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23 Sentences With "swagmen"

How to use swagmen in a sentence? Find typical usage patterns (collocations)/phrases/context for "swagmen" and check conjugation/comparative form for "swagmen". Mastering all the usages of "swagmen" from sentence examples published by news publications.

The rugged trails that over history have been trod by cowboys, gauchos, ranch hands, and in Australia, swagmen, are now to be presided over by cold, calculating machines.
Swags have been carried by shearers, miners, the unemployed, and many others, some of whom would have been happy to have been called swagmen and some not.
The festival features costumes from the 19th century, street theatre involving the character of Moondyne Joe, street stalls, and displays of art and antiques. Other characters portrayed include the "Swagmen" (Moondyne's gang), temperance ladies, the undertaker, and the barber.
Alexander Vindex Vennard (11 July 1884–16 February 1947), or 'Bowie', was an Australian writer known by several pen names, principally Bill Bowyang. The name bowyang referred to a piece of cord strapped below the knee of a wearer's trousers. He wrote of swagmen, bushmen, horsemen, and the digger. Vennard also collected and preserved bush ballads.
Emporium: Selling the Dream in Colonial Australia (2015). National Library of Australia, p. 59. . Traditionally worn by jackaroos and swagmen in the blow- fly infested Australian outback, the cork hat is a type of headgear strongly associated with Australia, and comprises cork strung from the brim, to ward off insects.Australian comedy , Australian Government culture and recreation portal.
Underwood was born Marie Therese Augustus in Albury, New South Wales in 1944.Who's Who in Australia, ConnectWeb, 2016. She was "enchanted by the magic of words and the power of the pen" from a young age. As a child she wrote about swagmen and gypsies saying "I loved writing and some of my poems and short stories".
Another use for the dilly bag (also named Mukurtu) was as a holder for personal or tribal artifacts. The "Dilly bag" term is also used to describe bags used by non-aboriginal Australians, for example a smaller food bag carried by swagmen along with their swags. The term is also used by Australians to describe similar bags for other purposes.
Damper is a traditional Australian soda bread prepared by swagmen, drovers and other travellers. It is a wheat flour based bread, traditionally baked in the coals of a campfire. Toast is commonly eaten at breakfast. An iconic commercial spread is Vegemite – this is a salty, B vitamin-rich savoury spread made from brewers yeast eaten on buttered toast, commonly at breakfast, or in sandwiches.
Together the partners survived drought and land resumption by the government. By 1894 the Canowie Pastoral company was formed and continued until 1910 when it began to sell off parcels of land with the last being sold in 1925. Canowie was renowned for its hospitality toward swagmen which in around 1903 provided over 2,000 sundowners each year with their customary two meals and a bed.Register newspaper, 14 December 1903, page 8.
They were paid according to their method of transport. Collectors on foot were paid ten shilling a day, those on bicycle fifteens shillings a day and those on horse 20 shillings a day. Police were used in the days immediately following the census to get travellers, swagmen and campers to provide their information. Train conductors and ships' captains were also used as collectors in the 1911 census and several subsequent censuses, to cover people travelling overnight on census night.
On the wallaby track is a 1896 painting by the Australian artist Frederick McCubbin. The painting depicts an itinerant family; a woman with her child on her lap and a man boiling a billy for tea. The painting's name comes from the colloquial Australian term "On the wallaby track" used to describe itinerant rural workers or "swagmen" moving from place to place for work. The work has been described as "among the best known and most popularly admired of Australian paintings".
See below, "Waltzing Matilda". ; Waltzing Matilda: from the above terms, "to waltz Matilda" is to travel with a swag, that is, with all one's belongings on one's back wrapped in a blanket or cloth. The exact origins of the term "Matilda" are disputed; one fanciful derivation states that when swagmen met each other at their gatherings, there were rarely women to dance with. Nonetheless, they enjoyed a dance and so danced with their swags, which was given a woman's name.
People are sometimes depicted in the artwork, such as Australian explorers, drovers, bushranger, swagmen, Aboriginal Australians, diggers, Stockman, and the like. Being on the beach in summer is also generally made out to be part of Australian, as well as Surf Life Savers, as Australia is a coastal culture, because of the nature of inland Australia (dry, harsh desert). Some commercial brands have become part of Australiana due to their perceived "Australianness". Advertisements and posters depicting these brands often become part of Australiana as well.
Cork hats are a common purchase as a souvenir for tourists in Australia. Believed by some to have been worn by jackaroos and swagmen in the blow-fly infested Australian outback,Kim Griggs, Hats Off to Blowfly Researchers, Wired News, 19 July 2000, retrieved 17 February 2007 the cork hat has become part of the stereotypical, almost mythical, representation of the Australian ocker, particularly in the United Kingdom. The shape and material of cork hats vary, though typically they are shaped similar to a slouch hat.
