He moved deliberately and with purpose inside the Sweatbox ring.
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"I hope the sweatbox pops you like a chili bean and refries you to hell, you Cuban devil," someone yelled.
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"Human Om," the latest single from his forthcoming LP Sweatbox Dynasty (out August 19 via Ghostly International), is no exception.
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He could make it home and relax for a while, get lunch or play video games before returning to Sweatbox.
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In this episode, Fec breaks down his song "Gods in Heat" from his newest album, Sweatbox Dynasty, recorded entirely on cassette.
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Imagine a rowdy crowd in a damp sweatbox somewhere in London or Liverpool or Leeds and multiply the crowd by thousands.
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Trash was a genre and gender-dissolving sweatbox in London run by DJ/producer Erol Alkan on Monday nights from 1997 to 2007.
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Not so long ago, in a faraway sweatbox city called Bangkok, that was the square root of my day-to-day existential problem.
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" Comey also described the SCIF as a "sweatbox ... a very, very small" windowless closet in his basement that "was always about 110 degrees.
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The episode highlights the stifling sweatbox quality of contemporary liberal discourse, but it doesn't change the depth of right-wing cluelessness on race.
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You'd pass through the always-unsettling door cage, go downstairs and into the smoked out sweatbox that provided some of the best music in Manchester.
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The owners of Glasslands, a Kent Avenue sweatbox that closed in 2014, will make an encore with Elsewhere, a 24,000-square-foot performance space in Bushwick.
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In February, he found a job training teenagers at Sweatbox, a gig that came with the added benefit of giving him a free place to train.
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Half was recorded at Mike Vasquez's Sweatbox studio in a building downtown that had rehearsal spaces and drunk old men living in offices like they were apartments.
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For five years now, Deep into Soul have been throwing the kind of parties that make you want to take your top off inside a dark'n'damp sweatbox in deepest South London.
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Although you've probably pushed it as far back as conventional methods of repression will allow, most of you had a clubbing experience before your popped your 'real' nightlife cherry VK in a high street sweatbox.
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"They're going to be all over him," Mr. Sosa said one afternoon, watching Mr. Taylor train at Sweatbox, a no-frills gym in Sunset Park founded by an alumnus of the Cops and Kids program.
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Many lenders' business models relied on "sweatbox lending", in which debtors were encouraged to take out new loans again and again when they entered or neared default, says Joseph Spooner of the London School of Economics.
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I knew a handful of people who could relate: the fighters who I trained with every day at the boxing gym, a raggedy sweatbox in Brooklyn's Little Puerto Rico, a long left and a short right off the L train.
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That studio, much like the one seen early on in GLOW, is a sweatbox full of teased hair and sexual teasing, as men in tiny gym shorts and women in thongs thrust their hips at one another to hair band anthems.
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At the time, Mr. Parrish was a resident D.J. at Better Days, a tiny, no-frills sweatbox with cinder-block walls and minimal lighting in Detroit where D.J.s could intimately connect with a predominantly African-American community of dancers and fellow musicians.
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I saw an intense night of gqom — aerated, industrial-strength house music from Durban, South Africa; watched the bawdy MC Carol from Brazil play loose-tongued, scrappy music from the country's funk balls; and listened to Moodymann, an innovator of soulful Detroit techno, play rare Prince songs in a sweatbox of a club, when he wasn't stopping the music to give impromptu lectures.
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It's the difference between listening to Ron Trent in a Motor City sweatbox, and going to one of those BACK TO THE OLD SKOOL 4 VALENTINES DAY events you see on adverts tie-wrapped to traffic lights; going to Wigan Casino in 1976 with a pocketful of prescription speed or going to Manchester Printworks today with Fred Perry polo and a Paul Weller haircut; riding over the Niagara Falls in a barrel or hitting the log flume at Hull Fair.
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Stormhorse is the second album by In the Nursery, released in 1987 through Sweatbox Records.
