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"rakshasa" Definitions
  1. a demon or evil spirit of Hindu mythology
"rakshasa" Antonyms

228 Sentences With "rakshasa"

How to use rakshasa in a sentence? Find typical usage patterns (collocations)/phrases/context for "rakshasa" and check conjugation/comparative form for "rakshasa". Mastering all the usages of "rakshasa" from sentence examples published by news publications.

Other popular content includes historical dramas The Advisors Alliance and Oh My General, as well as fantasy drama Rakshasa Street, based off of a popular comic.
Jiva-siddhi, a spy of Chanakya, told him that he could start immediately. Jiva-siddhi also convinced him that Rakshasa was responsible for his father's death, but Bhagurayana persuaded him not to harm Rakshasa. Shortly after, Chanakya's spy Siddharthaka pretended to get caught with a fake letter addressed to Chandragupta by Rakshasa. Wearing the jewels given by Rakshasa, he pretended to be an agent of Rakshasa.
Ghatotkacha was a Rakshasa born of the Pandava Bhima and the Rakshasa woman Hidimbi. Rakshasa Ghatotkacha's kingdom Kamyaka Forest was near Kuru kingdom. Bhima was king before ghatotkacha. Ghatotkacha and his kingdom participated in the Kurukshetra War.
Rakshasa (, ) is a supernatural being in Hindu mythology. As this mythology influenced other religions, the rakshasa was later incorporated into Buddhism. Rakshasas are also called "man-eaters" (nri-chakshas, kravyads). A female rakshasa is known as a rakshasi.
The Rakshasa is appeased by these answers. Just then, another Rakshasa is seen forcibly carrying the princess Kandukavati through the air. She is rescued and then married to Mitragupta.
As a reward, Rakshasa gave him some jewels that Malayaketu had gifted him. Sometime after this, another of Chanakya's agents, disguised as a jeweler, sold Parvata's jewels to Rakshasa. Sometime later, Rakshasa sent his spies disguised as musicians to Chandragupta's court. But Chanakya knew all about Rakshasa's plans thanks to his spies.
Nila, Company style Nila heads the monkey army in the battle led by Rama against Ravana and his rakshasa army. The Ramayana tells of Nila facing the rakshasa Nikumbha. Though injured by the rakshasa, Nila picks up the chariot wheel of Nikumbha and kills him with it. Nila also fights a fierce battle with Prahasta.
Jain accounts vary from the Hindu accounts of Rakshasa. According to Jain literature, Rakshasa was a kingdom of civilized and vegetarian people belonging to the race of Vidyadhara, who were devotees of Tirthankara.
In front of Rakshasa's spies, Chanakya and Chandragupta feigned an angry argument. Chandragupta pretended to dismiss Chanakya, and declared that Rakshasa would make a better minister. Meanwhile, Malayaketu had a conversation with Chanakya's spy Bhagurayana while approaching Rakshasa's house. Bhagurayana made Malayaketu distrustful of Rakshasa, by saying that Rakshasa hated only Chanakya, and would be willing to serve Nanda's son Chandragupta.
Rakshasa uses his illusion and Irawat uses his power of changing forms to fight and cut off his body in pieces with axe. Rakshasa, although cut, recovers his body, and increases his size. Irawat summons his Naga force to surround him but Rakshasa assumes form of Garuda and devoured those snakes. And when Irawat became confounded, he felled on the earth Irawat's head.
In the Ayyavazhi version, Ravana is considered an Asura, not a Rakshasa.
The sage Vishwamitra, the arch-enemy of Vashishtha who desires to have Kalmashapada as his disciple, sends a rakshasa to possess the king's body. Vishwamitra plots to destroy his enemy's family with the help of the king. Under the influence of the rakshasa, the king serves human flesh to a Brahmin, who sets vasishta's curse into effect. The king turns into a cannibalistic rakshasa.
287-8 Nala fights in the battle led by Rama against Ravana and his rakshasa army. Nala is described to be seriously wounded by the arrows shot by Ravana's son Indrajit.Venkatesananda p. 315 Nala kills a rakshasa called Tapana in battle.
The letter, sealed with Rakshasa's signet-ring, informed Chandragupta that Rakshasa only wished to replace Chanakya as the prime minister. It also stated that five of Malayaketu's allies were willing to defect to Chandragupta in return for land and wealth. An angry Malayaketu summoned Rakshasa, who arrived wearing Parvata's jewels that Chanakya's agent had sold him. When Malayaketu saw Rakshasa wearing his father's jewels, he was convinced that there was indeed a treacherous plan against him.
He told Rakshasa that Chandana-dasa was about to be executed for refusing to divulge the location of Rakshasa's family. On hearing this, Rakshasa rushed to Pataliputra to surrender and save the life of his loyal friend Chandana-dasa. When he reached Pataliputra, Chanakya, pleased with his loyalty to Chandana-dasa, offered him clemency. Rakshasa pledged allegiance to Chandragupta and agreed to be his prime minister, in return for release of Chandana-dasa and a pardon for Malayaketu.
A female rakshasi in human form is a rakshesha. The terms asura and rakshasa are sometimes used interchangeably.
Chanakya also reiterated that choosing to resist would start a war that would severely affect Magadha and destroy the city. Rakshasa accepted Chanakya's reasoning, and Chandragupta Maurya was legitimately installed as the new King of Magadha. Rakshasa became Chandragupta's chief advisor, and Chanakya assumed the position of an elder statesman.
In the Cambodian Buddhist text Preah Ream, Buddha is an incarnation of Rama and Ravana. He is a rakshasa. In the Thai Buddhist text Ramakien, Rāvana is a rakshasa. There, he is instead known as "Thotsakan" (ทศกัณฐ์, from Sanskrit दशकण्ठ, Daśakaṇṭha, "ten necks"), and he is depicted with green skin.
Vairodhaka was killed, and once again, the assassination was blamed on Rakshasa. Malayaketu and Rakshasa then formed an alliance with five kings: Chiravarman of Kauluta (Kulu), Meghaksha of Parasika, Narasimha of Malaya, Pushkaraksha of Kashmira, and Sindhusena of Saindhava. This allied army also included soldiers from Chedi, Gandhara, Hunas, Khasa, Magadha, Shaka, and Yavana territories. In Pataliputra, Chanakya's agent informed him that three Rakshasa loyalists remained in the capital: the Jain monk Jiva-siddhi, the scribe Shakata-dasa and the jewelers' guild chief Chandana-dasa.
Chapter 26 of the Lotus Sutra includes a dialogue between the Buddha and a group of rakshasa daughters, who swear to uphold and protect the Lotus Sutra. They also teach magical dhāraṇīs to protect followers who also uphold the sutra.Lotus Sutra, chapter 26, Burton Watson translation In The Lotus-Born: The Life Story of Padmasambhava, recorded by Yeshe Tsogyal, Padmasambhava receives the nickname of "Rakshasa" during one of his wrathful conquests to subdue Buddhist heretics. In Chinese tradition rakshasa are known as luocha (罗刹).
Rakshasa Kingdom refers to the territory of Rakshasas who were a tribe, mentioned along with others like Devas (including Rudras, Maruts, Vasus and Adityas), Asuras (including Daityas, Danavas and Kalakeyas), Pisachas, Gandharvas, Kimpurushas, Vanaras, Suparnas, Kinnaras, Bhutas and Yakshas. Rakshasas were described to have large bodies, probably due to their continuous life in cold climates over snow-covered mountains. The forefathers of the famous Rakshasa king Ravana lived along with the Yakshas. The Yaksha king Vaisravana was the elder brother of Rakshasa king Ravana.
