 many of the songs he had written were reused in later episodes. Rowland found great fame and respect during the '70s and '80s in the field of movie soundtracks. His replacement was Alan Teak. The songs were almost always pre-recorded on Thursdays, then pressed to acetate and given to the actors to take home and learn so they could be accurately lip-synched during taping.
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The Bob Seger System synched to this song on a 1960s TV show called Happenin', hosted by Paul Revere. Seger continued playing the song in concert with many various bands long after the Bob Seger System disbanded. A live version of the song from an Orlando concert on May 13, 1973 exists on www.worj.com. This version features Seger's (apparently unreliable) "Borneo Band", with prominent female vocalist Shaun Murphy (then known as Stoney).
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"Break Away" was performed live following its release in 1969 but has not been played since. However, Brian Wilson performed the song regularly during his 2005 solo tour, with Wilson taking over the lead voice originally provided by brother Carl. The group lip-synched this tune on the German TV show Beat Club, in black and white with psychedelic production. This clip was later used on American cable shows such as Radio 1990 and VH-1.
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Dumbo the Flying Elephant is a popular ride that appears in Disneyland, Walt Disney World's Magic Kingdom, Tokyo Disneyland, Disneyland Park (Paris), and Hong Kong Disneyland. The Casey Jr. Circus Train is an attraction found at Disneyland and Disneyland Paris. In June 2009, Disneyland introduced a flying Dumbo to their nighttime fireworks show, in which the elephant flies around Sleeping Beauty Castle while fireworks synched to music go off."Flying Dumbo to star in new Disneyland fireworks show".
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To advertise the track, The Kinks performed "Sleepwalker" multiple times on television shows. The band lip-synched the track on an episode of The Mike Douglas Show (followed by an interview and live performance of "Celluloid Heroes") that aired on 8 February 1977. It was also performed on Saturday Night Live on 26 February 1977, following a medley of "You Really Got Me", "All Day and All of the Night", "A Well Respected Man", and "Lola".
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On August 6, an album length short film was released to correspond with the release of the album. Distinct from traditional music videos, Elverum described it as a "lyric video", as well as "a slideshow, a powerpoint presentation, a flip book and a documentary". It consists of over 800 printed photos taken by Elverum, synched to the lyrics and at times featuring the people and places discussed in the lyrics. It took Elverum three weeks to produce.
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Soon thereafter, bassist Chris Morrisey left the band. Accompanying Jennings was new bassist Arabella Kauffmann and Brian McLeod on drums. Jennings sang two Bob Dylan songs which Christian Bale lip-synched in the movie "I'm Not There" (released in November 2007 in the U.S.): "The Times They Are a-Changin'" and "The Lonesome Death of Hattie Carroll." In early 2008 Jennings signed with Jack Johnson's record label, Brushfire Records. Jennings released In the Ever in May 2008.
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Pump Up the Jam (also known as Pump Up the Jam: The Album in North America) is the debut studio album by Belgian dance act Technotronic. It was released on 28 November 1989. The initial album cover and early promotional videos featured a model named Felly, who lip-synched vocals performed by Belgian emcee Ya Kid K. When this was discovered, further videos featured Ya Kid K instead. The album reached number 2 on the UK Albums Chart.
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There was no live band for the shows; Spears and the dancers performed to recorded tracks. Spears' vocals during the show were also not live but rather were lip-synched to the recording. At some points, she was chewing gum while performing. The lack of live singing became most prominent during the Orlando stop of the tour, when the CD to which Spears was miming began skipping during "Do Somethin'", reportedly caused some in the audience to start booing.
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Rita Hayworth in the costume for the "Amado Mio" nightclub sequence in Gilda "Amado Mio" is a song from the classic 1946 film noir Gilda, written by Doris Fisher and Allan Roberts. The piece was lip-synched by Rita Hayworth and sung by Anita Kert Ellis. Grace Jones's rendition of the song on her 1989 album Bulletproof Heart was released as a single in a special "Brazilian Mix" in 1990. It became a significant dance hit in the US.
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Its major attraction was the screening of short films accompanied by sound. A British company imported a Crone megaphone, made up of a film projector to which a gramophone with a disc containing prerecorded sound was linked, and both were run in unison, producing picture and sound simultaneously. However, there was no synched dialogue. Raghupathy Venkaiah Naidu, a successful photographer, took over the equipment after the exhibition and set up a tent cinema near the Madras High Court.
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The term can refer to any of a number of different techniques and processes, in the context of live performances and audiovisual recordings. In film production, lip-synching is often part of the postproduction phase. Dubbing foreign-language films and making animated characters appear to speak both require elaborate lip-synching. Many video games make extensive use of lip-synched sound files to create an immersive environment in which on-screen characters appear to be speaking.
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On occasion, it has been hinted that Frost is also a latent telekinetic. Jean Grey's displaced psyche was able to use Frost's brain to generate a telekinetic force field and fly.Uncanny X-Men #282 During the Onslaught Saga, Frost unwittingly levitated several kitchen utensils while having a bad dream.Generation X #19 (September 1996) When the mutant Synch "synched" with Frost's powers, he was able to use them to levitate several objects and individuals in the room.
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The MC-4 can be synched to MIDI using a clock to Din converter. When the MC-4 is powered up the display will show the TB (time base) default of 120. This is the number of clock pulses per bar; this was the standard before Din and MIDI clock came into being. If a sequence is programmed while the MC-4 is set to the default TB it will never sync correctly to Din or MIDI clock.
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As the song used many production techniques, it had to be lip synched on television performances. In the United Kingdom, the B-side to "Any Way You Want It" was "Because". The writing of the song is credited to Dave Clark, though "Any Way You Want It" is one of several Dave Clark Five songs claimed to have been written by Ron Ryan. Richie Unterberger, "The Dave Clark Five PBS Special... and Beyond", Folkrocks, April 16, 2014.
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The heroine begins a home-based candy-making business and the reader follows her through the process of ordering supplies, producing large batches of candy, filling orders, and keeping accounts. Ultimately, her business fails because some of the candy becomes stale—supply and demand not quite synched in time—and the family is saved by means more in keeping with domestic realism fiction of the time: A piece of property the family owns finally sells for a hefty sum.
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NOTE:Look for number 48. Retrieved May 14, 2011. Although budgets were prepared for a tour, none was ever undertaken. The only public appearances the band made in conjunction with the album were a January 15, 1982 appearance on the late-night variety show Fridays (they performed "A World Without Heroes", "I" and "The Oath"), Solid Gold ("A World Without Heroes" and "I"), and a January 28 lip synched performance of "I" from Studio 54, broadcast via satellite to the Sanremo Festival in Italy.
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The Slaughter on Tenth Avenue ballet does appear at the end of the film, with choreography by George Balanchine, one of eight films for which he created the dances. Eddie Albert's character dances the lead in the ballet, opposite Zorina. According to John Reid, "Albert is no dancer...But with the aid of a visual double for one or two shots plus post- synched taps, he actually manages rather well, and even duets with the great Zorina with reasonable facility."Reid, John.
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His next single was a cover of The Champs' song "Tequila", which climbed to #20 on the U.S. Billboard Hot 100 in 1958.Joel Whitburn, The Billboard Book of Top 40 Hits. 7th edn, 2000 He also covered The Pets' hit, "Chua-Hua-Hua" for Gone records, which was featured on the soundtrack to The Iron Giant in the 1990s. Following the success of "Tequila", Platt appeared on Perry Como and Dick Clark's television shows, performing live where most acts lip synched.
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The 28-minute Senseless print was silent, but it played at New York's Charles Theater with Béla Bartók music. This was not planned; it just happened to be one of the few LP records in the projection booth. Each showing was slightly different since the record was never synched with the start of the film at the same place. Cary Collins provided background on the production: :Senseless came out of a film that he planned to make at Eric Nord's island.
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In the case of Japanese anime, as well as most pre-1930 sound animated cartoons, the sound was post-synched; that is, the soundtrack was recorded after the film elements were finished by watching the film and performing the dialogue, music, and sound effects required. Some studios, most notably Fleischer Studios, continued to post-synch their cartoons through most of the 1930s, which allowed for the presence of the "muttered ad-libs" present in many Popeye the Sailor and Betty Boop cartoons.
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It was overwhelming, all consuming. Something even the best album promo cycles only dream of being." Phillips wondered how Gaga would be able to "top" the ArtRave event and listed it as an unprecedented promotional tool for an artist's album release cycle. Billboard Andrew Hampp and Jason Lipshutz compared Gaga's outfit to a "bizarro" version of Jack Box, the mascot for Jack in the Box, and wrote that the lip-synched portion of her performance was "more pop art than artistic pop music.
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Unlike traditional movies largely dominated by studios, clip movies are overwhelmingly supplied by amateurs. In May 2006, The Economist reported that 90% of clips on YouTube came from amateurs, a few of whom are young comedians. It, in effect, also brought amateur talents. In 2005, two Chinese students Huang Yixin and Wei Wei, now dubbed as "Back Dorm Boys", lip- synched to a song by the Backstreet Boys in a video uploaded to some clip websites and became quickly renowned.
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Farian later attempted a comeback for the duo, but it was unsuccessful. Pilatus and Morvan decided to spend time apart to get their lives back on track. Months after the media backlash, they appeared in a commercial for Carefree Sugarless [chewing] Gum, where they jokingly lip-synched to an opera recording. In 1992, Pilatus and Morvan signed with a new label, Taj, and released Rob & Fab, an album featuring their own voices, but it sold only around 2,000 copies due to its limited release.
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Considered by some to be one of the most significant early rock-and- roll variety television shows, Upbeat featured a live audience, a group of dancers and lip-synched (but occasionally live) performances by popular acts of the era.Don Webster profile – Cleveland Seniors.com The program began locally as The Big 5 Show, and the name was changed to Upbeat when it went national, altogether running from 1964 to 1971. Among the program's hosts was Don Webster, who later doubled as the station's lead weather forecaster.
