Designed by Marvel Architects, it purposefully reinterprets the traditional Brooklyn Brownstone.
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This curious novel reinterprets two of Sophocles' Theban plays, Oedipus Tyrannus and Antigone.
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This new rule reinterprets the past in the aim of further lowering legal immigration.
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Polaroid's latest camera, the Pop, reinterprets the company's classic instant camera for the social media era.
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"the pig," where he reinterprets old school Danish fast food classics with a touch of refinement.
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Either way, we're looking forward to seeing how this new royal couple reinterprets old-timey traditions.
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Meghan Remy's seventh album, "Heavy Light," reinterprets some of her earliest work through a fresh lens.
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With his camera obscura, Shi Guorui reinterprets the landscapes of the Hudson River School painter Thomas Cole.
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The new staging reinterprets the story of Nazi persecution as one of illegal immigrants and ICE enforcement.
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A Durham folk music preservationist, Fussell lovingly respects and reinterprets these historic off-the-beaten path numbers.
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But the remainder of Keepin' It Clean reinterprets the washboard as the site of simultaneous subjugation and insurrection.
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Koeper asserts that there are innocent bystanders who could get "sucked in" if the FCC reinterprets the law.
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The decree reinterprets the country's 2003 Statute of Disarmament passed during the presidency of Luiz Inácio Lula da Silva.
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Playing with the history of pastoral painting, Noel reinterprets her landscapes to reflect the changes inflicted by earthquakes and demolition.
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The latest is from Margaret Atwood, who reinterprets the play as a heartbreaking novel, told in gorgeous yet economical prose.
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Coiffe, the most discreet and gender-neutral theme, reinterprets the concentric circles of her headdress on pendant and bracelet discs.
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This pioneering company radically reinterprets the classics, not just updating them through contemporary productions, but cutting, reorchestrating and rearranging them.
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Like the liberal writer Mark Lilla, Caldwell reinterprets Reagan as an enabler, not an opponent, of Me Generation self-absorption.
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It's a playground that capsulizes and reinterprets the everyday objects, habits and lifestyles of a fifteen-year span of American life.
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At Japan Society, Simon Starling reinterprets a one-act play by W. B. Yeats in which Japanese Noh theater met European modernism.
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The number of people working has grown as the Trump administration reinterprets longstanding rules, often to the benefit of the president's base.
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Whitfield Lovell reinterprets found imagery and references evocative cultural touchstones to add further layers and textures to his drawings and mixed media installations.
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His work processes and reinterprets everyday objects and scenes until they become imbued with a playful originality that drifts between humor and subversion.
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Mr. Wechsler takes the phrase OBLIQUE REFERENCE — our revealer at 60A — and reinterprets it as reference books that are lying on a slant.
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HUD's proposed rule reinterprets this provision as only requiring local jurisdictions to increase housing affordability, primarily by lifting regulatory barriers to housing production.
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Through the allegory of the multiverse, Zapata reinterprets the extent and toll of exile on Earth, the gulf between universes of human experience.
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A man framed by a wreath of lemons and greenery reinterprets a familial coat of arms by Marco (Fra Mattia) della Robbia from 1510.
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Even more striking are Vanderpoel's 54 grids, or "Color Analyses, " in which she reinterprets various objects as geometric designs made up of 100 squares.
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Ms Reihana, who is Maori and British, brilliantly reinterprets an early 19th-century French wallpaper depicting Captain James Cook's journeys to the Pacific islands.
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The Moirai are in charge of controlling the "thread of life" of every mortal, which Alva reinterprets as a metal chain in his image series.
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It doesn't set out to be a modern-day take on Dracula at first; instead, it reinterprets Bram Stoker's original novel across a wider canvas.
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It's delicate work that radically reinterprets flowers and yet retains a crucial aspect of them; it's like hearing a familiar voice speaking in a different language.
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Miranda's musical is fanfiction — that is, it's literally a creative text written by a fan that reinterprets or expands upon a previously existing source material, or canon.
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She has a preference for overheard speech, "tangled, yet correct, syntax," and, very often, for writing that reinterprets a text or pokes fun at conventional, sentimental writing.
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He doesn't just collect the German cars, he reinterprets them—tuning their engines, modifying their bodies, painting them in vivid racing livery, and installing bespoke tartan seat panels.
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Just as cultural trends change, so do Swardspeak words' definitions evolve and quickly shift, like a verbal jazz which riffs upon and constantly reinterprets the world at large.
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" The shoot was set at historic Norfolk estate Houghton Hall, which perfectly displays the brand's vision: "The new Miu Miu girl reinterprets the sartorial rules of the past.
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By setting Genovés's words in counterpoint with the recollections of seven of the participants who are still alive, he reinterprets the experiment, finding meanings that the scientist missed.
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He reinterprets Coates's story about a white woman who shoved his child in a movie theater, suggesting that she may have been broadly obnoxious rather than specifically racist.
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Radio Garden pulls together all the conceptual elements that were striking about the site whose name I can't remember and reinterprets them in a way that works so well.
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Okay you've probably heard this one, but unlike the glut of uninspired "Hotline Bling" freestyles, the Queen of Neo-Soul completely reinterprets the song and makes it her own.
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Titled Kin, the collection reinterprets photographs originally taken for passports, ID cards, or mugshots, and pairs each sketch with a found object, from a stuffed crow to a floral wreath.
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It also reinterprets R. Luke DuBois' Times Square Portraits as video art, broadcasting more than 17,000 faces and photos the artist took and posted to social media during his residency.
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In the performance at the Joyce, he reinterprets the piece for a contemporary audience with his own dancers (still all women) whose traits he believes mirror those of Brown's first cast.
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The new artwork reinterprets the biblical manger scene as occurring against the backdrop of the modern concrete barrier, which appears punctured with a blast that created the shape of a star.
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The 23-piece collection reinterprets classic '80s cuts for millennial shoppers to create an aesthetic honed by the Jenner's own swimwear, featuring separates starting at $57 and one-pieces beginning at $125.
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On Friday, the Givenchy designer Riccardo Tisci will introduce the Rottweiler, a capsule collection that reinterprets his popular canine print in white outlines on a T-shirt ($3403), sweatshirt ($2340) and more.
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Using textile design programming, the printer reinterprets African tribal symbols, rendered in thick, textural lines of clay and acrylic paint, onto a heavily gessoed canvas (paper cannot support the weight of the material).
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Ultimately, Songs For Our Mothers is like a decomposing onion, with layer upon layer of ideas, that somehow reinterprets and builds on their debut release, Champagne Holocaust, in the way all good art should.
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In "Way of Replay II (Off Peak)" (2017), Donghee Koo reinterprets the meandering paths and complex architecture of the area where she was given space to make and install her work, Al Mureijah Square.
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Finding inspiration in historical archives, old song books and even YouTube, Fussell reinterprets a mix of traditional American and Irish songs, many of which date to the late 19th century, for the modern era.
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Griffey notes that the work is quoted in both "Welcoming the Newcomers" and "Resurgence of the People," but in the latter, Monkman reinterprets the man and woman painted by Delacroix as a lesbian couple.
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And she, too, reinterprets his criticism of Jo's writing: Now, instead of moralizing to her, Bhaer is giving Jo constructive feedback because he respects her and her talent enough to be brutally honest with her.
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Titled The Theater of Disappearance, the installation, curated by Beatrice Galilee, reinterprets art history as established by one of the most influential Western institutions while also investigating the collecting practices that have shored up its troves.
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Most importantly, it dramatically reinterprets the existing federal requirement that says gun permit applicants need to go to the federal police to prove they have an "effective necessity" for a gun in their home or workplace.
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Save for the backdrop, creative director Nicolas Ghesquière sent an artful, cohesive collection — a result of what happens when the runway doesn't just embrace the increasingly popular athleisure trend, but reinterprets it and makes it its own.
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"I was always embarrassed by the food at home," said Ms. Morales, the chef and co-owner of the popular restaurants Kachka and Kachinka here in Portland, where she reinterprets the Russian-Soviet home cooking she grew up with.
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Artist Sadie Barnette reframes the legacy of the Black Panthers in Do Not Destroy, a highly-personal exhibition at Baxter Street New York, that reinterprets declassified FBI documents on her father, an ex-Black Panther, through Barnette's own artistic sensibilities.
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The "Caravaggio Experience" is starting shortly after the Victoria and Albert Museum in London also opened an exhibition that reinterprets the work of another Italian master, showing Renaissance painter Sandro Botticelli's works alongside versions by pre-Raphaelite and pop artists.
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Created by Michael Davis, who also brought us ICBM, the Desert Bus of war games, MILITARY-INDUSTRIAL COMPLEX reinterprets the titular concept, the machine that perpetuates war for national profit, into a two-button, one-bit test of your idiot patience.
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"Inspired by the designs seen in a trip to the Converse archive, Telfar crafted a collection that reinterprets Converse's basketball heritage and taps iconic silhouettes, like the Pro Leather, ERX, and Chuck 70, as his canvases," a press release says.
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"We don't really do minimal or modern work, it normally picks up on cues or references from the old house and then reinterprets those in a modern way to create a bit of a continuity or homogeny," Mr. Stanley said.
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Michael McCaul, the top Republican on the Foreign Affairs Committee, argued that US forces are not engaged in the hostilities in Yemen and the resolution reinterprets US military assistance for Saudi Arabia as support for Saudi Arabia's actions in Yemen.
