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"sempiternal" Definitions
  1. of never-ending duration : ETERNAL

51 Sentences With "sempiternal"

How to use sempiternal in a sentence? Find typical usage patterns (collocations)/phrases/context for "sempiternal" and check conjugation/comparative form for "sempiternal". Mastering all the usages of "sempiternal" from sentence examples published by news publications.

Playlist: "Sempiternal Darkness" / "Magellan" / "A Preacher in New England" / "Voyage to Illumination" / "Fire Circle" / "The Darkest Ending" Apple Music | Spotify
Skyes claims it was "in no way in protest to Coldplay," but BMTH has publicly bitched that Coldplay's new album art copied their "Sempiternal" album.
Whether on something like the classical guitar nods of "Sempiternal Darkness" or the Ballad of the Band EP's hazy piano curio "Magellan," Lawrence tends to let his instrumentals float, offering space and respite amid the squirrelly upbeat numbers.
If there was one beef that seemed completely real last year because of how petty it was, it had to be Bring Me The Horizon's Oli Sykes getting very angry that Coldplay's new record A Head Full of Dreams copied the same symbolism BMTH's Sempiternal did.
Bring Me the Horizon embarked on their headline tour of the United States in support of Sempiternal. The tour, known as The American Dream Tour had permanent support from Of Mice & Men and Issues, while Letlive were the opening act for the majority of the tour and Northlane opened on 11 of the dates in their absence. They finished their last Sempiternal show on 5 December 2014 at the Wembley Arena. This marked the end of the Sempiternal- focused era of Bring Me the Horizon and the break they will use to make a new album.
Written and recorded throughout 2012, Sempiternal showed the band pull diverse influences from electronic music, ambient music and pop. "Sempiternal" is an archaic English word denoting the concept of "everlasting time" that can never actually come to pass. It stems from the Latin word "sempiternus" (a concatenation of root "semper" and suffix "aeternum"). The album spawned four singles ("Shadow Moses"; "Sleepwalking"; "Go to Hell, for Heaven's Sake"; and "Can You Feel My Heart").
Prior to the release of Sempiternal, Bring Me the Horizon gave fans the chance to listen to "Antivist" by sharing a dedicated website on social media. The track was successfully "unlocked" and made available for free online streaming on SoundCloud and YouTube on 19 February 2013. According to set list aggregation website setlist.fm, "Antivist" is the fourth most-played song by Bring Me the Horizon, behind singles "Chelsea Smile", "Diamonds Aren't Forever" (both from Suicide Season) and "Shadow Moses" (also from Sempiternal).
"Shadow Moses" is a song by British rock band Bring Me the Horizon. Written by vocalist Oliver Sykes, guitarist Lee Malia and keyboardist Jordan Fish, it was produced by Terry Date and featured on the band's 2013 fourth studio album Sempiternal. The song was released as the lead single from the album on 11 January 2013, reaching number 82 on the UK Singles Chart and number 2 on the UK Rock & Metal Singles Chart. One of the first songs written for Sempiternal, "Shadow Moses" features the use of the album's title several times throughout the song.
"Sleepwalking" received praise from the majority of music critics. Dan Slessor of Alternative Press identified the song, in addition to "Go to Hell, for Heaven's Sake" and "Seen It All Before" as a highlight of Sempiternal. BBC Music's Mike Diver proposed that "Sleepwalking" and opening track "Can You Feel My Heart" introduce "new, synthetic textures to the forefront of" the band's sound. Reviewing Sempiternal for PopMatters, Dean Brown praised the addition of Jordan Fish's keyboards to the band's sound, particularly on "Sleepwalking" and "And the Snakes Start to Sing", which he claimed "splash[ed] colour" onto the songs' "sparse sections".
GIF format on the website antivistreveal.com. On 19 February 2013, "Antivist" was released on SoundCloud and YouTube. The song isn't a single. On 4 March 2013, the band released the second music video from Sempiternal which was "Sleepwalking" on YouTube via the band's Vevo channel and Epitaph Record's channel.