Meanwhile, Parvata's brother Vairodhaka became the ruler of his kingdom. Chanakya convinced him that Rakshasa was responsible for killing his brother, and agreed to share half of Nanda's kingdom with him. Secretly, however, Chanakya hatched a plan to get Vairodhaka killed. He knew that the chief architect of Pataliputra was a Rakshasa loyalist.
He also funds to run an orphanage for the mentally disabled children.Rakshasa Rajavu Preview, Rakshasa Rajavu Story & Synopsis, Rakshasa Rajavu Malayalam Movie - entertainment.oneindia.in Appu (Dileep) is in love with Daisy (Kavya Madhavan) the daughter of a wealthy politician. Daisy is under house arrest when her love comes to the knowledge of her rich father.
Now today your time had cometh.' Saying this Bhima bursting with wrath, rushed towards the Rakshasa for a wrestling. Both sons of Madri rushed to help him, but was stopped by Vridokara saying he is himself more than a match for that Rakshasa. They fought with gigantic trees, large crags(rocks), along with their arms.
Sugriva aided Rama in his quest to liberate his wife Sita from captivity at the hands of the Rakshasa king Ravana.
Modern depictions commonly give it two fangs like a European vampire, but traditional descriptions have the fangs as more rakshasa-like.
Rakshasa continued to plot Chandragupta's death, but all his plans were foiled by Chanakya. For example, once Rakshasa arranged for assassins to be transported to Chandragupta's bedroom via a tunnel. Chanakya became aware of them by noticing a trail of ants carrying the leftovers of their food. He then arranged for the assassins to be burned to death.
The Uttara Kanda of the Ramayana and the Shiva Purana narrate about Vashishtha cursing Kalmashapada with slight variation. The Uttara Ramayana tells that once, while hunting in the forest, Kalmashapada mistakenly kills a rakshasa disguised as a tiger cub. His fellow rakshasa - who was also disguised as a cub - assumes his true form and warns the king that he will take his revenge against the wrongful death at the proper time. The Shiva Purana and the Bhagavata Purana identify the other rakshasa as the brother of the slain one, and does not mention the tiger cub disguise.
On the eighth day, Bhima killed 17 of Dhritarashtra's sons. Iravan, the son of Arjuna, and the snake-princess Ulupi killed five brothers of Shakuni, princes hailing from Gandhara. Duryodhana sent the Rakshasa fighter Alamvusha to kill Iravan, and the latter was killed by the Rakshasa after a fierce fight. The day ended with a crushing defeat of the Kauravas.
That prince of Rakshasas Ghatotkacha, born of Bhima and Hidimva, and endued with ample powers of illusion, is, in my (Bhishma's) judgment, a leader of the leaders of car-divisions (5:173). Ghatotkacha fought against other Rakshasa tribes in the side of the Kauravas. Alamvusa and Alayudha were the main Rakshasa opponents of Ghatotkacha (7:1715). Ghatotkacha's son Anjanaparvan was slain by Ashwathaman.
Satrughna slays Lavana In the Hindu epic Ramayana, Lavnasura was a Rakshasa (demon) who was killed by Shatrughna, the youngest brother of Lord Rama.
In the Lankavatara Sutra, Gautama Buddha pays a visit to Lanka, and in the scripture he is addressed as a Rakshasa. He is normally identified as a demon. In the Karandavyuha Sutra, the god Yama asks if the visitor in hell (Avalokitesvara) whom he hasn't seen yet is a god or a demon, and asks whether he is Vishnu, Mahesvara, or the rakshasa ("demon") Rama.
Chitradurga features bold rock hills and picturesque valleys, huge towering boulders in numerous shapes. It is known as the "stone fortress" (Kallina Kote). According to the epic Mahabharatha, it is confirmed about this story that a man-eating Rakshasa named Hidimba and his sister Hidimbi lived on the hill. Hidimba was a source of terror to everyone around while Hidimbi was a peace-loving rakshasa.
Kubera ruled a Yaksha kingdom of enormous wealth. Pandavas visited this place during their forest life with the help of the Rakshasa Ghatotkacha and his friends.
Chanakya also asked some of Chandragupta's princes to fake defection to Malayaketu's camp. In addition, Chanakya ordered Shakata-dasa's murder, but had him 'rescued' by Siddharthaka, a spy pretending to be an agent of Chandana-dasa. Chanakya's spy then took Shakata-dasa to Rakshasa. When Shakata-dasa and his 'rescuer' Siddharthaka reached Rakshasa, Siddharthaka presented him the signet-ring, claiming to have found it at Chandana-dasa's home.
The film is about Lord Ganesha's life from his birth till he tamed Mushikasura, a rakshasa who later became Ganesha's vahana. The film was a major commercial success.
Amongst Sanskrit plays, the historical play Mudrarakshasa is unique because it contains political intrigue and is full of life, action and sustained interest. The time period of composition is prior to 800 C.E. In the play, Chandragupta Maurya is ruling from Pataliputra, having deposed the last of the Nanda kings. Rakshasa the minister of Nanda, attempts to avenge his late master. Chanakya, the minister of Chandragupta succeeds in winning over Rakshasa to his master's side.
The Mudra-Rakshasa recounted how cavalry of the Shakas, Yavanas, Kambojas, Kiratas, Parasikas, and Bahlikas helped Chandragupta Maurya (c. 320–298 BC) defeat the ruler of Magadha and take the throne, thus laying the foundations of Mauryan Dynasty in Northern India.Mudra-Rakshasa II. Mughal cavalry used gunpowder weapons, but were slow to replace the traditional composite bow.Gordon, The Limited Adoption of European-style Military Forces by Eighteenth Century Rulers in India, pp. 229–232.
On one hand, a number of ancient Indian accounts, such as the drama Mudrarakshasa (Signet ring of RakshasaRakshasa was the prime minister of Magadha) by Vishakhadatta, describe his royal ancestry and even link him with the Nanda family. A kshatriya clan known as the Mauryas are referred to in the earliest Buddhist texts, Mahaparinibbana Sutta. However, any conclusions are hard to make without further historical evidence. Chandragupta first emerges in Greek accounts as "Sandrokottos".
A VERY OLD STORY ABOUT LATERAL THINKINGBrahman who was proved troublesome after death is known as Brahma Rakshasa. Gazetteer of the Bombay Presidency, Volume 9, Part 1. Year 1901 The word Brahma means Brahmin and Rakshasa, a demon. As per ancient Hindu texts they are powerful demon spirit, who have lot of powers and only few in this world can fight and over-come them or give them salvation from this form of life.
On the journey home, Zhuo Yihang passes by Mount Hua, where he meets a beautiful young maiden and falls in love with her. The following night, Zhuo joins some martial artists in a duel against the "Jade Rakshasa". However, he is shocked when he sees that the woman he met earlier is actually the "Jade Rakshasa", Lian Nichang. He makes another startling discovery that the martial artists he is helping are actually spies working for the Manchus.
According to an account found in the Mahabharata (Adi Parva, Ch.5-6), when Bhrigu's wife Puloma was pregnant and lived in her hermitage, a rakshasa harassed her. Puloma's child slipped from her womb, called a 'chyuta' child in Sanskrit ("early delivery") and thus received his name Chyavana. The rakshasa released the mother after seeing the child drop, but immediately converted into ashes. Chyavana studied the Vedas from his father and later acquired the knowledge of Vedas from Brahma.
