Vicky, the woman he's been seeing, takes the end of their relationship as an opportunity to drug, manipulate and blackmail Wadsworth with a selection of rather raunchy photos featuring a completely starkers Detective Sergeant and more than enough evidence to cost him his marriage.
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An invitation-only event with naked Tango Milonga dancing was held in a small town in Germany. Starkers!, a monthly naked club night, was held in London from 2003 onwards.
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Stark lives on the Central Coast, New South Wales. In 2003, his first book, Snaps from Sydney, was self-published. A second, Candidly Inclined, followed in 2005. From September 2006 to February 2007 an exhibition of his work, Starkers, was held at the Museum of Sydney.
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In October 2015 they produced an installation called Starkers for the Museums at Night commission at Williamson Art Gallery and Museum in Birkenhead. The piece used projection mapping to make an animate a 200 year old statue called Pauline talk to the audience depicting its experience of body image and mortality.
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The undress code extended to most staff. The concept of Starkers! emerged from the underground fetish and swinger scenes of East London in late 2003 when a nude barman at such an establishment launched the event after suggestions from co- workers and club patrons. An early event was featured in an edition of H&E; naturist magazine in 2004.
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Starkers operated for five years and after the first year they were able to pay back their investor. Following the birth of Deans first child the business closed. In 1974 Sainty returned to New Zealand to work at Elle Boutique. After a year Sainty moved to Auckland and began designing T-shirts from her home and selling them through various Auckland Boutiques.
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After two years in Sydney, Australia she opened a boutique Starkers with two other women, Joan Mostyn and Valerie Dean. Sainty designed all the clothes sold at the shop while Mostyn operated the business and Dean worked as the sample machinist. Sainty began to incorporate hand printed fabric into her designs. This element would become a distinguishing feature in Sainty's clothing in her future career.
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Starkers! was a monthly naked club night held at various pubs and nightclubs in London from 2003 onwards. It identified itself as the first and only regular club night of its kind in England not segregated by gender and open to adults of all ages and sexual orientations. The dress code stipulated that both men and women undress except for footwear, required for safety.
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Later in 2004 the event moved to a pub near Columbia Road in Bethnal Green where it rapidly gained a following among of the gay community. After police prevented the club continuing at its current home Starkers! relocated to a nightclub in Vauxhall. In summer 2006 the event moved to a venue close to London Bridge where it entertained up to 400 naked clubbers every month.
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"The Deeper the Love" was released as the album's second single in early 1990. It was a Top 40 chart success in the UK, the US, Canada and Ireland. It also reached number 4 on the Mainstream Rock Tracks chart in the US. The song was performed in its original form for the 1990 Slip of the Tongue tour, but after that it has only been performed in acoustic form, which was first seen and heard on 1998's Starkers in Tokyo.
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Starkers in Tokyo is a live acoustic album by English rock band Whitesnake, released only in Japan on 9 September 1997. It is performed in the style of the Unplugged series and simply features David Coverdale on vocals and Adrian Vandenberg on acoustic guitar. The performance was recorded at the EMI studios in Japan for a small audience of fans in support of the most recent album "Restless Heart". This recording was also released on VHS and Laserdisc in Japan Only.
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The album was originally supposed to be Coverdale's solo album, but the record company forced it to be released under the moniker "David Coverdale & Whitesnake". The tour was billed as Whitesnake's farewell tour, during which Coverdale and Vandenberg played two unplugged shows, one in Japan and the other for VH1. The first of the two shows was released the next year under the title Starkers in Tokyo. After the Restless Heart-tour ended, Coverdale once again folded Whitesnake and took another short break from music.
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In the 1960s the building then became used as a music venue called Starkers Royal Arcade Ballrooms, which was visited by acts such as Pink Floyd, Status Quo, Led Zeppelin, Thin Lizzy, Hawkwind, The Faces and David Bowie. In 1982 the building had a multimillion-pound refurbishment to become the Academy Nightclub. The nightclub had one of the first water- cooled lasers and the first Karaoke bar in the UK. Acts included The Sisters of Mercy, Hawkwind, Brand New Heavies, Courtney Pine, JTQ and Frankie Goes to Hollywood. Other acts known to have held concerts at the venue include Deep Purple, Canned Heat, T.Rex, Colosseum, Freedom, Joe Jammer and Slade.
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Pearl and her crew take off while Mighty Mouse gives the mice a crash course in agriculture, powering a machine by forcing the same Eyesaurus to run on a treadmill for hours on end. Upon arriving at the secret lair, Harry and Swifty use a "Build-O-Matic" to build the Domesday Device, and it is finished correctly. He tries to use it to suck up Mighty Mouse and Pearl, but nothing happens because the machine doesn't have one ounce of "hipporanium", the most unstable element in the galaxy. Since Mighty Mouse is the only one knowing where it is at, Harry has to abandon using his "Starkers" (white sharks with eyes that pop up) to eat the duo, and Pearl (who was writing a will) falls down to the ground with Mighty Mouse.
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Tom Hutchinson, Play for Today: "no softening up", Radio Times, 24–30 April 1971 Alongside Harry's preoccupation with "the way things were", throughout the play Tom is constantly attempting to re-engage with his lost past. 'The tender scene' features an exchange between Arthur and Gwen where the former describes a visit to Tom's place, only to discover him wearing a wig and a pair of sunglasses - this follows a scene where Tom has been rocking backwards and forwards in bed, playing air guitar to a 1950s rock 'n' roll track. It is also noted that he "has his old snapshots re-photographed every three years to keep them bright".Mary Malone, "Caught starkers in the wardrobe", Daily Mirror, 30 April 1971 Harry and Tom are not the only characters who dwell on the past; Arthur's encounter with the canvasser at the start of the play leads him to consider the nature of sex in light of the permissive society with a sense of cynical outrage, while the conclusion of the piece, where Gwen encourages Tom and Arthur to overcome their differences, offers both an acceptance of a more liberal, relaxed age and an attempt to rekindle a past innocence.
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