In an interview with Dead Press, the members of the band cited Bring Me the Horizon's Sempiternal, Deftones's eponymous fourth album, Slipknot's Iowa, Atreyu's the Curse and Poison's Open Up and Say... Ahh! as their biggest musical influences. They have been categorised as nu metalcore, metalcore and nu metal.
"Shadow Moses" received its worldwide premiere on BBC Radio 1's Rock Show with Daniel P. Carter on 4 January 2013, before it was released as the lead single from Sempiternal the following week in the form of a digital download. Due to the popularity of the song, the band's North American label Epitaph Records uploaded it to their YouTube channel a week earlier than they had planned. In addition to Sempiternal, the song was also featured on the band's debut live video album, 2015's Live at Wembley, as well as their second, 2016's Live at the Royal Albert Hall. In October 2015, "Shadow Moses" was featured as a playable song on the music video game Guitar Hero Live.
"Shadow Moses" debuted at its peak position of number two on the UK Rock & Metal Singles Chart on 20 January 2013. It remained in the top 40 throughout February and March, returning to the top 10 upon the release of Sempiternal in April. The single also spent two weeks on the UK Singles Chart, peaking at number 82.
A continuing refrain is "The yogins behold the sempiternal blessed Lord" (p. 292). Other affirmations in this chapter include "No one beholds him with his eye, but they who with wisdom, mind and heart gain knowledge of him have become immortal" (p. 292), and "If one sees oneself in all creatures yoked to their various tasks, why should he worry any more?" (p.
On 22 November the band released the Draper collaborative album The Chill Out Sessions free of charge. On 4 January 2013, Bring Me the Horizon released the first single from Sempiternal, "Shadow Moses". It was first played by radio presenter Daniel P. Carter on BBC's Radio 1. Due to popular demand, Epitaph released the music video for the song a week earlier than planned.
Their major label debut, Sempiternal (2013) achieved Gold certification in Australia (35,000) and Silver in the United Kingdom (60,000). That's the Spirit (2015) debuted at number two in the UK Albums Chart and the US Billboard 200. Their sixth studio album Amo (2019) became their first UK chart topper. As well as these six studio albums, they have also released two extended plays and two live albums.
Lead vocalist Oliver Sykes at Southside Festival in Germany in 2014 The band was confirmed for several festival appearances in February. They played the Australian Soundwave festival, performing at all five dates in: Brisbane, Sydney, Melbourne, Adelaide and Perth, and then at RAMFest in South Africa with Rise Against in March, Rock Am Ring and Rock im Park festivals in Germany in June, and from June until August they played Warped Tour 2013 in the U.S. and Canada. To coincide with 29 April release of Sempiternal the band made their first headline tour of the United Kingdom in 18 months with Crossfaith and Empress AD. In support of Sempiternal, the band toured Australia with Of Mice & Men and Crossfaith, and played a British tour with Pierce The Veil and Sights & Sounds. They then completed the American Dream Tour in North America, supported by Of Mice & Men, Issues, letlive.
The album made its debut at No. 3 on the UK Album Chart and is their second successive album to top the ARIA Charts in Australia. It also managed to reach No. 11 on the US Billboard 200 with 27,522 first week sales, making Sempiternal the band's highest charting album in America until That's the Spirit debuted at No. 2 in 2015. Upon its release, the album received critical acclaim.
Although the band had previously worked with other artists (like Canadian synthpop artist Lights) the band decided against introducing guest, except for members of post-rock band Immanu El who did backing vocals across the album. On 3 November 2012, the band invited fans and the Drop Dead Clothing team to enter Angelic Studios to record the gang vocals for Sempiternal. Jordan Fish acted as a conductor for the crowd.
"Sleepwalking" is a song by British rock band Bring Me the Horizon. Written by the band's vocalist Oliver Sykes, the guitarist Lee Malia and the keyboardist Jordan Fish, it was produced by Terry Date and appeared on the band's fourth studio album Sempiternal, released in 2013. The song was released as the second single from the album on 1 March 2013, reaching number three on the UK Rock & Metal Singles Chart.