MathuraYaksha, 1st-2nd century CE Yaksha Kingdom refers to the territory of a tribe of mythical creatures called Yakshas who were one of the Exotic tribes of ancient India. They had kinship with another more ferocious tribe, the Rakshasas. The King of Yakshas, Vaisravana (also known as Kubera, Kuvera, Bishamon-ten etc.) and the Rakshasa king, Ravana, were both sons of the sage Visrava Paulastya from two different wives. Kubera is sometimes mentioned as a Rakshasa king.
When the hunters arrive, Adi-Kavi claims that the elephant was actually a demonic rakshasa. He gets them to fall into a net trap to avoid being killed by the false demon.
Vidyadhara possess mystical powers and abilities in Jainism like flying. Vanara and Rakshasa are two of the many Vidyadhara clans according to Jain literature. Some of the Kings were Ravana, Hanuman and Vali.
This marriage was considered inappropriate by Hindu Smriti-writers because greed, not what is best for the girl, can corrupt the selection process. Manusmriti verses 3.51 and 3.52, for example, states that a father or relatives must never accept any brideprice because that amounts to trafficking of the daughter.Patrick Olivelle (2004), The Law Code of Manu, Oxford University Press, , page 47 # Rakshasa marriage - where the groom forcibly abducted the girl against her and her family's will. The word Rakshasa means 'devil'.
Sri Vaishnavas called Prabodhotsava or Uttana Dvadasi as Kaisika Dvadasi. On the Uttana Dvadasi, preparations are made for waking Lord Vishnu, who went to sleep on Ashada Sukla Ekadasi (Vishnu Sayana Ekadasi). Among Sri Vaishnavas, this dvadasi is known as Kaisika dvadasi named after the ragam of a song which was used last in praise of the Lordby devotee Chandala Bhakta Nambaduvan. Bhakta Nambaduvan kept his word and returned to a Rakshasa (demon) to offer his body to be devoured as food by the hungry Rakshasa.
In the battle Sugriva challenges and fights with the Rakshasa Kumbhakarna, a brother of Ravana, and no doubt would have killed Surgriva but for the timely intervention of Rama's brother Lakshmana. Thus Sugriva fulfills his pledge.
Not all eight approved by The Scripture. The last four were not advocated and the last one was condemned. These are: Brahma Marriage, Daiva Marriage, Arsha Marriage, Prajapatya Marriage, Gandharva Marriage, Asura Marriage, Rakshasa Marriage, Paishacha Marriage.
Deceived by the rakshasa's disguise, Kalmashapada with his queen goes to Vashishtha's ashram and presents him with meat. The sage feels insulted seeing the taboo offering, and curses the king to be a rakshasa. In the Shiva Purana, the Bhagavata Purana, and the Vishnu Purana, the rakshasa disguises himself as a Brahmin cook and gains entry to the king's kitchen. When Vashishtha arrives in Ayodhya on the king's invitation for a Shraddha ceremony, or simply dinner, the demon cooks human flesh and offers that to the sage on behalf of the king.
It would still retain its high level of learning. But it would eat human beings. They have the knowledge of their past lives and vedas and puranas. In other words, they have qualities of both Brahmin and Rakshasa.
Vridakora, mace in hand, jumped down from his car, uttering a loud roar rushed towards that elephant division. He started to slaughter those division and routed that large division of army. Alamvusha (Rakshasa) battles Satyaki. Later, Bhurisravas battles Satyaki.
Duryodhana talks with Bhishma about battle. Bhishma address Bhagdatta to fight them at his best. Bhagdatta faces Pandavas army with Bhimasena, Abhimanyu, Rakshasa Gatotkacha, sons of Draupadi among them. Bhagdatta calls out his elephant, Supratika, and rushes against them.
Their allied army included Bahlika, Kirata, Parasika, Kamboja, Shaka, and Yavana soldiers. The army invaded Pataliputra (Kusumapura) and defeated the Nandas. Parvata is identified with King Porus by some scholars. Nanda's prime minister Rakshasa escaped Pataliputra, and continued resisting the invaders.
The main upadevathas on the premises are # Lord Ganesh # Lord Shiva as the All Father. # Nagaraja # Nagayakshi # Lord Ayyappan # Brahma Rakshasa # Veerabhadra as the brother of the main deity. # Navagraha # Goddess Kali as Oorutu Amma, the Sister of the Main deity.
The Himalayan alliance gave Chandragupta a formidable composite army made up of the cavalry forces of the Shakas, Yavanas, Kambojas, Kiratas, Parasikas and Bahlikas as attested by Mudra-Rakashas (Mudra-Rakshasa 2).In Sanskrit: :asti tava Shaka-Yavana-Kirata-Kamboja-Parasika-Bahlika parbhutibhih :Chankyamatipragrahittaishcha Chandergupta Parvateshvara :balairudidhibhiriva parchalitsalilaih samantaad uprudham Kusumpurama : (Mudra-Rakshasa 2). These hordes had helped Chandragupta Maurya defeat the ruler of Magadha and placed Chandragupta on the throne, thus laying the foundations of Mauryan Dynasty in Northern India. The cavalry of Hunas and the Kambojas is also attested in the Raghu Vamsa epic poem of Sanskrit poet Kalidasa.
The Mahabharata says that Brahma conferred upon Kubera the lordship of wealth, friendship with Shiva, godhood, status as a world-protector, a son called Nalakubera/Nalakubara, the Pushpaka Vimana and the lordship of the Nairrata demons. Both the Puranas and the Ramayana feature the half-blood siblings of Kubera. Vishrava, Kubera's father, also married the Rakshasa (demon) princess Kaikesi, who mothered four Rakshasa children: Ravana, the chief antagonist of the Ramayana, Kumbhakarna, Vibhishana and Soorpanaka. The Mahabharata regards Vishrava as the brother of Kubera, so Kubera is described as the uncle of Ravana and his siblings.
At Janasthana (the capital of Dandaka Kingdom ) he cut off the head of a wicked-souled Rakshasa (as per epic Ramayana, his name was Khara) with a razor-headed shaft of great sharpness (9,39). Raghava Rama, that foremost of bowmen, taking his bow and in company with his queen (Sita) and brother (Lakshmana), with the view of compassing his father’s welfare, began to reside in the Dandaka forest. From Janasthana (the capital of Dandaka Kingdom ), that mighty Rakshasa monarch, the wicked Ravana, carried away Rama’s queen. (3,146). A southern path through the Dandaka woods existed during the time of Raghava Rama.
This festival refers to the celebration of the expulsion of a Rakshasa or demon from the country, held on the 14th of Sawan. The Newars make a straw figure which they beat and drag around the streets. The figures are burned at sunset.
In Vimalsuri's Paumachariya, Rama married thrice when he was in exile. Lakshmana, his brother married eleven times. Ravana, was well known for his abilities in meditation and ascetic practices. He was the king of Rakshasa, a kingdom of civilized and vegetarian people.
Daitya (lit. sons of the mother "Diti"), Maya Danava, Rakshasa (lit. from "harm to be guarded against"), and Asura are incorrectly translated into English as "demon". In post-Vedic Hindu scriptures, pious, highly enlightened Asuras, such as Prahlada and Vibhishana, are not uncommon.