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The EPs Scarecrow, Water and Sweatbox followed, produced by Robin Guthrie. These were later compiled (with some remixed versions) as The Legendary Wolfgang Press And Other Tall Stories. The AllMusic Guide to Electronica describes Scarecrow as "a lighter, more streamlined affair", Water as spotlighting "ominously sparse torch songs", and Sweatbox as "deconstructionist pop".
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In 1991 after buying herself out of her record deal, she returned to teaching dance and building Wolverhampton's first community dance studio, Sweatbox.
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Counterpoint is a compilation album by In the Nursery, released in 1989 through Sweatbox Records. It collects tracks from several of their early EPs.
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Twins is the debut studio album by English neoclassical dark wave and martial industrial band In the Nursery, released in September 1986 by Sweatbox Records.
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The person who completes the most tasks is the winner. Rickie participated in this round in series one. The Sweatbox (Series 1–4): In this round, a member of the studio audience goes into the 'Sweatbox', a small wooden hut in the studio, and tells the teams about their dilemma. The teams will give them their advice and the person must choose whose advice is better.
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That night, the men are having their chains checked and Warden Hardy wants to smell the men to make sure they put in a good days work. He taunts Burns, asking how much he likes the chain gang, and Burns smarts off to him about Southern hospitality. He is taken by Hardy and two guards and put into a sweatbox until the next night. Burns is removed from the sweatbox and thrown onto the floor of the sleeping cabin.
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Leonard Maltin, "Of Mice and Magic", Plume, Revised & Updated edition, 1987, pp. 55 and 58.The colloquialism "Sweatbox" was carried over from the screening room at Disney's former Hyperion studio. See Maltin, "Of Mice and Magic" (1987), p. 55.
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Cinema Peligrosa is the debut full-length studio album by the American post- punk band Glorium. It was released on Undone Records in 1994 on vinyl and compact disc. It was recorded at Sweatbox Studios in Austin, Texas, and produced by Tim Kerr.
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The Sweatbox is a documentary designed to show behind the scenes footage of Kingdom of the Sun. In reality, it illustrated the slow and painful transformation from Kingdom of the Sun to The Emperor's New Groove, including the director, Sting (whose wife created the documentary), artists, and voice cast being dismayed by the new direction. Its major theme is creative-executive conflicts.
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The next day, Traweek was called before Major Colt. Colt inquired as to where Traweek's tunnel was and who had been tunneling with him. When Traweek refused to tell, Colt ordered him into a sweatbox and presided over his questioning, willing to go to extreme measures to find and persecute the tunnelers. Traweek held fast, however, and Colt was forced to release him.
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South of the South is the sixth release by David Dondero. The title is a reference to Florida, where Dondero lived for a time. It was released on October 25, 2005 on the Team Love Records label. It was recorded in December 2004 at Sweatbox Studios in Austin and features guest spots by Eric Bachmann (Crooked Fingers), Miranda Brown, Mike Vasquez, Tom Heyman, Dan Carr and Chris Heinrich.
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The Sweatbox is a 2002 American documentary film designed to show behind-the- scenes footage of Kingdom of the Sun (the original version of The Emperor's New Groove). It illustrated the slow and painful transformation from Kingdom of the Sun to The Emperor's New Groove, including the director, musician Sting (whose wife created the documentary), artists and voice cast being dismayed by the new direction. The film's major theme is creative-executive conflicts.
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This was followed by work at Midnight Shift. He has played at numerous events in Sydney, Brisbane and around their respected states as well as Melbourne, Adelaide and overseas at Noumea, Kuala Lumpur, Phuket and Wellington. His popularity grew as the dance party scene in Sydney expanded in the late 1980s, particularly at the Sweatbox parties. In 1989, he played at Sleaze, Rat Parties, Bachanalia parties, Zoo parties and all of the Paradise Garage parties.
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Dupree was stopped from making house calls, but she vowed to create her own shop. Dupree built her own beauty salon which also had a Turkish bath, a sweatbox and massage parlor in 1936. Together, the couple invested in other businesses and opened the Eldorado Ballroom in the Third Ward. The Eldorado was built in 1939 and was one of the first black clubs and entertainment venues in Houston. Previously, they had also opened the Pastime Theater in 1929.
