The average score, out of 100 percent, lingered around 60.
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For example, students can choose to report the optional essay test score for a total score out of 2,400 or report just the math and reading sections for a total score out of 1,600.
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Each metro area was then awarded a score out of 100.
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Based on these findings, each state received a score out of 100.
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Based on these findings, each city received a score out of 100.
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After each drink was tasted, a score out of five was demanded.
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HospitalistMedian Base Salary: $222,000Job Openings: 1,000Career Advancement Score (out of 10): 6 2.
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The judges' scores are compiled to reach a total score out of 100.
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The game turned feisty in the final minutes with the score out of reach.
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This is the worst rapid response score out of all the countries the researchers assessed.
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Each category was then given a score out of 100, combining several nitty-gritty details.
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Both teams leaned on their benches in the final minutes with the score out of reach.
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We got our first scores back, and she got less than half the score out of 2,400.
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Warwick has a 36.74 score out of 100, largely due to its low ranking in affordability (No. 168).
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SmartAsset found each area's average ranking and used it as the city's final score, out of a possible 100.
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Sometimes, though, a lizard can garner a score of 100 out of 103, or, inexplicably, a score out of 20.
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Vancouver has a 41.40 score out of 100, mostly due to its low ranking on the affordability scale (No. 164).
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Wichita has a 40.53 score out of 100, ranking poorly across all areas but particularly quality of life (No. 171).
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So now that we have a perfect score out of the way, now it's all about making it to the finals.
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The two focused on easier ways to get to his right hand, score out of the post and one-on-one.
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Each city was given a score out of 100, the total of the weighted averages of each of the four categories.
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Modesto has a 40.11 score out of 100, mostly due to its extremely low ranking on the activities scale (No. 181).
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A new study from the Reputation Institute gives all of the UK's top retail banking players a score out of 100.
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Meanwhile, Huntsville offers employment opportunities in STEM fields and scored the highest value score out of all places on this year's list.
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WalletHub's best road trip destinations for summer, and their corresponding score (out of 100) are: WalletHub's study also looked at gas prices.
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Worcester has a 41.60 score out of 100, mostly due to its low ranking on the quality of life scale (No. 151).
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Baltimore has a 39.53 score out of 100, mostly due to its low ranking on the quality of life scale (No. 169).
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Rancho Cucamonga has a 38.80 total score out of 100, mostly due to its low ranking on the activities scale (No. 167).
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Yesterday was the day he did not play very well and his maturity allowed him to grind out a score out there.
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Overall job score (out of 5.0): 4.0 Job satisfaction rating (out of 5.0): 3.6 Median base salary: $68,000 Number of job openings: 8,278
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Overall job score (out of 5.0): 4.0 Job satisfaction rating (out of 5.0): 4.2 Median base salary: $140,000 Number of job openings: 1,178
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Overall job score (out of 5.0): 4.0 Job satisfaction rating (out of 5.0): 3.7 Median base salary: $89,000 Number of job openings: 3,333
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Overall job score (out of 5.0): 4.0 Job satisfaction rating (out of 5.0): 3.5 Median base salary: $80,000 Number of job openings: 11,833
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Overall job score (out of 5.0): 4.0 Job satisfaction rating (out of 5.0): 4.0 Median base salary: $153,000 Number of job openings: 1,445
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Overall job score (out of 5.0): 4.1 Job satisfaction rating (out of 5.0): 3.5 Median base salary: $90,000 Number of job openings: $16,793
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Overall job score (out of 5.0): 4.1 Job satisfaction rating (out of 5.0): 4.1 Median base salary: $91,250 Number of job openings: 1,923
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Overall job score (out of 5.0): 4.1 Job satisfaction rating (out of 5.0): 4.0 Median base salary: $77,000 Number of job openings: $2,591
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Overall job score (out of 5.0): 4.1 Job satisfaction rating (out of 5.0): 3.9 Median base salary: $60,000 Number of job openings: 5,456
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Overall job score (out of 5.0): 4.2 Job satisfaction rating (out of 5.0): 3.6 Median base salary: $127,000 Number of job openings: 6,969
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Overall job score (out of 5.0): 4.2 Job satisfaction rating (out of 5.0): 3.7 Median base salary: $77,000 Number of job openings: 7,191
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Overall job score (out of 5.0): 4.2 Job satisfaction rating (out of 5.0): 3.7 Median base salary: $85,000 Number of job openings: 6,636
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Overall job score (out of 5.0): 4.2 Job satisfaction rating (out of 5.0): 4.5 Median base salary: $100,000 Number of job openings: 2,158
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Overall job score (out of 5.0): 4.4 Job satisfaction rating (out of 5.0): 4.2 Median base salary: $85,000 Number of job openings: 3,908
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Overall job score (out of 5.0): 4.4 Job satisfaction rating (out of 5.0): 3.9 Median base salary: $87,000 Number of job openings: 14,753
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Overall job score (out of 5.0): 4.5 Job satisfaction rating (out of 5.0): 4.1 Median base salary: $106,000 Number of job openings: 4,657
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Overall job score (out of 5.0): 4.5 Job satisfaction rating (out of 5.0): 3.8 Median base salary: $115,000 Number of job openings: 11,884
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Overall job score (out of 5.0): 4.7 Job satisfaction rating (out of 5.0): 4.3 Median base salary: $108,000 Number of job openings: 6,510
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Trying to get the A's score out of Bixby was also a non-starter — though to be fair, that's probably for the best.
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Treasury Secretary Steve Mnuchin got the lowest score out of the 10 officials, with a rating of 2.52 out of 5 on average.
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The best countries for women were given a score out of 10 on these five attributes: human rights, gender quality, income equality, progress, and safety.
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The Post reported that many schools use this data to assign a student a score out of 100, rating how likely they are to attend.
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Baez's first homer of the season came during a four-run eruption in the ninth off J.J. Hoover to put the score out of reach.
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The League of Conservation Voters (LCV) released its annual scorecard on Thursday, giving every lawmaker a score out of 100 for their record on environmental votes.
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Stravinsky crafted the score out of Tchaikovsky songs and piano pieces and dedicated it to his revered predecessor, who, it was said, had died in despair.
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The website has analyzed each company's policy and assigned a score out of 10 using 12 individual scores across four categories: collection, handling, transparency and warnings.
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Click on each state in the map for overall ranking, overall score (out of 100 points) and ranking for affordability, health care and quality of life.
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If a customer's levels were on par with the results in the database, the report told them so, and gave them a "wellness score" out of 100.
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Bell ranked the 21 cities by those five indicators with a score of zero through 10 and gave each metro area a total weighted score out of 50.
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From Morrocan to Perivian, here are the best restaurants within 39 different categories, ranked in alphabetical order along with their food score out of five, awarded by Zagat.
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Vice: Over $45 million, Domestic Vice might have the lowest Rotten Tomatoes score out of all the films on this list, but it undoubtedly wins for most shocking transformation.
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Businesses are scored on a number of factors, from how they treat workers to ethics and transparency, and awarded a score out of 200 that is then made public.
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The app gives you a score out of 40, which it garners from assessing your drinking in a variety of ways, including using the World Health Organization's Alcohol Use Disorders Identification Test.
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The Wizards boast the NBA's top transition defense and force the second most turnovers in the league when ball-handlers attempt to score out of the pick-and-roll, per Synergy Sports.
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The average score out of 100 across the 141 nations was 61, with the WEF claiming that the gap was a greater concern now in the face of a global economic slowdown.
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The EIU's analysts have assessed the stance of each of the EU members to generate a score out of 40, and then classified the countries into three clusters: "hard-core", "hard" and "soft".
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The 56 percent audience score on Rotten Tomatoes and the 4.9 average user score (out of 20173) on Metacritic (where critics gave the film an 86 out of 100) are certainly shocking to behold.
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Not only does the game provide a ranking/score out of 100 for a fighter's respective striking, wrestling and submission abilities, there is also valuable information telling you what the competitor's main strengths are.
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She was telling me the story about this woman who was dinged in an interview process, but then when she went through a blind hiring process, she had the best technical score out of anybody.
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This means that in the world's least-gender-equal societies -- like Yemen, which scored the lowest score out of the 195 countries -- more girls than expected were dying than boys under the age of 5.
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Your sleep quality is presented as a score out of 53 based on a rolling 25-day average of sleep duration, time spent in various sleep stages, and how often you woke up during the night.
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An NBC/Wall Street Journal survey last month showed Mr. Kasich finishing with the 10th-worst score out of 11 candidates, ahead only of Rick Santorum, when Republican respondents were asked which candidates they could not support.
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The Clinton documentary, which features more than 2,000 hours of behind-the-scenes footage, currently has a 76 percent critics score out of 100 on the Rotten Tomatoes website, but only a 54 percent score from audiences.
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The Raiders had large advantages in total yards and time of possession but simply could not push the score out of reach, leaving just enough room for Case Keenum and the Broncos to sneak back into things.
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Kennedy (6'9'', 245) and Tolbert (247.9'22.8'', 21.0) are two of the most skilled big men in the country, with the ability to play off each other and score out of either the post or the pick-and-roll.
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Since July 2017, all ships that dock at Rotterdam port have received a score out of 100 based on how much nitrogen oxide and sulfur oxide they emit - and carbon dioxide was added to the mix this year.
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Clarity Campaign Labs, a data strategy group that works primarily for Democrats but is not affiliated with either presidential campaign, has developed a model that assigns voters a score, out of 100, indicating their propensity to support gun control.
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The new score out from the Congressional Budget Office on Wednesday projects that, if the new iteration of the bill becomes law, 23 million Americans who might otherwise be covered would lose their health insurance over the next decade.
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Read more: Here's the most educated town in every stateSchools were given a score out of 100 for each of those metrics, with schools being rewarded for scoring better on those measures than their traditional rankings from publications like US News & World Report would suggest.
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Using a unique and complex algorithm that we cannot disclose (just kidding, we picked 50 dogs from the American Kennel Club website, gave each a score out of 10, then argued with each other in the case of a tie), we have ranked 50 good dog breeds from fiftieth-best to first-best.
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In 2006, in response to judging controversies at the 20153 Olympics, gymnastics did away with its highly recognizable "perfect 10" in favor of an open-ended scoring system that combines an execution score (out of a 10) with a difficulty score that can be infinite based on a gymnast's level of skill.
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With the score out of reach, Rodgers sat out almost the entire fourth quarter, but finished the game with a stellar passer rating of 150.8, which was quite a contrast with Wilson's 03, as the Seattle quarterback, who spent much of the game running away from a relentless Green Bay pass-rush, had perhaps the worst game of his career.
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In B-TOPIK the scores in each section (out of 100) were added together to give a score out of 400.
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" "Score out of 4: 1. MSIE only = fail, 2. Active X = fail, 3. Direct access to my bank acct = fail, 4.
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Burnaby North Secondary School - 27.50 II. Grade 9 (Score out of 70) 1\. St. George's School - 43.50 2\. University Hill Secondary School - 41.50 3\.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from critics, the album earned a score of 68, indicating "generally favorable reviews".
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Each contestant's individual score is equal to his or her Sprint Round score (out of 30) plus twice his or her Target Round score (out of 8). A perfect score is 46. At the Chapter and State levels, ranking is determined by either raw individual score or by the results of the Countdown Round, depending on the state/chapter. Ties are broken by comparing performance on the Sprint Round.
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Each team has 3 hours to prep their food they are cooking. The teams and judges decide what they want to eat from their menu. Two entrees, mains and desserts are chosen. The teams score the team out of 10 for a whole score out of 50, the judges score the food and restaurant experience (separately out of 10) for a score out of 20 (score of 40 together).
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, 1988 received an average score of 83% based on 9 reviews, indicating "universal acclaim".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Harlan County received an average score of 88% based on 7 reviews, indicating "universal acclaim".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 84, based on 16 reviews, indicating "universal acclaim".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Manzanita received an average score of 71% based on 12 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Home received an average score of 72% based on 15 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Magnifique received an average score of 70 based on 22 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Fated received an average score of 63% based on 8 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Brooklynati received an average score of 79% based on 8 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Sanddollars received an average score of 80% based on 10 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, MHz Legacy received an average score of 81% based on 4 reviews, indicating "universal acclaim".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the mixtape received an average score of 81, based on 5 reviews, indicating "universal acclaim".
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Thurston kicked his 3rd goal from 3 attempts to take the score out to 14–2. Thurston's conversion of Cronk's try saw him overtake Michael Cronin as Australia's highest point scorer in test match football. Manu Vatuvei's attacking run for New Zealand saw him pushed over the sideline 5 metres out by 5 desperate Australian defenders, and an offside penalty at the 35 minute mark gave Thurston another kick to bring the score out to 16–2 at halftime.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 79, based on 11 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Unexpected Guests received an average score of 65% based on 7 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 77% based on 15 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 61% based on 7 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Feedback received an average score of 57% based on 26 reviews, indicating "mixed or average reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 66% based on 10 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the film received an average score of 72% based on 20 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Fly Zone received an average score of 78% based on 5 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Fishing Blues received an average score of 71% based on 6 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Heavy Love received an average score of 76% based on 11 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Dimensional People received an average score of 71% based on 10 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 66 based on 13 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 66, based on 17 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 80, based on 6 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, All Hands received an average score of 62% based on 5 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 77, based on 17 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Time received an average score of 59% based on 5 reviews, indicating "mixed or average reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 64% based on 11 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 71% based on 15 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 66% based on 5 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 76% based on 24 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 68, based on 24 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 76, based on 29 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 75, based on 18 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 63, based on 8 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 75% based on 7 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 69% based on 11 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 75% based on 19 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 76, based on 20 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 64, based on 13 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 69% based on 15 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 76% based on 16 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 66% based on 12 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 66% based on 5 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Together/Apart received an average score of 70% based on 11 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 64, based on 13 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 65, based on 13 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, United Crushers received an average score of 72% based on 19 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 68, based on 5 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 69% based on 12 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 65, based on 12 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Ultima II Massage received an average score of 73% based on 13 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 57, based on 6 reviews, indicating "mixed or average reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 60 based on 4 reviews, indicating "mixed or average reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, The Family Sign received an average score of 73% based on 20 reviews, indicating "generally favorable reviews".
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Plain Dealer (Cleveland, Ohio), November 13, 1998.1998\. Score out of hospital, still doesn't recall crash. Plain Dealer (Cleveland, Ohio), December 12, 1998. He was cited for failure to stop at a stop sign.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, A Mineral Love received an average score of 77% based on 11 reviews, indicating "generally favorable reviews".
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This is a team game with 2–5 bowlers per team. All bowlers bowl as usual, and the best score out of all bowlers in the team is used to score the "team game".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Notes and the Like received an average score of 66 based on 7 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Adventures in Counter-Culture received an average score of 77% based on 4 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 77 based on 11 reviews. This indicated that it garnered "generally favorable reviews".
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Blue Ridge High School achieved a 74.3 score out of 100. Reflects on grade level reading, mathematics and science achievement. In reading/literature, 77% were on grade level. In Algebra 1, 69.7% showed on grade level skills.
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After completing a stage, the player's performance is evaluated with a numerical score out of 100, and awarded either a bronze, silver, or gold medal. After completing a full plant cycle the player's overall performance is evaluated, and given an averaged score out of 100 and a corresponding medal. There are many different mini-games available, for example: planting seeds/saplings; watering plants; cutting off or removing weak/dead parts of plants; shooing away pests and rodents; harvesting produce; and making rainbows using a watering hose. Players also have a "practice" option.
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Alpro soya milk scored best (highest score out of 16 tested different plain soy milks), when rated by Germany's leading consumer safety group Stiftung Warentest. Other Alpro products include yogurt as well as "dessert and meat alternative products".
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At Metacritic, which assigns a weighted average score out of 100 to reviews and ratings from mainstream publications, A Different Kind of Human (Step 2) received an average score of 77, based on 7 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Venice received an average score of 82 based on 14 reviews, indicating "universal acclaim". Pitchfork named Venice the 21st best album of 2004.
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Game Dev Tycoon received varied reviews upon release. Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, gave the game a score of 68 based on 21 reviews, indicating "mixed or average reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Ambivalence Avenue received an average score of 78% based on 16 reviews, indicating "generally favorable reviews". Pitchfork named it the 33rd best album of 2009.