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The members of the cast and crew came from sixteen countries, and English was the only common language among them. In addition, Herzog felt that shooting Aguirre in English would improve the film's chances for international distribution. However, the small amount of money that had been set aside for post-synchronization "left Peru with the man in charge of the process; both absconded en route." The English- language track was ultimately replaced by a higher-quality German language version, which was post-synched after production was completed.
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He was also the recipient of The MOBO Best Jazz Act Award and the Gibson Guitar Best Jazz Guitarist Award. His 2000 release, A Brighter Day, was nominated for the Grammy Award for Best Contemporary Jazz Album. Jordan's song "The Jackal" (from his 1993 album The Quiet Revolution) gained prominence when actress Allison Janney in the role of C. J. Cregg lip-synched it in the episode "Six Meetings Before Lunch" of The West Wing. She also did so on Arsenio Hall's television show in September 2013.
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In 1985, Dunn sold his company Film Effects of Hollywood to Francis Ford Coppola and retired from active effects work. The Hollywood office of Fuji Film currently occupies Film Effects' old building. In the 1990s, while in his 90s, Dunn joined with Japanese engineers in the development of a 3-D television system that used electronic dual-polarized glasses that auto-synched to the TV image, to create the most clear and deep 3-D images ever produced. The system was originally built for hospitals.
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The film starts with a bang—literally—at the band's only US variety show appearance. On 15 September 1967, the Who appeared on the CBS show The Smothers Brothers Comedy Hour in Los Angeles following the end of their first US tour. They lip-synched the songs "I Can See For Miles" and "My Generation" and engaged host Tommy Smothers in some witty ad-libs before "My Generation". Moon made the biggest impact, however, when the destructive nature of his on-stage persona reached its highest level.
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The Bioman are the descendants of five people showered with Bio Particles centuries ago who were spirited way by the Bio Robo during Gear's initial attack to obtain the from Peebo to become the Bioman. To transform individually they call their color and number and to transform as a group they call Bioman. Along with their , a versatile sidearm with sword, dagger, and blaster modes, the Bioman have a variety of team attacks that are executed after their Bio Brain Computers are synched up. Among their team attacks are and .
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In 1968, Pink Floyd travelled to Belgium where they filmed a TV special for the Dutch-language television programme Tienerklanken. Erroneously titled "Pink Floid", this special featured lip-synched promotional films for "See Emily Play", as well as for "Astronomy Domine", "The Scarecrow", "Apples and Oranges", "Paint Box", "Set the Controls for the Heart of the Sun", and "Corporal Clegg". This was Gilmour's first TV work with the band. Barrett was still technically a member of the band but it had recently been decided to no longer include him in gigs and shows.
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Following the success and popularity of the Trapped in the Closet song series, R. Kelly lip synched a "new chapter" at an appearance at the 2005 MTV Video Music Awards. In November 2005, Jive Records released a DVD titled Trapped in the Closet, which included seven new chapters in addition to the first five from TP.3 Reloaded, bringing the total number of chapters to twelve. The material previewed by Kelly at the MTV Video Music Awards revealed an early version of some parts of the twelfth chapter in the series.
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The lyrics of "Adavari Matalaku Ardhale Verule", as lip-synched by Rao's character, describe the complex behaviour of women with men. According to Pillai, Missamma shed light on the subtle, indirect way Telugu filmmakers dealt with the troublesome environment in Madras surrounding Tamil language and culture during the Visalandhra movement. Pillai wrote that the Krishna- Godavari River dispute between Tamil Nadu and Andhra Pradesh enabled viewers to grasp the metaphor of Pushkaram as signifying loss. The lyrics of "Dharmam Chey" addressed the plight of beggars, and "Kavalante Isthale" addressed society's changing views.
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McDowell was commissioned to cover a number of Elvis' songs for the soundtrack to 1979 made-for-TV Presley biography film Elvis, during which Kurt Russell, portraying Presley, lip- synched to McDowell's vocals. He actually recorded 36 songs, but not all of them were used in the film. McDowell also sang the Elvis vocals for the 1981 TV movie Elvis and the Beauty Queen and for the 1988 TV miniseries Elvis and Me. All of the Elvis vocals for the 1990 TV series Elvis were performed by McDowell.
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Brown also performed on the BET show Black Girls Rock! in 2010, alongside artists such as Keyshia Cole, Jill Scott, Keri Hilson and Mary J. Blige. Brown states: "I found this a great opportunity as a black woman to be positive about other black women in music and the general black community." In February 2011 Brown's song "Travelling Like the Light" was synched in the new BT advert in the UK, as well as landing a huge two-year synch deal on Canadian television for a car advertisement.
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In August 2017, Mozilla launched Firefox Send via its Test Pilot program. The developers wanted to experiment with end-to-end encrypted data synching and this service allowed them to try out encrypting large files, gigabytes in size, as opposed to the megabytes usually synched by browsers. Firefox Send was launched to the public on March 12, 2019. On July 7, 2020 service was suspended because absence of any form of authentication and abuse reporting mechanisms attracted cybercriminals who used it to send malware and mount spear phishing attacks.
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During the typical filming of a motion picture, a movie camera captures the image on 35 mm film and a separate audio recorder (such as a Nagra tape recorder or digital hard disk recorder) records the sound on-set. The film negative is developed and printed or telecined so that the images can be viewed on a projector or video monitor. The sound is synched to the film using a clapperboard as a reference. The clapperboard is labeled to identify the scene, shot, and take number for the camera.
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This 3 CD release also came with a DVD that held animations created by Peter Christopherson which synched with four songs that are not included on any of the CDs. It is an expanded release of ANS, with CD A being the same as that release. Originally limited to 500 copies, it was re-released together with several other albums. The re-release appears to be mostly identical to the original edition, the only notable difference being that the front covers of the CDs and DVD are slightly different now.
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In the movie, the former song was lip-synched by Gerrit Graham as the character Beef, who performed the song as a Frankenstein-type, flamboyant rocker, constructed by the members of The Undead during a Dr. Caligari-esque performance. In 1980, Kennedy released a second, self-titled solo album, Ray Kennedy. This album featured the minor hit single "Just for the Moment"1980 Year End (Lists the peak positions of all songs that charted in 1980) Retrieved 12-21-2014., which would become Kennedy's only Billboard Hot 100 hit under his own name.
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Their response was a lip-synched music video set to Let Me Blow Ya Mind, and portrayed a diverse bunch of women doing science, demonstrating that science is for everyone. The team produced another video a couple of months later in response to a Wired Science video, with new lyrics and vocals to the tune of Oops!... I Did It Again, demonstrating that misrepresentation of women and diversity in science is a persistent issue in the media. After graduating from UConn, McAnulty became a Research Assistant Professor in the same department.
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Two basic variations of the IIa/IIIa were made: the so-called "black dial" and "color dial" cameras. The black dial cameras used a special flash synch cord for either flash bulbs (1361) or strobe flash (1365). On the color dial cameras the ability to use the flash bulbs was eliminated; a P/C connector was added, and strobe synchronization was the only option. Where the Leicas of the day had only electronic flash synch at 1/25s second shutter speed, the Contax IIa/IIIa was synched at 1/50s and all slower speeds.
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Loti Grunberg was born in Istanbul, Turkey lived in Milan and St. Moritz while a teenager, and briefly studied philosophy at the Sorbonne in Paris. Her family moved to New York City in 1939 and she studied at Columbia University. During World War II, she married U.S. Army Lt. Michael A. Gerard, and had two sons, Robert and Peter. After her marriage ended in divorce in the 1950s, she took two jobs: an instructor in Italian and French at Berlitz School of Languages and provided scripts for dubbed, lip-synched Italian films.
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When Dees talked about (but did not play) the song on his show one morning, his boss fired him citing conflict of interest. After a brief mandatory hiatus, Dees was hired by Memphis radio station WHBQ, which was WMPS's primary competitor. By the time "Disco Duck" had become a hit, Dees and his "Idiots" started making the rounds of the popular TV music shows to promote the record. On American Bandstand (and similar shows), Dees lip-synched to the recording, alone on stage with puppeteer Rickey Provow animating a duck puppet that he had made.
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It has also been lip-synched to by the Victoria's Secret Angels in a promotional video, and used in Beats Electronics' commercial for their Beats Pill portable speaker and was also featured in a television commercial for Pantene. Commercially, "Hands to Myself" reached number seven on the US Billboard Hot 100, becoming Gomez' fifth consecutive top ten hit in the United States and third from Revival. It further peaked within the top 10 in Canada, New Zealand and Slovakia, and the top 20 in Australia and the United Kingdom.
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Producer and singer-songwriter Kenneth "Babyface" Edmonds served as the executive producer of the songs for the film. The soundtrack was released by Sony Music SoundTrax, the day before the film was released. The songs in the film were actually performed with Kay Hanley, singer for Letters to Cleo, as the singing voice of Josie.Letters to Cleo ::: News Rachael Leigh Cook lip synched to the songs in the film, and according to a documentary that accompanied the DVD version of the movie, the three lead actresses sang backup vocals on many of the songs.
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Panoram was the trademark name of a visual jukebox that played music accompanied by a synched film (the effect being the equivalent of 1980s music videos) popular within the United States during the 1940s. The device consisted of a jukebox playing a closed-loop 16mm film reel projected onto a glass screen. The Panoram is now best known for the vast library of short, three-minute music videos that were created for it. Called soundies, these films featured most of the great musical stars of the period, including Duke Ellington, Count Basie, and Cab Calloway.