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The box, also known as a hot box or sweatbox, is a method of solitary confinement used in humid and arid regions as a method of punishment. Anyone placed in one would experience extreme heat, dehydration, heat exhaustion, even death, depending on when and how long one was kept in the box. Another variation of this punishment is known as sweating: the use of a heated room to punish or coerce a person into cooperating with the torturers.
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In the United Kingdom, Storm the Studio was released on 20 February 1989 by Sweatbox Records, a label who signed the group after they presented them with some demo recordings. In the United States, it was released by Wax Trax!, which led to the group being regarded as an industrial band, despite Dangers' and Jonny Stephens' dislike for being pigeonholed. Dangers later told one interviewer he was not concerned by the labelling, as he felt "industrial" meant different things in different countries.
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The album contains rare tracks from, or related to, various releases of the band from its inception to late 1988. According to the liner notes, "Genocide" is a "burnt" remix of "God O.D.", recorded in December 1988. The song is composed of part of the lyrics from "God O.D." but with a darker, more industrial instrumentation, and a lack of sampling. "Repulsion" is a track previously released on a compilation by Sweatbox, the band's first record label, in May 1988.
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Learning that he has a macular pucker, Gray seeks out alternative therapies, including mass nude encounters in a sweatbox, a raw-vegetable diet and a trip to the Philippines to meet a psychic surgeon." On the other hand, the San Francisco Chronicle described Gray's Anatomy as an unremarkable story. "There's something intrinsically insincere about the whole quest. This creeping sense that Gray isn't really interested in anything he's talking about – that he, alone, is the subject of his own obsession gives Gray's Anatomy a distasteful edge.
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One day while cleaning Burns' room, Emily comes across some papers he's been typing and there are flashbacks to his time on the chain gang being put in a sweatbox and treated like an animal. Emily is disturbed at the writing. Burns makes it home that night after a very successful day of selling his first magazine subscription and she reveals the papers he's written. He's very distressed, but she consoles him and asks him to make love to her and blackmails him into marriage.
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Because of poor test screenings, creative differences with Dindal and production falling behind schedule, Allers departed, and the film became a lighthearted comedy instead of a dramatic musical. A documentary, The Sweatbox (2002), details the production troubles that The Emperor's New Groove endured during its six years of development. The Emperor's New Groove was released to theaters on December 15, 2000. It performed disappointingly at the box office compared to Disney films released in the 1990s, grossing $169.3 million on a $100 million budget.
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This film, which was eventually entitled The Sweatbox, was made by Xingu Films (their own production company). Along with collaborator David Hartley, Sting composed eight songs inextricably linked with the original plot and characters. In the summer of 1997, it was announced that Roger Allers and Dindal would serve as the film's directors and Randy Fullmer as producer. Spade and Eartha Kitt had been confirmed to voice the emperor Manco and the villainess, while Carla Gugino was in talks for the role of Nina.
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Storm the Studio is the debut album by English electronic music group Meat Beat Manifesto, released on 20 February 1989 by Sweatbox Records in the United Kingdom and later that year by Wax Trax! in the United States. Recorded in three recording studios, the album contains four compositions, each split into separate parts, that mostly originated as twelve-inch singles the band released in 1988. The record's inventive musical style features elements of industrial music, electro, dub, noise rock and hip hop music, and incorporates breakbeats, noise and sporadic rap vocals.
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If he did not submit, the treatment would be continued the next day. The sweatbox was a wooden box made in the woodworking shop that stood about six and a half feet tall and was just wide enough for a person to stand upright without being able to move. They would put an inmate in the box, standing up with their arms by their side with slits in the box in front of their faces to allow air to enter for breathing. They would stand in there unable to move until the end of the day.
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Twin brothers Klive and Nigel Humberstone and guitar player Anthony Bennett formed this Sheffield-based band in 1981. Influenced by Joy Division, the trio originally tagged along with the UK's industrial music scene, releasing the six-track When Cherished Dreams Come True in June 1983. The "Witness (To a Scream)" single and Sonority EP followed before the band moved to the Sweatbox label for the fearsome Temper EP. The full-length Twins was recorded without the departed Bennett at Bradford's Flexible Response Studio. The album adopted a more subtle approach by favouring theatrical atmospherics over industrial clatter.