"Go to Hell, for Heaven's Sake" is a song by British rock band Bring Me the Horizon. Written by vocalist Oliver Sykes, guitarist Lee Malia and keyboardist Jordan Fish, it was produced by Terry Date and featured on the band's 2013 fourth studio album Sempiternal. The song was also released as the third single from the album on 6 June 2013, reaching number 22 on the US Billboard Mainstream Rock chart.
In 2013, British band Bring Me the Horizon released their fourth studio album Sempiternal to critical acclaim. The album debuted at number 3 on the UK Album Chart and at number 1 in Australia. The album sold 27,522 copies in the US, and charted at number 11 on the US Billboard Chart, making it their highest charting release in America until their follow-up album That's the Spirit debuted at no.
"Antivist" is a song by British rock band Bring Me the Horizon. Written by vocalist Oliver Sykes, guitarist Lee Malia and keyboardist Jordan Fish, it was produced by Terry Date and featured on the band's 2013 fourth studio album Sempiternal. Although it was not released as a single, the song is considered to be one of the band's most popular tracks, and it continues to be performed live on a regular basis.
In January, the band also saw a change in their line up. This began early in the month when Jordan Fish, Worship keyboardist and session musician for the band during the writing of Sempiternal, was announced as a full member. Then later in the month, Jona Weinhofen left the band. Despite the band denying speculation that Fish replaced Weinhofen, reviewers said that replacing a guitarist with a keyboardist better fit their style.
"Can You Feel My Heart" is a song by British rock band Bring Me the Horizon. Written by vocalist Oliver Sykes, guitarist Lee Malia and keyboardist Jordan Fish, it was produced by Terry Date and featured on the band's 2013 fourth studio album Sempiternal. The song was also released as the fourth and final single from the album on 8 October 2013, reaching number five on the UK Rock & Metal Singles Chart.
Many critics hailed "Shadow Moses" as one of the best songs on Sempiternal. Artistdirect's Rick Florino awarded the song 4.5 out of 5 stars, proclaiming that it "rips and stomps with a laser-sighted precision that undeniably hits the mark over and over again". PopMatters writer Dean Brown dubbed it "one of Sempiternal's heaviest additions", praising guitarist Lee Malia's "Slipknot-esque riffs" and frontman Oliver Sykes's vocals. Dom Lawson of The Guardian also praised Sykes's performance on "Shadow Moses".
Sempiternal is the fourth studio album by British rock band Bring Me the Horizon. It was released on 1 April 2013 worldwide through RCA Records, a subsidiary label of Sony Music, and 2 April 2013 in the United States and Canada through Epitaph Records. It is the first album to feature former Worship keyboardist Jordan Fish and was believed to be the last album to feature guitarist Jona Weinhofen. However, Weinhofen's role within the album's development has been faced with controversy.
Introducing the song before one of its earliest live performances in February 2013, vocalist Oliver Sykes proclaimed that "This song is called 'Antivist'. It goes out to Jona Weinhofen", whilst at the same time "flipping the bird". Musically, "Antivist" has been identified as noticeably different from much of the rest of Sempiternal by commentators. Loudwire writer Spencer Kaufman highlighted it as the "angriest" song on the album, describing it as an "unrelenting track that literally offers up the middle finger to the world".
Many commentators saw "Doomed" as one of the biggest departures from Bring Me the Horizon's previous work. Biddulph described the song as "unlike anything [the band] have attempted before", while DIY magazine's Sarah Jamieson claimed that, in addition to "Follow You", it sees the band "stepping further out of their comfort zone than ever before". On the other hand, Gravelle claimed that "Doomed" was the song on That's the Spirit which was most similar to the material on 2013's Sempiternal.
He praised Toussaint's vocal screams, however he noted that the vocalist's pushed chest voice was his weak point and should work on improving it. Chris from SputnikMusic also compared it to Bring Me the Horizon, in particular their 2013 album Sempiternal. He also called many of their songs "cookie cutter metalcore songs", the tracks "Break Free", "Eclipse" and "Escape" especially, for sounding like generic metalcore songs. He did however praise the tracks "1945", "Epoch", and "Slipping Away" being the highlights of the album.