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Upon its release, Psychic received critical acclaim. At Metacritic, which assigns a weighted average score out of 100 to reviews and ratings from mainstream critics, the album has received a metascore of 79, based on 22 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 85 based on 11 reviews, indicating "universal acclaim". Spin included it on the "20 Best Albums of 2001" list.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 76% based on 13 reviews, indicating "generally favorable reviews". National Post named it one of the best albums of 2013.
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He wore the Emelec jersey a few times in his career and this time did not score out of many chances. He only had 9 appearances for Emelec but was an important time for his career. He was transferred to Barcelona in 2006.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Asa Breed received an average score of 73 based on 15 reviews, indicating "generally favorable reviews". Resident Advisor named it the 39th-best album of the decade.
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IGN Entertainment. Retrieved February 27, 2013. At Metacritic, which assigns a weighted average score out of 100 to critics' reviews, the film received a score of 48 based on 32 reviews. Audiences polled by CinemaScore gave the film a rare "A+" grade.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Idiology received an average score of 83% based on 14 reviews, indicating "universal acclaim". Pitchfork placed it at number 12 on the "Top 20 Albums of 2001" list.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, No Kings received an average score of 80% based on 8 reviews, indicating "generally favorable reviews". City Pages included it on the "Minnesota's Best Albums of 2011" list.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Escape 2 Mars received an average score of 76% based on 11 reviews, indicating "generally favorable reviews". Steve Juon of RapReviews.com named it the best album of 2009.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Skelethon received an average score of 79% based on 27 reviews, indicating "generally favorable reviews". It was listed by HipHopDX as one of the "Top 25 Albums of 2012".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, The Shining received an average score of 80% based on 21 reviews, indicating "generally favorable reviews". It ranked at number 35 on Spins "40 Best Albums of 2006" list.
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Horseshoe Trails tested with the highest scores in the ELA portion and the math portion. Desert Sun got the least score out of the elementary schools in both portions. Cactus Shadows got the least score on both portions out of all of the schools.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 64% based on 7 reviews, indicating "generally favorable reviews". Aidin Vaziri of Rolling Stone included it on the "Top Albums of 2001" list.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Alopecia received an average score of 76% based on 21 reviews, indicating "generally favorable reviews". Pitchfork placed "Fatalist Palmistry" at number 94 on the "100 Best Tracks of 2008" list.
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Grey Oceans received mixed reviews. Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, gave the album an average score of 60, based on 21 reviews. Music webzine The Line of Best Fit named it the 47th best album of 2010.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 80, based on 19 reviews, indicating "generally favorable reviews". Pitchfork placed it at number 20 on the "50 Best Albums of 2008" list.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Multiply received an average score of 84% based on 24 reviews, indicating "universal acclaim". Pitchfork placed it at number 189 on their list of top 200 albums of the 2000s.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 79, based on 15 reviews, indicating "generally favorable reviews". No Ripcord placed it at number 39 on the "Top 50 Albums of 2003" list.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 70% based on 8 reviews, indicating "generally favorable reviews". No Ripchord placed it at number 32 on the "Top 50 Albums of 2003" list.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 80, based on 27 reviews, indicating "generally favorable reviews". No Ripchord placed it at number 14 on the "Top 50 Albums of 2005" list.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Power in Numbers received an average score of 76% based on 20 reviews, indicating "generally favorable reviews". The album was also included in the book 1001 Albums You Must Hear Before You Die.
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Review aggregator Rotten Tomatoes reported that 85% of 197 critics have given the film a positive review, with a rating average of 7.4/10 and Metacritic, which assigns a weighted average score out of 0–100 from film critics, has a rating score of 73 based on 29 reviews.
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With the success of Lou's previous film, Suzhou River (2000), Purple Butterfly was an anticipated follow up with a considerably larger budget. The film received polarizing receptions. Rotten Tomatoes records a 45% "rotten" rating. Metacritic records the film received a 68 score out of 100, meaning "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Black City received an average score of 78% based on 23 reviews, indicating "generally favorable reviews". Pitchfork placed it at number 46 on its list of "The Top 50 Albums of 2010".
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Host: John Green Originally launched in January 2018, this monthly podcast features John Green as he reviews things that owe their current existence to the anthropocene, the scientific epoch that includes human influence. He reviews two phenomena per monthly episode, giving each a score out of five stars.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Neon Golden received an average score of 89 based on 20 reviews, indicating "universal acclaim". Pitchfork placed Neon Golden at number 131 on its list of the top 200 albums of the 2000s.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Go Plastic received an average score of 70% based on 17 reviews, indicating generally favorable reviews. In 2015, Exclaim placed it at number 2 on its list of "an essential guide to Squarepusher".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, The Letting Go received an average score of 84% based on 24 reviews, indicating "universal acclaim". Pitchfork placed The Letting Go at number 195 on their list of top 200 albums of the 2000s.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, So... How's Your Girl? received an average score of 79 out of 100 based on 13 reviews, indicating "generally favorable reviews". It ranked at number 5 on Spins "Top 20 Albums of the Year" list.
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Herrera represented Colombia in the Eisenhower Cup in 1986 and although his team did not win, he had the best 72-hole score out of all the competitors in a field that included Jesper Parnevik, Colin Montgomerie, Jay Sigel, Billy Andrade, Peter McEvoy, Jean van de Velde and Peter O'Malley.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Blade of the Ronin received an average score of 71% based on 16 reviews, indicating "generally favorable reviews". Spin placed it at number 31 on the "50 Best Hip-Hop Albums of 2015" list.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, The Magnificent received an average score of 75% based on 11 reviews, indicating "generally favorable reviews". In 2004, Philadelphia Weekly placed it at number 25 on the "100 Best Philly Albums of All Time" list.
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Each player plays once in this round, and if the total score (out of nine questions given) achieved by the 'TV Lovers' exceeds that of the 'TV Legends', ten seconds are added to the time for the endgame; if the 'TV Legends' beat or equal the Lovers' score, no time is added.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Lantern received an average score of 70 based on 23 reviews, indicating "generally favourable reviews". Billboard named it the 6th best dance/electronic album of 2015, while The Skinny named it the 35th best album of 2015.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Faking the Books received an average score of 83 out of 100 based on 18 reviews, indicating "universal acclaim". Faking the Books was ranked at number 5 on Exclaim!s "Electronic: Year in Review 2004" list.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Bad Time Zoo received an average score of 79% based on 4 reviews, indicating "generally favorable reviews". The single, "Burn It Down", was listed by KEXP-FM as their "Song of the Day" on June 24, 2011.
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The film received mixed reviews. Based on reviews from 52 critics collected by the film review aggregator Rotten Tomatoes, 44% gave Garage Days a positive review. At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the film received an average score of 50 based on 19 reviews.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Parts of Speech received an average score of 78% based on 4 reviews, indicating "generally favorable reviews". It debuted at number 74 on the Billboard 200 chart, with first-week sales of 5,800 copies in the United States.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 85, based on 10 reviews, indicating "universal acclaim". NME named it the 27th best album of 2000. Pitchfork placed it at number 10 on its list of the top 20 albums of 2000.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 78 based on 25 reviews, indicating "generally favorable reviews". Rolling Stone named it the 49th best album of 2006. ThoughtCo placed it at number 9 on the "Best Rap Albums of 2006" list.
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MCII has received acclaim from music critics. At Metacritic, which assigns a "weighted average" score out of 100 to ratings reviews from selected mainstream critics, the album has a score of 84, based on 24 reviews. In addition, AnyDecentMusic? has a rating of 8.1 out of 10 from selected mainstream critics, and that is based upon 22 reviews.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Quality Control received an average score of 77 out of 100 based on 17 reviews, indicating "generally favorable reviews". In 2015, it was ranked at number 2 on Pastes "10 Hip-Hop Albums for People Who Don't Like Hip-Hop" list.
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After 30 days, the game ends. The final score is calculated by taking the players current amount of cash and multiplying it by two. The number of millions of dollars a player has is their score out of a 100. For example, a player who finishes with $25,000,000 will have a final score of 50/100.
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In May 2013, the Student Barometer survey results showed that St Benet's Hall has the highest overall student satisfaction score out of the 44 constituent colleges and permanent private halls of the university. Its principal building is located at the northern end of St Giles' on its western side, close to the junction with Woodstock Road, Oxford.
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But some argued that Uday did not have academic abilities and his theses were written by others in exchange for money and gifts, and no one was able to give Uday a low score out of fear. "He was really smart, probably smarter than his father - but he was crazy," said one of his classmates about Uday.
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Upon release, the album received critical acclaim. Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, For All We Know received an average score of 82 out of 100, based on 14 reviews, indicating "universal acclaim". Writing for Exclaim!, Michael J. Warren hailed the album as "a dynamic listen from start to finish".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the EP received an average score of 81% based on 9 reviews, indicating "universal acclaim". Popular music reviewer Anthony Fantano rated the album a 6/10 citing “lackluster production”. It ranked at number 24 on Pitchforks "50 Best Albums of 2015" list.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, The Golden Age of Apocalypse received an average score of 80% based on 21 reviews, indicating "generally favorable reviews". It was listed by Sean J. O'Connell of LA Weekly as one of the "Top 5 Los Angeles Jazz Albums of 2011".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 77% based on 9 reviews, indicating "generally favorable reviews". Andrew Paschal of PopMatters gave the album 8 stars out of 10, calling it "one of Xiu Xiu's poppiest and most accessible works to date".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 75, based on 8 reviews, indicating "generally favorable reviews". Many reviewers on RapReviews.com placed this album in their top ten list for 2009, with it even claiming the number one spot in a few.
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The film received a positive reaction from film critics and audiences. It garnered a "certified fresh" 93% rating at Rotten Tomatoes. At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the film has received an average score of 75, based on 32 reviews. Film critics Roger Ebert and Richard Roeper gave the film "two thumbs up".
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The Reaction Index, an indicator of the audience's approval of a television programme, given as a score out of 100, had slowly increased over the course of the series,McCann, p. 112 while the reviews had improved. Nevertheless, the criticism that the duo had personally received meant that their personal morale and enthusiasm had evaporated by the end of the run.
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For the first eight (five in series 1) weeks, 5 acts performed representing each judge. After they performed each judge (except the acts mentor), gives the act a score out of ten. At the end of the show the act with the most votes got five points, and the next highest scoring act one point less. This system was applied to the televotes.
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2006: I. Grade 8 1\. University Hill Secondary School 2\. Burnaby Mountain Secondary School 3\. Burnaby North Secondary School 4\. Sir Winston Churchill Secondary School II. Grade 9 1\. University Hill Secondary School 2\. St. George's School 3\. West Vancouver Secondary School 4\. Windermere Secondary School 2007: I. Grade 8 (Score out of 70) 1\. Burnaby South Secondary School - 35.25 2\.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Scale received an average score of 81% based on 20 reviews, indicating "universal acclaim". Pitchfork placed Scale at number 35 on the "Top 50 Albums of 2006" list. "Something Isn't Right" was ranked at number 17 on Pitchforks "Top 100 Tracks of 2006" list.
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The film received positive reviews from critics. On review aggregator Rotten Tomatoes, the film holds a rating of 92%, based on 26 reviews, with an average rating of 7.5 out of 10. At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the film received an average score of 81 based on 8 reviews.
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After every match the MARCA journalist covering the match will evaluate the referees performance with a score out of 3 - 3 being the best and 0 the worst. At the end of the season a coefficient will be calculated between the number of matches refereed and the number of points awarded. The referee with the highest coefficient wins the trophy.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Born Like This received an average score of 77% based on 21 reviews, indicating "generally favorable reviews". Born Like This ranked at number 4 on The Skinnys "2009: A Year in Records" list. Pitchfork included it in their best albums of 2009, placing it at number 48.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 80, based on 17 reviews, indicating "generally favorable reviews". Pitchfork placed the album at number 21 on the "Top 50 Albums of 2005" list. In 2007, Spin included Bonnie 'Prince' Billy and Matt Sweeney on the "Rock's 25 Greatest Team-ups" list.
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Each of the three judges rate each team a score out of ten. The scores are added together and the team with the highest score wins for the week. This makes it possible for the judges decision to be a tie, which was the result in the first week. In this case, both teams won a prize for winning the room for that week.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Beams received an average score of 78% based on 29 reviews, indicating "generally favorable reviews". AllMusic named it one of their "Favorite Electronic Albums of 2012". Clash placed it at number 28 on its list of the "Top 40 Albums of 2012". MusicOMH named it the 3rd best album of 2012.
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Sahara received mixed reviews. On Rotten Tomatoes, the film has a score of 38% based on reviews from 175 critics, with the consensus: "A mindless adventure flick with a preposterous plot." At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the film received an average score of 41 based on 33 reviews, indicating "mixed or average reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Labor Days received an average score of 92 based on 5 reviews, indicating "universal acclaim." In 2010, Rhapsody included it on its "10 Best Albums by White Rappers" list. In 2015, Fact placed it at number 17 on its "100 Best Indie Hip-Hop Records of All Time" list.
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The first is a cooperative mode in which each player must help each other solve puzzles and escape the mansion together. The other is a competitive mode in which the objective is to get the highest score out of all the players by destroying the most monsters, with the tougher monsters being worth more points. There are three playable multiplayer stages and nine playable characters.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 82, based on 6 reviews, indicating "universal acclaim". Spin placed it at number 8 on the "50 Best Albums of 2011" list. Cokemachineglow placed it at number 24 on the "Top 50 Albums 2011" list. Pitchfork included it on the "Overlooked Records 2011" list.
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When playing a match, it is usually best to report each score out loud with one's opponent to avoid conflicts. During a game, the server has the responsibility to announce the game score before serving. This is done by announcing the server's score first. If, for example, the server loses the first three points of his or her service game, he or she would say "love–40".
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Upon its release, True Colors received mixed to positive reviews from music critics. According to Metacritic, which is based on a weighted average score out of 100 from ratings and reviews from music critics, the album received an average score of 60 points ("mixed or average reviews"), based on 2 positive and 3 mixed reviews. The album won Best Electronic Album at the 2016 Billboard Music Awards.
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The site's creators, Palmer and Watson, say: "[AnyDecentMusic?] surveys reviews of recent album releases in newspapers and websites and provides a constantly updated chart of critical reaction." Ratings are averaged and albums ranked in a chart intended to give an overall picture of critical appraisal of current releases, based on the averaged score out of 10. This chart forms the centrepiece of the site.
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At birth, the baby receives an Apgar score at, at the least, one minute and five minutes of age. This is a score out of 10 that assesses the baby on five different areas—each worth between 0 and 2 points. These areas are: colour, respiratory effort, tone, heart rate, and response to stimuli. The midwife checks the baby for any obvious problems, weighs the baby, and measure head circumference.
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Quakers' debut studio album, Quakers, was released in 2012. At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 80, based on 14 reviews, indicating "generally favorable reviews". The album has been listed as number 41 in Amazon UK's top 100 albums of 2012. It also made Gilles Peterson's BBC Radio "Best of 2012" list.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 76 based on 12 reviews, indicating "generally favorable reviews". Daniel Sylvester of Exclaim! commented that "Martyn has done an excellent job giving each track its own distinctive character". Ben Donnelly of Dusted Magazine described the album as "a dance record unconcerned with pop songs or headphone dynamics".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 62, based on 31 reviews, indicating "generally favorable reviews". Dave Kerr of The Skinny wrote, "Beyond the varied range of sonic influence on display, this is easily the most lyrically driven Shadow LP to date". John Bush of AllMusic called it "a carefully crafted, artistically elusive mess".
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The Stand-In received generally favorable reviews from music critics. At Metacritic, which assigns a weighted average score out of 100 to ratings and reviews from selected mainstream critics, the album received a score of 79 based on 22 reviews. At AnyDecentMusic?, which assigns a weighted average rating out-of-ten to selected mainstream critics ratings and reviews, the album has a rating of 7.6 based on 23 reviews.
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War, Inc. received generally negative reviews from critics. Review aggregator Rotten Tomatoes gives the film a rating of 30% based on 80 reviews, with the consensus that the film "attempts to satirize the military industrial complex, but more often than not it misses its target". Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, gives the film a score of 37 based on 21 reviews.