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Rick Parfitt from Status Quo also appeared on- stage with the band during one of their London gigs and Tony Hadley from Spandau Ballet appeared on-stage with the band during their only New Zealand concert. Queen were to participate in two music festivals (in 1984 and 1986) at Montreux in Switzerland, where they lip-synched a small selection of their latest material. This surprised many onlookers as the band had often spoken out strongly against this style of performance. The concerts were filmed and then broadcast to many millions of people throughout Europe.
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' I was like, 'Of course I do! Since Yankovic was busy working on his new tour, he wouldn't be able to release the song in February, so he suggested calling March 2 "February 30th". Miranda said it was "the most perfect 'Weird Al' creative problem solving possible". After Hamilton had premiered on Disney+ in July 2020, Yankovic released a video version of "The Hamilton Polka" that synched his song to video clips from the show. The fourth release, on March 19, 2018, was "Found/Tonight" by Lin-Manuel Miranda and Ben Platt.
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The song's original release saw it become the UK's first million selling single and it went on to sell over 1.4 million copies in total. The band performed the song on the May 31, 1955 episode of Texaco Star Theater hosted by Milton Berle in an acappella and lip-synched versions."They go on the Milton Berle Show, May 31" Music as Written. Billboard Jun 4, 1955 page 22 On Sunday, August 7, 1955, the band performed the song on the Ed Sullivan Show, hosted by Ed Sullivan.
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Actually, the Paradise and King recordings are the same basic recording, however King Records overdubbed a vocal chorus over the original Paradise version, and it's the overdubbed recording that became the hit. A "stereo" version is known to exist where the Paradise basic track is heard on the left channel and the overdubbed version with the chorus is heard on the right channel Tracks synched at Skyline Studio, Everett, MA in August of 2016. Lonnie Johnson's version of "Tomorrow Night" would become his theme song and transformed the song into a blues standard.
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The last serial broadcast during Potter's lifetime was the romantic comedy Lipstick on Your Collar (1993). Set during the Suez Crisis of 1956 like the much earlier Lay Down Your Arms (1970), elements of which it recycled, this six-parter did not become a popular success and in it Potter returned to use of lip-synched musical numbers in the manner of Pennies from Heaven. It did help to launch the career of actor Ewan McGregor. On 14 February 1994, Potter learned that he had terminal pancreatic cancer which had metastasised to his liver.
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" Chris Willman of Los Angeles Times remarked that Jackson's choreography "represents the pinnacle of what can be done in the popping 'n' locking style—a rapid-fire mixture of rigidly jerky and gracefully fluid movements." Several critics noted Jackson lip synced portions of the show, in a similar fashion to her contemporaries. Jon Pareles commented, "most lip-synched shows are done by video-era pop performers whose audiences are young and television trained. They fill arenas to enjoy a spectacle like what they saw on television—the dancing ... the stage effects and incidentally the songs.
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The Soggy Bottom Boys are the (fictional) musical group that the main characters form to serve as accompaniment for the film. The name is in homage to the Foggy Mountain Boys, a bluegrass band led by Lester Flatt and Earl Scruggs. In the film, the songs credited to the band are lip-synched by the actors, except that Tim Blake Nelson does sing his own vocals on "In the Jailhouse Now". The band's hit single is Dick Burnett's "Man of Constant Sorrow", a song that had enjoyed much success prior to the movie's release.
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"Violent Mood Swing" was also included on the 1992 compilation CD The Cyberflesh Conspiracy. The band's official website stated that "the original EP was recorded on an 8 track tape machine synched to an Emax II Sampler and an EMU SP1200 sampling drum machine. 100 copies were originally printed and sold both at local shows and in the legendary Wax Trax Record store in Chicago." Hall took a brief break to tour with the band Die Warzau as that group's percussionist before continuing to work on Stabbing Westward.
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In professional analog facilities all the equipment is "genlocked" with black and burst or tri-level sync from a video-signal generator. The signals which cannot be synchronized (either because they originate outside the facility or because the particular equipment doesn’t accept external sync) must go through a frame synchronizer. Some vision mixers have internal “frame-syncs” or they can be a separate piece of equipment, such as a "time base corrector". If the mixer is used for video editing, the editing console (which usually controls the vision mixer remotely) must also be synched.
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Number of executions in the Islamic Republic of Iran from 2003 to 2013 based on Ahmed Shaheed's report. When Iranian President Mahmoud Ahmadinejad spoke at Columbia University a sign on campus noted a rally against child executions in Iran. In May 2014 six young people in Tehran were arrested for making and posting a video in which they danced and lip-synched to the song, "Happy." The video was declared an "obscene video clip that offended the public morals and was released in cyberspace," by Tehran's police chief Hossein Sajedinia, and "vulgar" by state media.
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In April 2019, Earyn McGee was part of a team of women who criticised Discovery's response to science through song. Their response was a lip-synched music video set to "Let Me Blow Ya Mind", and portrayed a diverse bunch of women doing science, demonstrating that science is for everyone. In 2020, McGee was selected by the American Association for the Advancement of Sciences (AAAS) to become a 2020 Mass Media Science & Engineering Fellow, where she contributes to the Las Vegas Review Journal. McGee is active on Twitter as @Afro_Herper.
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Host Jim Sharky and guest co-host Lou Segal appeared as disembodied heads floating inside what was supposed to be serial killer Jeffrey Dahmer's refrigerator (filled with body parts). A viewer named “Maurice Valencia” called the program with tasteless jokes about Dahmer and his victims. Later in the program, Sharky lip-synched to a version of “Mack The Knife” that Sharky himself had pre-recorded. This episode led to the first print media attention for The Lone Shark when Connecticut Post humorist Charles Walsh mentioned the episode in his weekly column.
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Lymon recorded several live performances (such as "Melinda" in 1959), but none rose on the charts. His final television performance was on Hollywood A Go-Go in 1965, where the then-22-or-23-year-old singer lip-synched to the recording of his 13-year-old self singing "Why Do Fools Fall in Love." On June 21, 1966, he was arrested on a heroin charge and was drafted into the United States Army in the lieu of a jail sentence. He reported to Fort Gordon, Georgia, near Augusta, Georgia, for training.
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Rachel Mason's Real Time performance of Trump's Inaugural Speech, January 20, 2017 On January 20, 2017, Mason's character FutureClown performed a live streamed lip-synch Los Angeles Contemporary Exhibitions of President Trump's inaugural address as he was delivering it on national television. In 2013, FutureClown lip-synched a full 13 hour filibuster speech delivered by Senator Rand Paul. Rachel Mason, Wall, 2001 Mason's earliest works included performances and centered around the body and architecture. As an undergraduate, Mason scaled the eight-story (now demolished) UCLA art building dressed as her fictional character, Terrestrial Being.
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Frassetto received an NEA grant in 1975 on which she returned to the island of SAVAI'I in Western Samoa, where her parents had first filmed Moana in 1924. She traveled with long-time friend and fellow filmmaker Richard Leacock. There she recorded a new soundtrack for the film consisting of field recordings and traditional songs, which she edited and synched to the film once back at MIT, again with Leacock. As the two had not recorded dialogue, Frassetto later returned to Hawaii to record with Samoan people there.
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The opera has been adapted for motion pictures on several occasions, most notably in a 1953 production which starred Lois Maxwell as Amneris and Sophia Loren as Aida, and a 1987 Swedish production. In both cases, the lead actors lip-synched to recordings by actual opera singers. In the case of the 1953 film, Ebe Stignani sang as Amneris, while Renata Tebaldi sang as Aida. The opera's story, but not its music, was used as the basis for a 1998 musical of the same name written by Elton John and Tim Rice.
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She wrote, "The book is bombastic, baroque and like so much else about Carl Jung, a willful oddity, synched with an antediluvian and mystical reality." The Rubin Museum of Art in New York City displayed the original Red Book journal, as well as some of Jung's original small journals, from 7 October 2009 to 15 February 2010. According to them, "During the period in which he worked on this book Jung developed his principal theories of archetypes, collective unconscious, and the process of individuation." Two- thirds of the pages bear Jung's illuminations of the text.
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Mobiliti Software Subscription (PSS) Mobiliti replicates network files, structure, and the look and feel onto the mobile/remote computer, maintaining a consistent network environment that enables mobile users to work off-line as if they are still connected to their network. It also provides backup functionality that allows local files to be backed up to a network file server. It allows Microsoft Outlook PST files to be easily synched up without crimping user performance or WAN traffic loads. The software uses cached data from network file servers that displays folders and drive mappings as if the user were connected to the enterprise network.
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He also experimented with asynchronous > audio tricks, as in the famous scene in which a chase after a coat is > synched to the cheers of an invisible football (or rugby) crowd.Crafton > (1997), p. 377. These and similar techniques became part of the vocabulary of the sound comedy film, though as special effects and "color", not as the basis for the kind of comprehensive, non-naturalistic design achieved by Clair. Outside of the comedic field, the sort of bold play with sound exemplified by Melodie der Welt and Le Million would be pursued very rarely in commercial production.
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Liz McClarnon as Beth during the 2010 tour A live tour, based on the album, began in the UK and Ireland in April 2006. Jeff Wayne returned to conduct the 48-piece ULLAdubULLA Strings and 10-piece Black Smoke Band. A "virtual" Richard Burton (a large bust of the Journalist onto which was projected an image of a young Burton with a super-imposed actor's mouth and jaw lip synched to the original Burton recordings) performed as The Journalist. Justin Hayward reprised his original role as The Sung Thoughts of the Journalist and Chris Thompson returned as The Voice Of Humanity.
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The official street date for all new album releases was moved from Tuesday to Friday in the United States. For all sales-based charts (ranking both albums and tracks), Billboard and Nielsen changed the chart reporting period to cover the first seven days of an album's release. As a result of the changes, The Billboard 200, top albums sales, genre-based albums, digital songs, genre-based downloads, streaming songs, and genre- focused streaming surveys ran on a Friday-to-Thursday cycle. Radio Songs, which informs the Hot 100, synched to the Monday-to-Sunday period after formerly covering Wednesday to Tuesday.