Within the first few years of the twentieth century, the road had become known as "the old coast road", or simply Old Coast Road. In 1907, the road was described as being seldom used, except by tramps, runaway sailors, and swagmen, with very few settlers in the area. For the next three decades, there was little interest in the road, other than maintaining it in a usable condition. By 1918 it had become almost impassable, so the Harvey Road Board decided to spend £300 to reconstruct a length.
Crooked Mick is a larger-than-life character from Australian Oral Tradition, emerging during the era of the swagmen, and sheep shearing. A sort of Aussie Paul Bunyan, a sheep shear that he is almost ubiqitious with the equally fantastic Speewah; there are Speewah tales without Crooked Mick, but there are no Crooked Mick tales not set in the Speewah. Crooked Mick, like his American Wild West counterparts, is a giant of a man and skilled in many trades. Hard-working, hard-playing, Made of Iron and with an appetite to match his size, and with his colossal strength and quick wit.
The distinctive themes and origins of Australia's bush music can be traced to the songs sung by the convicts who were sent to Australia during the early period of the British colonisation, beginning in 1788. Early Australian ballads sing of the harsh ways of life of the epoch and of such people and events as bushrangers, swagmen, drovers, stockmen and shearers. Convict and bushranger verses often railed against government tyranny. Classic bush songs on such themes include: The Wild Colonial Boy, Click Go The Shears, The Eumeralla Shore, The Drover's Dream, The Queensland Drover, The Dying Stockman and Moreton Bay.
Statue of Captain Cook in Victoria Square, Christchurch On journeys from Christchurch to Dunedin, Barnett would throw half-crowns to the swagmen working on the roads, as he would remember the hard times that he had when he worked on the roads in Victoria. ;Cook Statue In 1928, Barnett funded an architectural competition for a statue commemorating the three journeys of James Cook to New Zealand. William Trethewey (1892–1956) won this competition and was chosen as the sculptor; this was his biggest commission in his career so far. A 12-ton block of Carrara marble was imported for this work.
Olivia Newton-John singing in Sydney in 2008 Australian country music has a long tradition. Influenced by American country music, it has developed a distinct style, shaped by British and Irish folk ballads and Australian bush balladeers like Henry Lawson and Banjo Paterson. Country instruments, including the guitar, banjo, fiddle and harmonica, create the distinctive sound of country music in Australia and accompany songs with strong storyline and memorable chorus. Folk songs sung in Australia between the 1780s and 1920s, based around such themes as the struggle against government tyranny, or the lives of bushrangers, swagmen, drovers, stockmen and shearers, continue to influence the genre.
Cover to Banjo Paterson's seminal 1905 collection of bush ballads, entitled The Old Bush Songs For much of its history, Australia's bush music belonged to an oral and folkloric tradition, and was only later published in print in volumes such as Banjo Paterson's Old Bush Songs, in the 1890s. The distinctive themes and origins of Australia's "bush music" or "bush band music" can be traced to the songs sung by the convicts who were sent to Australia during the early period of the British colonisation, beginning in 1788. Early Australian ballads sing of the harsh ways of life of the epoch and of such people and events as bushrangers, swagmen, drovers, stockmen and shearers. Convict and bushranger verses often railed against government tyranny.
She became among the best known Australians of the > period and later participated in early gramophone recording and radio > broadcasting. Australian composers who published musical works during this > period include Alice Charbonnet-Kellermann, W. R. Knox, Hugo Alpen, Thomas > Bulch, Hooper Brewster-Jones, John Albert Delany, Paolo Giorza and Augustus > Juncker (1855–1942). The distinctive themes and origins of Australia's bush > music can be traced to the songs sung by the convicts who were sent to > Australia during the early period of the British colonisation, beginning in > 1788. Early Australian ballads sing of the harsh ways of life of the epoch > and of such people and events as bushrangers, swagmen, drovers, stockmen and > shearers were popular during the 19th century.
Though the downturn in the economy had a much greater effect on the lives of the poor, not even the very rich could ignore the situation, as evidence of the Depression could be found everywhere. It was seen in the dole queues, soup kitchens doling out staple, filling foods, such as bread and potatoes, and shanty towns that sprang up across the nation. The Depression was illustrated by the estimated 40,000 homeless who had to create makeshift accommodation in public parks and fields and by the men that went wandering—"on the track"—in search of work during this time, or even food, known as swagmen. These men, estimated to be somewhere around 30,000 in number, had to report to a police station every week, where they could claim very basic rations of food.
The Old Gum Tree-O, a three-piece bush band based in Adelaide, South Australia For much of its history, Australia's bush music belonged to an oral and folkloric tradition, and was only later published in print in volumes such as Banjo Paterson's Old Bush Songs, in the 1890s. More than 70 of Banjo Paterson's poems have been set to music by Wallis & Matilda since 1980.Wallis and Matilda The distinctive themes and origins of Australia's "bush music" or "bush band music" can be traced to the sea shanties of 18th and 19th century Europe and other songs sung by the convicts who were sent to Australia during the early period of the British colonisation, beginning in 1788. Early Australian ballads sing of the harsh ways of life of the epoch and of such people and events as bushrangers, swagmen, drovers, stockmen and shearers.

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