The introductory song "Can You Feel My Heart" was a musical experiment which helped sculpt the style of Sempiternal. The song was the first song which Fish "really got his teeth into" which is shown in the heavy use of electronica. The song's looped vocal pattern was created by Fish as Sykes couldn't think of lyrics that fit in the chorus, but they then became a significant part of the song's structure. The song starts with cascading walls of electronica breaking into a mid-tempo song.
"Go to Hell, for Heaven's Sake" reached number 22 on the Billboard Mainstream Rock chart. Dean Brown of PopMatters compared the style of "Go to Hell, for Heaven's Sake" to that of Linkin Park, praising the band for "rejuvenat[ing] the stale dynamic for the year 2013". Alternative Press identified the song as a highlight of Sempiternal. Loudwire ranked it the eighth best Bring Me the Horizon song in May 2014, hailing it as "a faultless representation of how the band has evolved over the past decade".
"Can You Feel My Heart" debuted on the UK Rock & Metal Singles Chart at number 26 on 7 April 2013, following the release of Sempiternal. It later reached its peak position in the top five of the chart on 20 October, after it was released as the album's fourth and final single, and spent a total of 12 weeks in the top 40. In the United States, the single reached number 26 on the Billboard Mainstream Rock chart and number 39 on the Hot Rock Songs chart.
The artwork was created by Argentine artist Pilar Zeta in collaboration with the band. Oli Sykes, lead singer of British post-hardcore band Bring Me the Horizon, suggested that the flower of life symbol Coldplay used was similar to that of the design of Bring Me the Horizon's 2013 album Sempiternal. Sykes took to Twitter accusing Coldplay of "jackin our steez". He did however clarify in a NME interview that the "flower of life" is a universal symbol and has meanings across the world, none of which he owns the rights to.
On July 27, 2013, This Wild Life uploaded a cover of Bring Me The Horizon’s “Sleepwalking” onto their YouTube channel. On November 13, 2013, UCLA Radio interviewed Kevin Jordan, and it was revealed that Oliver Sykes liked the cover, and Bring Me The Horizon will be adding the cover to a bonus remix CD for their "Sempiternal" album that would only be available at Hot Topic. Epitaph Records announced the remix CD on December 15, 2013. On September 24, 2013, Vans Warped Tour founder, Kevin Lyman, also described how he enjoyed the band.
The song was released in October 2013 as the fourth and final single from Sempiternal, backed with remixes of the song by Enter Shikari (under their "Shikari Sound System" alias) and electronic producer Jakwob. It was later included as the closing track on the band's first live video album, Live at Wembley, released in 2015, and is also featured on their second, 2016's Live at the Royal Albert Hall. In June 2014, "Can You Feel My Heart" was featured on the soundtrack of the video game EA Sports UFC.
According to Bring Me the Horizon bassist Matt Kean, "Antivist" was originally written "as a joke ... when everyone was kind of like bored", but was later worked on for inclusion on Sempiternal due to its "super aggressive" nature providing a different element for the album. Vocalist Oliver Sykes has also noted the song's origins as "almost a joke", explaining that he first came up with the hook "Middle fingers up! If you don't give a fuck!", which he described as "the most nu metal mosher lyrics of all time" when sharing it with keyboardist Jordan Fish.
His role developed over the course of writing the album as he was initially there to be instructed by the band in what to do but he slowly started to have more say in the album's writing. As his role continued he eventually became "essential" to the framework of the album and that he became "one of the leaders in terms of composition". Sykes has said how both Fish, lead guitarist Lee Malia and himself would spend days writing in his own home. Throughout the development of the album he was never announced as an official member of the band but would tour with the band in support of Sempiternal.
The band and fans have stated numerous times that they have been compared to the 2010s style of metalcore outfit Bring Me the Horizon. This is due to the Noah Sebastian's scratchy, mid-to-high pitch screaming style which bear resemblance to Bring Me the Horizon frontman Oliver Sykes' voice on their 2013 Sempiternal release. The band have addressed these comments as "flattering, yet frustrating". Sebastian, in the same interview with Alternative Press (regarding Bring Me the Horizon), stated that while he may have been influenced by the band, the intent was to sound unique, and made it clear that the bands are two different entities for a reason.