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Their study, published in the Indian Journal of History of Science, reinterprets a curious scene: since archaeologists unearthed the irregular stone slab in 1969, experts have believed that its markings depict a hunting scene, with armed men chasing fauna beneath two radiating, sun-like objects.
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The award winning fantasy author has long been fascinated by North Germanic story traditions, and in a new book titled Norse Mythology, coming in February 2017, he'll be going straight to the source in a book that reinterprets the ancient stories for a modern audience.
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"The EY Centre is a building that reinterprets and honours the uniqueness and history of this place, positioned at the edge of Sydney's Tank-Stream (the first water source of the colony of New South Wales)," wrote architecture firm Francis-Jones Morehen Thorp in the project description.
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All of these limitations were healthy, even necessary, to keep in check Dirand's extreme nature, fueled by the gnawing drive toward a new vision of minimalism that both reinterprets history and hints at the future, and an obsessive love of details so minute they are nearly microscopic.
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It's probably not the most accurate representation of Reynolds herself, who was seemingly put up to it by her husband in order to extort Hamilton; but Scott reinterprets the story and re-empowers Reynolds, putting her in charge of her own story, giving her control of her own narrative.
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As Sal Cinquemani noted for Slant magazine, Gomez is at her best on "Revival" when she reinterprets well-worn pop music tropes with sincerity and self-awareness — that is, an awareness that no human experience is straightforward or correct, that every emotion is muddled by layers and grooves.
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All summer, Cardi B's hit "I Like It" — which went to No. 250 the week of July 1503 — has been introducing a generation of listeners to a Latin classic more than 2150 years old: Pete Rodriguez's "I Like It Like That" from 2400, which Cardi B liberally samples and reinterprets.
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It's a loose, ongoing collaboration between five friends with five disparate solo practices: Jose de la O studied in Eindhoven and makes concept-driven products, Jorge Diego Etienne helms a full-service creative studio, Moisés Hernández reinterprets everyday Mexican objects, Joel Escalona does industrial design for big brands and Ian Ortega focuses on simple utilitarian furniture.
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In the GOP's telling, everything that is not in this bill will be added in phase two, when Health and Human Service Secretary Tom Price reinterprets unspecified regulations to strengthen insurance markets, and in phase three, when Republicans attain a 60-vote Senate majority and pass all the changes they couldn't fit through the filibuster-proof budget reconciliation process.
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In the film, a fish is ordered by a woman in London, complete with her "unique" blue eyes, and we are then taken back along the production line of the company that manufactured it, as the film reinterprets the supply chains of South East Asia to become those of a futuristic biotech industry that produces human genome-coded animals.
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At RISD's site in Rome, Illustration Professor and Dean of Fine Arts Robert Brinkerhoff will lead Illustrating Dante's Inferno, a studio that reinterprets the concept in Dante's hell, while Industrial Design faculty member Dana D'Amico will challenge the concept of how rituals and cultural norms determine how we design drinking vessels in Drinking, the Italian Way: Re-evaluating the Vessel.
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86-89"Basquiat Portrait by Kathleen Gilje Reinterprets a Classic". Arts Observer. April 18, 2012.
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The simple church is an Evangelical Christian movement that reinterprets the nature and practice of church.
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Their Gramavision/Rykodisc debut, Oranj Symphonette Plays Mancini, reinterprets the work of one of Hollywood's most memorable composers, Henry Mancini.
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The song "Moody Stix" features samples from the song "Doom Sticks" from A Quick Fix of Melancholy. "Glammer Hammer" reinterprets "Glamour Box (Ostinati)" from Messe I.X-VI.X. "Nowhere (Sweet Sixteen)" is a new arrangement of "Nowhere/Catastrophe", and "Ecclesiastes (A Vernal Catnap)" reinterprets the ending of "Tomorrow Never Knows"; both original songs are from Perdition City.
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Pierre-Yves Plat (born 1980 in Paris) is a French pianist who reinterprets classical masterpieces into jazz, ragtime, boogie, salsa and disco.
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P. 229. Checkmark Books. New York. . This movement combines and reinterprets elements of traditional Iroquois religious beliefs with elements adopted from Christianity, primarily from the Quakers.
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Hunter Cole is an artist and geneticist. She reinterprets science as art through the creation of living artworks, abstractions, digital art and installations confronting issues related to biotechnology in our culture.
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He borrows, modifies, alters, copies, pastes, reinterprets and decontextualizes objects and concepts he finds in the history of art from Italian renaissance to contemporary art, through haute couture and fashion, comics, architecture and photography.
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Benevento is also a member of the band Bustle In Your Hedgerow, a band that reinterprets the music of Led Zeppelin. In 2006, Benevento recorded an improvisational 32 minute song for Zach Hill's Astrological Straits.
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Sound walls were pioneered as both art and architecture incorporating abstract road motifs in bas relief concrete and historical designs by Walter Burley Griffin. The language reinterprets local aboriginal rock engravings chipped into the ribbed retaining walls.
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Niroshan is also the Managing Director of Channel One Six Television Channel of PEO TV.‘Channel One Six’ on air now Teledrama Directing Niroshan's debut as director with a tele drama is titled Sihina Aran Enna casting Chathurika Peiris, Bimal Jayakody, Roshan Pilapitiya, Namel Weeramuni, Kamal Deshapriya and others.Niroshan brings dreams to life Acting Niroshan had been casting in Angana,Nalan reinterprets Romeo and JulietNalan reinterprets Romeo and Juliet Sadisi Tharanaya,Devinda engages in a new mission with Sadisi Tharanaya WasanavewaNalan Mendis - Wasanavewa - as absorbing as ever etc. to name a few.
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Grigorescu, p.393 His Rolling the Dice piece is a meditation on the tragedy of human existence, which reinterprets the symbolism of zodiacsDrăguț et al., p.257-258 and probably alludes to the seedier side of urban life.
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The New York Baroque Dance Company produces "historically accurate" performances and also "reinterprets Baroque choreography." More than thirty opera productions have been commissioned for the NYBDC around the world. Productions include period costumes and masks. The NYBDC offers classes.
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417-418) B(mm. 419-420) G(mm. 421-422) E-flat(423-426). In measure 426 Schubert enharmonically reinterprets this dominant-seventh structure, resolving it as a German augmented 6th, thus proceeding bVI-V-I in mm. 427-429.
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SMT TOKYO is the first overseas branch of SMT HOUSE after SMT SEOUL. It is a multiplex dining space that serves various creative dishes prepared by SM based on the concept of 'Seoul Style Tapas' that reinterprets global cuisines with a modern Seoul rendition.
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Despite his scientific means of explanation, Mainländer was not afraid to philosophize in allegorical terms. Formulating his own "myth of creation", Mainländer equated this initial singularity with God. Mainländer reinterprets Schopenhauer's metaphysics in two important aspects. Primarily, in Mainländer's system there is no "singular will".
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In 2011, he created Origen, a contemporary restaurant in the city of Oaxaca where he reinterprets Oaxacan cuisine. In 2016, he is awarded as the winner of the first season of Top Chef Mexico, a reality television series that Sony Channel produces for Latin America.
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Monument is a sculpture installed in a parc of Winnipeg in 2009. It reinterprets the classical theme of drapery by presenting two ghostly characters standing under a sheet. L'Arc (2009) is a monument commemorating Salvador Allende. It is situated on the île Notre-Dame in Montreal.
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Fernando Leal Audirac (born 16 November 1958 in Mexico City, Mexico) is a visual artist, painter, sculptor, etcher and designer. He is a specialist of classical painterly techniques, such as fresco, encaustic, egg tempera, oil, that he reinterprets in a contemporary key, combining them with modern technology.
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In her Gilded collection, Bowen reinterprets Marian art of the Renaissance. Her work is in the permanent collection of the Vatican Museum of Contemporary Religious Art in Rome and in the Haifa Museum of Art in Israel. Corporate collections include Holiday Inns of America and the General Electric Corporation.
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Weird fiction is a subgenre of speculative fiction originating in the late 19th and early 20th centuries.John Clute, "Weird Fiction ", in The Encyclopedia of Fantasy, 1997. Retrieved 29 September 2018. Weird fiction either eschews or radically reinterprets ghosts, vampires, werewolves, and other traditional antagonists of supernatural horror fiction.
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The designs of S.I.C. reinterprets the original artwork by Ishinomori. The first ten volumes were only statuettes that were mounted on a stand but Volume 11: Side Machine and Kikaider marked a milestone for S.I.C. The figure was given very articulate joints because this set included a figure and a bike.
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The Hot Sauce EP was released in January 2013 on Diplo's Mad Decent label. The EP was noted as a breakout album for the group. The first single, "Demons", had a music video made directed by Benjamin Millepied, the dancer who choreographed Darren Aronofsky's 2010 film, Black Swan. The video reinterprets Michael Jackson's "Thriller".
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Paulito FG is one of the most innovative Cuban timba artists. He spontaneously moves his rhythm section through various arrangement changes, created on the spot with specialized hand signals. All the while, he constantly dances, interacts with the crowd, and reinterprets his own lyrics. Paulito's bands broke new ground with a number of innovations.
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One important local Mazahua ceremony is the Xita Corpus, held in Temascalcingo. It honors and reinterprets an ancient myth of the "xita" (old ones) who come to the town after journeying. According to the myth, they ask for food but there is none. The townspeople ask them to pray for rain, which they do.