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In one such of the lip sync sketch, Kalliala lip-synched to the song Muistan sua Elaine, originally performed by Petelius during his stint on the popular YLE sketch show Velipuolikuu. The show had a number of variations made to its intro as the program went on. The very earliest version of the intro had Petelius and Kalliala make their way to the studio while wearing sun-glasses, fedoras and trench-coats with the film sped up for comical effect. Two variants of the intro with the same music were shot, one in the Winter and one in early Spring.
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The song came back to the public eye in February 2009, with the yoghurt company Müller playing "It's Alright" as the background song for their new advert. In the same year, it was featured in another advert, this time for More Th>n car insurance. In 2010, it was also used in the final montage in the series-ending episode of Big Brother's Big Mouth in the United Kingdom. In June 2015 the song was featured in an advertisement for the mobile network 3, in which it is lip-synched by a purple puppet, made by Jim Henson's Creature Shop, named Jackson.
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Mauboy performed "To the End of the Earth" for the first time at the 2013 State of Origin decider, held at ANZ Stadium in Sydney on 17 July 2013. She performed, with backup dancers wearing leather outfits, to a crowd of more than 82,000 prior to the game's kick-off. According to Armchair Guru from Sports Banter, Mauboy lip-synched her performance. She also performed the track on Sunrise (30 July 2013) and during instore appearances at Westfield Knox in Wantirna South, Victoria (2 August 2013) and Westfield Hurstville in Hurstville, New South Wales (8 August 2013).
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In late 1995, Farmer featured in two television shows to promote the song without singing; she was only interviewed on Studio Gabriel (14 December, France 2) in which she announced her next tour, and on Déjà le retour (17 December, France 2). She lip-synched "L'Instant X" on two other programs: Le Bêtisier du samedi soir, (13 January 1996, France 2), and Top aux Carpentier (9 March 1996, TF1).Rigal, 2010, p. 90. At this last occasion, Farmer shared a kiss on the mouth with her two female dancers during the musical bridgeChuberre, 2007, p. 166.
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Gardner himself did not speak Dani, and so all his interpretations of events are second-hand. The battle sequences are made up of many shots taken during different battles and stitched together to give the appearance of temporal unity. The apparent continuity stems from the post-synchronized sound, and in fact all the sound in the film is post- synched. Heider, himself, admits in his book Ethnographic Film, that some of the battle films were edited out of sequence, intercut with a scene of the women at the salt pool, which was filmed at a different time than the battle sequences.
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It was performed many times on television, in both Europe and the US, including An Audience with..., the Bravo Supershow, Sorpresa¡ Sorpresa!, Fully Booked, Live with Regis and Kathie Lee, The Oprah Winfrey Show, and Saturday Night Live.De Ribera Berenguer, 1997. p. 38. The performance at Saturday Night Live on 12 April 1997 was featured in the 5-part TV musical special "SNL: 25 Years of Music", and was the first time the group ever performed "Wannabe" with a live band—their previous performances had all been either lip-synched or sung to a recorded backing track.
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In the band's authorized biography, the drummer revealed that he was the last one left in the band's dressing room after filming and broke down crying. The album cover and poster insert, designed by artist Victor Stabin, featured a winking Criss. "Unmasked was like the tail end of a comet," reflected Stanley, "and I don't mean Frehley's."Kitts, Jeff: 'Back in black (and white)', Guitar World, September 1996, p68 A lip-synched German television performance of "Talk to Me" and "She's So European" featured the debut of Eric Carr, who became the band's permanent drummer until his death in 1991.
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Van Beuren, now owner of the newly-named Van Beuren Studios, urged Terry to add the innovation to his films. Terry argued that adding sound would only complicate the production process, but ended up doing so anyway, and the series would now be renamed Aesop's Sound Fables. Released in October 1928, Dinner Time is the first cartoon with a synchronized soundtrack ever released to the public.From May 1924 to September 1926, Max Fleischer had released the series Song Car-Tunes made in DeForest Phonofilm but only the music, not dialogue, is synched to the bouncing ball gimmick.
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The work was originally scored for small orchestra and tape, but has expanded to include other sources such as music boxes and turntables. In 2012, the centennial year of the disaster, the Gavin Bryars Ensemble, Philip Jeck and artists Bill Morrison and Laurie Olinder presented a series of concerts with accompanying archival film images of the Titanic synched live to the music. The concerts were initially performed in cities closely associated with the disaster such as Belfast and Cork, before touring more widely, including a performance at London's Barbican Hall on the anniversary of the disaster.
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After this she started solo with her single "Ba Taswiram". The song did reasonable well and Seeta Qasemie had established herself as an Afghan singer even though many did not know she was the voice behind Valy's songs as she was not credited by the singer nor was she featured in the video clips. This had caused some tension between the two as Mariam Morid took all the credit away for a song she actually lip-synched. Seeta's first commercial success came with the song "Dukhtare Kuchi", which was based on a love story between an Afghan nomad girl and a boy.
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The practice of synching also occurs in musical theater, for much the same purpose as for musicians. A production may include a mix of lip-synched and live musical numbers. In long-running shows, this may be done to help protect the performer's voice from strain and damage, as well as to maintain a high caliber of production. A notable example of using lip- synching as a special effect includes performances of The Phantom of the Opera, with swing actors in the same costumes as the lead actors give the illusion of the characters moving around the stage with some mystery.
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Whitney Houston's rendition of the anthem at the 1991 Super Bowl was also reported to have been lip-synched. Such pre-recorded performances for the Super Bowl's halftime shows and national anthem have been commonplace since the 1990s; the NFL has confirmed this as standard practice. In January 1998, singer-songwriter Jewel was criticised for lip-syncing the American national anthem at the opening of the Super Bowl XXXII to a digitally-recorded track of her own voice. This was noticeable as the singer missed her cue, and thus, did not sing the first few words of the song.
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The last large-scale performance installation produced by GAle GAtes et al. in DUMBO was So Long Ago I Can’t Remember (2001) a free adaptation of Dante’s The Divine Comedy with a text by Kevin Oakes pre- recorded by the actors (who lip-synched their lines in the live performance) and choreography by Roht. So Long Ago marked a return to the walk-through format of previous performance installations. Dante’s nine circles of hell were depicted in a series of installations in which audience members alternately roamed and were seated as multiple performances unfolded around them - and, at some points, in their midst.
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The series originated in 1972 as Made in Chicago, also taped at and broadcast by WTTW. It presented a dramatic contrast to the way music had been televised until that point; variety shows (such as The Ed Sullivan Show) and lip-synched cabaret shows (such as The Andy Williams Show) were the norm. Made in Chicago (originated by Ken Ehrlich, who had previously produced The Marty Faye Show) foregrounded the music and emphasized live performance and, at times, improvisation. In 1974, the show's name was changed to Soundstage, and it became more widely distributed by PBS.
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's The Gossip Show, and performed "Be Mine" on Donny and Marie. Ferguson later recounted that during this tour (when their popularity had already plummeted), they performed at a county fair next to a barn of pigs and with an audience of only three people, and she woefully explained how "the pigs cared more (about us) than the people". In September 1998, Wild Orchid debuted as hosts of the Fox Family Channel's Saturday morning show Great Pretenders, which featured chart hits lip-synched by young kids, while competing for prizes. This show lasted four seasons, from 1998 to 2001.
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From left to right: Itzhak Perlman, Gabriela Montero, Yo-Yo Ma and Anthony McGill performing John Williams' "Air and Simple Gifts" at the inauguration. Obama officially became the president at noon during this performance. Evangelical pastor Rick Warren delivered the invocation for the inaugural ceremony, followed by a performance by vocalist Aretha Franklin, who sang "My Country, 'Tis of Thee". The program featured a performance of John Williams' composition "Air and Simple Gifts", which was both pre-recorded and performed live synched with the recording by cellist Yo-Yo Ma, violinist Itzhak Perlman, pianist Gabriela Montero and clarinetist Anthony McGill.
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Electronic Awakening is a 2011 American documentary film which investigates the spiritual history of electronic music culture. Told from an ethnographic perspective, the film explores the international Electronic Dance Music (EDM) phenomenon as the re-emergence of shamanic ritual. In addition to interviewing people whose lives were changed by the claimed transcendent experiences on the dancefloor, anthropologist and film’s creator AC Johner ponders the cause of this mind-altering effect and suggests that the repetitive, mathematically perfect rhythms and oscillations of EDM have the power to create a communal hive mind. The electronic beatscape propelled by the emergence in the late 1980s and early 1990s of something new and freshly synched.
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The Theatre Director, a figure from Goethe's Faust I, introduces Henri as a writer of brilliant and provocative articles, who will explain some of the perplexities of modern music to the audience. This pre-concert talk is lip-synched and mimed to a recording of excerpts from Pousseur's article "Pour une périodicité généralisée" , gradually dissolving into a complaint to the audience about the unsatisfactory current state of Henri's career, in which he spends all his time talking about music instead of composing it. His complaint is accompanied by recorded fragments from Berio's Thema (Omaggio a Joyce) and Stockhausen's Gesang der Jünglinge, both electronic music compositions .
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Critics and fans have noted how some segments, such as the opening credits and lip-synched musical numbers, are strikingly similar to those on the U.S. show The Late Late Show with Craig Ferguson on CBS, including the use of completely identical puppets. Craig Ferguson spoke of his astonishment on his 22 November 2010 show,"The Late Late Show with Craig Ferguson" Retrieved November 23, 2010 equating the plagiarizing of his show to "taking pants from a hobo". Worldwide Pants Inc., who own the intellectual property of The Late Late Show, have not commented officially, but sources familiar with the matter said that legal action was being contemplated.