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Whipping upon the bare back of the boys by the officers with leather straps made in the shoe shop was a frequently used measure. Boys were held in the basement of the chapel in cells, where they were kept for days or even weeks with only rations of bread and water to eat and a cot to sleep on. There were two other forms of restraint that were called the straitjacket and the sweatbox. The straitjacket was made of leather with an attached gag to be put in the boy's mouth and the boy would be laid down until it was time to go to bed.
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Promoters behind events by FUN, Sweatbox, Bacchanalia and the standard setting twice yearly public parties produced by the Sydney Gay and Lesbian Mardi Gras, booked inner city warehouses and tired old venues and transformed them into vibrant, packed palaces. By the end of the 1980s parties flourished all around the country, with promoters booking a constant flow of influential overseas DJs such as Paul Oakenfold. While established rock venues suffered from lack of attendance, dance parties were frequently sold out. By the end of the 1980s it seemed that a massive dance party was being held every weekend at an accessible Sydney venue and competition was fierce.
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" Levine also commended Minaj's personality stating "it's the 32-year-old's fiery attitude that really impresses." Levine criticized an "unnecessary audience participation segment", but greatly praised the final segment of the show comparing the atmosphere to a "New York basement sweatbox." Alice Vincent from The Daily Telegraph gave a differing review of the same show in London stating that "this [the show] was a 90-minute struggle of a set." In opposition to Levine, Vincent favored the beginning of the spectacle rather than the end stating "Her Minajesty was imperious for the first six songs, viciously spitting the quickfire rhymes of 'Only', purring through the languorous reflection of 'I Lied'.
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Leipzig: Spector Books Throughout the complex, the design of the windows, often large floor-to-ceiling in style which take advantage of the outdoor views, characterise the interiors, following on from the careful site analysis that was done as part of the design process. Unlike Walter Gropius’ Bauhaus Dessau building, which was designed entirely for visual and symbolic effect and could become a "sweatbox" in summer due to its large glass surfaces, the ADGB school was designed to avoid overheating by taking into account the sun's movement and changing angles. The two-storey entrance building contains the foyer, auditorium, dining room, kitchen and administration area on the ground floor. There is a caretakers flat on the top floor.
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The Sydney Pride Centre was established in 1989 by PRIDE Sydney Lesbian and Gay Community Centre Limited, with a mission to 'establish a permanent community centre for the diversity of lesbians and gay men in Sydney and to build a vital, visible and positive community.'PRIDE Sydney Lesbian and Gay Community Centre Annual Report (1991). Initially focused on fundraising and establishing the right organisational framework, early fundraising parties were produced by PRIDE and in conjunction with Bacchanalia, Sweatbox, ACON and Prasit Scrapbook compiled by Jon Mancinelli, 1988-1992, courtesy Australian Lesbian and Gay Archives. The Founding board included Gary Cox, Adrian Gough, Gigi Legenhausen, Gillian Minnervini, Paul Nicholson, Philippa Playford, Malcolm Thorne, David Wilkins and Rob Williams.
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In 1997, director Roger Allers asks British singer-songwriter Sting to help write the music to a new Disney animated feature titled Kingdom of the Sun. He is intrigued with the project as is the cast and crew who all voice their love over the epic story, the songs and the quirky tone it is taking. The crew then present what they have finished so far to executive producers Thomas Schumacher and Peter Schneider in the titular sweatbox, the room where they screen their half-finished product. However, the producers are harshly dissatisfied and demand that the film be redone, though they underhandedly admit that they liked the "love song" and the "llama song".