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In the mid-1980s, Alabau retired from theater and devoted herself to poetry. In 1986, she debuted with the poetry anthology Electra y Clitemnestra. In the book, she reinterprets the Greek myths of Clytemnestra and Electra, transforming the context from heterosexual to lesbian. Central themes in her poetry include intimacy, eroticism, and lesbian love.
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Influenced by psychoanalysis she sees the subject as having to lose identity before becoming itself. The sense of self is lost in desire, as desire is a pull towards an Other. It is a hunger for that which is not present within. Butler reinterprets Hegel's category of sublation to be the developing sequence of the subject's desire for recognition.
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The drips fuse upon drying and are then removed from the plastic.Riley-Adams, Ella. 2014. "Bradley Hart Reinterprets Classical Paintings (with Bubble Wrap),"The Creators Project, May 1. This layer becomes the next series, titled Impression, which is a natural byproduct of the previous Injection work and yet constitutes an independent body of works on its own.
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Cruz's play I Don't Like Mondays was a finalist of the Margarita Xirgú and Madrid Sur contests and released in Mexico in 2012.Biography of Aixa de la Cruz, The Short Story Project, accessed March 4, 2017. The 2017 play "Animal Models," about an actress who reinterprets herself, is based on her short story of the same title.
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In 2003, she plays the part of Belle Watling in Autant en emporte le vent by Gérard Presgurvic and Kamel Ouali at the Palais des Sports de Paris. After this experience, she decides to create Showllywood, a show in which she reinterprets the standards of Hollywood musical movies. An outstanding encounter with Pierre Cardin marks a turning point in her artistic career.
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The Corn Years is an album by Death in June, released in 1989. The first Death in June material to be (officially) released in CD format, this album compiles and reinterprets output from 1985 through 1987. Personnel involved on the compilation include Douglas P., David Tibet, Rose McDowall, Andrea James, Gary Carey, Bee, John Balance, Jan O', David Tiffen, and J.R.P.
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She focuses on remembering, the impact of memory fragmentation, and how history impacts one person's current life. Abboud reinterprets fairytales in her work. She uses the well-known story of Rapunzel to explore the life of Arab women. In this series she uses pencil sketches, photos, lace, and seeds to comment on and depict the woman's normative place in society.
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The only significant Celestial Master text that survives from the Hanzhong period is the Xiang'er commentary to the Dao De Jing. This text gives insight into the Celestial Masters’ physiological beliefs, meditation practices and rituals. In addition, the commentary reinterprets the Dao De Jing to have all of humanity as its intended audience, instead of only a sage.Bokenkamp (1997), 3.
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Răileanu & Carassou, p. 132 The poem is also Fondane's comment on the Wandering Jew story (the mythical figure is rescaled into an urban Ulysses), and, according to cultural historian Andrei Oișteanu, reinterprets the Christian prejudice about Jews being eternal "witnesses" of Christ's Passion.Oișteanu, p. 341–342 Together, such motifs intimated the writer's own experiences, leading various commentators to conclude that he too was "the Jewish Ulysses".
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Another image has Rousseauesque Coyote sitting in a Paris cafe. In 1981 he illustrated a book, Legends of the Yosemite Miwok, compiled by Frank LaPena and Craig Bates. Fonseca was particularly taken by petroglyphs in the Coso Range near Owens Lake, California, and petroglyphs from throughout the Southwest United States. In 1991 he reinterprets the Maidu Creation myth all over again using imagery influenced by petroglyphs.
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"Yaoi and Boys Love" . Akiba Angels. Famous works include Hiizuredokoro no Tenshi (The Angel that Came from the Sun), an 11-volume series beginning in 1980 that reinterprets the life of the introducer of Buddhism to Japan; and Kaze to Ki no Uta (Poem of the Wind and the Trees), a 17-volume series beginning in 1976 that chronicles the relationship between two schoolboys in France.
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John Currin is another painter whose work frequently reinterprets historic nudes. Cecily Brown's paintings combine figurative elements and abstraction in a style reminiscent of de Kooning. The end of the twentieth century saw the rise of new media and approaches to art, although they began much earlier. In particular installation art often includes images of the human body, and performance art frequently includes nudity.
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Heretics is the sixth studio album by the alternative rock band Toadies. It was released in September 2015 by independent record label Kirtland Records. The studio album "re-imagines and reinterprets" several of the band's previously released songs, including the band's most popular single, "Possum Kingdom". The album also features two new songs and a cover of Blondie's 1979 hit single "Heart of Glass".
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The second passage, , reinterprets the Genesis passage prophetically, in foreseeing God resurrecting the dead bones of exiled Israel by means of his life-giving breath."Come from the four winds, O breath, and breathe upon these slain [Vulg. 'insuffla super interfectos istos'], that they may live.... And the breath came into them, and they lived, and stood upon their feet" Ezekiel 37:9-10 (RSV).
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The album is a companion piece to the tour of the same name in which Sting, performing with the Royal Philharmonic Concert Orchestra, reinterprets some of his songs as classical symphonic compositions. Symphonicities was recorded at Abbey Road Studios,Sting interview for Symphonicities, 8 July 2010. and produced by Rob Mathes and Sting. Elliot Scheiner and Claudius Mittendorfer mixed the record, and it was mastered by Scott Hull.
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This perspective and its underlying hold on American society ripened the blossoming of stories like "The Pit and the Pendulum", "Young Goodman Brown", and The Scarlet Letter. The dungeons and endless corridors that are a hallmark of European Gothic are far removed from American Gothic, in which castles are replaced with caves. Lloyd-Smith reinterprets Moby-Dick to make this point convincingly.Allan Lloyd Smith, American Gothic Fiction: An Introduction pp.
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In a similarly exploratory fashion, Halloran's procedure is largely a matter of chance, as the inks and prints are whim to natural and chemical processes. While entirely calculated, Halloran's works channel a similar uncertainty Messier faced. She reinterprets Messier's personal experience, enlivening a mystery and wonder that is often lost to scientific frustrations. Deep Sky Companion does not dwell in the unknown, but is energized by the fascinations of mystery.
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Ala Younis is a research-based artist and curator, based in Amman. Younis initiates journeys in archives and narratives, and reinterprets collective experiences that have collapsed into personal ones. Through research, she builds collections of objects, images, information, narratives, and notes on why/how people tell their stories. Her practice is based on found material, and on creating materials when they cannot be found or when they do not exist.
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Major Tom is a fictional astronaut referenced in David Bowie's songs "Space Oddity", "Ashes to Ashes", "Hallo Spaceboy", "Starman" and "Blackstar". Bowie's own interpretation of the character evolved throughout his career. "Space Oddity" (1969) depicts an astronaut who casually slips the bonds of the world to journey beyond the stars. In the song "Ashes to Ashes" (1980), Bowie reinterprets Major Tom as an oblique autobiographical symbol for himself.
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Marina Carr's dark humor is another example of her frequent use of grim themes and topics. She often draws inspiration from and reinterprets ancient and tragic myths, such as the Medea myth. The dark comedy and song lyrics that she employs have been linked to the grim tones of less recent works of Irish literature. However, Carr's tragic plays employ myths to address national violence on a domestic level.
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Tobe Hooper's remake of the film was released in 1986, In his 1955 comic novel Martians, Go Home, Fredric Brown spoofs the Wellsian invasion, and reinterprets the Martian invader as a rude house guest with ulterior motives. Brown, too, employs the "little green men" trope to describe his annoying Martians. Little green men recur in the 2009 video game Stalin vs. Martians, a spoof of earlier strategy video games.
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Bahia Shehab (; born 1977) is a multidisciplinary artist, designer, historian, creative director, educator and activist based in Cairo, Egypt. Her work is concerned with identity and preserving cultural heritage. Through investigating Islamic art history she reinterprets contemporary Arab politics, feminist discourse and social issues. Through her culturally oriented work, she is concerned with using history as a means to better understand the present and find solutions for the future.
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If, having betrayed her once, he returns to her, her kiss will bring him death; in fact, it may be this love- in-death that the man desires most.Alastair Macaulay, "Swan Lake: The Matthew Bourne version", from the programme from Matthew Bourne's Swan Lake, above. Bourne's Swan Lake radically reinterprets the myth. The focus of the ballet is turned away from the Ondine character to the man – the Prince.
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The venue straddles West Wells Street, with a tunnel for the roadway to run through it The venue straddles West Wells Street. The center's architecture reinterprets the many historic German buildings found in downtown Milwaukee. Along with art-as-design features, the John J. Burke Family Collection is scattered throughout the interior. On the Vel R. Phillips Ave side of the center is an outdoor reliquary garden named City Yard.
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Rejecting the cosmological and other proofs of God's existence, he denies that God can be regarded as the cause of movement. Movement can only be explained mechanistically from the nature of extension. The attribute of extension together with that of thought constitutes the world or universe, and its exists co-eternally with God. Wyermars reinterprets the dogma of creation ex nihilo as the absolute dependence of the world on God's power.
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New York: Anchor/Doubleday. However, some recent scholarship on Lukács's (1923) own use of the term "reification" in History and Class Consciousness has challenged this interpretation of the concept, according to which reification implies that a pre-existing subject creates an objective social world which is then alienated from it. Andrew Feenberg (1981) reinterprets Lukács's central category of "consciousness" as similar to anthropological notions of culture as a set of practices.Feenberg, Andrew.