The deer is actually a rakshasa called Maricha in disguise. Maricha takes this form to lure Rama and Lakshmana away from Sita so his nephew Ravana can kidnap her. In the Hindu epic mahabharata, the rishi Kindama dons the disguise of a male deer.
Trishira (Sanskrit: त्रिशिर, IAST: triśira, lit. he who has three heads) was a Rakshasa (a demon), and reference to him is found in the Ramayana. He was one of the six sons of Ravana, and his other brothers were Meghanada, Atikaya, Akshayakumara, Narantaka and Devantaka.
The most common language spoken in Kharkhoda is Haryanvi. Khanda is big village. It said to derive its name from Kharak, meaning a stall. Another tradition connects it with Khara and Dushana, the brothers of Ravana, the rakshasa king of Lanka (now Sri Lanka).
Lakshmikantam proficiently played several roles with his brother Narsayya. His roles included Arjuna in "Gayopakhayanam," Krishna in "Narakasuravadha," Rakshasa in "Mudrarakshasam", and Dharmaraju in "Pandavodyogavijayalu." He also participated in another popular literary tradition called Avadhanam. It was a fashion to write poetry as a pair.
He conjured other diverse illusion but the son of Phalguni however, neutralized them all, with his weapons. Rakshasa seeing his illusion destroyed and himself struck, fled in great fear. Bhishma battles Subhadra's son. Satyaki rushes in battle towards Drona's son, who cut off his bow in twain.
Ancient Indian mythology tells of Nāga, snakes that can sometimes assume human form. Scriptures describe shapeshifting Rakshasa (demons) assuming animal forms to deceive humans. The Ramayana also includes the Vanara, a group of apelike humanoids who possessed supernatural powers and could change their shapes.Vanamali, Mataji Devi (2010).
Maricha is a rakshasa (demon), who is killed by Rama, the hero of the epic and an avatar of God Vishnu. He is mentioned as an ally of Ravana, the antagonist of the epic. His most notable exploit is his role in the kidnapping of Sita, Rama's wife.
He sent a vishakanya (poison girl) to assassinate Chandragupta. Chanakya had this girl assassinate Parvata instead, with the blame going to Rakshasa. However, Parvata's son Malayaketu learned the truth about his father's death, and defected to Rakshasa's camp. Chanakya's spy Bhagurayana accompanied Malayaketu, pretending to be his friend.
He executed his five allies in a brutal manner. The rest of Malayaketu's allies deserted him, disgusted at his treatment of the five slayed allies. Rakshasa managed to escape, tracked by Chanakya's spies. One of Chanakya's spies, disguised as a friend of Chandana-dasa, got in touch with him.
They ruled from Badami, formerly known as Vatapi, named after rakshasa king Vatapi. According to the Mahābhārata, Vatapi ruled the area along with Ilvala. Once Ilvala hosted a tapasvi Brahmin with reverence and asked him to grant a boon. He desired to have a son equal to Indra.
After the event of Lakshagriha, the Pandavas and their mother decided to hide from Hastinapura. During this period Bhima slayed many Rakshasa including Bakasura and Hidimba. Bhima also married Hidima's sister, Hidimbi and had a son named Ghatotkacha. Because of Kunti's misunderstanding, Draupadi was married to five Pandavas.
Ravana was the most famous Rakshasa who ruled from the Trikuta mountains of Lanka where the climatic conditions were similar to Himalayas. Many Rakshasas like Khara ruled under Ravana, at different places in ancient Indian mainland. Khara's kingdom was in south-central India, in a dense forest named Dandaka.
Aghasura, 18th-century Rajasthani painting Aghasura (अघासुर), is a demon (rakshasa) in Hindu and Vedic scriptures. Krishna Subdues the Serpent Aghasura He was one of King Kamsa's generals,A Dictionary of Hindu Mythology & Religion by John Dowson, Dowson's Classical Dictionary of Hindu Mythology elder brother of Putana and Bakasura.
The enraged sage curses him to be transformed into a human-eating rakshasa and wander the forests. The pious king is outraged by the unjust curse and quarrels with the sage. Vashishtha reduces the curse to 12 years when he hears of the rakshasa's deception. But the king is not satisfied.
Pranesh (2003), pp. 87-88 Modern Kannada prose saw its nascent beginning in 1823 with Mudra Manjusha ("Seal Casket"). It is an elaboration of a play summarised in the Sanskrit original, Mudra Rakshasa by Vishakadatta, and was written by Kempu Narayana, a court poet of Maharaja Krishnaraja III.Kamath (2001), p.
Hanuman steals from Mandodari the weapon that leads to Ravana's death. Mandodari is the chief Queen of Ravana, the Rakshasa(demon) king of Lanka. The Hindu epics describe her as beautiful, pious and righteous. Mandodari is the daughter of Mayasura, the King of Asuras (demons) and apsara (celestial nymph) Hema.
90, 178, 217, 287, 758, 881. For Iravan, Mani (1975) pp. 331–32 (Mahabharata—Bhishma Parva 90:27–46) Agitated by this reversal, the eldest Kaurava, Duryodhana, orders the rakshasa (giant) Alamvusha (or Alambusha), son of Rishyasringa, to kill Iravan. This time Alambusha, as well as Iravan, uses illusion in combat.
Sunil Dath with the intention of preserving the rich devotional and cultural heritage of the sacred land. Under the able guidance of a renowned astrologer, Sri. Gopalakrishna Varrier, Sri. Dath built separate shrines of Bhagvathy (known as Vana Durga), Sasthavu (Lord Ayyapan), and Bhadra Kali, along with Sarppathara and Rakshasa.
There is a story behind the avatar of this god. In ancient days this place was known as "Guharanya", a dense jungle and habitat of a demon Guhasura. He had a gift that no human or Rakshasa or god can kill him. And he started harassing people around this place.
The Death of Maricha One day, Surpanakha, the rakshasa sister of Ravana, disguised herself as a beautiful maiden and proposed marriage to Rama. Rama refused her proposal and directed her to Lakshmana in jest. Lakshmana joked that she should marry his master Rama. An angry Surpanakha returned to Rama and attacked Sita.
Beholding them afflicted, son of Arjuna rushed at him. Both pierces each other, but Abhimanyu pushes him back. That Rakshasa, then, exhibited his great powers of illusion causing a thick darkness to set in, dimming visibility. Abhimanyu however, invoked into existence, the blazing solar weapon, making once more everything visible, neutralizing the illusion.
Danda is a frequently featured region in Hindu mythology, as in Dandaka, a kingdom and a forest bearing the same name. It was a colonial state of Lanka under the reign of Ravana. Ravana's governor Khara ruled this province. It was the stronghold of all the Rakshasa tribes living in the Dandaka Forest.
The Sanskrit epic Ramayana mentions the attack of Rakshasa king Ravana on Mahishmati. The Anushasana Parva states that Ikshvaku's son Dashashva was a king of Mahishmati. It goes on to mention that the Haihaya king Kartavirya Arjuna ruled the entire earth from his capital Mahishmati (13:52). He was killed by Bhargava Rama.
Dandaka-aranya, means the Dandak Forest, the abode of the demon Dandak. Dandaka (, IAST: ) is the name of a forest mentioned in the ancient Indian text Ramayana. It is also known as Dandakaranya, aranya being the Sanskrit word for "forest". It was the location of the Danda Kingdom, a stronghold of the Rakshasa tribes.