" NME praised the album calling the interludes "dark and mechanical" and "exciting signposts to the future". In a positive review, Substream Magazine saying, "The way that Bring Me The Horizon weaves through genres and dives into them further is challenging." Wall of Sound rated the album 7.5/10 and said: "Remember how frontman Oli Sykes trolled fans into thinking the band were going to be included on Justin Bieber's 2016 Purpose Tour through the UK? Well, it's kind of like he/they have taken that joke seriously and gone down the path to see what happens, but realistically, they've been progressing towards something like this since the Sempiternal album cycle finished.
During the writing of Suicide Season, former and founding rhythm guitarist Curtis Ward wrote only two riffs of his rhythm parts of the album, mostly relying on Lee Malia to write all of the guitar sections of the album. Lee Malia has stated that the typical writing process involves Oliver Sykes writing the main structure of the songs, followed by Malia writing the main riff. From this they would collaborate with each other to structure their work better and then later include the rest of the band in writing the rest of the song. The writing dynamic of Sempiternal, typically featured Sykes, Malia and newly introduced member Jordan Fish.
This garnered Bad Omens an opening spot on the Ten Years in the Black Tour, a tenth-anniversary Sumerian Records tour headlined by Asking Alexandria, with supporting acts such as Veil of Maya (in certain shows), After the Burial, Upon a Burning Body, I See Stars and Born of Osiris. This tour not only boosted their morale as a band, but also shed light on their debut album that had just been released on August 19, 2016. The album received positive reviews, with Metal Injection rating it an 8.5 out of 10. Many critics compared it to Bring Me the Horizon's Sempiternal release in 2013, which has been arguably one of the best metal releases in the 21st century.
Epitaph has issued two albums that have been certified as platinum or multi-platinum, for sales of over 1 million units, by the Recording Industry Association of America: Smash by The Offspring, which has been certified six-times platinum, and ...And Out Come the Wolves by Rancid, which has been certified platinum. Six albums released by the label, or its subsidiaries Hellcat and ANTI-, have been certified gold for sales of 500,000 copies: Ignition by The Offspring, Punk in Drublic by NOFX, Let's Go by Rancid, Orphans: Brawlers, Bawlers & Bastards by Tom Waits, The Drug in Me Is You by Falling in Reverse, The Warrior's Code by Dropkick Murphys and Sempiternal by Bring Me the Horizon.
On 26 November 2015, it was announced that Bring Me the Horizon would be performing at the Teenage Cancer Trust concerts at the Royal Albert Hall in London on 22 April 2016, being accompanied for the first time by a full live orchestra and choir. Tickets for the show went on sale on 4 December 2015. American rock band PVRIS performed as the opening act. Bring Me the Horizon performed alongside Parallax Orchestra conducted by Simon Dobson, and gave live debuts for That's the Spirit tracks "Avalanche" and "Oh No", as well as performing "It Never Ends" and "Empire (Let Them Sing)" (from There Is a Hell... and Sempiternal, respectively) for the first time since 2014.
As time went by, Bring Me the Horizon began rejecting their debut album Count Your Blessings and considered Suicide Season as their "Year Zero[...] [their] wipe-the-slate-clean time". Bring Me the Horizon then moved even further away from deathcore with their third album There Is a Hell..., which incorporated electronica, classical music and pop music into their metalcore style. This required more ambitious production feats, such as using a full choir, a synthesised orchestra and glitched out vocals and breakdowns that were also toned down, favouring quiet atmospheric passages in song breaks. For the writing of Sempiternal, the band pooled far broader influences such as post-rock acts like This Will Destroy You and Explosions In The Sky and from pop music.
"Can You Feel My Heart" was one of the first Bring Me the Horizon songs written with keyboardist Jordan Fish, prior to his official addition to the band in 2013. Speaking to Sugarscape.com, bassist Matt Kean recalled that "When we were writing this song it was the first time we kinda realised that Jordan ... was having a big impact on the writing", suggesting that it influenced the band's change in direction on the rest of Sempiternal. Vocalist Oliver Sykes confirmed this in a track-by-track feature with Metal Hammer, proclaiming that "This was the turning point; it was the first one that Jordan really got his teeth into, and obviously you can hear that because it’s very heavy on the electronica".