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In 2019, Ducati launched the Diavel 1260 (available in regular and S versions). Powerful. Muscular. But also agile and effective between the curves for maximum riding enjoyment. The new Diavel 1260 combines the performance of a maxi-naked with the ergonomics of a muscle cruiser. Its design reinterprets the Diavel style with a contemporary look and integrates perfectly the 159 HP Testastretta DVT 1262 engine, beating heart of this new Diavel 1260.
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Money from a second job allows Frank to pay rent to Ida but ruins his health. Frank then settles on a plan to clear his debt with Helen. He will give over all his earnings so that Helen can go to college. After several painful and awkward confrontations, Helen reinterprets the night that Frank sexually assaulted her, concluding that she would have given herself to Frank that night had not Ward Minogue attacked her.
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"Happy" is a song recorded by South Korean singer Taeyeon, set to be released as a digital single originally on March 9, 2020 but postponed to May 4, 2020 by SM Entertainment. It is a pop song that reinterprets old school doo-wop and R&B; with a modern sound, being described as a special gift for fans with lyrics about emotion and happiness found in the time spent with loved ones.
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Daniel Libeskind has designed a residential archipelago to best meet the needs of modern living: the design reinterprets the classic residential courtyard model to create a circular pattern. The alternation of façade materials and the vertical orientation of the alignments give a sculptural effect to the buildings. A system of balconies creates outdoor spaces of different depths for each apartment. There are private gardens and access roads to buildings along the perimeter.
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Reason and Revolution: Hegel and the Rise of Social Theory (1941; second edition 1954) is a book by the philosopher Herbert Marcuse, in which the author discusses the social theories of the philosophers Georg Wilhelm Friedrich Hegel and Karl Marx. Marcuse reinterprets Hegel, with the aim of demonstrating that Hegel's basic concepts are hostile to the tendencies that led to fascism. The book has received praise as an important discussion of Hegel and Marx.
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Illustrated by Rohan Daniel Eason, the book reinterprets the works of Franz Kafka for a child audience, specifically "The Metamorphosis", "Josephine the Singer, or The Mouse Folk", and "Excursion into the Mountains" from Contemplation. Roth conceived of the project while reading "Jackals and Arabs" to his two young daughters. He and Eason re-teamed the following year for The Gobblings, about a lonely boy on a space station who must defeat a race of metal-eating monsters.
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In 2001, Leeson created the "Agent Ruby" for the SFMOMA . Since that time Agent RubyLynn Hershman Leeson's Agent Ruby has conversed with online users, which has shaped her memory, knowledge, and moods. In 2013 the SFMOMA presented Lynn Hershman Leeson: The Agent Ruby Files. This digital and analog presentation reinterprets dialogues drawn from the decade-long archive of text files of Agent Ruby’s conversations with online users and reflects on technologies, recurrent themes, and patterns of audience engagement.
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For Marx () is a 1965 book by the philosopher Louis Althusser, a leading theoretician of the French Communist Party, in which the author reinterprets the work of the philosopher Karl Marx, proposing an epistemological break between the young, Hegelian Marx, and the old Marx, the author of Das Kapital (1867–1883). The book, first published in France by François Maspero, established Althusser's reputation. However, Althusser later criticized the work, believing that in it he had neglected the class struggle.
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In January 2015, Everclear announced its fourth annual multi-city Summerland Tour via Twitter. The 2015 Summerland Tour featured Everclear and Toadies, as well as alt-rock bands American Hi-Fi and Fuel. In June 2015, Toadies announced that its eighth album, Heretics, would be released September 18. The album "re-imagines and reinterprets" several Toadies songs such as "Possum Kingdom" and "Backslider," and featured two new songs and a cover of Blondie's 1979 single "Heart of Glass".
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It appears on the album's visual mix, accompanied by clips of the Velvet Underground's banana design emerging from Peaches' groin from The Teaches of Peaches. British singer Bat for Lashes has performed a live cover version. On Gorgon City's 2014 album Sirens, Erik Hassle reinterprets the refrain for "FTPA", a song about casual sex. "Fuck the Pain Away" became a popular choice when film and TV soundtracks were in need of a catchy but objectionable song.
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Sleeping Betty () is a Canadian animated short film that humorously reinterprets the classic fairy tale, Sleeping Beauty. Awards for the film include Best Animated Short at the 29th Genie Awards, the Audience Award at the Etiuda&Anima; International Film Festival, the Audience Award and Judges Award at the Melbourne International Animation Festival, Best Animation at the Jutra Award, as well as the Public Prize and the Best Canadian Animation Award at the Ottawa International Animation Festival.
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Ratosh continued publishing poetry and enjoyed a brief renaissance as an ideologue after the Six-Day War. His political philosophy had an impact across the political spectrum: sharing the Right's irredentism and advocating a secular (in lieu of Jewish) state like post-Zionists, particularly radical peace advocate Uri Avnery. His last poem in book form was Hava ("Eve"), published in 1963. In it, he reinterprets the story of the Garden of Eden as the coronation of a Rain God.
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An admirer of Matisse's cut-outs and of Synthetic Cubism, from the mid-1980s he began to borrow images and designs directly from more recent artists. In We Are Not Afraid (1985), he develops Barnett Newman’s zip motif into a spiral; the title is a reply to Newman's series of paintings Who's Afraid of Red, Yellow and Blue (1966–70). In Defiance (1986), he reinterprets work by Bridget Riley. His first solo exhibition was in New York in 1982.
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From 1826 these motifs became a permanent feature of his output, while his use of color became more dark and muted. Carus wrote in 1929 that Friedrich "is surrounded by a thick, gloomy cloud of spiritual uncertainty", though the noted art historian and curator Hubertus Gassner disagrees with such notions, seeing in Friedrich's work a positive and life-affirming subtext inspired by Freemasonry and religion.Lüddemann, Stefan. "Glimpses of Mystery In a Sea of Fog. Essen’s Folkwang Museum reinterprets Caspar David Friedrich ".
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Although the novel fits into the storyline of The Vampire Chronicles, the vast majority of it consists of Memnoch's account of cosmology and theology. The novel follows up on claims made by David in The Tale of the Body Thief that God and the Devil are on better terms than most Christians believe. It also reinterprets biblical stories to create a complete history of Earth, Heaven and Hell that fit neatly with the history of vampires given in The Queen of the Damned.
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With these he presents his own satirical campaign for a fictitious product called Forever Free. This product symbolizes the false promises of freedom made to African Americans by America and particularly also by the consumer market through their false images. To show connections between the past and the present, Charles takes common Black stereotypical characters and reinterprets them in contemporary ways. For example, the image of Aunt Jemima, a mammy, is one caricature that Charles often critiques in his work.
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Robert Graves, in his book The White Goddess, traces and reinterprets many European legends and myths in which the whitethorn (hawthorn), also called the May-tree, is central. Hawthorn trees demarcate a garden plot, according to legend, they are strongly associated with the fairies In Celtic lore, the hawthorn plant was used commonly for inscriptions along with yew and apple. It was once said to heal the broken heart. In Ireland, the red fruit is, or was, called the Johnny MacGorey or Magory.
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In his book on the Rubber Soul era, subtitled The Enduring Beauty of Rubber Soul, John Kruth refers to "Norwegian Wood" as a "striking from the first listen" kind of tune that "transported Beatles fans north to the pristine forests of Scandinavia". Music critic Kenneth Womack admires how the song "reinterprets a familiar theme, in this case the loss of 'love' (well represented in earlier songs such as 'Don't Bother Me' and 'Misery'), providing listeners with security yet challenging those inclined to acknowledge the standard treatment".
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El Corsario Cofresí: Héroe Puertorriqueño, by Josefina Barceló Jiménez and Midiam Astacio Méndez, reinterprets the theory that Cofresi could have been a privateer in a children-friendly manner. Several foreign authors have also depicted him in their works, notably those from the adjacent Dominican Republic. In La gloria llamó dos veces, author Julio González Herrera offers a tale that links the pirate with one of that country's most iconic figures, Juan Pablo Duarte, which serves as a reflection of the impact that he retained throughout the Caribbean.
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The basic unity has broken apart into individual wills and each subject in existence possesses an individual will of his own. Because of this, Mainländer can claim that once an "individual will" is silenced and dies, it achieves absolute nothingness and not the relative nothingness we find in Schopenhauer. By recognizing death as salvation and by giving nothingness an absolute quality, Mainländer's system manages to offer "wider" means for redemption. Secondarily, Mainländer reinterprets the Schopenhauerian will-to- live as an underlying will-to-die, i.e.
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The degree to which fifth-century Hellenes self-identified as "Ionian" or "Dorian" has itself been disputed. At one extreme Édouard Will concludes that there was no true ethnic component in fifth-century Greek culture, in spite of anti-Dorian elements in Athenian propaganda. At the other extreme John Alty reinterprets the sources to conclude that ethnicity did motivate fifth-century actions. Moderns viewing these ethnic identifications through the 5th and 4th century BCE literary tradition have been profoundly influenced by their own social politics.
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He also worked on the original 3 WOW WORSHIP projects (Blue, Orange, Green), as an A&R; and Marketing Committee member. Production and co-production credits also include the Billboard-charting Gospel Goes Classical (DVD and CD), Generation Unleashed, Top 25 Gospel Praise and Worship Songs, It's A Wonderful Christmas and Top 40 Christian Favorites. In 2011 he joined Bill Batstone and Bob Bennett in a recording project entitled, "Jesus Music Again". Jesus Music Again reinterprets some of the great songs from the Jesus Movement of the 1970s in a loving tribute.