Khara was a man- eating rakshasa in the Indian Ramayana epic. He was a younger male cousin of Ravana and the son of Kaikesi's sister Raka. He was killed by Rama, along with his brother Lakshmana when he attacked Rama after Shurpanakha's humiliation. After Lakshmana cut off Shurpanakha's nose, Khara fought against Lakshmana and Rama.
Vibhishana was a younger brother of Ravana. Though a Rakshasa himself, Vibhishana was of a noble character. When Ravana kidnapped Sita, he advised Ravana to return her to her husband Rama in an orderly fashion and promptly which Ravana refused sternly. When Ravana did not heed his advice, Vibhishana deserted Ravana and joined Rama's army.
Iravat (Naga), Arjuna's son joins fight, and destroys enemy forces. Duryodhana sends Alamvusha for son of Phalguni. Alamvusha display his power of illusion and creates 2,000 terrible armed Rakshasa to advance against Irawat. Irawat sends them to the regions of Yama and fight with difficulty against him and with his sword cut off his bow.
The rakshasa shoots many arrows at Nila who, unable to escape, bears them calmly with closed eyes. Later, when Prahasta dashes towards Nila with a mallet, the monkey fights back with rocks and finally hurls a huge boulder at him, thus slaying him.Venkatesananda p. 301 Nila also battles with Ravana, jumping onto his chariot.
Amaresvaraalaya gopuram As per the legend, a Shiva Lingam was owned by the Rakshasa king Tarakasura. No one could win over him due to the power of this Shiva Lingam. In the war between the Devas and Asuras under Tarakasura, Karitkeya and Tarakasura were face to face. Kartikeya used his Shakti Aayudham to kíll Tarakasura.
The Ramayana mentions that Rama – the Avatar of God Vishnu and his brother Lakshmana encountered a demon called Viradha, while in exile in the forest. This demon was the cursed Tumburu. Tumburu once offended Kubera by not bringing Rambha before Kubera at the stipulated time. Enraged, Kubera cursed him to be born as a demon (Rakshasa).
Ravana was the Rakshasa king of Lanka. He is the main antagonist of epic Ramayana. He was son of Vishrava and Kaikashi. He performed penance for the God Shiva for many years, and in return received a great blessing from the God himself that he cannot be killed by any God, demon, or other divine being.
According to epic Ramayana, Vishrava was the son of Pulatsya, the brother of celebrated sage Agastya Muni and the grandson of Brahma. Vishrava was married twice. Once with Ilavida with whom he had a son named Kubera and his second consort was a Rakshasa princess Kaikashi with whom he had three sons (Ravana, Kumbhakarna & Vibhishana) and a daughter (Shurpanakha).
Ravan's sister Surpanakha visits her brothers Khar, Dhushan and Trishira who live in a nearby forest. Ram kills some rakshasa demons when he finds them harassing some sages. Curious about this powerful human, Surpanakha visits Panchavati and is smitten with Ram. Episode 110: A jealous Surpanakha attacks Devi Sita and an angry Lakshman cuts off Surpanakha's nose.
Shortly after this, a messenger came to Rakshasa's house, and informed him that Chandragupta had dismissed Chanakya while praising him. This convinced Malayaketu that Rakashasa could not be trusted. Malayaketu then decided to invade Pataliputra without Rakshasa by his side. He consulted the Jain monk Jiva-siddhi to decide an auspicious time for beginning the march.
Elements from Indian philosophy, like the Nāga, Rakshasa, and the fierce Yaksha were syncretized into protectors of Dharma; these mythical figures from the Dharmic religions figure prominently in Shaolinquan, Chang quan and staff fighting.Wells, Marnix, and Naizhou Chang. Scholar Boxer: Chang Naizhou's Theory of Internal Martial Arts and the Evolution of Taijiquan. Berkeley, Calif: North Atlantic Books, 2004, p.
Right now, Kalidasu earns various kudos for his works and reaches Kaasi where he clarifies a stanza and states it is from Ramayana written by Lord Hanuman. Listening to it, self-proclaimed poet Rakshasa (C.S.R) at the court of King Bhoja Raja (S.V.Ranga Rao) heckles when Lord Hanuman appears, punishes him and affirms Kalidasa as a great poet.
The tale is parodied by English short-story writer Saki in The Schartz-Metterklume Method.H. H. Munro (Saki), Beasts and Super-Beasts: Beasts, available at It also serves as the main plot of the movie Seven Brides for Seven Brothers. In Sanskrit literature, the practice is known as Rakshasa Vivaha ("devil marriage"), mentioned e.g. by Kautilya.
Asuras gradually assimilated the demons, spirits, and ghosts worshipped by the enemies of Vedic people, and this created the myths of the malevolent asuras and the rakshasa. The allusions to the disastrous wars between the asuras and the suras, found in the Puranas and the epics, may be the conflict faced by people and migrants into ancient India.
Bhishma slaying Pandavas army trembles them, and Drona too afflicts enemy forces, making Arjuna wonder. King Duryodhana with his army rushed against Gatotkacha troops. Gatotkacha slew king elephants and Duryodhana his 4 Rakshasa and injures him. Gatotkacha gets angry, and pick a huge dart to slay him but Bhagadatta, mounting upon an elephant place himself before king.
Drona killed Vrihatkshatra, the ruler of Kekaya and Dhrishtakethu, the ruler of Chedi. The battle continued past sunset. Dushasana's son, Durmashana, was slain by Prativindya, the eldest son of Draupadi and Yudhishthira, in a duel. When the bright moon rose, Ghatotkacha, the rakshasa son of Bhima, slaughtered numerous warriors, like Alambusha and Alayudha attacking while flying in the air.
312 The Mahabharata states that he slays the rakshasa Pramathi in the battle. The Kamba Ramayana portrays him as being defeated and struck unconscious by Indrajit, Ravana's son.Kamba Ramayana p. 325 The Krittivasi Ramayan narrates how the monkeys are sent to disturb the yajna (fire sacrifice) that Ravana is performing in order to make himself invincible.
Bheema, however, carries his four brothers and mother on his back and races through the tunnel and takes them to the hiding spot. There, a certain cannibal rakshasa named Hidimbasura lives with his sister Hidimbi. He smells the scent of human beings and orders his sister to bring them. Hidimbi, however, falls in love at first sight with Bheema.
In another time, there is a great Rakshasa named Jalandhara. Shiva fights a fierce battle against him, but is unable to kill the demon. Ram learns that Jalandhara's immunity it due to the piousness of his wife, Vrinda. So, Ram takes the form of Jalandhara in front of Vrinda, and she embraces him thinking he is her husband.
A technologically advanced race from a far away constellation arrives on ancient Earth to gain supremacy. To maintain control over mother Earth, the twelve mighty tribes - Garuda, Gandharva, Yaksha, Kinnera, Kimpurusha, Naga, Vanara, Vidhyadhara, Valikilya, Deva, Pisacha and Rakshasa - ruling different parts of ancient Earth must unite under the leadership of the recluse and arrogant demi-god Vaali.
Dushana was a man-eating Rakshasa in the Indian Ramayana epic. According to Indian epic Ramayana, Dushana and his twin brother Khara, younger brothers of Ravana, were demons who ruled the Dandaka Forest. After Lakshmana humiliated Shurpanakha by cutting off her nose and ears, Khara and Dushana went to war against Lakshmana and Rama. During this fight, Dushana was killed by Rama.
