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16 Sentences With "undraped"

How to use undraped in a sentence? Find typical usage patterns (collocations)/phrases/context for "undraped" and check conjugation/comparative form for "undraped". Mastering all the usages of "undraped" from sentence examples published by news publications.

Jack undraped his arm from the post and followed after.
For some, it's full chest or partial chest; draped or undraped.
Lucian and Pliny the Elder told of men who were passionate for the beautiful, undraped statue of Aphrodite at Knidos.
Google has undraped its smart speaker home assistant—aptly called "Home"—at the company's device launch bonanza today in San Francisco.
Do you think she's been approving my dancing around with a lot of children all over—all over page 221. Undraped!
With my body undraped to my waist, the therapist made long, sweeping strokes up and down my legs with the long edge of his forearm.
But the 46 paintings in "Tintoretto: Artist of Renaissance Venice," which arrives at Washington's National Gallery of Art this week from an inaugural run at Venice's own Palazzo Ducale, also include moments of stately pleasure like the six-foot-long "Summer," in which a partially undraped woman in a soft pink robe contemplates a parrot of rainbow hue.
In season 2, the shows were merged and renamed The Hardy Boys/Nancy Drew Mysteries, which led to Nancy's role being reduced. This frustrated Martin, who left the series as a result. Her final appearance as Nancy aired on January 1, 1978. Martin appeared in a cover pictorial in the July 1978 issue of Playboy magazine, with the headline "TV's Nancy Drew Undraped".
Undraped male figures, Clark observed, "were kept in motion by their flying cloaks." In interior design, drapery refers almost exclusively to window treatments. It is often used as a focal point alongside the windows or as a way to help block sun/glare. There is general agreement that drapery in design is more substantial and weightier than other window treatments such as curtain paneling.
Masked nude, drawing by Thomas Eakins (c. 1863–66) Models for life drawing classes usually pose nude, though visually non-obstructive personal items such as small jewelry and eyeglasses may be worn. In a job advertisement seeking nude models, this may be referred to as being "undraped" or "disrobed." Art models who pose in the nude for life drawing are also called life models or figure models.
In his conversation with Michaud, he described how he would consume large quantities of alcohol and "canvass the community" late at night in search of undraped windows where he could observe women undressing, or "whatever [else] could be seen." Bundy also varied the accounts of his social life. He told Michaud and Aynesworth that he "chose to be alone" as an adolescent because he was unable to understand interpersonal relationships. He claimed that he had no natural sense of how to develop friendships.
But while it features a conventionally sweet and gentle heroine, a secondary character makes a poor marriage of convenience, an act which Fern had regretted in her own life. Fern's writing continued to attract attention. In her Ledger column of May 10, 1856, she defended the poet Walt Whitman in a favorable review of his controversial book Leaves of Grass. She noted Whitman's fearless individualism and self-reliance, as well as his honest and "undraped" portrayal of sex and the human body.
Kelly, M., and McGowen, J., (2013) "BUSN 5," South - Western Cengage Learning, Mason, OH. . Noted US economist Paul Samuelson was skeptical about the viability of countertrade as a marketing tool, claiming that "Unless a hungry tailor happens to find an undraped farmer, who has both food and a desire for a pair of pants, neither can make a trade". (This is called "double coincidence of wants".) But this is arguably too simplistic an interpretation of how markets operate in the real world. In any real economy, bartering occurs all the time, even if it is not the main means to acquire goods and services.
Early architectural sculptors found difficulty in creating satisfactory sculptural compositions in the tapering triangular space. By the Early Classical period, with the decoration of the Temple of Zeus at Olympia, (486–460 BC) the sculptors had solved the problem by having a standing central figure framed by rearing centaurs and fighting men who are falling, kneeling and lying in attitudes that fit the size and angle of each part of the space.Helen Gardner, pp. 138–148 The famous sculptor Phidias fills the space at the Parthenon (448–432 BC) with a complex array of draped and undraped figures of deities, who appear in attitudes of sublime relaxation and elegance.
Distinct from the nude artworks created, sessions where artists work from live models are a social situation where nudity has a long tradition. The role of the model both as part of visual art education and in the creation of finished works has evolved since antiquity in Western societies and worldwide wherever western cultural practices in the visual arts have been adopted. At modern universities, art schools, and community groups "art model" is a job, one requirement of which is to pose "undraped" and motionless for minutes, hours (with breaks) or resuming the same pose days as the artwork requires. Some have investigated the benefits of arts education including nudes as an opportunity to satisfy youthful curiosity regarding the human body.
Fra Bartolomeo's figures are generally small and draped. These qualities were alleged against him as defects, and to prove that his style was not the result of want of power, he painted the magnificent figure of the St Mark Evangelist (ranked as his masterpiece), and the undraped figure of Saint Sebastian. It is alleged that the latter was felt to be so strongly expressive of suffering and agony, that it was found necessary to remove it from the place where it had been exhibited in the chapel of a convent. Fra Bartolomeo's compositions are remarkable for skill in the massing of light and shade, richness and delicacy of colouring, and for the admirable drapery of the figures, Bartolomeo having been the first to introduce and use the lay-figure with joints.

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