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Caroline Bergvall's multi-media work 'Drift', was commissioned as a live performance in 2012 by Grü/Transtheatre, Geneva, performed at the 2013 Shorelines Literature Festival, Southend-on-sea, UK, and produced as video, voice, and music performances by Penned in the Margins across the UK in 2014. 'Drift' was published as text and prints by Nightboat Books (2014). 'Drift' reinterprets the themes and language of 'The Seafarer' to reimagine stories of refugees crossing the Mediterranean sea, and, according to a review in Publishers Weekly May 2014, 'toys with the ancient and unfamiliar English'.
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The lead single, titled "Stompa", was released on September 27, 2012, in Canada, and then on February 26, 2013 to the US The song peaked at No. 8 on the Canadian Hot 100, after spending 16 weeks on the chart. The second Canadian single, titled "What I Wouldn't Do", was released in early November 2012, and has reached No. 8 on the Canadian Hot 100. The song "For You" "reinterprets" Screamin' Jay Hawkins' well-known "I Put a Spell on You" and shares a songwriting credit with his estate.
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Christian Science theology differs in several respects from that of traditional Christianity. Eddy's Science and Health reinterprets key Christian concepts, including the Trinity, divinity of Jesus, atonement, and resurrection; beginning with the 1883 edition, she added with a Key to the Scriptures to the title and included a glossary that redefined the Christian vocabulary. At the core of Eddy's theology is the view that the spiritual world is the only reality and is entirely good, and that the material world, with its evil, sickness and death, is an illusion.
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Elizabeth Zvonar, Origin of the World, Peaches in Space, 2010, inkjet print on Kodak semi-matte paper. Collection of the Morris and Helen Belkin Art Gallery. Working extensively with collage materials, Zvonar’s practice works towards presenting a new history by collecting images from a variety of sources (advertisements, lifestyle, and art history) and reinterpreting them through juxtaposition. By working with images of the female body, Zvonar’s work reinterprets the use of female representation through a reductive and additive process that investigates the nuances and disparities of printed material in relation to identity formation.
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Continental Divide was awarded the Jacques Barzun Prize from the American Philosophical Society in 2010. Gordon's most recent monograph, Adorno and Existence (Harvard University Press, 2016), reinterprets Theodor W. Adorno's philosophy by looking at the critical theorist's encounters with existentialism and phenomenology. The main claim of the book is that Adorno was inspired by the unfulfilled promise of these schools to combat traditional metaphysical thinking, which led to the development of his "negative dialectics". Gordon sits on the editorial boards of Modern Intellectual History, The Journal of the History of Ideas, and New German Critique.
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Or her drawing / sound installation Goodbye is Half the Words You Know (2009-2013), where Bruce presents 10 portraits of classic country singers and reinterprets their songs with her band, Dangerpony. A part of this work was exhibited in 2016 in the exhibition Passion - Fan Behavior and Art (curated by Christoph Tannert) at Künstlerhaus Bethanien, Berlin and the Ludwig Museum, Budapest. It was shown in full in the group exhibition I Wish This Was A Song (curated by Stina Högkvist and Sabrina van der Ley) at the Norwegian Museum of Contemporary Art in 2013.
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Released in October 2007, Yell&Ice; is a collection of remakes and remixes, featuring collaborations with Why?, Dan Boeckner of Wolf Parade, Tunde Adebimpe of TV on the Radio, Markus Acher of the Notwist, and Chris Adams of Hood (band). Just as 'Wishingbone' revisited Subtle's first LP 'A New White', Yell&Ice; explores and reinterprets their preceding full- length, 'for hero: for fool'. Both Wishingbone and Yell&Ice; were fashioned to further explore Subtle's conceptual protagonist, Hour Hero yes, while creating a medium for the band's love of collaborative music making.
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After the film's original release its theme was released as part of the album "Vampire Circus (The Essential Vampire Theme Collection)" by Silva Screen Records in 1993. On the 1997 album "Vampire Themes" by Cleopatra Records, the band 'Ex Voto' remixes and reinterprets the main theme. The entire soundtrack was then officially released on June 7, 2010, when it was paired with the soundtrack to Not of This Earth also composed by Chuck Cirino. It is currently sold in Compact Disk, and Direct download formats from various music sites.
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The Goodies tell of the time when their ancestors were young men, and how their ancestors met for the first time. Graeme's family were Highlanders who lived in bleak conditions in Scotland, where initiation of the young men of the village included being dunked in porridge and catching a wild haggis. Bill's Northern England family sold fruit. Tim, whose ancestors were also English, concludes that they were noble, because the family had its own Coat- of-Arms; Bill reinterprets the Coat of Arms and shows Tim that his ancestors were in fact sheep stealers.
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In 1967, he created a six by nine foot mural, a depiction of a waterfall cascading from a mountain lake, for the Langley Evangelical Free Church. In Woods' view, Hessay drew on his childhood learning steeped in the Bible, and the mural reinterprets Mount Lebanon, the Sea of Galilee, and the River Jordan in a Canadian context. His last painting, the peaceful landscape Break of Day, completed in 1977, is atypical among those of his final decade, with its use of soft harmonies and rounded contours. Hessay sometimes used religious allusions as metaphors illustrating the conditions that threaten modern society.
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Frank, Peter and Andi Campognone, Andi. Curators’ Statement, Coleen Sterritt: Stuck to the World, Riverside, CA: Riverside Art Museum, 2006. Sculpture critic Kay Whitney suggests Sterritt's work "expands and reinterprets three of the most important artistic inventions of the 20th Century—collage, abstraction and the readymade"— in play with the traditions of Arte Povera bricolage and Surrealist psychological displacement. Curator Andi Campognone considers Sterritt one of the most influential post-1970s artists in establishing "the Los Angeles aesthetic" in contemporary sculpture,Campognone, Andi. Introduction. Coleen Sterritt: 1977–2017, Santa Monica, CA: Griffith Moon, 2018. Retrieved November 14, 2018.
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Some converts admit that the conversion is a political choice to reorganize themselves, as conversion could help them to no longer be classified by the Hindu caste system. Scholars have described Ambedkar's perspective on Buddhism as secular and modernist rather than religious, as he emphasized the atheist aspects of Buddhism and rationality, and rejected Hindu soteriology and hierarchy. Other scholars have interpreted Ambedkarism as a form of critical traditionalism, in which Ambedkar reinterprets traditional Hindu concepts rather than rejecting them altogether. Specifically, scholar states that Ambedkar's Dalit conversions give belief a more central, worldly role than it had before.
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Blake's later writings show a renewed interest in Christianity, and although he radically reinterprets Christian morality in a way that embraces sensual pleasure, there is little of the emphasis on sexual libertarianism found in several of his early poems, and there is advocacy of "self-denial", though such abnegation must be inspired by love rather than through authoritarian compulsion.See intro to Chapter 4 of Jerusalem. Berger (more so than Swinburne) is especially sensitive to a shift in sensibility between the early Blake and the later Blake. Berger believes the young Blake placed too much emphasis on following impulses,Berger, pp.
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I Walked with a Zombie is a 1943 American horror film directed by Jacques Tourneur, and starring James Ellison, Frances Dee, and Tom Conway. Its plot follows a nurse who travels to care for the ailing wife of a sugar plantation owner in the Caribbean, where she encounters supernatural phenomena such as voodoo and the walking dead. The screenplay is based on an article of the same name by Inez Wallace, and also partly reinterprets the narrative of the 1847 novel Jane Eyre by Charlotte Brontë. It was the second horror film from producer Val Lewton for RKO Pictures.
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Maxine Clarke Beach comments Paul's assertion in that the Genesis story of Abraham's sons is an allegory, writing that "This allegorical interpretation has been one of the biblical texts used in the long history of Christian anti-Semitism, which its author could not have imagined or intended".Use of Allegory by Early Christians Other New Testament writers took a similar approach to the Jewish Bible. The Gospel of Matthew reinterprets a number of passages. Where the prophet Hosea has God say of Israel, "Out of Egypt I called my son," (), Matthew interprets the phrase as a reference to Jesus.
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Seder-Masochism is a 2018 American animated musical biblical comedy-drama film written, directed, produced and animated by American artist Nina Paley. The film reinterprets the Book of Exodus, especially stories associated with the Passover Seder, such as the death of the Egyptian first-born, and Moses leading the Israelites out of slavery in Egypt. The film depicts these events against a backdrop of widespread worship of the Great Mother Goddess, showing the rise of patriarchy. Seder-Masochism is Paley's second feature film, following Sita Sings the Blues in 2008, an animated film loosely based on the Ramayana.
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" Much of the rest of the story remains the same, although the movie reinterprets the Engineer as a lesser demon and not the leader of the Cenobites. The leader in the movie is another Cenobite from The Hellbound Heart who was described as having a head "tattooed with an intricate grid, and at every intersection of horizontal and vertical axes a jeweled pin driven through to the bone." The character is never named in the film, but the production crew nicknamed it Pinhead and fans followed suit. When the character later appears in Barker's novel The Scarlet Gospels, he is officially called "The Hell Priest" and "The Cold Man.
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The New Standards is a minimalist jazz trio formed in Minneapolis, Minnesota, in 2005 and composed of Chan Poling (of The Suburbs), John Munson (of The Twilight Hours, Semisonic, Trip Shakespeare and The Flops) and Steve Roehm (of Electropolis, Rhombus and Billy Goat). With Poling on piano, Munson on bass and Roehm on vibraphone, the band reinterprets songs from a wide variety of genres, from classics like Rodgers and Hammerstein's My Favorite Things to London Calling by The Clash. In October 2005, the band released a self-titled album produced by former Trip Shakespeare / Semisonic band member, Dan Wilson. In December 2008, the band released its second album Rock and Roll.