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The ACE also incorporated the MMSE, such that this score (out of 30) might also be generated. The ACE-R was a development of the earlier ACE which also incorporated the MMSE, but had clearly defined subdomain scores. The ACE-III was developed to improve the performance of certain parts of the test and also to avoid a potential copyright violation by replacing the elements shared with the MMSE.
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The results of each activity are scored to give a total score out of 100 (18 points for attention, 26 for memory, 14 for fluency, 26 for language, 16 for visuospatial processing). The score needs to be interpreted in the context of the patient's overall history and examination, but a score of 88 and above is considered normal; below 83 is abnormal; and between 83 and 87 is inconclusive.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, White Van Music received an average score of 73% based on 8 reviews, indicating "generally favorable reviews". HipHopDX included White Van Music on the "Top 25 Hip Hop Albums of 2008" list. Jeff Weiss of LA Weekly placed "Get 'Er Done" at number 38 on the "50 Best Hip-Hop Songs of 2008" list.
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The review aggregator website Rotten Tomatoes reports a 71% approval rating for the first season, with an average rating of 6.3/10 based on 31 reviews. The website's consensus reads, "Graceland is a formulaic cop show, but its tight pacing and intriguing plot twists make for light, escapist fare." On Metacritic, the series holds a 58 score out of 100, based on 26 reviews, indicating "mixed or average" reviews.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, God Loves Ugly received an average score of 76% based on 9 reviews, indicating "generally favorable reviews". In 2011, "Modern Man's Hustle" ranked at number 6 on Complexs "25 Best Rhymesayers Songs" list. In 2015, God Loves Ugly was listed by HipHopDX as one of the "30 Best Underground Hip Hop Albums Since 2000".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 73% based on 14 reviews, indicating "generally favorable reviews". PopMatters placed it at number 5 on the "Best Electronic(a) Albums of 2008" list. AllMusic listed it as one of their favourite electronic albums of 2008. Gilles Peterson named it the 16th best album of 2008.
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Average ACT Scores by School District Kentucky Department of Education. Retrieved August 1, 2013 It was the 4th highest composite ACT score out of the 169 school districts in the state of Kentucky.Best High Schools in Kentucky U.S. News and World Report. Retrieved August 1, 2013 Johnson County Schools also operates three schools within the city of Paintsville: Johnson Central High School, Johnson County Middle School (Kentucky), and Central Elementary School.
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Your Sinclairs reviewing system varied throughout the magazine's life. During the Your Spectrum era, game reviews were confined to the Spectrum Soft section, later called Joystick Jury. Games were reviewed by a panel of reviewers and given a mark out of 10. In practice this was a score out of 9, since no game ever received a perfect 10, on the rationale that a better game could come along at a later date.
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The film was met with limited negative reviews. , the film does not have an official score at Metacritic because 4 reviews are required. Both of the film's Metacritic reviewers (Michael Rechtshaffen of Los Angeles Times and Chris Packham of The Village Voice) gave the film a 30 score out of 100. Nick Schager of Film Journal International used terms like "insufferable", "third-rate" and "hellish" to summarize the film and described its actors as "lousy".
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Blue Ridge High School achieved a 75.8 score out of 100. Reflects on grade level reading, algebra and science achievement. The PDE reported that 76% of the High School’s students were on grade level in reading/literature. In Algebra 1, only 66% of students showed on grade level skills at the end of the course. In Biology I, just 47% demonstrated on grade level science understanding at the end of the course.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, First of a Living Breed received an average score of 77% based on 8 reviews, indicating "generally favorable reviews". First of a Living Breed was listed by NPR Music as one of their "50 Favorite Albums of 2012". It was ranked at number 5 on The Village Voices "Ten Best New York City Rap Albums of 2012" list.
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On Rotten Tomatoes, the film has a score of 20% based on reviews from 96 critics, with the consensus: "A toned down Chris Rock fails to bring a limp script to life as the movie moves from one gag to the next." At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the film received an average score of 34 based on 28 reviews, indicating "generally unfavorable reviews".
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Pennsylvania Department of Education, Professional Qualifications of Teachers Blue Ridge High School, September 29, 2011 ;2015 School Performance Profile: Blue Ridge High School achieved a 75.8 score out of 100. Reflects on grade level reading, mathematics and science achievement. The PDE reported that 76% of the High School's students were on grade level in reading/literature. In Algebra 1, only 66% of students showed on grade level skills at the end of the course.
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Space Run received mixed reviews upon release. It received an aggregate score of 73 from Metacritic, which assigns a weighted average score out of 100 to reviews from critics, while GameRankings assigned a score of 75%. GameSpot gave the game an 8 out of 10, praising the game's characters, art, voice acting and challenging gameplay. However, they noted that at times that spoken dialogue sometimes did not match the displayed text dialogue.
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The film received favorable reviews from critics. Review aggregator website Rotten Tomatoes reports that 69% of 67 critics have given the film a positive review, with a rating average of 6.08 out of 10. The site's critical consensus states that it is an "above average slasher flick." On Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the film received an average score of 58 based on 18 reviews.
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Carcassonne began to make the most of their possession and on 47 mins juggled the ball over the line to score out wide on the left but failed to make the conversion. The Vikings were penalised for another knock on, which gave Carcassonne the ball close to the Widnes line. Carcassonne again made the most of the opportunity and scored in the corner. This was followed up by a successful conversion to lead 20 - 14.
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The non-swinging portion of Pixar's Pal-A-Round received a 4.66 average score out of 10, while the swinging portion received a 1.33 average score. The swinging gondolas have been described as "terrifying" and "a one-of-a-kind-experience". In May 2019, the ride was ranked as the 24th best attraction in the park out of 25 by the Time Out magazine. A reviewer on Your USA City Guide described it as "far scarier than it seems".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 82, based on 7 reviews, indicating "universal acclaim". David Dacks of Exclaim! gave the album a favorable review, describing Shlohmo as "a master sound artist with funky, song-oriented underpinnings making it all sound relevant." Ari Lipsitz of CMJ commented that the album is "more melodic and less frenzied" in comparison with Flying Lotus' work.
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As of June 2016, the film holds a 4% rating on Rotten Tomatoes out of 23 critics. with the consensus "Featuring a bewildering array of talented actors pummeled by disjointed direction and a dull, hackneyed script, Reach Me is so fundamentally misbegotten that its title reads more like a threat." At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the film received an average score of 21% based on 14 reviews.
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In June, 2016, the charity evaluator, Charity Navigator, gave Esperanza International a three star (out of four) rating and an 81.35 score (out of 100) in financials. For accountability and transparency, it received a four star rating and 93 score. This combined total gives the organization a three star rating and an 85.91 score overall. Another charity evaluator, Philanthropedia, commended Esperanza for their strengths in leadership, technology, and partnerships among Dominican Republican, Haitian, and U.S. organizations.
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Album of the Year, popularly known by the initialism AOTY, is a website that aggregates reviews of music albums. For each LP, a numerical score from each review is obtained and the total is averaged. An excerpt of each review is provided along with a hyperlink to the source. Ratings are averaged and albums ranked in a chart intended to give an overall picture of critical appraisal of current releases, based on the averaged score out of 100.
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Critical reaction to Vehicles & Animals was generally positive. Review aggregator Metacritic, which assigns a normalised score out of 100 to reviews from mainstream critics, awarded the album a rating of 63 based on 17 reviews, suggesting "generally favorable reviews". Time Out called the album a "gloriously understated and wonderfully consistent debut". Playlouder gave the record four out of five, hailing the tracks as "impeccably polished radio- friendly gems" – The Times similarly labelled the album a "British pop gem".
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The band director of GHS is Big Bill Pirzer, who has been band director since 2005. In 2005, the Purple Hurricane Marching Band won two Florida Marching Band Coalition regional competitions. They received the highest finals score out of any FMBC competition during the 2005 season with a 92.5. Later that year, they received second place in Class AAA at the FMBC State Championships, with scores of 89.00 for their preliminary performance and 83.55 for their finals performance.
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The film was not screened in advance for critics. Review aggregator Rotten Tomatoes gives the film a score of 28% based on 92 reviews, and a rating average of 4.23/10. The site's consensus states: "Saw III does little beyond repeating its predecessor's tropes on a gorier level." At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the film received an average score of 48 based on 16 reviews, indicating "mixed or average reviews".
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Aline's 14.900 was the 3rd highest score out of all vault competitors, with American gymnasts, Simone Biles and Jade Carey being the only competitors scoring higher than her. On October 11th, Friess competed in the All-Around final at World Championships. She scored 14.966 on Vault, 13.600 on Bars, 13.066 on Beam, and 13.166 on Floor for an all around total of 54.798. This earned her 11th overall and becomes her highest all-around score of her senior and junior career.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from critics, the album earned a score of 75, indicating "generally favorable reviews". Much of the praise was directed at Corey's production. In a positive review for the album, Chris Dart of Exclaim! called him "Injury Reserve's real driving force", and Kyle Kohner of The 405 wrote that Corey "mix[es] things up with some of the most wonky-sounding production you will hear outside of Death Grips".
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No.6 Collaborations Project received mixed reviews from music critics. At Metacritic, which assigns a weighted average score out of 100 to reviews and ratings from selected mainstream critics, the album received an average of 57, based on 14 reviews, indicating mixed or average reviews". In a positive review, Alexis Petridis of The Guardian wrote: "Unsurprisingly, the end result sounds not unlike a Top 20 rundown or Spotify's Hot Hits UK playlist. That should give you an idea of whether you'll like it.
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Wadjda received critical acclaim. The film-critics aggregate Rotten Tomatoes reported 99% of critics gave the film a positive review based on 102 reviews, with an average score of 8/10. The critical consensus is: "Transgressive in the best possible way, Wadjda presents a startlingly assured new voice from a corner of the globe where cinema has been all but silenced." Metacritic, which assigns a standardized score out of 100, rated the film 81 based on 26 reviews, indicating "universal acclaim".
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The final 5 contestants are given their next assignment of being secretly judged by a handpicked focus group. Each contestant listens in as they are judged. Each contestant is given a score out of 10 by the focus group after looking at their recent photoshoots and watching their video, the final score will count towards their chances of elimination. The next assignment they are given is to sell themselves to the directors of Blacksheep Management (Danny Infield and Andrew Antonio).
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The Nativity Story received mixed reviews. , the film holds a 37% approval rating on the review aggregator Rotten Tomatoes, based on 131 reviews with an average rating of 5.29/10. The site's consensus says, "The Nativity Story is a dull retelling of a well-worn tale with the look and feel of a high-school production." Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, gives the film a score of 52 based on 28 reviews.
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On Rotten Tomatoes, the film has a score of 73% based on reviews from 30 critics, with an average rating of 5.97/10. The website's critics consensus reads: "Thunder and the House of Magic lacks real narrative depth, but its visual splendor offers sufficient compensation for younger viewers." At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the film received an average score of 47 based on 13 reviews, indicating "mixed or average reviews".
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The competition consists of one final, the singers from each country performs two songs, the first song must not exceed 80 beats minute and the second song should be less than 120 beats per minute in tempo, the song should reflect the musical style of their country. The voting is done by one juror from each of the participating countries, the jurors score out of a total of 100 points and are not able to vote for their own country.
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Submarine received positive reviews from critics. On Rotten Tomatoes, the film has a score of 88% based on reviews from 154 critics, with an average score of 7.4/10. The website's critics consensus: "Funny, stylish, and ringing with adolescent truth, Submarine marks Richard Ayoade as a talent to watch." At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the film received an average score of 76 based on 37 reviews, indicating "generally favorable reviews".
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In competition use, a score out of ten is awarded to the competitor by measuring the peak lateral g-force and the peak angle during a maneuver. All of this information is saved to a data logger (in the form of an SD/MMC card). The DriftBox can also be used to measure braking distances, quarter mile times and speeds, as well as lap times using a virtual start/finish line generated from the latitude/longitude measurements from the GPS.
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The film has received positive reviews from critics. Based on 221 reviews, the film currently holds an approval rating of 87% on review aggregator Rotten Tomatoes, with an average rating of 7.54/10. The website's critical consensus reads, "Frankenweenie is an energetic stop-motion horror movie spoof with lovingly crafted visuals and a heartfelt, oddball story." Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, gives the film a score of 74 based on 38 reviews.
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Later in the year, he helped Japan kept three clean sheets in three Japan's matches between 7 June 2011 and 2 September 2011. Two years later, Uchida was called up to the national side for the 2013 Confederations Cup squad. He was featured three times in the tournament, as Japan loss all three matches and was eliminated in the Group Stage. At one point after losing to Brazil, Brazilian media gave Uchida's performance the lowest score out of the match.
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The Girl Next Door received mixed reviews. On Rotten Tomatoes, the film has a 56% approval rating based on reviews from 159 reviews, with an average score of 5.53/10. The site's consensus reads: "The movie borrows heavily from Risky Business, though Hirsch and Cuthbert are appealing leads." At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the film received an average score of 47 based on 32 reviews, indicating "mixed or average reviews".
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Review aggregator Rotten Tomatoes reports that 86% of 153 critics have given the film a positive review; the average rating is 7.25/10. The website's consensus is, "It may not quite scale Aardman's customary delirious heights, but The Pirates! still represents some of the smartest, most skillfully animated fare that modern cinema has to offer." Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, gives the film a score of 73 based on 31 reviews.
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Think tank Transparify, which is funded by the Open Society Foundations, ranked Policy Exchange as one of the three least transparent think tanks in the UK in relation to funding. Transparify's report How Transparent are Think Tanks about Who Funds Them 2016? rated them as 'highly opaque,' one of 'a handful of think tanks that refuse to reveal even the identities of their donors.' Website 'WhoFundsYou?' rate Policy Exchange as 'E', the lowest score out of five for funding transparency.
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Astrological Straits has received generally favorable reviews from music critics. On Metacritic, which assigns a weighted average score out of 100 to reviews and ratings from mainstream critics, the album received a metascore of 72, based on six reviews. Michael Patrick Brady of The Phoenix called the album an "unrestrained torrent of challenging yet tuneful rock" and pointed out that this album served as an outlet for Hill's "abstract ideas". Marc Masters of Pitchfork Media found that Hill's drumming dominated the album.
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The album debuted at number 58 on the Billboard Top 200 chart, with 7,965 copies sold in the US during the first week of release. The album also charted on the Top Internet Albums chart in the US. As of February 2010, the album has sold over 30,000 copies worldwide. Reviews for Y Not were mostly mixed. Review aggregator Metacritic, which assigns a score out of 100 based on critic ratings, rated the album 60 out of 100, based on 11 reviews.
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The film received generally favorable reviews from critics. The film-critics aggregator Rotten Tomatoes reported 69% of critics gave the film a positive review based on 65 reviews, with an average score of 6.5/10. The critical consensus is: "Appropriately enough, Renoir offers viewers a drama of sumptuous beauty—which is more than enough to offset its frustratingly slow pace and rather thinly written screenplay." Metacritic, which assigns a standardized score out of 100, rated the film 64 based on 23 reviews, indicating "generally favorable reviews".
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Review aggregation website Rotten Tomatoes reported a 45% approval rating and an average rating of 5.57/10 based on 187 reviews. The website's consensus reads, "Extremely Loud & Incredibly Close has a story worth telling, but it deserves better than the treacly and pretentious treatment director Stephen Daldry gives it." Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, gives the film a score of 46 based on 41 reviews. Critics were sharply divided about the subject matter of the film.
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The film received negative reviews from critics. Review aggregator Rotten Tomatoes gives the film a score of 19% based on reviews from 104 critics, with an average rating of 3.78 out of 10. The site's general consensus is: "Despite a solid cast and intermittent thrills, Legion suffers from a curiously languid pace, confused plot, and an excess of dialogue." Metacritic, which assigns a weighted average score out of 0–100 reviews from film critics, has a rating score of 32% based on 14 reviews.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, So It Goes received an average score of 78 based on 19 reviews, indicating "generally favorable reviews." Kyle Kramer of Pitchfork said: "There's a pulsing, lived-in energy to So It Goes that captures what New York feels like and pushes at the boundaries of lyrically- driven rap." Critic Ben Ratliff ranked So It Goes at number 5 on his "Top 10 Albums of 2014" list for The New York Times.