"Sleepwalking" has been noted by many commentators for its notably more mellow tone compared to Bring Me the Horizon's previous singles. Spencer Kaufman of Loudwire, for example, noted that the song "showcases [the band's] more melodic side", praising the "beautiful bridge in the middle of the track". Similarly, the ticket merchant AXS claimed that the song "showcased that [Bring Me the Horizon] could write more poppy songs that still maintained the aggressive style they have been known for", while Mike Hohnen of Music Feeds explained that the track "[hones] in on a far more mellow, ambient vibe". Speaking in a track-by-track overview of Sempiternal with Metal Hammer, the vocalist Oliver Sykes described "Sleepwalking" as "one of the more commercial songs on the record" and "one of [the band's] best- written songs".
The writing and recording process for "Go to Hell, for Heaven's Sake" was slightly different to the normal approach adopted by Bring Me the Horizon - speaking to Sugarscape.com, bassist Matt Kean recalled that "for this one, instead of going into a room to jam and play the songs we would pre-record riffs or keyboard parts ... then if there was a good part we'd record it on the computer directly". Speaking about the song to Metal Hammer in a track-by- track commentary of Sempiternal, vocalist Oliver Sykes proclaimed that the band "were after a faster, more fun song to pick up the pace", calling it "probably the funnest track on the CD". Noisecreep's Greg Srisavasdi claimed that "Go to Hell, for Heaven's Sake" is "an aggressive verbal attack on an unnamed recipient".
In July, the band started to publish images of themselves recording at a 'Top Secret Studio Location,' and revealed they were working with producer Terry Date for the recording and production of the album. On 30 July, the band announced they had left their label and signed with RCA, who would release their fourth album in 2013. The band played only three shows in all of 2012: Warped Tour 2012 on 10 November at the Alexandra Palace in London, which they headlined, (and was initially believed to be their only show), the BBC Radio 1's Radio 1 Rocks show on 22 October, where they played a six-song set supporting Bullet for My Valentine, and at a warm-up show for Warped Tour in Sheffield on 9 November. In late October it was announced that the fourth album would be called Sempiternal with a tentative release in early 2013.
Speaking in a track-by- track commentary of That's the Spirit for Spotify, frontman Oliver Sykes explained that "Throne" was one of the first songs the band wrote for the album to be considered for release as a single, claiming that "it felt like our comeback song". Keyboardist Jordan Fish described the track as "one of the most simple and straightforward songs" on That's the Spirit, noting its natural progression from elements introduced on 2013's Sempiternal, including "an up-tempo rhythm and really strong melodies". Describing the track as "fast, short [and] simple", Sykes has suggested that the line "So you can throw me to the wolves/Tomorrow I will come back leader of the whole pack" summarises the themes of the song, which include the proposition that "it's the people that break you that also make you". Writing for Billboard magazine, Jon Wiederhorn also highlighted this line as summarising the song's theme of "overcoming adversity".
In the eight sentences of remedies — involving, among other substances, dill seed, hare's heart, a boy's urine, and a frog boiled in oil, not to mention the capture, ear-clipping, and release of a live mouse — the absence of syntactical transitions makes it less clear than in the work of Marcellus whether a sequence of treatment is meant or a series of alternatives offered. The chapter concludes with a charm and careful instructions to the practitioner: The sympathetic magic employed here (tree = person) is similar to arboreal healing charms in Cato the Elder and Marcellus.Walton Brooks McDaniel, "A Sempiternal Superstition," Classical Journal 45 (1950) 171–176 and 233–236, with examples from continuing folk practice; Roy Kotansky, “Incantations and Prayers for Salvation on Inscribed Greek Amulets,” in Magika Hiera: Ancient Greek Magic and Religion, edited by Christopher A. Faraone and Dirk Obbink (Oxford University Press, 1991), pp. 108–109 on binding spells.

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