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His 1959 score was his second attempt (after the score for winds, brass and percussion which he did for them originally in 1929), and he composed it for a recording of the New York Woodwind Quintet and a percussionist, conducted by Leon Barzin. The film and the 1959 score were later synched together by James Sibley Watson, and this was the version that was placed in the National Film Registry in 2000. Various new scores have been composed to accompany the film, including American composer Jean Hasse's version (2010) for the UK ensemble Counterpoise (violin, trumpet, saxophone, piano), this version available to view on YouTube.
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"Pearl Jam Concert Chronology: 1992". TwoFeetThick.com. Taft's presence at the Moore Theatre show, and the fact that he had filmed sufficient footage to compile into a music video, proved to be a break for the band. Otherwise with Epic ready to provide MTV with an "Even Flow" video and Schenck's version already completed, Pearl Jam would have had little choice but to go with it, and the band members unanimously despised Schenck's version when they saw the final edit. The alternate studio recording of "Even Flow", which was recorded in 1992 with Abbruzzese, was used for the video as the band felt it synched up well with the live footage.
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According to Augusto, "I mean, we had the hit record...and Checker and Gore were has-beens!" For the band's next single, they cut a version of the Beatles' "I Call Your Name" b/w "Hide Away" at Trod Nossel, which was released on Laurie Records. In 1966 the Shags, along with the Bram Rig Set, appeared in lip-synched featurettes for the pilot episode of a new local TV show, The Show With A Very Long Title, which was never aired. In 1967 the band released the single "Tell Me" b/w "As Long as I Have You" on the Philadelphia-based label Kayden, a subsidiary of Cameo Records.
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Songs in Bollywood movies are deliberately crafted with lyrics often written by distinguished poets or literati (often different from those who write the film script), and these lyrics are often then set to music, carefully choreographed to match the dance routine or script of the film. They are then sung by professional playback singers and lip-synched by the actors. Bollywood cinema is unique in that the majority of songs are seen to be sung by the characters themselves rather than being played in the background. Although protagonists sing often, villains in films do not sing because music and the arts are a sign of humanity.
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In the movie, the song is performed on stage at the end of the film by 'The Sorels', a fictional doo-wop style group consisting of actors Stoney Jackson, Grand L. Bush, Mykelti Williamson, and Robert Townsend. However, the song was actually sung for the film by Winston Ford, whose vocals were lip-synched by Jackson in the movie. While there are thus two versions of the song, only Hartman's version was released commercially. Steinman later recalled thinking the script was 'terrible', but he thought the film was going to be a big hit, in part because of the enthusiasm of Joel Silver: > [He said] this movie is about visuals.
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Due to the snowy conditions, the game was at the time colloquially referred to as the "Ice Bowl" by residents of the area and Sabres' fans. The game, which was played at a temporary ice rink built on the football field, set an NHL attendance record of 71,217. The Sabres held a Winter Classic "house party" at HSBC Arena (now KeyBank Center) during the game where another 11,000 fans saw the game shown live on the arena's video scoreboard with synched-up audio from the team's radio coverage. The Buffalo Sabres Alumni Hockey Team played a pre-game at the HSBC Arena as part of the house party festivities.
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On 21 August 2019, Hole was announced as one of the 10 queens to be competing in the first series of RuPaul's Drag Race UK. In episode 6, she lip synched to Cheryl's Call My Name in front of guest judge Cheryl, and sending Blu Hydrangea home. She was eliminated in episode 7 (the penultimate episode) after losing a lip sync to Baga Chipz to Amy Winehouse's Tears Dry on Their Own. Hole reached fourth place in the contest. On 28 November 2019, Hole, alongside the cast of series one of RuPauls Drag Race UK, embarked on a 12-gig UK tour, hosted by Drag Race alum Alyssa Edwards.
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GameSpot said it "expertly uses audio to push the story along" and noted that many of the games' tracks "include voice or chanting and all are appropriately uppity or low with the game's mood", but said there were many areas with silence or ambience making the "game's soundtrack a tad sparse." Xenogears was the first Square game to feature voice overs and anime cut scenes. Electronic Gaming Monthly said they are "some of the slickest animation cinemas" they have seen. Game Revolution praised the "absolutely spectacular and stunning" hand-drawn anime cut-scenes, but stated that they were sparse and poorly synched with the voice acting.
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September 5, 2018 As part of the PR campaign for the installation, Huck enlisted Kim Kardashian West, Andreja Pejic, Chrissy Teigen, and Tan France,Munzenrieder, Kyle. "Kim Kardashian, Chrissy Teigen, and Tan France Temporarily Mutate Themselves for Fashion" W. August 27, 2018 to sport some of the far-out fashions in the A. Human line on social media. Kim Kardashian, for example, posted a video on Instagram with an "implanted" necklace (actually a prosthetic makeup appliance) that synched to the beat of her heart, while Teigen wore skin sculpted feathers, blurring the line between what's real and fake in the world of A. Human.Cascone, Sarah.
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Tom seduces Eileen with a tap dance/striptease routine on top of a bar ("Let's Misbehave"). Arthur and Eileen go to a film (Follow the Fleet) and wind up dancing in formal wear, first with, then in, a Fred Astaire-Ginger Rogers musical number from the film, "Let's Face the Music and Dance". All the songs are lip-synched, except Martin singing/speaking the title song at the end, but Arthur, Tom, and Eileen dance. Four paintings are recreated as tableaux vivants in the film: Hudson Bay Fur Company and 20 Cent Movie by Reginald Marsh, and New York Movie and Nighthawks by Edward Hopper.
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Haley continued to score hits throughout the 1950s such as "See You Later, Alligator" and he starred in the first rock and roll musical films Rock Around the Clock and Don't Knock the Rock, both in 1956. Haley was already 30 years old, and he was soon eclipsed in the United States by the younger, sexier Elvis Presley, but continued to enjoy great popularity in Latin America, Europe, and Australia during the 1960s. Bill Haley and the Comets performed "Rock Around the Clock" on the Texaco Star Theater hosted by Milton Berle on Tuesday, May 31, 1955, on NBC in an a cappella and lip-synched version.
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She found the songs challenging, but was allowed to film her scenes lip-synching to her own vocals and was led to believe that these versions would be used, although music supervisors Saul Chaplin and Johnny Green had already decided to use Marni Nixon's voice. Wood's singing voice is only heard during the reprise of the song "Somewhere" when Tony dies. Though Nixon had recorded the songs in the same orchestra sessions as Wood, she had to re-record them to synch with Wood's filmed performances. Even the one song for which Wood had lip-synched to Nixon's voice, "One Hand, One Heart", had to be recorded again because Wood's lip-synching was unsatisfactory.
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Sedaka released the song in the U.S. in 1977 as the shortened "Amarillo," but it was only a mid-chart entry, peaking just shy of the Top 40. It lay dormant for more than three decades, when UK comic Peter Kay lip-synched it for a 2002 video in his TV series Peter Kay's Phoenix Nights. For the 2005 annual Comic Relief charity drive, he solicited a number of celebrity friends of his and updated the video, and it became an enormous hit. The original 1971 Tony Christie single was re-released to radio and CD/download sales, and hit No. 1 for seven weeks and was the biggest hit in Britain for all of 2005.
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During the cold open, the cast performs a lip dub to "Nobody but Me", performed by The Human Beinz, with the intention of placing the video on the Internet. This refers to an Internet meme trend that started with a 2009 YouTube video released by students of the Université du Québec à Montréal, in which hundreds of students lip-synched The Black Eyed Peas song "I Gotta Feeling" in one continuous take. Michael claims that during his summer he caught the West Nile virus, an illness commonly transported by mosquito bite. He also claims to have watched Inception, a Christopher Nolan- directed science fiction film that was critically and commercial successful in the summer of 2010.
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Brynner on the 1977 program cover In early 1976, Brynner received an offer from impresarios Lee Gruber and Shelly Gross to star, in the role that he had created 25 years before, in a U.S. national tour and Broadway revival. The tour opened in Los Angeles on July 26, 1976, with Constance Towers reprising the role of Anna. On opening night, Brynner suffered so badly from laryngitis that he lip-synched, with his son Rock singing and speaking the role from the orchestra pit. The production traveled across the United States, selling out every city it appeared in and finally opening in New York at the Uris Theatre (today the Gershwin Theatre) on May 2, 1977.
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Destructoid called the game a "hallmark of excellence" ruined only by the "abysmal presentation" of the cut scenes. One reviewer at Famitsu liked how the game allows the player to skip past already viewed cutscenes, while another commented that the cutscenes are not perfectly lip- synched to the Japanese voice acting. Metro said the "voice-acting can be of variable quality and the animation is very low tech." The game has won or been nominated for some awards: it won Destructoid's award for the best PlayStation Vita game of 2016, Game Informer award for the best ending in an adventure game of 2016, and RPGFan's Reader's Choice award in the adventure games and visual novels category.
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They started rehearsals a few days after they returned to the UK from a promotional tour in the US, with choreographer Priscilla Samuels, who worked with the group on Fuller's recommendation.Brown, 2002. pp. 259–260. On 24 February 1997, in front of a thousand VIPs at the Earls Court Exhibition Centre, the group opened the show with a lip-synched rendition of "Who Do You Think You Are". Halliwell's oufit, a black coloured mini dress emblazoned with a Union Jack on the front and a white peace symbol on the back, made the front page of various newspapers, and is now remembered as one of the most iconic symbols of Cool Britannia.
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The group performing the song during the Spice World – 2019 Tour The song was performed many times on television, in both Europe and the US, including An Audience with..., Live & Kicking, Top of the Pops, the Bravo Supershow, Much Music, the Late Show with David Letterman, and Saturday Night Live. The performance at Saturday Night Live on 12 April 1997 was the first time "Say You'll Be There" was performed with a live band—their previous performances have all been either lip-synched or sung to a recorded backing track. The group performed the song at the 1996 Smash Hits! Awards, the 1997 Prince's Trust Gala, the 1997 San Remo Festival, and the 1997 MTV Video Music Awards.