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Onondaga longhouse on the Six Nations Reservation in the early 1900s The Longhouse Religion is the popular name of the religious movement also known as The Code of Handsome Lake or Gaihwi:io (Good Message), founded in 1799 by the Seneca prophet Handsome Lake (Sganyodaiyoˀ). This movement combines and reinterprets elements of traditional Iroquois religious beliefs with elements adopted from Christianity, primarily from the Quakers. Anthropologist Anthony F. C. Wallace reported that the Gaihwi:io currently had about 5,000 practicing members in 1969. Originally the Gaihwi:io was known as the "new religion" in opposition to the prevailing animistic beliefs, but has since become known as the "old religion" in opposition to Christianity.
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The design of the bridge reflects the shape of a traditional double-headed Maori hīnaki (eel trap). The bridge not only creates a unique user experience and leaves the local community with a bridge it can be proud of, but it also helps educate and share Maori culture with the local and regional communities. The bridge embraces the craftsmanship of traditional Maori weaving patterns for eel traps traditionally used along Oakley Creek and reinterprets this into modern steel fabrication. The pavement surfaces, alignments, pou, lighting and interpretive signages (in both Maori and English), in combination with the bridge, showcases the cultural story of Tuna Roa.
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In regards to issues of finance, Proba reinterprets a number of the New Testament episodes in which Jesus urges his followers to eschew wealth as passages suggesting that Christians should simply share wealth with their families. These changes illustrate Proba's historical context, her socio-economic position, and the expectations of her class. As to why Proba arranged in the poem in the first place, scholars are still divided. The Latinist R. P. H. Green argues that the work was a reaction to the Roman emperor Julian's law forbidding Christians from teaching literature that they did not believe to be true (which is to say, classical Greek and Latin mythology).
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War in the Age of Intelligent Machines (1991) is a book by Manuel DeLanda, in which he traces the history of warfare and the history of technology. It is influenced in part by Michel Foucault's Discipline and Punish (1978) and also reinterprets the concepts of war machines and the machinic phylum, introduced in Gilles Deleuze and Félix Guattari's A Thousand Plateaus (1980). Deleuze and Guattari appreciated Foucault's definition of philosophy as a "tool box" that was to encourage thinking about new ideas. They prepared the field for a re- appropriation of their concepts, for use in another context of the "same" concept, which they called "actualization".
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Jose Donoso's magical realist book The Obscene Bird of Night reinterprets invunche folklore as a way to bind a male child in a sack to prevent escape and bodily growth. Travel writer Bruce Chatwin gives an account of Chilote witchcraft and the invunche in his book In Patagonia. British comic book writer Alan Moore wrote a version of the invunche very similar to Chatwin's description during his run on Swamp Thing, as an antagonist to John Constantine in the first story he appeared in. In the 2000 novel Portrait in Sepia (Retrato en Sepia) by Isabel Allende, the character Aurora del Valle recalls being told about the Imbunche in her childhood.
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"My Dead Weight/Country") among the post-1989 dramatic texts to have "brought up [...] the Securitate issue, in a trenchant and even revelatory manner". Gârbea's fellow playwright Alina Nelega notes that Decembrie, în direct is his first entirely original text for the stage, and rates it over intertextual texts from the same period. Published alongside Decembrie, în direct, Capul lui Moţoc ("Moţoc's Head") reinterprets Alexandru Lăpuşneanu, a novella by the Romanian classic Costache Negruzzi, which romanticizes events in Moldavia's medieval history. Integrating further allusions to Romanian folklore (the Meşterul Manole myth), Shakespeare and various others, it is also seen by Alina Nelega as a close rendition of Ion Luca Caragiale's style.
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To promote and instill the spirit of 'Mao Sui', Propaganda Department of Hebei Provincial Party Committee, Hebei film and TV Production Center and Propaganda Department of Jize county joined hands in cooperation to make the film titled legend of Mao Sui (). This film reinterprets the story of 'MAO SUI ZI JIAN' that took place 2200 years ago, and highlights the contribution of Mao Sui as also his outstanding character. The film was based in the Warring States era, and focused on the famous Hebei persuader Mao Sui. When the Qin State besieged Zhao State, Mao Sui volunteered to go to the Chu State with Prince Ping Yuan of Zhao Sheng.
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Maximilian Busser and Friends, normally shortened down to MB&F;, is a Swiss watch brand founded by Maximilian Busser in July 2005 and based in Geneva, Switzerland. MB&F; is an artistic concept laboratory that aims to gather collectives of independent watchmaking professionals in order to develop extreme watches - Horological or Legacy Machines. MB&F; uses their synergy to become much greater than the sum of its parts by nurturing teams made of talented individuals, harnessing their passion and creativity as well as awarding each individual in their essential role. Complying with tradition, but never being constrained by it, MB&F; reinterprets traditional high-quality watchmaking into three-dimensional kinetic sculptures.
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Yan Vyacheslavovich Shokin (Ян Вячеславович Шокин ), Professor of Digital Economics and Management at the State University "Dubna", interpreted the concept noocenosis as the result of the natural convergence of economic units with coinciding economic interests. The essence of this interpretation is the a certain wavelength of economic interests, which are connected through a mutual exchange of motivation. Shokin reinterprets the term noocoenosis in the sense of the theory of economic interest to mean the overlap of certain interests in closed economic systems. The noocoenosis retains some loose connection to the biocenosis as it is a unit of the biosphere, in which "the economic activity clearly exceeds that of its surroundings".
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Jovan Ajduković reinterprets and innovates the "theory of transfer" of lexical borrowing (е.g., Rudolf Filipović 1986, 1990) and introduces the "theory of approximate copying and activation" of contact-lexemes. In the "theory of transfer", the concept of Russianism (Russism) in lexicographical sources in the broader sense means (1) an unmotivated or motivated word of Russian origin which has kept a strong formal-semantic connection with the corresponding word in Russian (e.g. Serb. baćuška, votka, dača, samizdat, sputnjik, uravnilovka), (2) an unmotivated or motivated word of Russian origin which has partially or completely lost its formal-semantic connection with the original Russian word owing to adaptation (e.g. Serb.
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Susie Frazier (born August 21, 1970 in Inglewood, California), is an American artist"Susie Frazier, The Pioneer", Mont Blog, Mont Surfaces By Mont Granite who designs for wellness by integrating natural materials and organic patterns into her work."Her Earth-minded Art Opens Up New Worlds", Douglas J. Guth, Crains Cleveland Influenced by organic elements and the Wabi Sabi design aesthetic, Frazier reinterprets nature's motifs and integrates them into her fine art wall installations, custom furniture and accessories made out of materials like wood, metal, earth fragments, and glass. Her creations are characterized by repeating, but irregular contours and slight imperfections in the materials."Cleveland Artist Creates Home Decor Products From Reclaimed Materials", Gina Tabasso, HGR Inc.
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Jesus preaches about hell and what hell is like: "But I say unto you, That whosoever is angry with his brother without a cause shall be in danger of the judgment: and whosoever shall say to his brother "Raca (fool)" shall be in danger of the council: but whosoever shall say, Thou fool, shall be in danger of hell fire." (Matthew 5:22 KJVBible Gateway Quick search: hell fire) Matthew, from Papyrus 1, c. 250 AD The longest discourse in the Sermon is , traditionally referred to as the Antitheses or Matthew's Antitheses. In the discourse, Jesus fulfills and reinterprets the Old Covenant and in particular its Ten Commandments, contrasting with what "you have heard" from others.
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Do-ol Ah-in Going All Directions is a hybrid of lecture and variety program that reinterprets a hundred years of modern and contemporary history of Korea that transcends the past and future, and communicates through generations and genders. It was created as a special project to commemorate the 100th anniversary of the establishment of the Provisional Government of the Republic of Korea and the March First Movement. The title "오방간다" (Oh-bang-gan-da) is derived from the Cardinal direction, and refers to 'all directions' and 'joyful and excited state'. The title was created by Yoo Ah-in, and he directly participated in the planning, co-writing and co-directing each episode, including casting the performers.
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Chapter 9 can be distinguished from the other "visionary" chapters of the Book of Daniel by the fact that the point of departure for this chapter is another biblical text in Jeremiah's seventy years prophecy and not a visionary episode. The longstanding consensus among critical scholars has been that verses 24–27 is a paradigmatic example of inner-biblical interpretation, in which the latter text reinterprets Jeremiah's seventy years of exile as seventy weeks of years. On this view, Jeremiah's prophecy that after seventy years God would punish the Babylonian kingdom (cf. Jer 25:12) and once again pay special attention to his people in responding to their prayers and restoring them to the land (cf.
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Ordained as a Catholic priest in 1966, he worked as a diocesan priest, student chaplain, and eventually began work in 1974 as assistant priest in the parish of St. George in Paderborn. At the same time, he worked as a psychotherapist, and from 1979 also held lectures in comparative religious studies and dogmatics at the Catholic Theological Faculty in Paderborn. He continues to hold lectures in Studium generale at Paderborn and talks at other universities. Influenced by Sigmund Freud, Carl Jung, and more recent psychoanalysts, Drewermann radically reinterprets biblical texts according to psychoanalytic, poetic, and existential criteria. His method of interpretation has been clearly outlined in the 1984-1985 two-volume work Tiefenpsychologie und Exegese.