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In Year 11 and 12, students partake in the International Baccalaureate Diploma Program (IBDP). The IBDP is internationally recognised and depending on a score out of 45 split between 6 subjects worth 7 marks each and 3 marks from a philosophical study known as "Theory of Knowledge" or better known as "TOK" and a 4000 word research project known as the "Extended Essay". Assuming a student achieves the highest possible IB score, 45, the student is eligible for direct enrolment into prestigious universities throughout the world.
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June 1986, issue 19, introduces new Deputy Editor Jeremy Spencer. Also reviews are given a much needed rework; three reviewers, Colin, Nigel and Liz, are credited as giving their views on the games along with their overall score (out of 20). Starting October 1986, and ACU credits its publisher as Avralite Ltd.Amstrad Computer User #23 (1986-10) November 1986 issue seems to be a letters page for professional programmers as Graham Blighe, Andrew and Philip Oliver write in to comment on recent ACU games reviews.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 68 out of 100 based on 15 reviews, indicating "generally favorable reviews". When Life Gives You Lemons, You Paint That Shit Gold debuted at number 5 on the US Billboard 200, selling about 36,000 copies in its first week. It is Atmosphere's first album to reach the top ten of the Billboard 200 and the highest charting release from the independent label Rhymesayers Entertainment.
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The film received mostly positive reviews by critics. It holds an 83% approval rating on Rotten Tomatoes based on 94 reviews, with an average rating of 7.2 out of 10. The website's critical consensus reads, "In his second film outside his native Iran, director Abbas Kiarostami maintains the mysterious, reflective mood of previous triumphs." At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the film received an average score of 76 based on 28 reviews, indicating "generally favorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Plat du Jour received an average score of 73% based on 12 reviews, indicating "generally favorable reviews". Tim O'Neil of PopMatters gave the album 8 stars out of 10, saying, "the juxtaposition of Herbert's precise, seemingly innocent and light-hearted rhythms with heavier themes of economic exploitation and death creates an effective and practical dialectic." Rob Woo of Exclaim! called it "one of the most bizarre concept albums to date".
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The film received generally negative reviews from critics. Review aggregation website Rotten Tomatoes gives a score of 22% based on 151 reviews, with an average rating of 4.29/10. The site's consensus is that "Repo Men has an intriguing premise, as well as a likable pair of leads, but they're wasted on a rote screenplay, indifferent direction, and mind-numbing gore." Metacritic, which assigns a weighted average score out of 1–100 reviews from film critics, has a rating score of 32% based on 31 reviews.
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Review aggregator Rotten Tomatoes gives the film a score of 86% based on reviews from 127 critics and reports a rating average of 7.54 out of 10, a generally positive reception. It reported the consensus, "Moving at a contemplative speed unseen in most westerns, Meek's Cutoff is an effective, intense journey of terror and survival in the untamed frontier." At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the film received an average score of 85 based on 36 reviews.
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In April 2015 Exeter Medical School used data from the official GP patient survey in England to score different types of providers out of 100. On speed, confidence and overall experience, scores from patients seen by commercial providers were lower. The score out of 100 for overall experience was 73 for NHS providers; 72 for not-for profit providers; 69 for the commercial sector. Prof John Campbell said the research did show that the very best individual scores by providers were seen in the commercial sector.
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The ending in a draw was adequate, but the scoring from the judges shocked people. Judge 1 Adrian Bently who was acting as Supervisor of the night and the more experienced judge on the panel, had the card 40 - 36 to Alrie Meleisea. Judge 2 Kendall Cooper had the card 38 - 38 which was probably the most accurate score out of the judges. And finally, Judge 3 Smita Tailor who is the least experienced judge out of the panel had the scores 40 - 36 to Sarah Long.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, JP3 received an average score of 83, based on 6 reviews, indicating "universal acclaim". Vibe included it on the "25 Hip-Hop Albums by Bomb Womxn of 2018" list. It was nominated by the American Association of Independent Music for its 2019 indie music-celebrating Libera Awards in the category of Best Hip-Hop/Rap Album. She made her acting debut in the comedy film Support the Girls (2018).
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Yesterday's Gone received widespread acclaim upon its release. At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Yesterday's Gone holds an average score of 84 based on nine reviews, indicating "universal acclaim". NME described the album's style as "confessional, soul-searching, and very very good." The album was nominated for the 2017 Mercury Prize and included on numerous end-of-year lists, ranking at number one on The Independents list of the 30 best albums of 2017.
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Thirdwatch's technology uses behavioral analysis, elastic linking, proxy detection and machine learning to detect and prevent fraud. Their flagship product MITRA uses ensemble AI models to generate a risk score out of 100 which then classifies a transaction as fraudulent or genuine. Their platform Mitra prevents fraud in digital, banking and e-commerce transactions in real time using AI. The Mitra AI captures 200+ parameters and flags every transaction in real time as red or green. It generates a risk score also which defines riskiness of the transaction.
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The film received generally negative reviews. Review aggregator site Rotten Tomatoes reports that 16% of 106 critics gave the film a positive review, for an average rating of 4.1/10. The site's consensus reads that: "Crossing Over is flagrant and heavy-handed about a situation that deserves more deliberate treatment, and joins its characters with coincidences that strain believability." Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, gives the film a score of 38 based on reviews from 31 critics indicating "generally unfavorable reviews".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Venomous Villain received an average score of 71 based on 11 reviews, indicating "generally favorable reviews". Exclaim!s Thomas Quinlan found the album to be "a great follow-up to Vaudeville Villain", while noting that due to its short length and the presence of numerous guest performers, it nonetheless "leaves you wishing for a lot more Doom". Critic Robert Christgau ranked the album at number 71 on his year-end "Dean's List".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Los Angeles received an average score of 81 based on 13 reviews, indicating "universal acclaim". Resident Advisor ranked Los Angeles as the third best album of 2008, while Fact ranked it as the year's tenth best album. Pitchfork placed it at number 28 on its list of the best albums of 2008. In 2017, Los Angeles ranked at number 14 on Pitchforks list of "The 50 Best IDM Albums of All Time".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, 808s & Dark Grapes III received an average score of 77% based on 4 reviews, indicating "generally favorable reviews". Paul Simpson of AllMusic gave the album 3.5 stars out of 5 and called it "an enjoyable, highly focused effort." Calum Slingerland of Exclaim! gave the album an 8 out of 10, saying, "While the two have never been lauded as top-tier lyricists, their liberal approach to flow and delivery keeps their work engaging".
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Each contestant was then given a score out of 10 by each of the judges. For most acts, Red, always the last to give his score, would usually give his trademark score of 2 along with a pithy and acidic comment. Other times he would give high scores when the performance really was particularly good (or poor)—on several occasions he declared a performance the winning one, even if the others had not been done yet. The winning contestant received a $500 cash prize, second received $250 and third received $100.
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Freedom Writers has received mostly positive reviews from critics. The review aggregator website Rotten Tomatoes provides links to 124 reviews, 70% of which are positive. The critical consensus is that "Freedom Writers is a frank, formulaic entry in the inspirational inner-city teacher genre, with an energetic Hilary Swank leading the appealing cast of unknowns." Another review aggregator, Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, calculated an average score of 64/100 based on 29 reviews, indicating "generally favorable reviews".
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I Am Love was met with positive reviews. Review aggregator website Rotten Tomatoes gives the film an approval rating of 81% based on reviews from 133 critics, with an average score of 7.17/10. The website's critical consensus reads: "It stumbles into melodrama, but I Am Love backs up its flamboyance with tremendous visual style and a marvelous central performance from Tilda Swinton." Another review aggregator, Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, calculated a "generally favorable" score of 79 based on 32 reviews.
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Testament of Youth was well received upon its release. Review aggregator Rotten Tomatoes reports that 82% of 109 film critics have given the film a positive review, with an average rating of 7 out of 10. The website's consensus reads, "Testament of Youth is well-acted and beautifully filmed, adding up to an enriching if not adventurous experience for fans of British period dramas." Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, gives the film a score of 77 based on 33 reviews.
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Review aggregator Rotten Tomatoes reports that 81% of 111 critics have given the film a positive review; the average rating is 6.5/10. The website's critical consensus reads, "Wisely dialing down the schmaltz, Dolphin Tale is earnest, sweet, and well- told, a rare family film that both kids and parents can enjoy." Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, gives the film a score of 64 based on 31 reviews. Audiences polled by CinemaScore gave the film a rare "A+" on an A+ to F scale.
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Freedom House, a US-based independent watchdog organization, ranked the United States 30th out of 197 countries in press freedom in 2014. Its report praised the constitutional protections given American journalists and criticized authorities for placing undue limits on investigative reporting in the name of national security. Freedom House gives countries a score out of 100, with 0 the most free and 100 the least free. The score is broken down into three separately-weighted categories: legal (out of 30), political (out of 40) and economic (out of 30).
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The film received mixed reviews by critics, while some praised the revival of the martial arts genre, the movie still failed on originality. Rotten Tomatoes reported that 25% of 114 sampled critics gave the film positive reviews, with a rating average of 4.24/10. The consensus reads "Overly serious and incomprehensibly edited, Ninja Assassin fails to live up to the promise of its title." At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the film received an average score of 34% based on 20 reviews.
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Oslo, August 31st has received widespread critical acclaim from both film critics and audiences. Review aggregator site Rotten Tomatoes reports that 97% of critics have given the film a positive review, based on 63 reviews with an average rating of 8.3/10. The general consensus being: "An upfront study of a drug addict confronting his demons, Oslo, August 31st makes this dark journey worthwhile with fantastic directing and equally fantastic acting." Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, reports the film has a score of 84.
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The film received positive reviews from critics. Review aggregator Rotten Tomatoes reports that 88% of 33 film critics have given the film a positive review, with a rating average of 6.7/10. Its consensus states "Elevated by some of Robin Williams' finest non-comedic work and a strong performance from Robert De Niro, Awakenings skirts the edges of melodrama, then soars above it." Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, gives the film a score of 74 based on 18 reviews.
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Art School Confidential received mixed feedback from critics. Review aggregator Rotten Tomatoes reports that 36% of 138 film critics have given the film a positive review, with a rating average of 5.45 out of 10. The site's critics consensus reads: "Art School [Confidential]s misanthropy is too sour, its targets too flat and clichéd, and Clowes and Zwigoff stumble when trying to build a story around the premise." Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, gives the film a score of 54 based on 42 reviews.
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Much like its predecessor, the film received mixed reviews from critics. Review aggregator Rotten Tomatoes reports that 38% of 91 critics have given the film a positive review, with an rating average of 4.81/10. The website's consensus is "Arguably a marginal improvement on its mostly forgotten predecessor, Johnny English Reborn nonetheless remains mired in broad, tired spy spoofing that wastes Rowan Atkinson's once considerable comedic talent". Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, gives the film a score of 46 based on 20 reviews.
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The film received mixed to positive reviews from critics, with many critics praising the performance of Shannyn Sossamon. Review aggregator Rotten Tomatoes reports that 79% of 24 critics have given the film a positive review, with an average of 6.7 out of 10. Metacritic, which assigns a weighted average score out of 100 to reviews from film critics, has a rating score of 59 based on 17 reviews. Kevin Thomas of the Los Angeles Times wrote a positive review saying, "In its masterful use of evocative imagery and music, Road to Nowhere is flawless".
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After a volunteer reaches a certain number of repeat years, the foundation awards them through "knighting ceremonies". According to Plenty Consulting, 2,600 volunteers had thus far earned the Knight of the Bald Table award in 2015, which is given for seven years of service to the organization. The Charity Navigator gave the foundation a 76.99 out of a possible 100 score rating (March 15, 2018) and only One Star in Financial Score out of a possible 4 Star rating. According to Better Business Bureau, the non-profit meets the 20 Standards for Charity Accountability.
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The film received critical acclaim. Review aggregation website Rotten Tomatoes gives the film an approval rating of 95%, based on reviews from 99 film critics with an average score of 8.1 out of 10. The website's critical consensus reads: "Affectionate without sacrificing honesty, Behind the Candelabra couples award-worthy performances from Michael Douglas and Matt Damon with some typically sharp direction from Steven Soderbergh." Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, gives the film a score of 82 based on 30 reviews.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 78, based on 14 reviews, indicating "generally favorable reviews". Brett Uddenberg of URB gave the album 5 out of 5 stars, saying: "Bleak and beautiful, Family & Friends is an absolute beast." Quentin B. Huff of PopMatters gave the album 8 out of 10 stars, calling it "Serengeti's most accessible and straightforward record." Spin placed it at number 39 on the "40 Best Rap Albums of 2011" list.
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Upon its release, Love Is Here received critical acclaim. At Metacritic, which assigns a weighted average score out of 100 to reviews and ratings from mainstream critics, the album received a score of 72, based on 19 reviews, indicating "generally favorable reviews". The album sold 58,424 copies on its opening week of release, charting at No.2 in the UK album charts. Q listed Love Is Here as one of the best 50 albums of 2001, while NME rated it as the fifth best album of the year.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 80% based on 20 reviews, indicating "generally favorable reviews". Tim DiGravina of AllMusic gave the album 4 stars out of 5, describing it as "a decidedly dark and murky musical excursion into a realm of percolating electronics, moody jazz elements, bizarre raps, ethereal acoustic guitars, and sad pianos." Melissa Wheeler of Exclaim! called it "a gorgeous, pensive and gently dark album of rap-sprinkled mutated electronic indie rock".
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The film received mainly negative reviews from critics. Review aggregator website Rotten Tomatoes reported that 39% of 44 of its critics gave positive reviews, with an average rating of 5.5/10. The website's consensus reads, "Natalie Portman and Lisa Kudrow deliver fine performances in The Other Woman, but they're muted by Don Roos' clumsy direction, cluttered, and melodramatic script." Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, gives the film a score of 37 based on 16 reviews, which is interpreted as "Generally unfavorable" by Metacritic.
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He remains the club's all-time leading goalscorer. He then moved to Bayern Munich for a then club record €18.75 million, where he picked up the nickname Das Phantom (the phantom), for his ability to score out of nowhere, as well as Tor Maschine (goal machine), for his consistent ability to find the back of the net. After winning two consecutive Bundesliga and DFB-Pokal doubles at Bayern, he returned to the Netherlands with Feyenoord in 2007. A full international from 1996 to 2005, Makaay scored 6 international goals in 43 matches despite competition for a place in the national team.
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Review aggregator Rotten Tomatoes gave the film a score of 86% based on reviews from 154 critics, with an average rating of 6.87/10. The website's consensus reads, "It isn't deep or groundbreaking, but what it lacks in profundity, Puss in Boots more than makes up for with an abundance of wit, visual sparkle, and effervescent charm." Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, gives the film a score of 65% based on 24 reviews. CinemaScore polls reported that the average grade moviegoers gave the film was an "A-" on an A+ to F scale.
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The film received mixed reviews from film critics. Review aggregator Rotten Tomatoes gives the film a score of 47% based on reviews from 141 critics, with a rating average of 5.34/10. The website's critical consensus reads, "A calm, charismatic performance from Robert De Niro nearly saves the movie, but ultimately, Everybody's Fine has the look and feel of a stereotypical Christmas dramedy." On Metacritic, which assigns a weighted average score out of 100 to reviews from film critics, the film has a rating score of 47 based on 25 reviews, indicating "mixed or average reviews".
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Out of Ashes received mixed to positive reviews among music critics. At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 59 based on 5 reviews, indicating "mixed or average reviews". Gregory Heaney of AllMusic gave a favorable review of the album, saying that "As a whole, Out of Ashes is a solid record and a fine opening volley for Bennington's solo work." Gary Graff of Billboard described Out of Ashes as "grittier and more punk- driven" than the works of Linkin Park.