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Williams returned to the UK singles charts with his 1963 recording of "It's the Most Wonderful Time of the Year" in December 2007, thanks to an advertisement for Marks & Spencer, reaching No. 21 in its first appearance in the British charts, also reaching No. 108 on the EU Top 200. In 2008 he lip- synched the 45-year-old recording to welcome Santa at the end of the Macy's Thanksgiving Day Parade. On October 3, 2009, Williams appeared live on the BBC's Strictly Come Dancing in London, singing "Moon River" to promote the UK edition of The Very Best of Andy Williams LP, which peaked at No. 10 in the main pop chart.
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The film's score was composed by Marvin Hatley and nominated for an Academy Award for Best Music (Scoring). The film includes two well-known songs: firstly Macdonald and Carroll's "Trail of the Lonesome Pine", sung by Laurel and Hardy (except for a few lines by Chill Wills and Rosina Lawrence, lip-synched for comedic effect by Laurel), and secondly J. Leubrie Hill's "At the Ball, That's All", sung by the Avalon Boys and accompanied by Laurel and Hardy performing an extended dance routine, one that they rehearsed endlessly. "Trail of the Lonesome Pine" was released as a single in Britain in 1975, backed by "Honolulu Baby" from Sons of the Desert; it reached number 2 in the British charts.
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None of the actors sang background; they lip-synched to recorded singing by the Ron Hicklin Singers, composed of brothers John and Tom Bahler, Jackie Ward (who as Robin Ward had a #14 hit "Wonderful Summer" on Dot Records in 1963 ), and Ron Hicklin. Cassidy was originally to lip sync to dubbed vocals with the rest of the cast, but convinced Farrell that he could sing and was allowed to join the studio ensemble as the lead singer. He and Jones were the only two of the show's actors who sang on the recordings. The Partridge Family theme song, written by Wes Farrell and Diane Hildebrand and produced by Rogers, was shown over opening credits.
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Hollander's work "Heads/Tails" is her first major exhibition without human actors. The installation consists of hundreds of used automobile headlights and taillights, covering opposite walls of the gallery, synched with the traffic signal at the nearby intersection of Walker Street and Broadway. Breaking cars driving on Walker Street trigger the installation’s taillights resulting in their illumination. These results are modeled after the behaviors of various types of New York City drivers and the installations car lights turn off again when the street light changes to green. At sunset the headlights in the installation change to the "brights" setting and at sunrise they will revert to a “fog light” setting in a nonstop, 24/7 cycle.
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Marcel Carrière joined the NFB in 1955 after studying electronic engineering and developed his skills as a sound engineer while working on wildlife films, the Candid Eye series and the work of the newly formed French Unit. On Les raquetteurs (1958), his love of experimenting led him to devise a way to record synchronized sound before it was technically possible for sound to be synched with the camera. This flexibility and resourcefulness lead him to doing sound engineering for the landmark documentary film Pour la suite du monde (1963) in which the sound was a pivotal element. He went on to participate on the sound in more than one hundred productions at the NFB.
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"Rock Around the Clock" is heard three times in the film - once over the opening credits, again in a brief rendition of the opening verse during a montage, and again at the end where only the last verse is heard. "See You Later Alligator" was a brand-new recording, having been taped at Decca's Hollywood studio in December 1955, only a few weeks before filming began. A few months prior to shooting the film, the Comets had undergone a major change in personnel, with several members leaving the group. As a result, most of the songs lip-synched in the film actually feature a different line-up of musicians from those shown performing.
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The localization process depends on factors such as the development teams' wishes, as well as budget and schedule. Traditionally, translation usually started late in development or after the original Japanese release, but recent titles have been translated during initial development, making the translators appear more like additional planners or consultants and not just translators—this was the case for Final Fantasy XI, Final Fantasy XIII, Final Fantasy XIV and Final Fantasy XV. A few titles, like The Bouncer, have actually been recorded in English first and then adapted to Japanese. The Last Remnant also adopted this approach, featuring motion-capture and dialogue synched to English rather than Japanese actors. This was done due to the company's wish to create a title for the international market.
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Habicht states on the DVD that the film was inspired by a dream in which two angels appearing as Milli Vanilli fly into a stadium and tell him that the band lip-synched their music, apparently unaware that this is common knowledge. They then tell him to make a film where the sound is recorded before the visuals. While it would have been hard to resist such a disarming directive, Habicht realised there were also some definite advantages in making a low-budget film in this way. It enabled him to focus separately on the visual and aural components of the film, allowing him, for example, to cast people who had the look he wanted but who weren't necessarily trained as actors.
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Similarly Straw Dogs was denied video certification and removed from video stores. Popular culture backlash against the Video Recordings Act included the May 1984 release of "Nasty" by the punk-goth outfit The Damned, who celebrated the condemned genre with the lyrics "I fell in love with a video nasty". The TV show The Young Ones included an entire episode entitled "Nasty", in which the characters rent a video recorder specifically to watch a "video nasty" (with the fictitious name Sex with the Headless Corpse of the Virgin Astronaut), and which featured a lip synched performance of "Nasty" by The Damned. In another episode, "Bambi", the eponymous character had apparently done a "Disney nasty" entitled Bambi Goes Crazy-Ape Bonkers with His Drill and Sex.
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In the days following Houston's performance of the national anthem at Super Bowl XXV, a controversy arose when it was reported that she lip-synched to her own pre-recorded version of the song. Accounts of the performance vary. Bob Best, an NFL pre-game entertainment official, stated that the NFL chose to air a pre-recorded version of the song because "we felt there were too many risks to do it live." In an interview with the New York Post, Best said that what was played was "protection copy" (music recorded in advance to be used in the event of the singer's last-minute inability to sing) recorded by Houston several days before the game at an L.A. studio.
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Two tracks on the album caused controversy when first released. The lead track, "Sit on My Face" was sung to the tune of "Sing as We Go", a song made famous by Gracie Fields, and reportedly its inclusion led to legal threats against the Python team for copyright infringement over the melody. Nonetheless, the song was retained on the album and had already been lip-synched by Graham Chapman, John Cleese, Terry Gilliam and Terry Jones as the opening of the second half of Monty Python Live at the Hollywood Bowl, shortly before the album's release (the song opens the heavily edited 1982 film version). The concert film also features Terry Jones twice miming to "Never Be Rude to an Arab".
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In early 1987, Bassey announced that she was planning to record an album of James Bond themes. The album was due for release 1987 to celebrate the 25th anniversary of the first James Bond feature film Dr. No. She promoted the album on the television show Live At The Palladium on May 3, 1987, where she lip-synched "A View to a Kill" and also performed a James Bond medley. Bassey decided not to release the album, for reasons that remain unclear (it is believed that she was not satisfied with the quality of the recording). However, five years later, the album was released, against Bassey's wishes, by the ICON Records label on September 20, 1992 as The Bond Collection, and again by TRING Records on January 10, 1994 as Bassey Sings Bond.
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If the base form ends in a single vowel followed by a single consonant (except h, silent t, w, x or y), then unless the final syllable is completely unstressed the consonant is doubled before adding the -ed (ship → shipped, but fathom → fathomed). For most base forms ending in c, the doubled form used is ck, used regardless of stress (panic → panicked; exceptions include zinc → zincked or zinced, arc → usually arced, spec → specced or spec'ed, sync → sometimes synched). In British English, the doubling of l occurs regardless of stress (travel → travelled; but paralleled is an exception), and when two separately pronounced vowels precede the l (dial → dialled, fuel → fuelled). If the final syllable has some partial stress, especially for compound words, the consonant is usually doubled: backflip → backflipped, hobnob → hobnobbed, kidnap → kidnapped etc.
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Ed Lewis of IGN, who previewed the incomplete TGS version of the game, noted similar problems with the camera, but was likewise impressed with the action, stating that the game "packs in lots of action and uses the time manipulation in a way that almost feels like a 3D version of Viewtiful Joe". 10,000 Bullets was met coldy by the editors of Official UK PlayStation 2 Magazine, who summarized it as "dull action-adventure which combines sub-standard bullet-time combat, badly synched cut-scenes, and a waif-like plot" and stated that "not even hardcore masochists should touch it". 10,000 Bullets sold poorly in Japan. According to Media Create sales information, the game ranked 500th on the top 500 best- selling games in Japan for 2005 at just 15,244 copies.
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Van's influence on Jim's developing stage performance was later noted by Brian Hinton in his book Celtic Crossroads: The Art of Van Morrison: "Jim Morrison learned quickly from his near namesake's stagecraft, his apparent recklessness, his air of subdued menace, the way he would improvise poetry to a rock beat, even his habit of crouching down by the bass drum during instrumental breaks." On the final night, the two Morrisons and their two bands jammed together on "Gloria." In November 1966, Morrison and the Doors produced a promotional film for "Break on Through (To the Other Side)", which was their first single release. The film featured the four members of the group playing the song on a darkened set with alternating views and close-ups of the performers while Morrison lip-synched the lyrics.
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Greenclaws, played by Nick Mercer, was a big green monster who lived in a greenhouse. Every week, Iris (Stella Goodier) would visit Greenclaws. They would put one of Greenclaws' fabulous seeds in a plant pot, put the plant pot inside a secret growing place in the Riddle Tree, wait for Owlma (a mechanical owl) to alert them that the plant was ready, answer three riddles/questions correctly from Owlma (which were always along the lines of "Twit twoo, twoo, twit twit twoo?" and then translated into English by Iris for her and Greenclaws to solve), then open the tree to find the plant had grown into something bearing unusual fruit. Each episode featured a song filmed (lip-synched) on location, most of which were written by Hilary James and Simon Mayor.