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Some third-wave feminists have criticized Conservative Judaism's efforts at integrating women as half-hearted attempts at egalitarianism. Instead of maintaining a traditional approach to worship and treating women as if they were men, what Dr. Rachel Adler calls "honorary men", some have suggested that the Conservative movement cannot become truly egalitarian until it reinterprets Judaism to reflect the perspectives and experiences of women. In her 1998 book Engendering Judaism: An Inclusive Theology and Ethics, Dr. Adler wrote: :For many Conservative congregations, counting women in the minyan and calling them up to the Torah are recent innovations. But ... egalitarian Judaisms may tolerate women as participants by ignoring their distinctive experiences and concerns as women.
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Many books have been released pertaining to Godzilla and the Godzilla series, including various collection books and manga. Gojiro is the 1991 debut novel by former Esquire columnist Mark Jacobson. It reinterprets the Godzilla film series from the perspective of the daikaiju—not a fictional creature depicted on-screen via suitmation, but an irradiated varanid–turned–B-movie star named Gojiro (an homage to Gojira, the Japanese name for Godzilla). Random House Publishing produced four novels for teens and young adults by Marc Cerasini based on Godzilla, respectively entitled Godzilla Returns (1996), Godzilla 2000 (1997 (which had no relation to the film that would later use that name)), Godzilla at World's End (1998) and Godzilla vs.
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In the same vein of political and cultural connotations, but with more openly Marxist-style, is part of the revisionist and anti-apologetic analysis of Antonio Gramsci. In his book Prison Notebooks (Quaderni del carcere), published posthumously only after 1947, he describes the Risorgimento as a "passive revolution" suffered by the peasants, the poorest social class of the population. The Southern question, Jacobinism, the construction of the revolutionary process in Italy are the central themes of his analysis on the basis of which he reinterprets the Italian Risorgimento as a process of socio- political transformation began in 1789 with the French Revolution, passively transposed in Italy, and hesitated in the collapse of the Ancien Régime.
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The Eastern Origins of Western Civilisation, written by John M. Hobson in 2004, is a book that argues against the historical theory of the rise of the West after 1492 as a "virgin birth", but rather as a product of Western interactions with more technically and socially advanced Eastern civilization. The text reinterprets Eurocentric ideas of Europe's contributions to world development. For example, it provides evidence that a complex system of global trade existed long before Mercantilist Europe, that social and economic theories in the Enlightenment came from encounters with new cultures rather than with Greek and Roman heritage, and that modern European hegemony resulted from situational advantages rather than from inherent superior traits.
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Heikki Marila, pictured in Stockholm, Sweden Heikki Marila (born 1966 in Lahti, Finland) is a Finnish visual artist known for his large-scale oil paintings and allusions to art history, including biblical motifs, portraiture and still life compositions. His expressive paintings are typically infused with paradoxical drama: they play on contrasts – spirituality, beauty and the sublime are mixed with fiery carnality and a hint of revulsion. His paintings possess a powerfully physical materiality, which is heightened by an ongoing dialogue between figurative and non-figurative elements and by his thickly applied layers of oil paint. In his recent work, Marila captures the intensity of 17th century painting traditions, which he reinterprets through the lens of contemporary social and visual themes.
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Gojiro is the 1991 debut novel by former Esquire columnist Mark Jacobson. It reinterprets the Godzilla film series from the perspective of the daikaiju—not a fictional creature depicted on-screen via suitmation, but an irradiated varanid-turned B-movie star named Gojiro (an homage to Gojira, the original native proper name in Japanese for Godzilla). Gojiro, a freak mutation with a cynical worldview, suffers the pain of solitude as well as several maladies experienced by entertainers, including drug abuse and suicidal tendencies. The story revolves around his adventures with human friend Komodo, a scientific genius scarred as a child by the atomic bombing of Hiroshima, as they attempt to fulfill their "Triple Ring Promise" to bring about world peace.
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Ziran has been interpreted and reinterpreted in a great number of ways over time. Most commonly it has been seen as a model that was followed by the Dao, Heaven, Earth, and Man in turn, based on the traditional translation and interpretation of Chapter 25 of the Daodejing. Qingjie James Wang's more modern translation eliminates the logical flaw that arises when one considers that to model oneself after another entity may be to become less natural, to lose the 'as-it-isness' that ziran refers to. Wang reinterprets the words of Chapter 25 to be instructions to follow the model set by Earth's being Earth, by Heaven's being Heaven, and by the Dao being the Dao; each behaving perfectly in accordance with ziran.
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Northeastern University recognizes one of Rafter’s areas of expertise as biological theories of crime. Her historical account of eugenic family studies published in 1988 and, more recently, her book on the biological theories and writings of Earnest A. Hooton, have both been cited five times. Allegedly, Rafter’s most influential contribution to feminist criminology was her re- translation and resource guide to Cesare Lombroso’s La Donna Delinquente in which she reinterprets women as being inferior and argues, therefore, their committing crimes at a lower level than male offenders. Rafter has shown a large interest in the history of biological theories of crime and her translation of Criminal Woman persuades advances in further research of the history of criminology specifically surrounding crime and women.
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The Frazier History Museum, previously known as the Frazier Historical Arms Museum and the Frazier International History Museum, is a history museum located on Museum Row in the West Main District of downtown Louisville, Kentucky. An affiliate of the Smithsonian Institution, the Frazier documents and reinterprets stories from history using artifacts, gallery talks, and live interpretations that are written and performed in costume by a staff of teaching artists. Founded in 2004 as a museum of historical arms and armor, the Frazier has since expanded its focus to cover regional, national, and international history. The museum is home to one of the largest collections of toy soldiers and historic miniatures on permanent public display in the world, The Stewart Collection.
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"Hotel Nacional" was described by Estefan as a "very woody, old fashioned sound, cause it's jitterbuggy ... It's got clarinets, it's got saxes, and a whole different vibe-it just sounds like you could be in the 20s but with hardcore dance", while commenting on the tracks included her album on Billboard. On the review for Miss Little Havana, Stephen Thomas Erlewine of Allmusic related the lyrics "cuchi cuchi" to Spanish performer Charo. Eric Henderson of Slant Magazine noted that the track "undercuts its pitched beat with wonky Dixieland clarinet riffs." On the review of the parent album by Soul Bounce, they commended the way producer Motiff reinterprets the "big-band sound loops" of house music in the late '80s on the track.
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Despite that large success, in the following years De Crescenzo pursued different routes, exploring musical contaminations between Italian classical melodies, soul, rhythm and blues and folk; he took part at four more editions of the Sanremo Festival, in 1985 ("Via con me"), 1987 ("L'odore del mare"), 1989 ("Come mi vuoi") and in 1991 ("E la musica va"). The song "E la musica va" was covered by Phil Manzanera with the title "The beat goes on". After the 1993 album Danza, danza De Crescenzo devoted himself mainly to the live concerts and charity projects. In 2012, after a four-year hiatus, he returned to live music with the "Essenze Jazz" Tour in which he reinterprets an important part of his repertoire in a jazz style.
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An adaptation of Mainerio's Schiarazula Marazula appears as "Ballo in Fa diesis minore" on Angelo Branduardi's 1977 album La pulce d'acqua (English edition as Fables and Fantasies, 1980). Mainerio's character appears in a story of the popular Italian comics book/horror Dampyr, issued monthly by Sergio Bonelli Editore. The story, entitled Il musicista stregato ("The Bewitched Musician") and published in #107 of the regular series in February 2009, was written by Mauro Boselli on a plot by Mario Faggella and drawn by Mario Rossi (Majo). It reinterprets real aspects of Mainerio's life (particularly his interest in occultism and magic) in a fantastic tone, combining them with some myths of Friulan folklore such as agane, female water demons similar to Scottish bean nighes.
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The term was first used in 1967 by Pierre van Den Berghe in his book Race and Racism. In his book The Wages of Whiteness, historian David R. Roediger reinterprets this form of government in the context of 19th-century America, arguing that the term "herrenvolk republicanism" more accurately describes racial politics at this time. The basis of herrenvolk republicanism went beyond the marginalization of blacks in favor of a republican government serving the "master race"; it contended that "blackness" was synonymous with dependency and servility, and was therefore antithetical to republican independence and white freedom. Consequently, the dependent white worker at this time used his whiteness as a way to differentiate himself from and elevate himself over the dependent black worker or slave.
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But where Plan B or Amy Winehouse, the doyenne of revival pop, always added an element of top spin to their tributes, Newman merely reinterprets well, rather than reinventing." Lewis Corner of Digital Spy gave the album a positive review stating, "'It's all for you/ For what you have shown me/ And for what you do,' John Newman sings on opening track 'Tribute' from his début album of the same name. The soul singer is paying homage to a wide range of musical influences that have helped shape his sound, the list including everyone from Elvis Presley and Tina Turner to Jay Z and Adele. While his tastes are obviously eclectic, his first collection infuses these inspirations without compromising consistency.
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While many of the migratory experiences in the novel work within migration theory, Adichie simultaneously transcends the borders of international migration theories by introducing a new factor that both influences migration and projects a new perspective on return migration. According to Dustmann and Weiss (2007:237), lack of economic opportunity and escape from natural disaster/persecution are two main reasons individuals migrate throughout history. While identifying the need to flee “choicelessness” as the main reason for much of the migration in the twenty-first century Nigerian setting of the novel, Adichie uses literary dimensions to shake up the foundations of theory. Consequently, the direction of this type of migration, how it affects the bonds of love, how it changes personalities and cultural views, and how it reinterprets identity become the novelist’s major theoretical engagements.