Sreeraman Chira is a fresh water lake which contains 900 hectares of paddy fields situated in Chemmappilly near Triprayar of Thrissur district of Kerala state in India. The lake is linked to Ramayana fame, where Chira kettal ceremony reminiscent of the Sethubandhanam where Hanuman and his army built Rama Setu to reach Sri Lanka and rescue Sita from the Rakshasa King, Ravana.
Sethubandhanam at Sreeraman Chira or Chira kettal is a Hindu ceremony reminiscent of the Sethubandhanam where Hanuman and his army built Rama Setu to reach Sri Lanka and rescue Sita from the Rakshasa King, Ravana. It is annually conducted at Sreeraman Chira, a 900 hectares of paddy fields situated in Chemmappilly near Triprayar of Thrissur district of Kerala state in India.
Janak wants to find out whether or not the baby has a family. He is shocked to see the baby lift the Shiv Dhanush. Rishi Yagyavalkya suggests that Janak keeps the baby and so he names her Sita. It is shown that after eight years, Sita and her sisters are playing the act of Goddess Durga, who destroyed a Rakshasa.
Surpanakha returns with her brothers Khar, Dhushan and Trishira and Ram and Lakshman kill all three. Surpanakha tells Ravan who vows revenge and is furious and decides to attack Ram. Ravan asks the magical rakshasa Maricha, whom Ram saved earlier, to help. Episode 111: Maricha turns into a golden deer and lures Ram far away, trying to catch it for Devi Sita.
The Mahabharata tells that Kabandha was a gandharva named Vishvavasu in his previous life and was cursed by Brahma to be born "from a Rakshasa womb". The Mahavira-charita calls Kabandha's real form Danu, son of Sri. The Bhattikavya does not explicitly name Kabandha. He is introduced as "a dreadful demon that was always hungry and being endowed with long arms".
Witnessing it, Bhoja Raja himself moves to pursue whereabouts of him. Both of them meet at a peepal tree where a demon awaiting for there conjoining presents them an idol of Goddess Sharada which they install in Bharatacharya's (P. Suribabu) ashram. Here, Bhoja Raja bestows a great admiration & respect for Kalidasu which irks Kavi Rakshasa and ruses to defame him.
Cursed to be a rakshasa along with his mother Tataka and brother Subahu, Maricha initially led his life terrorizing sages. He was defeated by Rama at the behest of the sage Vishvamitra. He tried again to kill Rama, but had to run for his life again. Ultimately, Maricha assumed the form of a golden deer and helped Ravana kidnap Sita.
For a long time afterward women did not prefer to enter this temple.Besides these there is a separate temple for Vadakkunathan, Subrahmanya, Durga and Brahma Rakshas. There is an interesting story about the Brahma Rakshas. Thirunakkara Shiva Temple Further, it is said that at Madikeri the Omkareshwar Shiva temple was built by king to ward of evil caused by Brahm-Rakshasa.
It is roughly the Nashik District, Maharashtra with Janasthana (Nashik city) as its capital. It was from here that the Rakshasa Khara attacked Raghava Rama of Kosala, who lived with his wife and brother at Panchavati (modern day Nashik), not far away. With reference to the demon Danda, in the Ramayana, he was the son of Sumali, thus making him Ravana's maternal uncle.
The army began to cross the ocean in boats, approaching the island of Kausalya's captivity. Hearing of Dasharatha's rescue attempt, Ravana sent his "rakshasa" (demon) army. In the ensuing battle, Dasharatha's army was annihilated, but Dasharatha escaped on a wooden plank, floating on the ocean for many days. Eventually, he landed on the island of Kausalya's captivity and chanced upon the box in which she was enclosed.
This friend was a Rakshasa named Kundodhara. After Kundodhara finished all the food that was prepared, He became very thirsty and started asking for water. All the wells and canals in Madurai were not sufficient to quench his thirst. Then, Siva asked Kundodhara to put his hand out and opened a small part of his hair lock and Ganga began to flow into his hand.
He was "drunk with the wine of youth and beauty" and used to roam the universe enchanting beautiful maidens. Once, he laughed at the sage Ashtavakra ("one who was eight deformities"), who cursed him to become a Rakshasa, though the sage assured him that Rama would free him of the curse. Still arrogant, Kabandha once chased Indra. The rest of the Indra episode mirrors the Ramayana telling.
Bakāsura (, ) is a rakshasa, a supernatural "man-eater" in the Indian Sanskrit epic Mahabharata. He is also known by the names Baka or Vaka. He was killed by Bhima. The demon lived near the city of Ekacakrā (sometimes called Cakranagarī) and forced the king to send him a large number of provisions every week, which he devoured along with the men who provided them.
The last Book Uttara Kanda of the Ramayana describes a battle between Indra and the rakshasa (demon) king Ravana. While Indra battles Ravana, Jayanta fights with Ravana's son Meghanada. A fierce battle ensues between Jayanta and Meghanada; ultimately Ravana's son strikes Jayanta, who falls unconscious. In the confusion, Puloman, his maternal grandfather, takes Jayanta away from the battlefield, unseen by anyone and hides him in the ocean.
In Hindu tradition, Kamsa (, IAST: Kamsa, also transliterated as Kansa) was the tyrant ruler of the Vrishni kingdom with its capital at Mathura. He was the brother of Devaki, the mother of the god Krishna — who slew Kamsa. Kamsa is described as human in early sources and a rakshasa (demon) in the Puranas. His royal house was called Bhoja and another of his names was Bhojapati.
In the Hindu epic Ramayana, Maricha, or Mareecha (Sanskrit: मारीच, IAST: ) is a rakshasa (demon), who was killed by Rama, the hero of the epic and an avatar of God Vishnu. He is mentioned as an ally of Ravana, the antagonist of the epic. His most notable exploit is his role in the kidnapping of Sita, Rama's wife. His son Kalanemi was killed by Hanuman.
She's critical of her comrades, however cares about them greatly and does for their own safety. Her weapon is , a weapon from the Rakshasa series. They take form of two black gauntlets that give her enough energy to kill a vampire with a single punch. ; : (anime) :Norito is a Colonel of the Japanese Imperial Demon Army, and serves as a member of Guren's squad.
According to both the Ramayana and the Mahabharata, Lanka was originally ruled by a yaksha named Sumali. Kubera seized control of Lanka and established the Yaksha Kingdom and his capital was guarded by rakshasas. His half-brother Ravana, son of the sage Vishravaya and Sumali's daughter Kaikesi, fought with Kubera and took Lanka from him. Ravana ruled Lanka as king of the Rakshasa Kingdom.
The Goddess Ambika (identified with Durga or Chandi) leading the Eight Matrikas in battle (top row, from the left) Narasinhmi, Vaishnavi, Kaumari, Maheshvari, Brahmani. (bottom row, from left) Varahi, Aindri and Chamunda or Kali against the Rakshasa Raktabija. A Folio from a Devi Mahatmya. Devi Brahmani is depicted as riding on a white swan in the battle with sword and shield in her arms.
He acted in Sahayathrikakku Snehapoorvam, Rakshasa Rajavu, Meerayude Dukhavum Muthuvinte Swapnavum and Chronic Bachelor. In 2010, he worked movies in adult roles such as Pokkiri Raja, Kandahar, Pusthakam, Omega.exe, Thilothamma, Bhaskar The Rascal, Kamuki Aside from films, he also acted in the serials Kayamkulam Kochunni in 2004 and Velakkani Mathavu in 2007. He acted as Nandhu in the serial 4 the People broadcast in Asianet.