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There are two versions of the video for "It's My Life". The first, envisioned by director Tim Pope as a statement against the banality of lip-synching, consists almost entirely of footage from wildlife documentaries, interspersed with shots of Talk Talk lead singer Mark Hollis standing in various places throughout the London Zoo. He keeps his hands in his coat pockets and his mouth pointedly shut tight, the latter often obscured by hand-drawn animated lines that occasionally appear in the documentary footage sequences as well. The second version, recorded at the behest of EMI, consisted of the entirety of the original video projected on a green screen behind Hollis on guitar and vocals as well as his two bandmates as they lip-synched and mimed the song, deliberately poorly and with comic exaggerated gestures.
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This is the reason why all digital releases of this recording are of inferior quality compared to other songs of this era. However, Don Kirshner liked Carole King's version of "September" so much that even after hearing Bobby Vee's version, he decided to release King's version as a single on the Dimension label. Carole King had two small children and did not have any interest in traveling the country to promote the record. Despite this, Carole King was ultimately persuaded by Don Kirshner and Gerry Goffin to appear on Dick Clark's American Bandstand, where King lip-synched to the record (as was almost always done on the show) and, unlike many other performers who were given good ratings, was given a terrible rating of a 42 out of 100 by the Bandstand kids.
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After discovering that the group was using Zelma Davis in the music video, Wash attempted to negotiate with Clivillés and Cole for sleeve credits and royalties, which ultimately proved unsuccessful. On 11 December 1991, Wash filed a lawsuit in the Los Angeles Superior Court against Robert Clivillés and David Cole, charging the producers and their record company, Sony Music Entertainment, with fraud, deceptive packaging, and commercial appropriation. The case was eventually settled in 1994 and as a result of the settlement, Sony made an unprecedented request to MTV to add a disclaimer that credited Wash for vocals and Zelma Davis (who lip-synched Wash's vocals in the official music video) for "visualization" to the "Gonna Make You Sweat" music video.Martha Wash: The Most Famous Unknown Singer of the '90s Speaks Out.
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The Sinners were the house band featuring Eddie Kaplan on lead guitar. After viewing the debut episode in 1965, a Billboard reviewer wrote: > One gets the feeling of being amidst a Zulu uprising or witnessing a > contemporary interpretation of Dante's Inferno. Host Sam Riddle...introduces > his guests shouting at the top of his voice to the accompaniment of jungle > drums (there must be a message in there somewhere). The set is reminiscent > of a speakeasy or a prison yard with its stone wall backdrop...During the > lip-synched performances of the guest artists, members of the Gazzari [sic] > dancers swing, sway, weave and gyrate with flailing arms from a postage > stamp sized stage, step ladders and other lofty perches...The tempo is > mostly upbeat with the emphasis on the driving, breast-beating sounds.
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When the single was originally released, Nimoy lip-synched to the recording during a guest appearance on the July 28, 1967 episode of Malibu U, a short-lived variety television series. This segment survives as a "music video" and shows Nimoy (wearing his Star Trek hairstyle as the series was in the midst of production of its second season at the time) and a group of color-coordinated young women, all wearing plastic pointed ears (presumably Hobbit or Vulcan), singing and dancing an overtly strange, waddling dance on a beach. Clothing and random objects would fly up from behind a hill, and a variety of buttons with strange Hobbit/Star Trek slogans were occasionally visible. Since its rediscovery on the BBC2 documentary Funk Me Up Scotty and propagation over the Internet, it has been treated as an example of 1960s camp.
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Dick Clark was a powerhouse in music at the time, thanks to American Bandstand, which ran five times a week in the afternoons, showcasing local dancers and visiting performers who lip-synched along with their recordings. Clark saw the song's potential when he heard Hank Ballard's original version, but Ballard and his group, whose greatest hit had been "Work With Me Annie" in 1954, was considered too raunchy to appeal to Clark's teenage audience. He urged Philadelphia record label Cameo/Parkway to record a new version of "The Twist" with young, wholesome Chubby Checker, who had displayed his talent for copying other artists on an earlier novelty hit "The Class". Released in summer 1960, Checker's rendition of "The Twist" became number one on the singles chart in the United States in 1960 and then again in 1962.
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Most of the contestants conform to national stereotypes, including the by-the-book, monocle-wearing Prussian officer Colonel Manfred von Holstein (Gert Fröbe); the impetuous Italian Count Emilio Ponticelli (Alberto Sordi), whose test flights wreck one aircraft after another; and the amorous Frenchman Pierre Dubois (Jean-Pierre Cassel). Yujiro Ishihara is the late-arriving Japanese naval officer Yamamoto, with a perfect (dubbed) Etonian accent. In a nod to the then-popular "Godzilla" movies, the dubbed English was deliberately badly lip-synched, with Yamamoto's mouth continuing to move for a split second after each line was spoken. The rivalries between their respective nations degenerate into a ridiculous hot-air balloon duel between the German and French fliers, and the nefarious actions of baronet Sir Percy Ware-Armitage (Terry-Thomas), an unscrupulous British flier who "never leaves anything to chance".
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Drummer Stewart Copeland claimed that he used a similar method for a solo video (performing under the alias of "Klark Kent"), only he "had the music run slowly, so that [he] mimed in slow motion, and then when they synched it up to the music, [he] had this herky-jerky, kinda 'fast- mo' movement, that was still in time with the music, only it was sort of jerky and strange body movements." Sting praised the video, saying: Andy Summers, however, was critical of Sting's overacting in the video. In a promotional video tied in with the release of The Muppets Take Manhattan, "I'm Gonna Always Love You" from the movie featured lead vocals by Miss Piggy and had her imitating parts of the "candle labyrinth" prominently showcased in the Police video. Incidentally, the song later gave rise to the creation of Muppet Babies.
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The group began writing their own songs and in 1966 released a single on Dallas' S.T.A.R. label, featuring two of their self- penned numbers, "William Junior" which was rife with social commentary about a child of privilege backed with "And It's Time." The Novas played at local venues such as the Studio club and Market Hall and toured, often traveling in a station wagon on a shoestring budget, staying at motels, playing gigs throughout Texas, Louisiana, Arkansas, and Oklahoma. On March 25, 1966 the Novas made a lip-synched appearance on the local TV show Sump'n Else along with the 13th Floor Elevators and played on the same bill with the 13th Floor Elevators that night at the "Spring Clean Up" show held at Market Hall. The Novas opened for the Byrds, the Hollies, Paul Revere & the Raiders, Mitch Ryder, the Spencer Davis Group, Sonny & Cher, and the Blues Magoos.
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After discovering that the group was using model- turned-singer Zelma Davis in the music video, Wash unsuccessfully attempted to negotiate with the producers of the C+C Music Factory for sleeve credits and royalties. Additionally, the song used an edited compilation of vocal parts that Wash recorded in June 1990 for an unrelated demonstration tape. On December 11, 1991, Wash filed a lawsuit in the Los Angeles Superior Court against C+C Music Factory's Robert Clivilles and David Cole, charging the producers and their record company, Sony Music Entertainment, with fraud, deceptive packaging and commercial appropriation. The case was eventually settled in 1994 and as a result of the settlement, Sony made an unprecedented request to MTV to add a disclaimer that credited Wash for vocals and Zelma Davis (who lip-synched Wash's vocals in the official music video) for "visualization" to the "Gonna Make You Sweat" music video.
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All songs by Karine Polwart. #"Hole in the Heart" – 4:48 #"I'm Gonna Do It All" – 4:56 #"Daisy" – 3:27 #"Maybe There's a Road" – 4:17 #"Where the Smoke Blows" – 3:16 #"Holy Moses" – 4:30 #"Don't Know Why" – 4:39 #"Take Its Own Time" – 3:45 #"I've Seen It All" – 3:22 #"Baleerie Baloo" – 3:27 #"Terminal Star" – 4:38 #"Follow the Heron" – 3:11 "Daisy" and "I'm Gonna Do It All" were also released as CD singles. A music video was made for the latter in which the song was lip-synched by a 9-year-old girl, the daughter of former Karine Polwart Band member Dean Owens. The "Daisy" single included acoustic versions of "Where the Smoke Blows" and "Terminal Star" as bonus tracks; "I'm Gonna Do It All" included the video and a non-album track, "John C. Clark (The Gasman Song)".
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"The Trolley Song" was ranked #26 by the American Film Institute in 2004 on the AFI's 100 Years...100 Songs list. The song as conducted by Georgie Stoll for Meet Me in St. Louis has a very complex, evocative arrangement by Conrad Salinger featuring harmonized choruses, wordless vocals, and short highlights or flourishes from a wide range of orchestral instruments. It has been claimed for years that when the song was recorded on the set of Meet Me in St Louis, it was done in a single shot, and also that Garland accidentally repeated a verse instead of singing the next verse, but songs in Hollywood musicals of that era were not recorded on set. They were prerecorded in a studio and lip- synched by the artists, and the number in the film consists of far more than one shot, and there is no repeated verse in the film.
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The ballad "You Light Up My Life" (written and produced by Joe Brooks) was originally recorded by the late Kasey Cisyk for the soundtrack to the film of the same name, in which actress Didi Conn lip- synched to Cisyk's recording. Teenager Debby Boone (daughter of actor-singer Pat Boone) was recruited to record a new version for single release, and this became a massive success, topping the Billboard Hot 100 for a record-setting 10 consecutive weeks, and earning a Platinum certification from the RIAA. It became the most successful single of the 1970s in the United States, setting what was then a new record for longest run at #1 in the US and surpassing Elvis Presley's "Hound Dog". Boone's success also earned her Grammy nominations for "Best Female Pop Vocal Performance " and "Record of the Year" and won her the 1977 Grammy for "Best New Artist" and the 1977 American Music Award for "Favorite Pop Single".