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Cartea munților thus stands out for promoting environmental protection, with exhortations such as: "Demand, for each and all, the right to rest in the bosom of nature, the right to sunlight, to fresh air, to the green forest, to the thrills of the desire to climb up mountains".Marinescu, p.27 She was welcoming in influences from the Western Spiritualists, quoting at length from Emanuel Swedenborg's views on the purified and purifying energy of the mountains, concluding: "The discovery of alpine beauty has been a victory of soul over matter." Mystical, ethical and self-help subjects formed the bulk of Ceasuri sfinte, which revives and reinterprets symbolic episodes from various religious sources: the Book of Jeremiah, the Biblical apocrypha, the Acts of the Apostles, Joan of Arc's call to arms, etc.
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The work, and in particular the commentary of Nakkiranar, reinterprets the Tamil akam tradition in the light of the Shaivite bhakti tradition, which was then sweeping through Tamil Nadu in a wave of Hindu revivalism. A commentary, in the Indian tradition, plays an important role in reinterpreting and reworking the applicability of a text or tradition in the context of changing historical or social circumstances. Nakkiranar's commentary thus plays the role of reclaiming the Tamil akam tradition - secular in appearance, and associated with Jainism - for the Tamil Shaivite tradition. This reappropriation had a significant effect on the Tamil bhakti tradition, whose poems, from the ninth century onwards, make extensive use of the conventions of the akam tradition, but in the context of describing the love of a devotee for God.
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Bixler-Zavala incorporated themes and names into the lyrics that were taken from messages given by "The Soothsayer". It also includes excerpts from poems that were found attached to the ouija, describing a love triangle between a woman, her daughter and a man in a Muslim society, along with an honor killing involving these people. Each song reinterprets the relationship in some shape or form, and as a good luck charm to counteract the cryptic themes, Bixler-Zavala incorporated elements of the Afro-Caribbean religious tradition Santería into the lyrics as a "protective skin" to protect the band. The album ultimately serves as an attempt to artistically reverse their perceived bad luck by "setting traps" for the listeners to use as a way to undo what "The Soothsayer" had brought upon the band.
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In the Los Angeles Review of Books, film critic Wai Chee Dimock compared The Revenant themes with those addressed in the literary works of James Fenimore Cooper, particularly The Last of the Mohicans. Dimock argues that the film reinterprets the concept of "half-breeds" from a derogatory idea that Cooper despised to an aesthetic way in which to see the world. She compared both works' protagonists—Glass and Hawk-eye—as literary foils, with Glass living an inversion of the latter's biography and perspective. In the documentary of the film titled A World Unseen, Iñárritu has stated that for the main themes of the film he revisits the issues and concerns of intense parental and filial relations, which audiences of his previous films readily recognize as a recurrent theme in his previous work.
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Shendge has written a number of books on the connections between the Indus Valley Civilization and Vedic culture. Her early work, The Civilized Demons, reinterprets the heavenly battle between the Asuras and the Devas described in the Rigveda as a historical record of an earthly war in the Indus Valley between the Asuras (identified by her as being the Assyrian people) already living in the valley as the Harappan Civilization, and the invading Devas (identified by her with the Aryans). Her 1997 book The Language of the Harappans extends this theory by claiming that the unknown Harappan language was the Akkadian language of Mesopotamia, and that Sanskrit is a descendant of Akkadian. In Unsealing the Indus Script (2009) she purports to decode the Indus script based on this theory.
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No doubt human dignity is an essential value underlying section 15, but it is an abstract and subjective notion that, even with the guidance of the four factors outlined in Law, is confusing to apply and has proven to be an additional burden on equality claimants. This case reinterprets Law so that it does not impose a new and distinctive test for discrimination, but rather affirms the approach to substantive equality set out in Andrews v Law Society of British Columbia and developed in the following decisions. The central purpose of combatting discrimination underlies both sections 15(1) and 15(2). Section 15(1) focuses on preventing governments from making distinctions based on the enumerated or analogous grounds that have the effect of perpetuating group disadvantage and prejudice, or impose disadvantage on the basis of stereotyping.
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Released: 2013. Celebrating Ravi Shankar's life and musical legacy of East- Meets-West cultural exchange, Barry Phillips, Linda Burman-Hall and Lux Musica Ensemble (with guest Debopriyo Sarkar) present a selection of daring, experimental compositions that reflect and re-imagine the musical encounters between North India and British Traditions encountered during the late 1780s. Featuring compositions by Lou Harrison, William Hamilton Bird, and Vishnu Digambar Paluskar arranged by Phillips and Burman-Hall, and an original composition by Phillips, the music of Raga & Raj is built on the affinities and attractions between North Indian and British musical traditions as they encountered each other in the late 1700s and 1800s. Raga & Raj reinterprets the music of that intriguing historical moment, illuminating for us the triumphs and challenges of this type of cross-cultural exchange and reminding us of Ravi Shankar's musical mission and life's work: Peace through Music.
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Tzara, whose own definition of the text described it as "a hoax", suggested that it would "satisfy only industrialized imbeciles who believe in men of genius", and argued that it offered "no technical innovation".Robert A. Varisco, "Anarchy and Resistance in Tristan Tzara's Gas Heart", Modern Drama, 40.1 (1997), in Bert Cardullo, Robert Knopf (eds), Theater of the Avant-Garde 1890–1950: A Critical Anthology, Yale University Press, New Haven & London: Yale UP, 2001, p.266-271. The play takes the form of an absurd dialogue between characters named after human body parts: Mouth, Ear, Eye, Nose, Neck, and Eyebrow. The entire exchange between them uses and reinterprets metaphors, proverbs and idiomatic speech, suggesting the generic roles traditionally assigned by folklore to the body parts in question, rather than situations involving the characters themselves, with lines uttered in such manner as to make the protagonists look obsessed.
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Ruxandra Cesereanu has a large number of contributions to literature, which, according to literary critic Paul Cernat, makes her "one of the most creative literary women in post-revolutionary Romania". Paul Cernat, "Cu colacul, pe marea de fantasme", in Observator Cultural, Nr. 283, August 2005 Much of her early work, Cernat argues, is characterized by "mannerism", related to Onirism and using psychoanalytic techniques. The links with Onirism and Surrealism have also been noted by critic Matei Călinescu, who also noted that Cesereanu took inspiration from the tradition of fairy tales and legends, in particular in pieces where she reinterprets Arthurian legends and retells the mythical search for the Holy Grail. Cesereanu's collaborator and literary historian Doina Jela describes her prose as "postmodern", Răzvan Brăileanu, "Românii şi imaginarul violent", in Revista 22, Nr. 746, June 2004 while historian and civil society activist Adrian Marino calls her "the most original, but also the most paradoxical writer from Cluj-Napoca".
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Raud's first study compared uji with Nishida Kitarō's interpretation of basho (場所, "place, location") as "the locus of tension, where the contradictory self-identities are acted out and complementary opposites negate each other", and is thus "the 'place' where impermanence happens" (2004: 46). Both these Japanese philosophers believed that in order to attain self-realization one must transcend the "ordinary" reality not by rising above it, and thereby separating oneself from it, but by "becoming" it, realizing oneself in it and the totality of the world, including "being-time". His second study reinterprets Dōgen's concept of time as primarily referring to momentary rather than durational existence, and translates uji as "existential moment" in opposition to the usual understanding of time as measurable and divisible (2012:153). According to Raud, this interpretation enables "more lucid readings" of many key passages in the Shōbōgenzō, such as translating the term kyōraku (経歴, "passage", etc.) as "shifting" (2012: 167).
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Communications between the controller and target take place using repeated calls of ptrace, passing a small fixed-size block of memory between the two (necessitating two context switches per call); this is acutely inefficient when accessing large amounts of the target's memory, as this can only be done in word sized blocks (with a ptrace call for each word). For this reason the 8th edition of Unix introduced procfs, which allows permitted processes direct access to the memory of another process - 4.4BSD followed, and the use of `/proc` for debugger support was inherited by Solaris, BSD, and AIX, and mostly copied by Linux. Some, such as Solaris, have removed ptrace as a system call altogether, retaining it as a library call that reinterprets calls to ptrace in terms of the platform's procfs. Such systems use ioctls on the file descriptor of the opened `/proc` file to issue commands to the controlled process.
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An exhibition drawing on various elements of the 'Drift' project, including electronic texts made in collaboration with Thomas Köppel, prints, sound, and a "digital, algorithmic collage", was shown at Callicoon Fine Arts, New York, in 2015. The titular poem of the 2014 Nightboat Books- published collection 'Drift' reinterprets the themes and language of the Old English elegy 'The Seafarer' to reimagine the so-called 'Left to Die' account of refugees crossing the Mediterranean sea, which was reported by Forensic Architecture at Goldsmiths University in 2011. According to a review in Publishers Weekly May 2014, 'toys with the ancient and unfamiliar English', as Bergvall pays particular attention to Old Norse and Old English words and their etymologies, and conveying the experiences of lone voyagers. Drift's feminist politics confront 'Europe's cultural and economic connection to the sea, charting a course from the Vikings, through colonialism, to contemporary slavery that puts prawns on our plates [...] reminding us of our responsibility to each other and to the world'.
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