The Malliyoor Sree MahaGanapathy Temple in Kottayam district, Kerala Further, at Thirunakkara Shiva Temple also in Kottayam in Kerala, there is a separate temple for Brahm Rakshasa. There is an interesting story about why the Brahma Rakshas temple was built here. One person called Moose was a great friend of the king. The king was not known for his beauty but his friend Moose, was very handsome.
Dandakaranya is considered sacred in Hinduism, as many accounts of the region describe ancient Hindu peoples and Hindu deities living together in refuge there. The Dandakaranya zone was the location of the turning point in the Ramayana, a famous mythology Sanskrit epic. The plot for the divine objectives to uproot the rakshasa from the land was formulated here. According to the Ramayana, it was home to many deadly creatures and demons.
The Vishnu Purana also notes that the demons appeared in the form of tigers. The king returns to his capital and invites his guru Vashishtha to the Ashwamedha sacrifice. The sage accepts. The vengeful rakshasa assumes the form of the sage and informs the king that he secretly desires to eat meat (a taboo for sages), and that the king should come to his ashram and offer him meat.
Chitradurga Fort Siddeshwara Temple Eighteen temples were built in the upper fort. Some of the well-known temples were the Hidimbeswara (an ancient legend is linked to it), Sampige Siddeshwara, Ekanathamma, Phalguneshwara, Gopala Krishna, Lord Hanuman, Subbaraya and Nandi. Hidimbeswara temple displays the tooth of Hidimba, the giant (Rakshasa in Sanskrit). It is said that Hidimba and his sister Hidimbi, a giantess, used to live in this temple.
In Hindu mythology, Mada is a gigantic Rakshasa (demon or monster by the time) from the Hindu text, Mahabharata. It is created by sage Chyavana in return for the Aswins' act of returning his youth and vision. Mada's (मद) name means the intoxicator, his strength is being feared by the king of gods, Indra. It has the ability to change its size to swallow the entire universe in one gulp.
The Hidimba Devi temple was built in 1553 CE by Maharaja Bahadur Singh. The temple is built around a cave where Devi Hidimba performed meditation. Hidimbi was supposed to have lived there with her brother Hidimb, and not much is known about their parents. Born into a Rakshasa family, Hidimba vowed to marry one who would defeat her brother Hidimb, who was supposed to be very brave and fearless.
He saw his brothers along with wife rebuking that demon. Bhima of mighty strength was fired with wrath, and challenged Rakshasa for a fight saying, ' I had found out your identity already; but i had not slain you at that time. Thou wert in the disguise of a Brahmana - nor didst thou say anything harsh unto us. And, furthermore, thou wert our guest, therefore i slew you not.
At last, Bhima with force dealt a death blow on his neck. Struck by that fist, Rakshasa became faint. Bhima catching hold of that exhausted one, lifted him up and dashed him with force to the ground, smashing all his limbs. And striking him with his elbow, he severed from his body the head and rolling eyes, he fell besmeared with gore, like unto a fruit from its stem.
Kirmira (, ) was a Rakshasa, the brother of Bakāsura, and a good friend of Hiḍimbā. He lived in the Kāmyaka Forest and used to come out at night for hunting. During the exile of the pandavas residing in that forest, one night this beast came out and started to spread illusion proper to his species. He beheld pandavas there and seeing him Draupadi agitated from fear, was supported by pandavas.
The sage cursed Tataka, Maricha and Subahu, transforming them into wicked, hideous, demonic rakshasas. Tataka and her sons then went to Patala (the underworld) to seek aid from Sumali, the patriarch of the rakshasas. Sumali took them to his grandson, Ravana, the rakshasa king of Lanka. Ravana helped the trio capture the states of Malada and Karusha, situated on the banks of the river Sarayu near its confluence with the Ganges.
The Garuda Purana and the Narada Purana also refers to Varaha as the slayer of Hiranyaksha. The Brahma Purana narrates another tale where a rakshasa (demon) named Sindhusena defeated the gods and took the sacrifice to the netherworld Rasatala. Implored by the gods, Vishnu takes the form of Varaha and enters Rasatala. He slew the demons and recovered the sacrifice holding it in his mouth (mukha), thus sacrifice known as makha.
Kumārasambhava literally means "The Birth of Kumāra". This epic of seventeen cantos entails Sringara rasa, the rasa of love, romance, and eroticism, more than Vira rasa (the rasa of heroism). Tārakāsura, a rakshasa (demon) was blessed that he could be killed by none other than Shiva's son, however, Shiva had won over Kama, the god of love. Parvati performed great tapas (or spiritual penance) to win the love of Shiva.
Gatotkacha, with his kinsmen comes to battle Drona's son. Filled with wrath he slew many Rakshasa, which rages giant Gatotkacha, who uses his extraordinary powers of illusion, confounding all in that place, making them see each other cut, slain and bathed in blood. All fly away from that place. Devavrata cried that its just a applied illusion, do not fly away, yet they stopped not, their senses having been confounded.
The 1158 Ujjain inscription describes Jayasimha as Barbaraka-jishnu ("conqueror of Barbaraka"), an epithet also used by his successors. According to Hemachandra, Barbaraka was a rakshasa (demon), who harassed the sages of the hermitage located on the banks of the Sarasvati river at Shristhala (Siddhapura). Jayasimha defeated Barbaraka at the request of the sages, but later released him. Barbaraka then gifted precious jewels to Jayasimha, and became his follower.
She asked for a daughter from the wish-fulfilling tree to get rid of her loneliness. Her wish was granted and Ashokasundari was born. Parvati promised that she would marry according to her destiny Nahusha of the lunar dynasty, who would be equal to Indra, the king of heaven. Once, Ashokasundari was roaming in Nandanvana with her maids, a rakshasa (demon) called Hunda saw her and fell in love with her.
Subahu is a rakshasa character in the Ramayana. He and his mother, Tataka, took immense pleasure in harassing the munis of the jungle, especially Vishvamitra, by disrupting their yajnas with rains of flesh and blood. Vishvamitra approached Dasharatha for help in getting rid of these pestilences. Dasharatha obliged by sending two of his sons, Rama and Lakshmana, to the forest with Vishvamitra, charging them to protect both the sage and his sacrificial fires.
In the language of science, it is a 'multi-dimensional hologram' in the form of a seed. Meanwhile, Bhuria (Sunil Shetty), a Rakshasa, mentally communicates with Varun, so they can share their abilities since neither of them can utilize full power of the Rudraksha alone. Varun refuses, but Bhuria continues his attempts to join their powers and manipulate Varun. Gayatri finds about a set of strange words which cause changes in people when spoken.
Male and female forms of the Belu, depicted in a 19th-century watercolour A wide variety of mythical creatures are found in Burmese folklore and in mythology. Many Burmese creatures are part human or creatures capable of assuming human form. Most mythical creatures are endowed with humanistic mentalities, ability to converse with humans and also supernatural powers.Mythical Creatures in Burmese Folklore, Jataka tales, History of Burma, Yama Zatdaw, Ramayana, Asura (Buddhism), Rakshasa, Garuda.