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The Sweatbox is a documentary that chronicled the tumultuous collaboration of Sting and David Hartley with the Disney studios to compose six songs for Kingdom of the Sun (the film's working title). The documentary featured interviews from directors Roger Allers and Mark Dindal, producer Randy Fullmer, Sting (whose wife Trudie Styler created the documentary), Disney story artists, and the voice cast being dismayed by the new direction. Disney was not believed to be opposed to Styler's documentary with Disney animation executive Thomas Schumacher, who had seen footage, commenting that "I think it's going to be great!" The film premiered at the 2002 Toronto International Film Festival, but has gone virtually unseen by the public ever since.
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61 releases, Big Ugly Mouth and Sweatbox, were first co-released with the label Rollins was signed with at the time as a musician, Texas Hotel Records. Since then, the label has branched out into various rock and jazz releases and even spawned two specialist reissue sublabels, Infinite Zero Archive (a joint venture with Rick Rubin's American Recordings), and District Line, which specializes in reissuing the music of Rollins' hometown of Washington, D.C. It is also used as the name of Rollins' Blazin' (finishing move) in the video game Def Jam: Fight for NY. The literary company's authors include: Henry Rollins (Publisher, Black Flag), Iggy Pop (The Stooges), Exene Cervenka (X, Auntie Christ, The Knitters), Nick Cave (Birthday Party, Bad Seeds, Grinderman), Michael Gira (Swans), Joe Cole, Tricia Warden, Don Bajema, Bill Shields, Jeffery Lee Pierce (The Gun Club), and Ellyn Maybe.
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In July 2004, PWG moved to the Hollywood/Los Feliz Jewish Community Center in Los Angeles. The first show in the new building saw A.J. Styles take on Rocky Romero, CM Punk versus Super Dragon, Samoa Joe and Ricky Reyes versus Bryan Danielson and Christopher Daniels, and a loser leaves town, steel cage match between Adam Pearce and Frankie Kazarian where Adam Pearce ended up losing the match and left PWG. After this event, PWG would run at the Hollywood/Los Feliz JCC for the next two years, and was nicknamed "The Sweatbox" by its fans due to the heat that the building would generate during warm nights. PWG's popularity continued to grow in the Southern California area, and across the world thanks to PWG distributing their own DVDs on their website, and through various reviews posted on many popular internet wrestling message boards.
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After a state senator's bill to abolish chain gangs is rejected by the Senate, newspaper reporter Cliff Roberts (Kennedy) persuades his boss Pop O'Donnel (Harry Cheshire) at the liberal Capitol City Evening Standard to arrange for him to go undercover in a chain gang prison. Equipped with false employment records and a tiny microfilm camera disguised as a cigarette lighter, he tells everyone—including girlfriend Rita McKelvey (Marjorie Lord), a reporter for a rival newspaper—that he is going on a fishing trip, but actually heads for Cloverdale Prison Farm in the deep south, scene of recent incidents which left three inmates dead. The prison's Captain Duncan (Emory Parnell) supplies labour in the form of chain gangs, which are ostensibly for state construction projects but in reality are being exploited by Rita's stepfather, local entrepreneur John McKelvey (Thurston Hall), for his construction projects. Working as a guard, Roberts secretly photographs prison conditions, arriving in time to witness the recapturing of an escaped inmate who is sent for an overnight stay in the sweatbox as punishment.
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Swindon-based Meat Beat Manifesto began in 1987 when Jack Dangers and Jonny Stephens of the pop group Perennial Divide – who they had formed in 1986 and recorded the album Purge (1986) with – began releasing electronic side-project twelve-inch singles under the Meat Beat Manifesto name on Perennial Divide's label Sweatbox Records, the first of which was "Suck Hard" (1987). These were followed by the singles which later formed the basis of Storm the Studio, namely "I Got the Fear", "Strap Down" and "God O.D." After Perennial Divide's dissolution, the newly prioritised Meat Beat Manifesto began recording their debut album soon after, naming the projected album Armed Audio Warfare and scheduling its release for May 1988, but the tapes were destroyed in a studio fire before the album could be released. Though the story was something of a rumour for many years, Jack Dangers confirmed the story of the fire in a 2010 interview. The band recorded Storm the Studio, their replacement debut album, at The Slaughterhouse in South Yorkshire, F2 Studios in London and at Drive Studios.
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