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Each cheese is awarded a score out of 20 by inspectors, according to 'overall appearance' (up 1 point), 'quality of rind' (1.5), 'internal appearance' (3.5), 'texture' (5), and taste (9). Those scoring _>_ 14 points, called Comté Extra, are given a green casein label with the recognizable logo of a green bell. Those cheeses scoring 12-14 points are given a brown label and are simply called Comté (see picture with different labels). Any cheese scoring 1-2 points (out of a possible 9) for taste, or <12 overall is prohibited from being named Comté and is sold for other purposes.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 85, based on 7 reviews, indicating "universal acclaim". Joe Marvilli of Consequence of Sound gave the album a grade of A+, saying: "With all the lines, lyrics, and love he put into This Is Our Science, he'll find a home in every city he visits on the road and a growing fan base of friends with whom he can share his stories." City Pages included the album on the "Minnesota's Best Albums of 2011" list.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 73% based on 14 reviews, indicating "generally favorable reviews". Kevin O Donnell of Rolling Stone gave the album 3.5 stars out of 5, calling it "one of the year's best stoner-rock records." Meanwhile, Joe Colly of Pitchfork gave the album a 6.2 out of 10, saying, "as an album, Fucked Up Friends lacks focus and variety." Jeff Weiss of LA Weekly placed it at number 46 on the "50 Best Albums of the Year" list.
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A flick offload from Josh Papalii led to a chip kick from Brett Morris, regathered and then re-kicked by Jarryd Hayne led to a sliding Morris try. A conversion by Thurston brought the score out to 28–2. Both teams were having issues with the geography of the ground, as Morris collided with the signage during his try and a flying Manu Vatuvei landed awkwardly on the concrete surrounding the field. Australia's control of the game led to the New Zealanders forced into defense of their own line, defusing Australia's attack but not managing any successful attack of their own.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 75% based on 5 reviews, indicating "generally favorable reviews". Mark Deming of AllMusic gave the album 4 stars out of 5, saying: "Sometimes troubling, frequently joyous, and always articulate and thoroughly individual, Son Little's cross-genre shape-shifting reveals more compelling nuances with each listen, and this is one of the most interesting and rewarding debuts of 2015." American Songwriter placed "Go Blue Blood Red" at number 46 on its list of the "Top 50 Songs of 2015".
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The film has received generally positive response among critics and viewers. Review aggregator Rotten Tomatoes reports that 77% of the 184 critics gave the film a positive review, with an average critical score of 6.57/10. The site's consensus states, "Its time-shifting narrative creates distracting casting problems, but ultimately, The Debt is a smart, well-acted entry in a genre that could use more like it." Metacritic, a review aggregator which assigns a weighted average score out of 100 to reviews from mainstream critics, gives the film a score of 65 based on 37 reviews.
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The Next Day received acclaim from music critics. At Metacritic, which assigns a weighted average score out of 100 to reviews and ratings from mainstream critics, the album has received a metascore of 81, based on 44 reviews. Neil McCormick, writing in The Daily Telegraph, gave the album a five-star review, calling it a "bold, beautiful and baffling electric bolt through its own mythos". Andy Gill, in another five-star review for The Independent, praised the album as "the greatest comeback album in rock'n'roll history", adding that the work is "as good as anything he's made".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 80% based on 22 reviews, indicating "generally favorable reviews". Jack Booty of Prefix gave the album a 7.0 out of 10, saying, "[Chief] Xcel's production doesn't stray very far from its R&B; and soul influences, but this time it comes without almost any samples, relying sometimes on players from a homebrewed funk band to create clearance-free beats instead." Exclaim! placed it at number 6 on the "Hip-Hop: Year in Review 2005" list.
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The first version of IntelliJ IDEA was released in January 2001, and was one of the first available Java IDEs with advanced code navigation and code refactoring capabilities integrated. In a 2010 InfoWorld report, IntelliJ received the highest test center score out of the four top Java programming tools: Eclipse, IntelliJ IDEA, NetBeans and JDeveloper. In December 2014, Google announced version 1.0 of Android Studio, an open-source IDE for Android apps, based on the open source community edition of IntelliJ IDEA. Other development environments based on IntelliJ's framework include AppCode, CLion, DataGrip, GoLand, PhpStorm, PyCharm, Rider, RubyMine, WebStorm, and MPS.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 80, based on 10 reviews, indicating "generally favorable reviews". Jason Lymangrover of AllMusic described Odd Nosdam's production as "a top-shelf blend of golden age and futuristic beats". Jon Hadusek of Consequence of Sound said, "there’s really no better album to start the KD saga with; producer Odd Nosdam's wobbling, jazzy beats give the record a laid-back cohesion, and Serengeti sounds as tight as ever." Spin included it on the "40 Best Hip-Hop Albums of 2013" list.
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Junip received mostly positive reviews from music critics. At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received a metascore of 76, based on 17 reviews. At FILTER, Zach Kraimer highlighted how this album like their last "finds them occupying the same melancholy, earnest spaces", and told that the band "have since outgrown some restrictive boundaries." Heather Phares of Allmusic called the release "even more of a grower" than their previous offering, which is done "in more ways than one", such as "bigger arrangements and productions" and in their songwriting.
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The film received generally mixed to positive reviews. Review aggregator Rotten Tomatoes reports that 64% of 25 critics gave the film a positive review, with a rating average of 5.52/10. Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, gives the film a score of 47 based on 10 reviews signifying "mixed or average reviews". Entertainment Weekly gave the film a "B" grade and praised Ryan O'Nan's "quietly riveting performance as an Iraq-war veteran who comes undone after he returns home to dusty Texas (the filmmaker's home turf)".
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In January 2018, Green launched The Anthropocene Reviewed, a new solo podcast in which he reviews things that owe their current existence to the anthropocene, the epoch that includes significant human impact on the environment. This can include completely artificial products like Diet Dr. Pepper, or natural species that have had their fates altered by human influence like the Canada Goose, or phenomena that only influence humanity like Halley's Comet. He reviews two things per monthly episode, giving each a score out of five stars. Since November 2018, the podcast is a co-production of Complexly and WNYC Studios.
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Morris Cotel was born February 20, 1943 in Baltimore, and was raised in an Orthodox Jewish family. His parents were Charles and Lena Bormel Cotel. As a youth, Cotel was simultaneously enrolled in the Talmudical Academy of Baltimore and the Peabody Conservatory of the Johns Hopkins University where he studied music and took college-preparatory classes, having enrolled at the age of 9. He wrote a 200-page symphony as a 13-year-old, to the astonishment of his piano teacher at Peabody who did not believe him until he pulled the completed score out of his bag.
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Don't Be Afraid of the Dark has received mixed to positive reviews from critics. Rotten Tomatoes reported that 60% of critics gave the film a positive review based on 173 reviews, with an average rating of 5.87/10. The website's critical consensus states that "While it's pleasantly atmospheric and initially quite scary, Don't Be Afraid of the Dark ultimately fails to deliver the skin-crawling chills of the original". Another review aggregator, Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, calculated an average score of 56/100 based on 35 reviews, indicating "mixed or average reviews".
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Though the Force were leading 7–0 after several minutes the feeling was still that the Crusaders would win, especially after they scored a try seconds later to make it 7–5. Only when the Force had blown the score out to 17–5 did anyone begin to talk of an upset. Leading 20–8 at half time the Force did not hold on for the win after the Crusaders scored two tries and a penalty within the closing half. At 23-all with seconds left the Force crashed over the line but were denied by the television match official.
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The player arranges a timetable so that they can pass each week. To pass, they must obtain a certain score out of 10 for each of the disciplines, and must train in that discipline at least twice a week. The disciplines are Horse Care, Cross Country, Dressage, Showjumping, and later Foal Care and Learning. The player must also have a high social rating, which is obtained by spending time in the Student Centre talking to other academy riders, performing well in disciplines, taking and displaying photographs in the Student Centre, and purchasing items from the shops.
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Never Cry Another Tear received a generally mixed response from critics. At Metacritic, which assigns a normalised score out of 100 to reviews from mainstream critics, the album received a score of 59, based on 11 reviews, indicating "mixed or average reviews". Many reviews focused on the departure of Peter Hook, John Bush writing for Allmusic guide writes: "Never Cry Another Tear accentuates the melodic guitar pop and straightforward lyricism of New Order's work in the 2000s. Although Hook is missed, the low end sounds quite good indeed in the capable hands of Chapman and [Alex] James".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 68% based on 13 reviews, indicating "generally favorable reviews". Jason Crock of Pitchfork gave the album a 6.9 out of 10, saying, "Nobody and Boom Bip provide beats that draw from a wider range of styles and flirt with an alien, psychedelic edge, giving Busdriver enough room to be as weird as he wants to be." Jeff Shaw of City Pages placed it at number 10 on the "Top 10 Albums of 2007" list.
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Review aggregator Rotten Tomatoes reports that 21% of 117 critics have given the film a positive review, with a rating average of 4.01/10. The site's critical consensus states, "The Smurfs assembles an undeniably talented cast of voice actors and live-action stars—then crushes them beneath a blue mound of lowest-common-denominator kiddie fare." Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, gave the film an average score of 30 based on 22 reviews. Audiences polled by CinemaScore gave the film an average grade of "A-" on an A+ to F scale.
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Stephen Thomas Erlewine of AllMusic gave the album 4.5 stars out of 5, saying, "Royal Trux have rarely had both their songwriting and noise under control like they do here, and the result is pure dynamite -- possibly their best album to date." NME named it the 8th best album of 1998. Pitchfork placed it at number 29 on the "50 Best Albums of 1998" list. At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album's 2012 reissue received an average score of 83 out of 100 based on 10 reviews, indicating "universal acclaim".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 81% based on 9 reviews, indicating "universal acclaim". Brian Howe of Pitchfork gave the album a 7.0 out of 10, describing it as "a digest of field recordings, Moog synths, staticky samples, and scattershot drums, all waxing and waning around immovable slabs of buzzing bass." He added: "It splits the difference between the eschatological IDM of Boards of Canada's Geogaddi and Keith Fullerton Whitman's coruscating dronescapes." Jordan Harper of Riverfront Times listed it as the most overlooked album of 2005.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 80, based on 8 reviews, indicating "generally favorable reviews". Marcus J. Moore of Pitchfork gave the album a 7.3 out of 10 and stated that "The Good Fight exudes a sense of artistic freedom not heard on Oddisee's previous releases." David Jeffries of AllMusic gave the album 4 stars out of 5, calling it "inspired, infectious, and artistically grand." In 2015, HipHopDX included it on the "30 Best Underground Hip Hop Albums Since 2000" list.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, One Word Extinguisher received an average score of 86 out of 100 based on 21 reviews, indicating "universal acclaim". John Bush of AllMusic called the album "a set of electronica that's nearly as challenging as Autechre's relentlessly academic beat manipulation but just as funky and instantly gratifying as a Fatboy Slim flag-waver." David Morris of PopMatters described it as "meticulously constructed and flawlessly engineered music". Uncut praised the album as a "marvel of hip hop knowledge and glitch science".
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If the player uses the cockpit camera view, they can have the option to use that mirror to see what's going on behind them like a road car. The only other game aside from the F1 games to use a virtual rear view mirror is Assetto Corsa, when players are driving F1 2019 Formula Hybrid race cars, which are the current generation Formula One cars. In F1 2020, the AI are more prone to doing mistakes to give the players "a much more realistic experience". The game introduces driver ratings for the first time, with drivers given a score out of ninety-nine for experience, racecraft, awareness, pace.
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The film was released to wide acclaim from critics, with Bening receiving widespread praise for her performance. Rotten Tomatoes reports that 92% of critics have given the film a positive review based on 224 reviews, with an average rating of 7.83/10. The site's consensus is that "Worthwhile as both a well-acted ensemble piece and as a smart, warm statement on family values, The Kids Are All Right is remarkable." Metacritic, which assigns a weighted average score out of 1–100 reviews from film critics, has a rating score of 86 based on 39 reviews, with the film in the "universal acclaim" category.
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On January 19, 2015, the Buffalo Evening News indicated that a report by the Physicians Committee for Responsible Medicine criticized ECMC for "serving some of the least-healthy food options of any public hospital in the country. The hospital received the fourth-lowest score, out of 200 hospitals reviewed, because it is home to three fast-food restaurants and because its cardiac patient menu has some items that aren’t heart- friendly."Report raps ECMC for Tim Hortons, Mighty Taco other unhealthy food options , Buffalo Evening News by Stephen T. Watson on January 19, 2015 In 2019, ECMC replaced the previous food provider, Morrison Healthcare, with Metz Culinary Management.
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An "In The Style Of" is, as the name implies, a depiction of a game in the style of something else; most often another game. It started out as a Back Page feature, but was soon thrown open to readers as a kind of competition, and moved to the news section. Readers could send in floppy disks containing their In The Style Of drawn in Deluxe Paint, and every month Amiga Power would select the one they liked best and feature it in the magazine. They would also award the picture a score out of ten, and send the contributor £20 worth of Amiga games for every point scored.
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Miss Anthropocene received positive reviews from music critics upon its release. On review aggregator website Metacritic, which assigns media a normalized score out of 100 based on reviews from mainstream publications, the album has a score of 79 based on 27 critic reviews, which indicates "generally favorable reviews". Reviewing Miss Anthropocene for The Independent, Adam White deemed it a "triumph" and praised the wide range of sounds explored on the album, saying that it "operates much like a greatest hits record". He directed praise to the album's "transcendent" slower songs, particularly "So Heavy I Fell Through the Earth" and "You'll Miss Me When I'm Not Around".
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Upon its release, Berberian Sound Studio received critical acclaim. At Metacritic, which assigns a weighted average score out of 100 to reviews and ratings from mainstream critics, the album has received a metascore of 75, based on 27 reviews, indicating "generally favorable reviews". AllMusic rated Berberian Sound Studio 4 stars out of 5, with reviewer Heather Phares describing it as "clever, eerie, and beautiful", adding that it is "the perfect accompaniment to a film that examines the nature of fear and sound's part in it". Ian Wade of BBC Music remarked on the album's "perfect spooky mood" and stated that "Berberian Sound Studio and Broadcast are a perfect match".
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In the sixty-first minute after being tackled on the halfway line, the Maroons worked the ball out to Boyd's wing, where he raced down the sideline before throwing it back in to Greg Inglis to score out wide. Thurston's kick was successful, so Queensland were in front 14–22. In the sixty-seventh minute as New South Wales fullback Kurt Gidley was returning a kick to the ten-metre mark, Thurston, who led the Maroons' chasers, took the ball from his arms one-on-one and gave it to Sam Thaiday, who scored by the posts. The try was awarded and Thurston converted, so the score was 14–28.
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On Rotten Tomatoes the film has an approval rating of 23% and an average rating of 4.23/10 based on reviews from 138 critics. The site's general consensus is that: "Amy Adams is as appealing as ever, but her charms aren't enough to keep Leap Year from succumbing to an overabundance of clichés and an unfunny script'." On Metacritic the film has a weighted average score out of 33 out of 100, based on 30 reviews. Audiences surveyed by CinemaScore gave the film a grade B on scale of A to F. Roger Ebert of the Chicago Sun-Times described Leap Year as a 'full-bore, PG-rated, sweet rom-com'.
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The film was first shown at the 43rd Karlovy Vary International Film Festival in July 2008, in the Czech Republic, where it won the Crystal Globe (Grand Prize). The film received strong reviews from film critics. Review aggregator Rotten Tomatoes shows that 89% of 46 critics (all but one of the top 16 critics) gave the film a positive review, with a rating average of 7.3 out of 10, concluding that "this knotty Danish noir thriller steers audiences into some nicely unexpected territory." Metacritic, which assigns a weighted average score out of 1–100 reviews from film critics, gives a rating score of 74 based on 18 reviews.
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For the calendar year 1987, it was second only to Beverly Hills Cop II. Initial critical reaction to Predator was negative, with criticism focusing on the thin plot. Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, rates the film with an average score of 36 based on 11 reviews from 1987, with the review opinions summarized as "generally unfavorable". However, in subsequent years critics' attitudes toward the film warmed, and it has appeared on a number of "best of" lists. The review aggregator site Rotten Tomatoes reports that 78% of 40 surveyed critics gave the film a positive review.
