Epignosis is a progressive rock band made up of multi-instrumentalist Robert Brown and vocalist Tasha Brown. The band's first studio album, Still the Waters, was released January 10, 2009.Press Release about "Still the Waters" Two years later, the band released their second studio album, Refulgence, on June 17, 2011.Press Release about "Refulgence" The band name is of Greek origin, combining the preface "epi-," meaning toward, and "gnosis," meaning knowledge.
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In theology, divine light (also called divine radiance or divine refulgence) is an aspect of divine presence, specifically an unknown and mysterious ability of angels or human beings to express themselves communicatively through spiritual means, rather than through physical capacities.
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The collar and the scutellum may be cupreus. The abdomen is minutely punctured, especially on the second gastral tergite, with a carmine pink coloration and a coppery refulgence. This species is rather similar and can be confused with Chrysis ignita, Chrysura hirsuta, Chrysis fulgida and Chrysis rutiliventris.
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In the lighting division, Hella develops and manufactures headlamps, refulgence and interior lighting. Recent innovations include headlights that adapt to the prevailing driving and weather situation. Headlamps with LEDs as light sources for low beam and high beam are already produced in series. An example would be the beams in the Cadillac Escalade Platinum.
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Scott’s artworks blur the boundaries between abstraction and representation. Drawing from both nature and imagination, the paintings are not expressions of tangible realities but rather 'ephemeral remembrances'.Rosenfeld, Jason. 'Bill Scott: Refulgence', Bill Scott: Imagining Spring, (New York: Hollis Taggart Galleries, 2016), 5. Exploration of color and form stands at the core of Scott’s work, where blocks of color, patterns and line are overlapped to form dynamic compositions that appear visually akin to collage.
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'Bill Scott: Refulgence', Bill Scott: Imagining Spring, (New York: Hollis Taggart Galleries, 2016), 5. The artist continually turns to flora and fauna for his subjects, stating that ‘underbrush and floral subjects have long been recurrent-if not paramount-to my painted imagery.’Scott, Bill. ‘Artist’s Statement’, Surviving Ourselves, Exhibition Catalogue (Philadelphia: Woodmere Art Museum: 2010), 22. In the past decade many of Scott’s artworks display direct engagement with specific historical paintings by artists of particular significance to his own artistic development such as Pierre-Auguste Renoir (1841-1914), Berthe Morisot (1841-1895) and Henri Matisse (1869-1954).Ibid.
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The origins of historical archaeology in Australia are generally believed to lie in archaeological investigations by the late William (Bill) Culican at Fossil Beach in Victoria,Culican, William & Taylor, John, (joint author.) 1972, Fossil Beach cement works, Mornington, Victoria : an essay in industrial archaeology Refulgence Publishers, Deception Bay, Qld research at Port Essington, Northern Territory by Jim Allen at the Australian National University in 1966-1968Allen, Jim 2008, Port Essington : the historical archaeology of a north Australian nineteenth century military outpost, Sydney University Press in association with the Australasian Society for Historical Archaeology and Judy Birmingham (from the University of Sydney) working at Irrawang Pottery in the Hunter Valley of New South Wales from 1967 to 1975. In 1973, Birmingham and historian Ian Jack proposed a course in historical archaeology at the University of Sydney. As detailed by Jack, the proposal was fought by conservative members of the archaeology department; however, it was accepted and the first course in historical archaeology in Australia was taught in 1974 by Birmingham and Jack with contributions from geographer Dennis Jeans and historian Ken Cable. The course had a significant fieldwork component, to give students practical training.
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