But he managed at some point to squeeze off a final round from his gun into his own head, Smithee said.
|
|
He could squeeze off a hundred rounds, effortlessly, while between them they had maybe 20 or 24 shots of far shorter range and far less stopping power.
|
|
The Panthers' last chance to extend the game concluded with a poorly executed final play that saw them fail to squeeze off a tying 216-point attempt.
|
|
I saw my own mother's tears and could imagine my older brother and his boys with guns tucked into their waistbands, ready to squeeze off shots had I been the one with a bloody halo.
|
|
Plus, shooters are known to employ widely available semi-automatic firearms, handguns or otherwise, which make it easy to squeeze off a hefty number of rounds and trust in the quantity rather than the quality of one's shots to strike a desired target.
|
|
Trump can remember the size of the chocolate cake he was eating and how good it felt to squeeze off a few missiles at the hazy area off the coast of his mind known as the Middle East, but he can't remember the actual country he bombed.
|
|
In the city that some call "Chiraq" because of the wanton violence, death and mayhem, I believe that martial law would work because most of the young men who shoot at each other and kill innocent bystanders each day would never squeeze off a shot against well-armed members of the armed forces.
|
|
While coach Bud Grant tried to run at the strength of the Steel Curtain, they were shut down. The only points Minnesota managed to squeeze off was a blocked punt (the extra point was blocked). After the MVP performance by Franco Harris, the Steelers came away with a 16-6 victory over the Vikings. It was the first league title in Steelers history.
|
|
There are three selector positions: safe, semi-automatic and full automatic fire. When set to full-auto; it is still possible to squeeze off single rounds with good trigger control. Influence by some popular World War II-era designs is apparent. The barrel compensator and cooling rings are reminiscent of the Thompson submachine gun, the stock looks like the M3 submachine gun but modified to handle recoil, the bolt design is nearly identical to the Sten.
|
|
If a second tin pot is used, called the wash pot, it contains tin at a lower temperature. This is followed by the grease pot, which contains oil and a tinning machine. The tinning machine has two small rollers that are spring-loaded together so that when the tinned plate is inserted the rolls squeeze off any excess tin. The springs on the tinning machine can be set to different forces to give different thicknesses of tin.
|
|
There are three selector positions: safe, single round and full automatic fire. When set to full-auto; it is still possible to squeeze off single rounds with good trigger control. Influence by some popular WW-II- era designs is apparent. The "Cutts" type barrel compensator and cooling rings are reminiscent of the Thompson submachine gun, the wire stock looks like the M3 submachine gun, the bolt design is nearly identical to the Sten and the magazine is almost the same as the one designed for the MP40.
|
|
Sylvia meshed dieting knowledge with her massage training.Stage and Screen: "No Worry Over Fat", The Lewiston Daily Sun, 15 July 1930, p 4. She applied those skills to a growing list of clientele, which included socialites and others in the public eye. Promoting a three-pronged approach of massage, exercise and diet, Sylvia's stringent, often painful yet apparently effective techniques - said to 'squeeze off fat' - were infamous within the ranks of Hollywood."Social Butterfly of Screen A Different Person at Home", The Hartford Courant, 10 January 1932, p D31.
|
|
Andy Metcalfe (born 3 March 1956, Bristol, England) is an English bassist, keyboardist and producer, who played mainly with The Soft Boys (with Robyn Hitchcock, 1976–1979), Robyn Hitchcock and the Egyptians (1984–1994), and with Squeeze off and on during the period 1985–1994. He co-produced several of the Egyptians albums (Gotta Let This Hen Out!, Element of Light, Globe of Frogs and Queen Elvis), contributing guitars, keyboards and string arrangements along with his melodic bass lines. Since the break-up of the Egyptians, his production credits include Glenn Tilbrook, The Autumns, Sugarplastic, Kimberley Rew, Plainsong, Julian Dawson, Clear, Jazz Passengers with Debbie Harry, Helen Roche; often playing bass and keyboards on the sessions.
|
|