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Winnie the Pooh received generally positive reviews, with many critics praising its animation, voice acting, screenplay and musical numbers (notably "The Backson Song" and "Everything Is Honey"), while also criticizing the very short film length. Review aggregator Rotten Tomatoes reports that 91% of 128 critics have given the film a positive review, with a rating average of 7.23/10. Its consensus states "Short, nostalgic, and gently whimsical, Winnie the Pooh offers young audiences—and their parents—a sweetly traditional family treat." Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the film received an average score of 74 based on 26 reviews.
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Wheelhouse has received mostly positive reviews from critics. At Metacritic, a website which assigns a weighted average score out of 100 from reviews by mainstream critics, it currently holds a metascore of 76, based on 10 reviews. At the Los Angeles Times, Lewis affirmed that "Brad Paisley ratchets up his Bard-like savvy on 'Wheelhouse,'" but it is done with "Paisley's master stroke is to mine empathy — not frustration — from that experience, still embracing his core values while quietly extending others the same courtesy." At The Oakland Press, Graff wrote that with respect to this album, it is just "as good a time as anything he’s recorded" in the past.
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On the review aggregator website Rotten Tomatoes, the film holds an approval rating of 92% based on 207 reviews, with an average rating of 7.58/10. The site's critical consensus reads, "Led by a powerhouse performance from Julia Garner, The Assistant offers a withering critique of workplace harassment and systemic oppression." On Metacritic, which assesses films on a score out of 100, The Assistant holds a score of 79 based on reviews from 43 critics, indicating "generally favorable reviews." Writing for The Guardian, Peter Bradshaw called it "a claustrophobic, intimately unsettling movie" and stated that "it can claim to be the first drama that addresses the #MeToo issue".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 71, based on 10 reviews, indicating "generally favorable reviews". David Jeffries of AllMusic gave the album 4 stars out of 5, calling it "a culmination album with an artist's evolution pushing things forward with all his strengths in tow." Meanwhile, Adam Kivel of Consequence of Sound gave the album a grade of C+, saying: "The entirety of the record, in fact, feels like it's trailing a few years behind." Uproxx placed it at number 13 on the "Best Experimental and Electronic Albums of 2016" list.
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USSBA National Championship Titles, United States Scholastic Band Association (USSBA) press release dated November 14, 2006 During the 2007 season, the Morris Knolls Marching Band won the title of state champions in their group of 3 Open at the USSBA NJ state championships. The band also received the caption awards of Best Percussion, Best Colorguard, Best Effect, and Best Visual at this state competition. The same year, at the USSBA National Championships, Morris Knolls placed second in their group, also winning Best Colorguard and Best Percussion. The MKMB percussion was titled Grand National Champions, receiving the highest score out of all percussion ensembles at the competition, which included over 70 bands.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 76% based on 11 reviews, indicating "generally favorable reviews". PopMatters named it the 4th best hip hop album of 2016, while Stereogum named it the 40th best rap album of 2016. The album was nominated for the 2017 Hugo Award for Best Dramatic Presentation, Short Form, the second time ever for a music album following 1970's Blows Against the Empire by Paul Kantner and Jefferson Starship. In 2019 Pitchfork ranked Splendor & Misery as the 30th greatest industrial album of all time.
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Review aggregator Rotten Tomatoes reports that 69% of 169 surveyed critics have given the film a positive review; the average rating is 6.1/10. The website's consensus is: "While it hews closely to the 1984 original, Craig Brewer infuses his Footloose remake with toe-tapping energy and manages to keep the story fresh for a new generation." Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, gives the film a score of 58 based on 35 reviews. CinemaScore polls reported that the average grade moviegoers gave the film was an "A" on an A plus to F scale.
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Zero is given a variety of weapons to use and can level them up to unlock new abilities, although this was removed from Mega Man Zero 3 and onward as the abilities become accessible from the start of the game.Megaman Zero Collection Manual, Capcom. Retrieved 9/10/2014 A new entry in the series was the Score and Level System, which gives the player a score out of 100 and its corresponding level depending on how well they performed on each mission. The series also introduces the Cyber-Elf system, which allows Zero to equip small helper beings known as "Cyber Elves" to assist him in combat.
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Upon its release, All Our Favourite Stories received a mixed critical response. At Metacritic, which assigns a weighted average score out of 100 to reviews and ratings from mainstream critics, the album has received a metascore of 55, based on 9 reviews, indicating "mixed or average reviews." The album was described by the Observer as containing "punchy pop songs with immediate, uncomplicated appeal", while its sister publication the Guardian praised the "solid gold indie pop songs ornamented with real precision and flair". The NME was less complimentary, lamenting the loss of the band's early, rougher sound which it considered had been replaced by "earnest but uninspiring anthemic rock".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, We Know About the Need received an average score of 72% based on 9 reviews, indicating "generally favorable reviews". Marisa Brown of AllMusic said, "Bracken makes thoughtful, reflective music, like Brian Eno, or even fellow anticon labelmates Alias or cLOUDDEAD, music that refuses to sit entirely still, that attempts to convey the broad range of human emotion in the details of its composition, and, in the end, succeeds." In December 2007, American webzine Somewhere Cold ranked We Know About the Need No. 7 on their 2007 Somewhere Cold Awards Hall of Fame.
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On the review aggregator Rotten Tomatoes, the film had an overall approval rating of 92% based on 265 reviews and an average score of 8.01/10, higher than both predecessors. The site's consensus describes the film as "an intelligent, finely tuned non-stop thrill ride. Another strong performance from Matt Damon and sharp camerawork from Paul Greengrass make this the finest installment of the Bourne trilogy". At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the film received an average score of 85 based on 38 reviews, indicating "universal acclaim", making it the highest rated film in the franchise.
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Australia did not strike back until the bottom of the 2nd inning, when Chalky White of South Australia hit a solo home run off Vane Sutton. Sutton made up for his error in the top half on the 3rd, with a grand slam to send the score out to a commanding 6–1. The Americans again put the pressure on Australia in the fifth inning as two errors led to another 2 runs to the US, putting them in a comfortable position. The game was eventually called at 2:40pm, after six completed innings and a final score 11–5, with the Americans batting first.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 62% based on 6 reviews, indicating "generally favorable reviews". Stanton Swihart of AllMusic gave the album 2.5 stars out of 5, saying: "The album is potentially valuable as a source for samples, but it fails as a listening experience." Chris Dahlen of Pitchfork gave the album a 6.7 out of 10, saying, "all this disc really tells us is that Odd Nosdam's a solid DJ who likes doofy vinyl." Dave Segal of XLR8R described the album as "hip-hop's answer to The Faust Tapes".
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An alleged former classmate accused Han Jong-youn of making him masturbate in front of his friends, forcing him to fight with his friends, and locking him in the cleaning equipment room. YGKPLUS's Kwon Hyun-bin deleted all of his Instagram posts after they were flooded with negative comments. This was in response to the show's fourth episode, in which Kwon was seen as unmotivated and received harsh criticism from the trainers for a lack of practice, but despite this his team won the live performance battle and he received the highest score out of both teams. During the performance, the trainers commented that the group was "ready to debut".
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Rotten Tomatoes reports that 81% of 233 surveyed critics gave the film positive write-ups; the average score is 7.12/10. The site's consensus states: "Though a minor entry in Eastwood's body of work, Gran Torino is nevertheless a humorous, touching, and intriguing old-school parable." At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the film has received an average score of 72 based on 34 reviews. After seeing the film, The New York Times described the requiem tone captured by the film, calling it as "a sleek, muscle car of a movie made in the USA, in that industrial graveyard called Detroit".
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In the mixed doubles draw, Mark Nichols and Jennifer Jones swept Niklas Edin and Christina Bertrup, stealing five points and winning the game in seven ends. Kaitlyn Lawes made a game-winning draw to give another point to Team North America, defeating Sebastian Kraupp and Maria Prytz with her mixed doubles partner Jeff Stoughton. The United States' Jeff Isaacson and Debbie McCormick ran into some bad situations during their game and were defeated thoroughly by Christoffer Svae and Satsuki Fujisawa, who stole seven points and won with a twelve-point margin. Team North America were able to even the tournament score out at three points apiece.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, A Chance to Cut Is a Chance to Cure received an average score of 80 based on 13 reviews, indicating "generally favorable reviews". Heather Phares of AllMusic described the album as "seven remarkably accessible, melodic pieces of experimental techno." Simon Reynolds of Spin said, "Matmos have captured with discomforting vividness the sheer surrealism of the modern vanity industry, the medieval tortures people gladly endure in pursuit of physical perfection." In 2017, Pitchfork placed A Chance to Cut Is a Chance to Cure at number 19 on its list of "The 50 Best IDM Albums of All Time".
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Review aggregator Rotten Tomatoes gave the film a rating of 72% based on 178 reviews and an average rating of 6.28/10. The site's critical consensus reads, "It may not have been necessary to remake the 1985 cult classic, but the new Fright Night benefits from terrific performances by Colin Farrell and David Tennant – and it's smart, funny, and stylishly gory to boot." On Metacritic, which assigns a weighted average score out to reviews from mainstream critics, gives the film a score of 64 out of 100, based on 30 critics, indicating "generally favorable reviews". CinemaScore polls reported that the average grade moviegoers gave the film was a "B-" on an A+ to F scale.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Us received an average score of 83% based on 12 reviews, indicating "universal acclaim". Andrew Martin of PopMatters gave the album 10 stars out of 10, saying, "You could try doing something else while it plays, but it's unlikely you'll be able to focus on anything besides Ali's words and Ant's beats." Nate Patrin of Pitchfork gave the album a 7.8 out of 10, calling it "an album that stands as the most deeply thought-provoking work of Brother Ali's career". The A.V. Club placed it at number 9 on the "Top 25 Albums of 2009" list.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 60% based on 11 reviews, indicating "mixed or average reviews". Tim O'Neil of PopMatters gave the album 4 stars out of 10, saying: "It's an interesting album, just not interesting in a way that particularly compels me to listen to it again." Noah Levine of URB gave the album 4 stars out of 5, saying: "The developed avant-jazz compositions stand out just fine, but with all their consequential underpinnings, Herbert and the band are swinging on all levels." MusicOMH placed it at number 38 on the "Top 50 Best Albums of 2008" list.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 67, based on 4 reviews, indicating "generally favorable reviews". Bernadette Giacomazzo of HipHopDX gave the album a 3.7 out of 5, writing, "'Fuck' is peppered liberally throughout the album, but it's always used to buttress razor-sharp political commentary ... not just said for shock value." Phillip Mlynar of Pitchfork gave the album a 7.8 out of 10, commenting that "The tirade is eXquire in capsule form, erudite and profane, delivering pop culture and politics in a spellbinding, seamless flow." Uproxx included it on the "Best Rap Albums of July 2019" list.
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Torabi taught himself music by inventing his own form of notation and using it to score out the theme from CHIPS. When he was seven, his family bought a piano and he used it as a compositional tool – already writing songs of his own, he showed little interest in learning those of others. From 1980, he became interested in pop music (initially becoming inspired by Brian Setzer and the Stray Cats) and began teaching himself how to play guitar. Eight years later, aged sixteen, he discovered his main musical touchstone in the form of Cardiacs, although in the interim he had taught himself more about music by sequential obsessions with various other bands and music forms.
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Western Stars was met with widespread critical acclaim. At Metacritic, which assigns a weighted average score out of 100 to reviews and ratings from selected mainstream critics, the album received an average score of 84, based on 31 reviews. Reviewing for Rolling Stone in May 2019, Will Hermes said that, while several songs "straddle the classic and the cliché", the album's music "evokes country-tinged California pop from the Sixties and Seventies, sounding like nothing [Springsteen]'s done before". In Entertainment Weekly, Maura Johnston applauded Springsteen for "transforming the enormous into the intimate" on the album, while The Independents Mark Beaumont said the "sumptuous, cinematic album is nothing short of a late-period masterpiece" for the musician.
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Priest was largely panned by critics. Review aggregator Rotten Tomatoes gives the film a score of 16% based on reviews from 92 critics and reports a rating average of 3.9 out of 10 with a consensus that "Priest is admittedly sleek and stylish, but those qualities are wasted on a dull, derivative blend of sci-fi, action, and horror clichés". At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the film received an average score of 41 based on 13 reviews, indicating "mixed or average reviews". CinemaScore polls reported that the average grade audiences gave the film was a "C+" on an A+ to F scale.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 85, based on 5 reviews, indicating "universal acclaim". Dylan Kilby of MusicOMH gave the album 4 stars out of 5, describing it as "a triumphant album by an extraordinary artist and woman, whose girl-empowering lyricism and social consciousness puts her at the top of the underground and alternative hip-hop community." Killian Fox of The Guardian gave the album 4 stars out of 5, saying: "At times joyfully nonsensical, Lizzo's stream-of-consciousness rhymes can also be lethally pointed." Star Tribune placed the album at number 1 on the "Twin Cities Critics Tally 2013" list.
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The Engineering West Building The College of Engineering is the largest of Cal Poly's six colleges, with 6,091 students (5,829 undergraduate and 262 graduate students), or 28.7%, of the 21,242 enrolled at the university in Fall 2019. For engineering freshmen entering Fall 2020, Cal Poly accepted 31.01% of applicants (5,436 accepted/17,531 applied); admitted freshmen had an average GPA of 4.16, with the middle 50% range of ACT composite scores 29-34 and 1350-1520 for the SAT composite score (out of 1600). Cal Poly San Luis Obispo offers 4+1 Master (5-year) programs for some engineering majors. The College of Engineering has almost 80 student clubs which offer project, leadership, service, conference and competition opportunities.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 75% based on 14 reviews, indicating "generally favorable reviews". Christopher Bahn of The A.V. Club gave the album a grade of B, writing, "Musically, ExitingARM is just as layered, blenderizing beats, sampled electronic noise, and Doseone's easygoing, flowing words into a package that's sometimes electrifying and sometimes confounding." Eric Grandy of The Stranger said, "Throughout ExitingARM, frontman Doseone remains an inscrutable MC, quick-tongued and verbose, and an unassuming but surprisingly fluid singer, whispering melodies in multitracked reverb to contrast his sharper falsetto raps." Pitchfork included it on the "Overlooked Records 2008" list.
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In a collaborative effort by the United States Office of Management and Budget (OMB) and various other Federal agencies, the NAP program was recently assessed and given a 44% and 40% score (out of a possible 100%) in its Program Management and Program Results/Accountability performance indicators, respectively, stating that "the program's financial management practices need improvement." OMB NAP assessment summary . The assessment revealed that the Puerto Rican government has not established short-term goals, objectives, and targets to evaluate the program's performance and results, that the program's oversight has been lax in previous years, and that the program's impact and results in Puerto Rico's society have not been evaluated in recent years. OMB NAP assessment detail .
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 66% based on 10 reviews, indicating "generally favorable reviews". John Bush of AllMusic gave the album 3.5 stars out of 5, saying, "compared to Seed to Sun or Blue Eyed in the Red Room, whose fascination with sound was positively contagious, Zig Zaj sounds like an overly safe record, the type that most producers would avoid if they wanted to keep innovating." In 2011, The Guardian included it on the "Top 10 Autumn Albums" list, while Mike Diver of BBC included it on the "Best Albums of September 2011" list.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Nostalchic received an average score of 79% based on 13 reviews, indicating "generally favorable reviews." Lauren Martin of Fact said: "Whilst Nostalchic is Lapalux's most full-bodied work to date, it’s also one of the finer examples of how the recent house-meets-r'n'b explosion can be executed with subtlety and finesse." Jonah Bromwich of Pitchfork gave the album a 7.4 out of 10, saying, "keeping solidly in line with the Brainfeeder tradition, Nostalchic is a forward-looking album, warm and comfortable but never obvious." Inthemix placed it at number 16 on the "Top 20 Albums of 2013" list.
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On review aggregator website Rotten Tomatoes, the film holds an approval rating of 11%, based on 121 reviews with an average score of 3.62/10. It reported the consensus, "Slow, cheap-looking, and dull, Season of the Witch fails even as unintentional comedy." At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the film received an average score of 28 based on 27 reviews. The film earned a Razzie Award nomination for Nicolas Cage as Worst Actor, but lost to Adam Sandler for Jack and Jill and Just Go with It. Associated Press movie critic Christy Lemire called Season of the Witch "a supernatural action thriller that's never actually thrilling".