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After years of fame and popularity, it was revealed by frontman Stefano Zandri and his producers that Zandri did not actually sing any of the songs credited to Den Harrow; he was essentially a character who lip-synched to vocals recorded by a number of other singers. Furthermore, since they did not consider Zandri's name and origin to be "trendy" enough, producers Turatti and Chieregato concealed Zandri's Italian origin, marketing him as having been born Manuel Stefano Curry in Boston, Massachusetts. This was done so that Polydor Records could market him more easily in the English-speaking world, where Italian- produced music was, at the time, viewed with skepticism. American vocalist Tom Hooker, also known as Thomas Barbey, who was residing in Italy during the Italo disco era, sang most of the songs for the Den Harrow project, including the 1985–1986 European hit singles "Don't Break My Heart", "Bad Boy", "Catch the Fox", and "Future Brain".
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"italics in original. Baxter, 110 Since Quinn and Basehart did not speak Italian, both were dubbed in the original release. Unhappy with the actor who initially dubbed Zampanò, Fellini remembered being impressed by the work done by Arnoldo Foà in dubbing the Toshiro Mifune character in the Italian version of Akira Kurosawa's Rashomon, and was able to secure Foà's services at the very last moment. Composer Michel Chion has observed that Fellini particularly exploited the tendency of Italian films of the post-war period to allow considerable freedom in the synching of voices to lip movements, especially in contrast to Hollywood's perceived "obsessive fixation" with the matching of voices to mouths: "In Fellinian extremes, when all those post-synched voices float around bodies, we reach a point where voices--even if we continue to attribute them to the bodies they're assigned--begin to acquire a sort of autonomy, in a baroque and decentered fashion.
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The program used equipment and staff from KYTV, which was then a dual ABC-NBC network affiliate. It debuted using two black-and-white RCA TK-11 cameras with a third added a year later. Vocals of some hit songs were lip-synched. Overhead shots of square dancing and for other creative purposes were accomplished using a large mirror angled above the stage. One 1960 show included an elephant from a visiting Adams & Sells Circus quietly performing on stage behind an "oblivious" Uncle Cyp. The program had two remote broadcasts: June 22, 1957 from the Oklahoma State Fair during the state's semi-centennial;"The Death of TV's Jubilee" (September 18, 1960), Springfield Leader & Press, p. D4 and February 21, 1959 from the Masonic AuditoriumPeterson, Bettelou "Red Foley's Proud of Grandson" (February 19, 1959), The Detroit Free Press in Detroit, Michigan for a Massey Ferguson dealers convention.Sachs, Bill "Folk Talent & Tunes" (February 16, 1959), The Billboard, p.
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Street knew the Temptations and Otis Williams, in particular, having worked for Motown in quality control and through his vocal work with the Distants and the Monitors. By the late-1960s, Street was being called upon to travel with The Temptations and sing Paul Williams' parts from off-stage, while Paul Williams, who suffered from both alcoholism and sickle-cell disease, danced and lip-synched onstage. Street officially replaced Paul Williams in mid-1971, after both he and Eddie Kendricks left the group. A number of the Temptations' best-selling hits feature Street's lead vocals, including "Superstar (Remember How You Got Where You Are)" (1971), "Papa Was a Rollin' Stone" (1972), "Masterpiece" (1973), and was featured solo on "Hey Girl (I Like Your Style)" (1973) as well as the album cuts "The First Time I Saw Your Face" and "Firefly" from the All Directions (1972) and A Song for You albums (1975), respectively.
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The program celebrated a wide collection of exclusively Australian artists and composers from many different backgrounds. There was a focus on contemporary classical composers, such as Elena Kats-Chernin and Chong Lim, film composers such as Bruce Rowland and David Hirschfelder, Jazz artists such as James Morrison, Indigenous songlines arranged by David Page, House music from Peewee Ferris and pop from John Foreman, Paul Begaud, John Gillard, Trevor White, Vanessa Corish & Wayne Tester. The opening piece to the artistic section, Deep Sea Dreaming, is still regularly performed by Kats-Chernin and in treble choirs in Australia. The Sydney Symphony Orchestra was the orchestra at the ceremony and performed most of the works in the program, although some pieces performed by the Melbourne Symphony Orchestra was noted in the program and CD. It came to light in August 2008 that the Sydney Symphony mimed its performance during the opening ceremony to tracks prerecorded by both orchestras, after an incident at the 2008 Opening Ceremony revealed that a girl lip-synched a song and used another girl's voice.
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Since the service launched on October 29, 2012, Univision Communications' multi-platform streaming service UVideos has made full-length episodes of UniMás' programs (including those produced by Televisa and its other content providers) available on its website at UVideos.com and companion mobile app for smartphones and tablet computers supporting the iOS and Android platforms (with programs streamable over 3G and WiFi networks). The most recent episodes are usually made available for streaming on the service (as well as Univision on Demand) the day after their original broadcast to subscribers of participating pay television providers (such as Comcast, Verizon FiOS and Time Warner Cable) using an ISP account via an authenticated user login. The service also includes select original digital content, user-enabled English subtitling for most programs (except for excerpts from Noticiero Univision broadcasts) as well as a social stream featuring viewer comments from the UVideos and other social media platforms, which are time-synched to the user's local time zone to mimic a live relay to the user as posted during the program's original broadcast.
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The number became a regular feature of subsequent Three Tenors concerts, and they performed it at three subsequent FIFA World Cup Finals, in 1994 in Los Angeles, 1998 in Paris, and 2002 in Yokohama. Pavarotti gave a rendition of "Nessun dorma" at his final performance, the finale of the Opening Ceremony of the 2006 Torino Winter Olympics, although it was later revealed that he had lip-synched the specially pre-recorded performance (at the time of his Winter Olympics appearance, Pavarotti was physically incapable of performing as he was suffering from pancreatic cancer, to which he succumbed the following year)."Pavarotti, Revered Even When Lip-Synching", The New York Times, April 7, 2008 (accessed 7 April 2008) His Decca recording of the aria was played at his funeral during the flypast by the Italian Air Force.BBC News coverage of Pavarotti's final performance (accessed 8 October 2007); BBC News coverage of Pavarotti's funeral (accessed 8 October 2007) In 2013, the track was certified gold by the Federation of the Italian Music Industry.
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In the sketch Innes portrayed the character of Ron Nasty, a character based on John Lennon, while Idle portrayed Dirk McQuickly (a character based on Paul McCartney), and the fictional group briefly performed 'I Must Be In Love', a suitably Beatlesque pastiche written by Innes. Eric Idle later played a videotape of the Rutles sketch on Saturday Night Live in 1976 during an appearance as guest host, and the favourable response led to a 1978 American-made spin-off TV movie, All You Need Is Cash, with Innes and Idle again playing Nasty and McQuickly. While Idle and Innes co-created the original Rutles sketch concept, Idle wrote the screenplay for the film on his own, and Innes composed all of the songs for the project without any input from Idle ('Dirk McQuickly's musical contributions on the soundtrack were performed by guitarist/singer Ollie Halsall while Idle lip-synched them in the film). Innes' songs consequently appeared on the soundtrack album The Rutles, released by Warner Bros on 1978.
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The title song "You Light Up My Life", performed by Kvitka Cisyk for the film's soundtrack and later recorded by Debby Boone, received the Academy Award for Best Original Song and a Golden Globe Award for Best Original Song as well as the Grammy Award for Song of the Year. In the film, the song was lip synched by actress Didi Conn. Cisyk's original soundtrack recording of "You Light Up My Life" was included on the soundtrack album which was rush-released by Arista Records after Boone included her version on her first solo album (also entitled You Light Up My Life) and within less than three weeks, the soundtrack album was certified Gold by the RIAA, making it one of the fastest-breaking records in the label's history at that time. Boone's single reached #1 on the Billboard Hot 100 chart for a then record-setting 10 consecutive weeks while Cisyk's version of the song was released simultaneously as a single to bolster sales of the soundtrack album.
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International Fountain in Seattle, Washington Built for the Century 21 Exposition in Seattle in 1962, the International Fountain's original design had changing water and light patterns, with a background of classical music (though the patterns weren't specifically intended to be synched with the music.) The fountain was very large, designed as a concrete bowl around a 'moonscape' of broken limestone, at the center of which was a tiled dome studded with pointy black nozzles. The fountain was not originally designed for interaction but was redesigned in 1995 by WET to make the fountain more inviting, interactive and safe. Switching out the multicolored lights for white, WET added fog nozzles, a ring of their Shooters set into the pavers around the base of the dome, and four large SuperShooters hidden in the upper surface of the dome. The restored fountains behaves as its predecessor did for most of the day, producing changing water patterns as music plays, but it now marks each hour by bringing out other effects, like fog, and performs a choreographed show.
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On October 29, 2012, Univision launched UVideos, a multi-platform streaming service – which incorporates a user interface accessible to and advertising aimed at both Spanish and English speakers – that originally encompassed a dedicated website at UVideos.com and a mobile app for smartphones and tablet computers supporting the Apple iOS and Android platforms (with programs streamable over 3G and WiFi networks). The service provides full-length episodes of Univision programs (including those produced by Televisa) as well as programs aired on sister networks UniMás and Galavisión, with the most recent episodes usually being made available for streaming on the service (as well as Univision on Demand) the day after their original broadcast to subscribers of participating pay television providers (such as Comcast, Verizon FiOS and Time Warner Cable) using an ISP account via an authenticated user login. The service also includes select original digital content, user-enabled English subtitling for most programs (except for excerpts from Noticiero Univision broadcasts) as well as a social stream featuring viewer comments from the UVideos and other social media platforms, which are time-synched to the user's local time zone to mimic a live relay to the user as posted during the program's original broadcast.
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