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The film was released in 299 theaters across Japan on June 21, 2019 and debuted at #9 on opening week with . Review aggregator Rotten Tomatoes reported that 92% of critics have given the film a positive review based on 25 reviews, with an average rating of 7.77/10. On Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the film received an average score of 60 based on 8 reviews, indicating "mixed or average reviews". Matt Schley from The Japan Times gave the film four out of five stars, complimenting the "charming cast of characters," while mentioning the film seemed too "normal" for a work by Yuasa.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 79, based on 16 reviews, indicating "generally favorable reviews". Kyle Fowle of The A.V. Club gave the album a grade of B+, describing it as "an album that engages with the history of black culture while challenging the political, cultural, and musical status quos at every turn." Safy-Hallan Farah of Pitchfork gave the album a 6.8 out of 10, writing, "The album, at its best, feels like an alluring, slow meditation on the black imagination." The Stranger placed it at number 10 on the "Top 10 Albums of 2015" list.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Cold House received an average score of 87, based on 14 reviews, indicating "universal acclaim". Bradley Torreano of AllMusic described the album as "the next step toward the icy-cold future of alternative rock that Kid A forecasted". Philip Sherburne of Cleveland Scene called it "not only one of the most melancholy records of late, but also a triumph of musical gene splicing, drawing together folk- flavored indie rock and the skittering beats of experimental electronica". Nathan Rooney of Pitchfork commented that "with Cold House, Hood seem to have finally stumbled into a sound all their own".
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The Lauralton Hall Engineering Team earned the highest score out of eight teams for its aircraft stability design presented engineers in the 2018 Sikorsky STEM Challenge, and defended their title in 2019, winning again. (In 2017, the LH Engineering Team was the first all-girl team to participate in - and win - the Sikorsky STEM Challenge.) The LH Swim Team earned 2018 Class M State Championship and placed second in the SCC. The LH Cheerleading Team placed first in the 2017 Class L State Championships and placed second in the SCC. In 2018, the cheer team placed second in the 2018 Class L State Championships and fifth in the 2018 New England Championships.
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Chosen competitors are alerted three weeks in advance of their appearance of their dances and competition date (to give all competitors the same amount of time to learn a routine). Whilst the actual show is only a half-hour segment and appears to be live, the creation takes over eight hours and competitors usually have ample time to return home and watch themselves on TV, and as such are made to sign a contract forbidding them from revealing their final position. Scoring is done by three judges, with the score out of 10 (with up to one decimal place) for each dance, with the average of the three being the score. All scores are then added up.
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The General Achievement Test (GAT) is a test of general knowledge and skills in written communication, mathematics, science and technology, humanities, the arts and social sciences taken by all Victorian students prior to completing their VCE. It consists of two writing tests and 70 multiple choice questions on science, technology, mathematics and humanities. The first writing test is usually an informative piece based on information given, while the second is an opinionative to be based on statements provided. At the end of the year the student will receive a statement of marks showing their numerical score for each section as well as a standardised study score out of 50 for each section.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, A Sufi and a Killer received an average score of 78 based on 16 reviews, indicating "generally favorable reviews". At AnyDecentMusic?, which collates critical reviews from more than 50 media sources, the album scored 7.5 points out of 10, based on 18 reviews. The album garnered much positive critical coverage on its release. AllMusic's Jason Lymangrover gave the album four stars out of five, describing it as "weird, ‘60s-rooted, psychedelic hip-hop", sounding "like if J. Dilla produced George Clinton after visiting with the Dalai Lama, or if Dan the Automator recorded Cody Chesnutt after the two shared a plate of magic mushrooms", and calling it "truly visionary".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 79% based on 15 reviews, indicating "generally favorable reviews". David Jeffries of AllMusic gave the album 3.5 stars out of 5 and described it as "a well-crafted, highly enjoyable effort that overcomes the 'all samples cleared' challenge all big-label turntablist albums must face." Jeff Vrabel of PopMatters gave the album 7 stars out of 10, saying, "It's DJ music for the casual fan, something you don't need to be a knob- twiddler or connoisseur of the break beat to appreciate or enjoy." In 2015, Vice named it the 49th greatest dance album of all time.
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Every dance is scored out of 40 by the four Judges (each judge contributing a score out of 10) and these Judge's scores create the official ranking of the contestants for the week. Pre-registered voters cast their vote during the live show for their favorite couple (a maximum of 100 votes on the website platform and 100 votes on the mobile platform; a total of 200 votes per registered voter). The ranking determined by the judges gives each position on the leaderboard assigned points. With 11 contestants the system works as follows; first place is awarded 11 points, second place is awarded 10 points, third place is awarded 9 points and so on until eleventh place which is awarded 1 point.
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The strategic partnership has profited from sustained political investments made at the senior-most levels of decision making. The long-standing relationship between France and India has resulted in extensive co-operation in the domains of aerospace and civil nuclear energy besides military matters. Science and technology cooperation, deep-rooted cultural ties, and a historically francophile literary & fine-arts community in India has provided solid foundations for the strategic relationship. In November 2011, the Foundation for National Security Research in New Delhi published India’s Strategic Partners: A Comparative Assessment and ranked India’s top strategic partners with a score out of 90 points : Russia comes out on top with 62, followed by the United States (58), France (51), UK (41), Germany (37), and Japan (34).
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 76, based on 14 reviews, indicating "generally favorable reviews". Genevieve Koski of The A.V. Club gave the album a grade of A−, writing, "We Don't Even Live Here is extraordinarily accessible and somehow even agreeable in its controlled rage, the soundtrack to an anarchic end-of-the-world party that listeners can only hope they’re outsider enough to attend." David Jeffries of AllMusic gave the album 4 out of 5 stars, describing it as "a literate, sharp blast of revolution with an anarchist slant." ABC News placed it at number 24 on the "50 Best Albums of 2012" list.
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Alma also claims that Mahler described the three hammer-blows of the finale as 'three blows of fate, the last of which fells [the hero] as a tree is felled'. Deciding that the hero was Mahler himself, and that the symphony was 'prophetic', she then identified these three blows with three later events in her husband's life: his 'forced resignation' from the Vienna State Opera; the death of his eldest daughter; and the diagnosis of a fatal heart condition. In addition, she claims that Mahler eventually deleted the third hammer-blow from the score out of sheer superstition, in an (unsuccessful) attempt to stave off a third disaster in his own life. Again, the story has become canonic; but the difficulties it presents are several.
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Response to the film's limited theatrical release in the United States was mixed, with the film review aggregator Rotten Tomatoes reporting a 45% favorable score based on eleven reviews and a 71% "liked it" score out of 247 user ratings on the eve of the film's DVD release in May 2013.Leonie 2013 on Rotten Tomatoes, accessed May 12, 2013. John Anderson's review in Variety praised Matsui for "bring[ing] to light a curious and intriguing story of a great-woman-behind-a-great-man" and also praised the production: "Tech credit are generally good, especially d.p. Tetsuo Nagata’s bronzed and burnished widescreen lensing; the interiors in particular pay much homage to Ozu." John Anderson, "Film Review: ‘Leonie’," Variety, 24 March 2013.
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Folklore received widespread acclaim from music critics, who praised its emotional weight and instrospective songwriting, dubbing it as Swift's most subdued and sophisticated body of work yet. At Metacritic, which assigns a normalized score out of 100 to ratings from publications, the album received an average score of 88 based on 27 reviews, indicating "universal acclaim"; it is the highest score for any of Swift's albums. Rob Sheffield of Rolling Stone lauded Swift's songwriting abilities that brought out her "deepest wit, compassion, and empathy", making Folklore her most intimate album so far. Also noting the vivid, well-crafted storytelling filled with imagination and American imagery, Pitchfork's Jillian Mapes considered the album a mature step in Swift's artistry while retaining her core as a celebrated songwriter.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Parastrophics received an average score of 74% based on 22 reviews, indicating "generally favorable reviews". Heather Phares of AllMusic gave the album 4 stars out of 5, calling it "an album that's a rebirth and a welcome return for one of electronic music's most restlessly creative acts." Matthew Perpetua of Rolling Stone gave the album 3.5 stars out of 5, describing it as "a surreal pop record that gleefully warps the tones and inflections of modern radio tunes into funhouse mirror abstractions." PopMatters placed it at number 4 on the "Best Electronic Music of 2012" list, as well as number 10 on the "Top 10 Pleasant Surprise Albums of 2012" list.
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I couldn't get them to bed" (Dad with two kids 9 and 12), "Loved trying to get the clue before the thief came back to the hideout" (Peter, age 10). A review by Superkids said the game is "best suited for kids who like to hunt for clues and solve mysteries", and argues that by being "filled with challenges to spark the emerging mathematical mind", the game makes maths accessible to those who otherwise wouldn't be engaged by the subject matter. It gave the game a score (out of 5) 4.7 for educational value, 4.9 for kids appeal, and 4.9 for ease of use. A writer for PCWorld notes that "you soon realize that the math drills go on far too long.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Relayted received an average score of 78, based on 13 reviews, indicating "generally favorable reviews". Steven Hyden of The A.V. Club gave the album a grade of B+, calling it "a record fueled by the soft-rock solipsism of 10cc and loads of antidepressants." Barry Nicolson of The Skinny gave the album 4 stars out of 5, saying: "Dipping its toe in everything from soft-rock to hip-hop to R&B; and sixties soul, the songs all manage the trick of sounding roughly the same, completely unique, and uniformly superb." NME placed Relayted at number 13 on the "75 Best Albums of 2010" list.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Point received an average score of 82 based on 24 reviews, indicating "universal acclaim". Ty Burr of Entertainment Weekly described Point as "11 irresistible sound collages that feature driving beats, amiable guitar acoustics, and a quadraphonic sense of aural play that encourages rampant headphone abuse." LA Weeklys Dan Epstein found it to be a "consistently whimsical and inventive" record, while The A.V. Clubs Noel Murray called it "a magnificent piece of pop architecture." AllMusic editor Heather Phares found that despite Point eschewing the "stylistic about-faces" of Fantasma, "the restraint and cohesion Oyamada brings to the album make its louder and crazier moments... that much more distinctive".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 81, based on 10 reviews, indicating "universal acclaim". John Bush of AllMusic gave the album 4.5 stars out of 5, saying: "Ten years after West Coast rap began to slow down, Rjd2 shows he can interpret it for the 21st century, with huge hooks that draw listeners in, but clever productions that allow for all of Aceyalone's talents to shine through." Nathan Rabin of The A.V. Club gave the album a grade of A−, saying: "Aceyalone hasn't felt this vital in ages, and RJD2's creative winning streak continues unabated." Jonathan Keefe of Slant Magazine named it the 9th best album of 2006.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 75, based on 26 reviews, indicating "generally favorable reviews". Andy Kellman of AllMusic gave the album 4.5 out of 5 stars, writing, "Its stimulating combination of cerebral and seductive qualities makes for a grip that is tight and lasting." Robert Alford of PopMatters gave the album 8 out of 10 stars and commented that "perhaps the album's brevity is one of its strengths, as there are many great hip-hop albums out there that suffer from too much filler, too many interludes and the occasional total misfire." MusicOMH placed it at number 62 on the "Top 100 Albums of 2012" list.
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Divers have to perform a set number of dives according to established requirements, including somersaults and twists. Divers are judged on whether and how well they completed all aspects of the dive, the conformance of their body to the requirements of the dive, and the amount of splash created by their entry to the water. A possible score out of ten is broken down into three points for the takeoff (meaning the hurdle), three for the flight (the actual dive), and three for the entry (how the diver hits the water), with one more available to give the judges flexibility. The raw score is multiplied by a degree of difficulty factor, derived from the number and combination of movements attempted.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 80, based on 8 reviews, indicating "generally favorable reviews". Ian King of PopMatters gave the album 8 out of 10 stars, saying, "The piece is so gradual that when the curtain finally does fall the phantom of that piano loop lingers in the ears for long after." Meanwhile, Brian Howe of Pitchfork gave the album a 7.4 out of 10, saying, "it has endless variation at the micro level, which creates the sense of a paradox—repetition that is impossible to grasp, slipping ceaselessly through your fingers." Fact placed it at number 40 on the "50 Best Albums of 2015" list.
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The film received generally mixed reviews from critics, who praised the acting, particularly the performances of Bell and Wahlberg, while criticizing the gruesome nature of the story, which some deemed unnatural after its predecessor. Review aggregator Rotten Tomatoes reports that 37% of 122 critics have given the film a positive review, with a rating average of 4.59/10. The site's consensus was, "Saw II is likely to please the gore-happy fans of the original, though it may be too gruesome for those not familiar with first film's premise." Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, gives the film a score of 40 based on 28 reviews, indicating "mixed or average reviews".
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We Got It from Here... Thank You 4 Your Service was met with widespread critical acclaim. At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream publications, the album received an average score of 91, based on 26 reviews; it was the year's best-reviewed hip hop album and fourth best-reviewed album overall, according to the website. Reviewing the album for Entertainment Weekly in November 2016, Ray Rahman said the album "vividly demonstrate[s] the group's unassailable greatness and continued relevance". Christopher R. Weingarten of Rolling Stone believed that "in both delivery and content", A Tribe Called Quest "maintain the attitude of the Bohemian everydude funkonauts that inspired Kanye West, Andre 3000 and Kendrick Lamar (who all appear here)".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Making Time received an average score of 71 out of 100 based on 12 reviews, indicating "generally favorable reviews". Britt Julious of Pitchfork gave the album a 7.4 out of 10, describing it as "a testament to the strength of traditional music composition: simple guitars, slinky bass lines, and sophisticated songwriting." Lanre Bakare of The Guardian gave the album 4 stars out of 5, writing, "Woon might have been expected to return with a dancefloor-focused second album, but instead he's taken the soul road, and it sounds like a brilliant statement of intent." NPR named it one of the "Top 10 Slept-On R&B; Albums of 2015".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 79, based on 6 reviews, indicating "generally favorable reviews". Jake Paine of HipHopDX gave the album a 4.0 out of 5, saying: "The artist knows he might not fit into the musical worlds that influenced him, but he pays homage to them without sacrificing much of his own dignity." Hari Ashurst of Pitchfork wrote, "there's enough of a sweet spot in the clean, backward-leaning production and offbeat samples to allow the record to distinguish itself as more than a sum of disparate parts." Rhapsody placed it at number 8 on the "Top 20 Hip-Hop Albums of 2012" list.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 76, based on 4 reviews, indicating "generally favorable reviews". James Christopher Monger of AllMusic gave the album 3.5 out of 5 stars, describing it as "a densely packed, atmosphere-driven conceptual piece with one foot in the underground rap scene and the other in the increasingly elastic indie pop realm." He added, "the two manage to find a little tenderness in their protagonists' struggles, and while it can make for some uncomfortable moments, it's never not compelling." In June 2016, Christopher R. Weingarten of Rolling Stone named it one of the "Best Rap Albums of 2016 So Far".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 84% based on 5 reviews, indicating "universal acclaim". Steve Shaw of Fact gave the album a 4.5 out of 5, saying, "Black Jazz Signature captures a sheer flood of music, parts crashing and reforming around each other as they break away, jut out, drop back, or lace themselves around others." Michael Harkin of XLR8R gave the album an 8 out of 10, saying, "the mix has the feeling of a continuous, subtly shifting jam that continually stirs and stimulates, much like Parrish's sets behind the decks." Resident Advisor placed it at number 5 on their list of the top 10 official mixes of 2013.
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This Milroy and Milroy study examined vernacular English as it was spoken in inner-city Belfast in the 1970s, in three working class communities in Belfast: those in the Ballymacarrett area, the Hammer area, and the Clonard area. Milroy took part in the life of each community as an acquaintance, or 'friend of a friend', investigating the correlation between the integration of individuals in the community and the way those individuals speak. Each individual studied was given a network strength score based on the person's knowledge of other people in the community, the workplace and at leisure activities to give a score of 1 to 5, with 5 being the highest network 'strength score'. Out of the five variables, one measured density, while the other four measured multiplexity.
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In the 25-year history of the magazine, more than 4,500 games have been reviewed. Reviewed games are given an overall score out of 100. Although several games have received scores high in the 90s, only twenty have been given a perfect 100: these are Escape From CyberCity, Mortal Kombat 2, Mortal Kombat 3, Mortal Kombat Trilogy, Sentinel Returns, Art of Fighting 2, Tekken, NBA Jam, Vampire Hunter, Gran Turismo 2, Super Mario Galaxy, Grand Theft Auto IV, LittleBigPlanet, Uncharted 2: Among Thieves, World of Warcraft: Cataclysm, Fallout 3 , Fallout 3 review review on pu.nl, 29 October 2008 Grand Theft Auto V GTA V-review review on pu.nl, 16 September 2013, The Legend of Zelda: Breath of the Wild The Legend of Zelda: Breath of the Wild - Review review on pu.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 75% based on 23 reviews, indicating "generally favorable reviews". At Alternative Press, Reed Fischer rated the album three-and-a-half out of five stars, stating that "Close To The Glass resembles ice-skate carvings on a frozen lake: jagged, cold but filled with fractured ambient beauty." Heather Phares of AllMusic rated the album four stars, noting "the way they join the organic and the electronic, the cerebral and the emotional on Close to the Glass makes it the most thoroughly rewarding and enjoyable album of the Notwist's career to date." Close to the Glass received a nomination for IMPALA's European Independent Album of the Year Award.
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At the end of the ninth grade, three tests are taken, such that each will have a score of: French Literature and Language: 100 History - Geography and Moral and Civic Education : 50 Mathematics: 100 Physics - Chemistry , Life and Earth Sciences and Technology (any 2 of the 3): 50 And as of 2011, an oral exam in cultural history, since replaced by the presentation of a school or work experiencehistoire des arts is mandatory for all students in the ninth grade. It is taken before the three other tests. It consists of writing an essay (around 2000 words) about any art form and analyzing 6 to 8 paintings, then presenting them to two teachers for 10–15 minutes then answering questions that they ask. This also has a score out of 100.
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Pitchfork Medias Marc Hogan opined that the song "both lives up to the expectations and sidesteps them", writing: "With a sound like this, why stay on land?" Similarly, Collin Brennan, of Consequence of Sound, said it was "totally worth all the buzz", and Stereogum writer James Rettig dubbed the track: "more than good enough on its own, an enticing and theatrical piece of futuristic pop music". Fact published a review of "Landcruisin, to which five journalists contributed with commentary, and their score out of 10 points. Daniel Montesinos-Donaghy and Tayyab Amin awarded it a rating of 9 – the latter deemed it "wonderfully complete", whereas Montesinos-Donaghy stated: "[it] has a Technicolour ambition held within its blog-cycle frame, and Paul sounds as eager as possible to outgrow his frame as soon as possible.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 54, based on 6 reviews, indicating "mixed or average reviews". Jordan Sargent of Pitchfork gave the album a 3.0 out of 10, writing, "An album of original productions was a logical next step for a group that's been slowly easing its way out of mashup purgatory for years, but FEAT makes it clear that the Hood Internet were not ready." Meanwhile, Amanda Koellner of Consequence of Sound wrote, "It's doubtful that the duo will ever stop mashing up, but it's a damn good time watching them try something new." Greg Kot of Chicago Tribune placed it at number 3 on the "Top Chicago Indie Albums" year-end list.
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Famitsu gave the game a strong review, with one reviewer calling it "[one] of the most outstanding games in the series", giving it a Platinum award and giving it the highest score out of the games reviewed in that edition of the magazine. Eurogamer's Simon Parkin said that, while lacking the big-budget look of other JRPG series and sticking to many of the genre's conventions, "Namco is to be applauded for updating the series with no small amount of consideration and flair, an effort that has resulted in the strongest entry to the aging series yet". Edge praised the cast's strength and the battle system, saying that the development team's focus in other areas was what made the game enjoyable and easy to play. Andrew Fitch, writing for 1UP.
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In only the 43rd minute, Manly were in scoring position, with halfback Daly Cherry-Evans grubber-kicking for Lyon, however he was tackled without the ball by Roosters substitute Mitch Aubusson, leading the video referees to rule a penalty try. Lyon converted it to bring the Sea Eagles back to the lead at 12-8. A forced drop-out conceded by the Roosters put Manly into attacking position quickly and they capitalised, Matai scoring and Lyon again converting to push the score out to 18-8 with only 30 minutes remaining. Roosters back-rower Aiden Guerra next scored however, and a conversion brought the Roosters back into the game at 18-14, before a line-break and offload from Williams to Maloney opened the Sea Eagles' defensive line.
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Tasmania's final pool match was away against Queensland on Saturday, 20 October 2018 at the State Hockey Centre in Brisbane, Queensland. The Scorchers fielded a star-studded team featuring eight Australian national team representatives, easily accounting for the Van Demons with a 15–0 win. Stephanie Kershaw scored a field goal and conversion in the 3rd minute, Rosie Malone did the same in the 10th minute, and Rebecca Greiner also scored a field goal and conversion in the 23rd minute. Queensland had their PumpPlay, where all goals (except for conversions) are worth 2, in the final five minutes of the first half, and during that period Malone scored a PumpPlay field goal and conversion, and Jodie Kenny scored a PumpPlay penalty stroke and conversion, to balloon the half-time score out to 12–0 in favour of the Scorchers.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 80 based on 18 reviews, indicating "generally favorable reviews". Tim Sendra of AllMusic gave the album 4 stars out of 5, saying: "On their debut record, Return to the Sea, Montreal's Islands have crafted a rich, exciting, and emotionally deep sounding album that carries on the freewheeling spirit and sound of the Unicorns as well as that of the Elephant 6 bands of the late '90s." John Motley of Pitchfork gave the album an 8.4 out of 10, calling it "a sprawling, gorgeous collection of pop songs that draws from disparate sources such as calypso, country, and hip-hop." No Ripchord placed it at number 10 on the "Top 50 Albums of 2006" list.
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On Rotten Tomatoes, the film has an approval rating of 87% based on reviews from 259 critics, with an average rating of 7.54/10. The website's critical consensus reads, "As strange as it is thrillingly ambitious, The Lobster is definitely an acquired taste — but for viewers with the fortitude to crack through Yorgos Lanthimos' offbeat sensibilities, it should prove a savory cinematic treat". On Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the film received an average score of 82, based on 44 reviews, indicating "universal acclaim". Oliver Lyttelton of The Playlist awarded the film an "A" grade and described it as "an atypically rich and substantial comedy" with "an uproarious yet deadpan satire concerning societal constructs, dating mores and power structures that also manages to be a surprisingly moving, gloriously weird love story".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Alone for the First Time received an average score of 72% based on 9 reviews, indicating "generally favorable reviews". Felicity Martin of Clash gave the album an 8 out of 10, saying, "It's a sad record, but one that envelops you in a warm hug, wipes your eyes and plays with your hair." Jonah Bromwich of Pitchfork gave the album a 6.0 out of 10, saying, "Alone for the First Time is the furthest he's pushed himself, and the growing pains on the album can be chalked up to the strain of trying new things, a kind of adolescent awkwardness that shows signs of maturing into something sophisticated and unique." CMJ placed the album at number 3 on the "30 Best Albums of 2014" list.
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At the 73rd British Academy Film Awards, the film won Best Actor in a Leading Role (Phoenix), Best Casting and Best Original Score out of a leading eleven nominations including Best Film. The film was nominated for four Golden Globe Awards for the 77th Ceremony, winning the awards for Best Original Score and Best Actor (Phoenix). The film was nominated for seven awards at the 25th Critics' Choice Awards, winning Best Actor (Phoenix) and Best Score, and was included in the American Film Institute's top 10 films of 2019 Having won an award at the 26th Screen Actors Guild Awards for Phoenix's performance, Joker also received nominations from other guilds including the Writers Guild of America Awards and the Producers Guild of America. It won a Best Period and/or Character Make-Up in a Feature-Length Motion Picture award from the Make-Up Artists and Hair Stylists Guild.
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The Audience Appreciation Index (AI) is a score out of 100 which is used as an indicator of the public's appreciation for a television or radio programme, or broadcast service, in the United Kingdom. Until 2002, the AI of a programme was calculated by the Broadcasters' Audience Research Board (BARB), the organisation that compiles television ratings for the major broadcasters and advertisers in the UK. Currently the AI is produced as part of an online Television Appreciation Survey, on behalf of the BBC Audience Research Unit, by GfK NOP. As the individual ratings that produce the AI of a programme are recorded online the day after broadcast, the resulting score is usually available two days after broadcast, though these scores are not generally made public by the BBC. The AI is considered especially useful for assessing the level of appreciation by viewers for programmes made for small or specialist audiences.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Tracer received an average score of 71, based on 25 reviews, indicating "generally favorable reviews". Sarah H. Grant of Consequence of Sound gave the album a grade of "B" and commented that "Teengirl Fantasy's interpretation of dance-pop through a technical EDM filter recalls Sonic Youth's re-interpretation of hardcore punk through indie rock." Jayson Greene of Pitchfork gave the album a 7.0 out of 10, saying, "If Tracer has significant replay value, it's for the parsing of the details of its light-filled surface, for the sounds themselves." George Bass of Slant Magazine gave the album 4 out of 5 stars, describing it as "a carefully balanced collage of experimental electronica and stylish vocal pop on which Nick Weiss and Logan Takahashi display a technical prowess to match many of EDM's current stars".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 80, based on 21 reviews, indicating "generally favorable reviews". Nathan Rabin of The A.V. Club gave the album a favorable review, saying, "Since We Last Spoke finds RJD2 sounding like some blessed creature who's able to tune in every radio station in the world, past and present, and mix them together into a cohesive whole." He added: "For all its adventurousness and genre-mashing, the album has a surprising pop sensibility." Dave Heaton of PopMatters concluded, "If you think of hip-hop as a musically conservative genre (as it's often called) or if you consider most instrumental hip-hop to be predictable or even dull, chances are good that Since We Last Spoke will do more than just surprise you, it'll blow your world apart".
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" GamePro commented that the 32X version had "straightforward controls", graphics relatively close to the arcade version, and was "a nice trip down memory lane", while Next Generation dubbed it "a decent, solid game". AllGame enthused: "No fan of the game who owns a 32X should be without it. It's one of the few must-haves on the system." However, Lucas Thomas of IGN rated the 2008 Wii port a 4.5 score out of 10, citing its "poor visuals and poor control" and "dulled" color palette, and Jeff Gerstmann of Giant Bomb, in his review of Sonic's Ultimate Genesis Collection, criticized the Space Harrier emulation's "numerous audio issues that make it sound completely different from the way the original game sounds." Bob Mackey of USGamer said of the Nintendo 3DS port: "Space Harrier remains a shallow game built around dated visual pizazz, and that hasn't really changed.
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HTML5test is a web application for evaluating a web browser's accuracy in implementing the web standards HTML5 and Web SQL Database (developed by the World Wide Web Consortium), as well as the WebGL standard (developed by the Mozilla Foundation and the Khronos Group). The test suite was developed by Dutch web programmer Niels Leenheer, and published in March 2010. To test a web browser, the user must visit the home page of the website which is located at `html5test.com`. The application returns an integer score out of a possible 555 points. The point total has changed multiple times through the evolution of the software; Leenheer introduced the present scoring system as part of a major redesign of the test introduced in November 2013. HTML5test evaluates the browser's support for Web storage, the W3C Geolocation API, HTML5-specific HTML elements (including the canvas element), and other features.
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Dangerous Woman received positive reviews from music critics. According to Metacritic, which assigns a weighted average score out of 100 to ratings and reviews from mainstream critics, critics gave Dangerous Woman a score of 76, based on 14 reviews, indicating "generally favorable reviews". Stephen Thomas Erlewine wrote for AllMusic that "track by track, Dangerous Woman has sly, subtle distinctions – a little bit of torch gives way to some heavy hip only to have frothy pop surface again", and that "while some of these cuts work better than others, the range is impressive, as is Grande's measured, assured performance." In his review for Entertainment Weekly, Nolan Feeney commented that while Grande's previous album, My Everything, "suffered for trying to be everything", on Dangerous Woman, "with a streamlined team of hitmakers such as Max Martin, she pulls off pop, R&B;, reggae, and house—all without overextending herself or pandering to trends".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 72, based on 8 reviews, indicating "generally favorable reviews". David Jeffries of AllMusic gave the album 3.5 stars out of 5, saying, "even if More Is Than Isn't doesn't flow as well as his previous efforts, this everything-and-the-kitchen-sink experience is dazzling, always leaving the listener wondering what might come next." Nate Patrin of Pitchfork gave the album a 7.7 out of 10, saying: "While the vocal tracks are well-realized, this is the first album RJ's made in a long time that actually feels like it's satisfied to say most of what it has to say in instrumental form." Cleveland Scene placed it at number 9 on the "Top 10 Albums and Singles You Didn't Hear in 2013" list.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, The Autobiography received an average score of 71 based on 12 reviews, indicating "generally favorable reviews". Will Rosebury of Clash gave the album a 7 out of 10, saying, "Although the succession of lukewarm tracks early on prevents this from being a flawless debut, Vic Mensa does enough to keep the album an engaging listen even in its misguided moments." Jay Balfour of Pitchfork gave the album a 6.9 out of 10, saying, "Perhaps Mensa has been less urgent in developing his artistry, but The Autobiography gathers up all his charms, including his most compelling case as a genre- agnostic vocalist alongside some missed-the-mark rock crossovers." Jordan Bassett of NME gave the album 4 stars out of 5 and called it "a scattershot album gelled together by Mensa's emotionally frank lyrics, which reveal a complex persona".
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 67, based on 24 reviews, indicating "generally favorable reviews". MusicOMH London writer Michael Hubbard wrote, "Noah's Ark has a dreamlike quality to it." Sarah Peters, a former music editor and staff writer for LAS wrote, "Symbolically, the guiding light is important to all who have journeyed on Noah's Ark, and CocoRosie have presented a lesson in love, through hardship, that may not have been as powerful otherwise." In comparison to the sisters' previous work, writer Johnny Ray Huston of the San Francisco Bay Guardian noted, "Their new album, Noah's Ark (Touch and Go), has a more restless feel than their debut – the scratchy, tiny, Victrola-sounding vocals of La Maison sometimes give way to a more naturalistic recording style." Another review came from Heather Phares, writer for allmusic, who commented on the album’s vibe in particular.
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The film received overwhelmingly positive reviews, with review aggregator Rotten Tomatoes reporting a 95% approval score from critics based on 22 reviews. Metacritic, which assigns a weighted average score out of 100 to reviews from film critics, posts a rating score of 78 based on 10 reviews. While the film has not received any negative reviews, New York Times critic Ben Kenigsberg, noted Maddin's "slight arrogance in presuming that one of the greatest films of all time [Hitchcock's Vertigo ...] could be approximated, even a little, using clips from lesser directors" but also notes that "if trying to recreate a lost object of obsession from the materials at hand was Hitchcock’s subject, then he couldn’t ask for a more fitting tribute" and calls the movie " a marvel of film scholarship." Ty Burr, writing for the Boston Globe, called the film "eerie, witty, and unexpectedly moving" and compared it to Christian Marclay's installation film The Clock.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 90, based on 16 reviews, indicating "universal acclaim". NME magazine rated XTRMNTR #2 in its "Top 50 Albums Of The Year 2000",NME (30 December 2000, page 77) and later at the NME Carling Awards 2001, it won "Best Album" of the year. Uncut, like NME, named it at #2 on their list of the best albums of 2000. Over the years, it has gathered more praise, including appearances on lists of the top albums of the 2000s: NME placed it at #3 of their top 50 albums of decade list and Pitchfork placed it at #142 in its Top 200 Albums of the 2000s list. Metacritic placed it at #20 of the 40 best reviewed albums released 2000-9. In 2001, Q magazine named it as one of the "50 Heaviest Albums Of All Time". Praising the production, Stylus Magazine included the album on their 2006 list of the "Top Ten Best Sounding Records, 1997–Present", and later ranked the album at number 10 on their "Stylus Decade" list of the "Top 100 Albums of the 2000s". In October 2011, NME placed "Swastika Eyes" at #45 and "Accelerator" at #114 on its list "150 Best Tracks of the Past 15 Years".
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