1891 painting by Sarathi Madala Patnaik in Adhyatma Ramayana depicting Hanuman and Kalanemi. Kalanemi is a rakshasa (demon) mentioned in various adaptations of the Hindu epic Ramayana. He is the son of Maricha, who was tasked by Ravana, the epic's main antagonist to kill Hanuman. Although not part of Valmiki Ramayana, his encounter with Hanuman has been described in several versions with variations in details but all concluding in his defeat and killing.
Jatāsura (जटासुर) was a Rakshasa who disguised himself as a brahmin and carried Yudhishthira, Sahadeva, Nakula, and Draupadi. He was overtaken and killed by Bhima. According to the Mahabharata (Book III: Varna Parva, Section 156), Jatasura used his powers of illusion to appear in the guise of a Brahmana to the Pandavas. His objective was to gain their confidence in order to seize their weapons, ravish their wife Draupadi, and take some captives.
Subahu ( , , , Thai: Sawahu) was a rakshasa character in the Ramayana. He and his mother, Tataka, took immense pleasure in harassing the munis of the jungle, especially Vishvamitra, by disrupting their yajnas with rains of flesh and blood. Vishvamitra approached Dasharatha for help in getting rid of these pestilences. Dasharatha obliged by sending two of his sons, Rama and Lakshmana, to the forest with Vishvamitra, charging them to protect both the sage and his sacrificial fires.
Her Cursed Gear is , another weapon belonging to the Rakshasa series; it takes form of five rings that are worn on both hands, creating strings to fool and trap enemies. ; : (anime) :Sayuri is a Second Lieutenant of the Japanese Imperial Demon Army and Guren's servant. She is a member of Guren’s Moon Demon Company squad. Since she was a child, she had a crush on Guren and provides him with emotional support.
In the Ramayana, Nila is described as the son of Vishwakarma, the architect of gods, and as the "Kapishreshtha (foremost among the monkeys) in effulgence, reputation and prowess". An important part of the epic describes the role played by the monkey army in the rescue of Sita, the wife of Rama who is kidnapped by Ravana, the rakshasa king of Lanka. The many stories forming the epic are retold in various adaptations.
Later the young man with five other brahmacharis reached Sankaramangalath illam. Antharjanam completed all rituals and served food to them in areca nut leaves as the rakshasa had destroyed all banana plantains. Goddess Lakshmi disguised as a housewife entered the scene and served thrippuli (a kind of pickle) to the brahmachari. Knowing Thukalasuran had been murdered by the brahmachari, people came there to visit him and requested show them his Chakra to salute.
They can, without doubt, displace even the lord of the Devas from his seat. Protected by them, and also watched over by the Rakshasas, these mountains have been rendered inaccessible. Here are fierce ministers of Kuvera and his Rakshasa kindred. Section 3:152 describes Pandava Bhima's expedition to this territory:- Bhima saw in the vicinity of the Kailasa cliff, that beautiful lotus lake surrounded by lovely woods, and guarded by the Rakshasas.
' refers to the glow of fire,' implies one of bears the garlands (of). A well known historical text Jwalamalini Kalpa was composed by Jain Acharya Indranandi in 939 AD in Manyakheta during the rule of Rashtrakuta Krishnaraj.Jwala Malini Kalpa Tantra by Muniraj Indranandi Jain Tantra, Commentary by Shekharachandra Shastri, 1966, p. 10 It was inspired by and older and complex text written by Helacharya before him, who had vanquished a Brahma-Rakshasa by invoking Jwalamalini.
Ahobilam is traditionally regarded as the place where Vishnu in the form of Narasimha killed the Rakshasa Hiranyakashipu in order to save his devotee Prahlada. The legend says that Narasimha emerged from a rock pillar to slay the Rakshasha. The moment is represented in a number of murti in the various temples. Also, Garuda prayed for a vision of Narasimha in the form of Avathara, to fulfil his wish, and settled in nine forms across the hills in Ahobilam.
So the brothers kill the rakshasa by first breaking his arms, then burying him alive in a grave. When the monsters arms are broken, he begins to praise the brothers for liberating him: he had, in a previous life, been a celestial being named Tumburu, and had been cursed by Kubera to live as a fearsome monster until he be killed by Rama. The brothers bury him, and he apparently goes back to his former celestial abode.Aranyakanda, Sarga 3.
Kabandha is often depicted as a tree. Since Vishvavasu now did not have a head, but just two arms and a mouth on his stomach, he came to be known as the Rakshasa (demon) Kabandha, the "headless torso". The word Kabandha is often used to describe a large big-bellied barrel or a headless trunk, shaped like a barrel, which retains its vitality. Adhyatma Ramayana tells that Kabandha was a fierce cannibal and his arms were eight miles long.
There are also yaoguai kings (mówáng) that command a number of lesser demon minions. In Chinese folklore, the Chinese hell (Diyu) is a place that is populated by various demonic spawns. Most of these demons are influenced by the Indian rakshasa or yaksha and therefore bear some similarity with the Japanese oni. In Japanese, yaoguai are known as yōkai (actually, the term is a loanword from Chinese; the native Japanese equivalent, sometimes written with the same kanji, is mononoke).
Maricha then assumed the form of a beautiful golden deer, which had silver spots and glowed with many gems like sapphire, moonstone, black jet and amethyst on its body. Maricha began grazing in the vicinity of Rama's ashram so that Sita would catch a glimpse of him. As soon as the animal-eating rakshasa Maricha entered the forest in the form of a deer, the other animals smelt something was wrong and ran away in fear.
In the ancient Hindu epic Ramayana, Sugriva (, , ) was younger brother of Vali, whom he succeeded as ruler of the vanara kingdom of Kishkindha. Rumā was his wife. He was son of Surya, the Hindu deity of sun, and Vriksharaja (when he was a female, Surya gave her/him blessings for have a successor). As the king of vanara, Sugriva aided Rama in his quest to liberate his wife Sita from captivity at the hands of the Rakshasa king Ravana.
These stories usually depict human protagonists encountering other creatures like rakkhoshes, magical snakes, and the like. A rakkhosh, or a Rakshasa, is a race of beings from Hindu mythology, who are known from magical abilities, shapeshifting as well as eating humans, sometimes. The birds with human faces, Byangoma and Byangomi,are also encountered in "Lalakamal Neelkamal". The third section, "Chyang Byang" deals with miscellaneous stories, and features some feats by the proverbial sheyal pandit(Fox Pandit).
The ruler of the Vangas (Bhagadatta) mounting upon an elephant huge as a hill, drove towards the Rakshasa, Ghatotkacha. On the field of battle, with the mighty elephant of great speed, Bhagadatta placed himself in the very front of Duryodhana's car. With that elephant he completely shrouded the car of thy son. Beholding then the way (to Duryodhana's car) thus covered by the intelligent king of the Vangas, the eyes of Ghatotkacha became red in anger.
Akṣakumāra (), also known is Akshya in various languages, was the youngest son of Ravana and the brother of Meghanada. In the Ramayana, when Hanuman started destroying Ashoka Vatika after a conversation with Sita, Ravana sent him to the head of a Rakshasa army to take care of it. A warrior of just sixteen, he took the gaze of his father as his command and left for battle in his chariot. He fought with Hanuman, aiming various weapons at him.
Due to Dewi Ratih rejecting him, Kala Rau the giant planned to attack Vishnuloka. When Kala Rau reached heaven on the form of Kuwera, a leading rakshasa who served the Gods, Ratih warned Vishnu that Kuwera was actually Kala Rau. Vishnu beheaded Kala Rau without knowing he had consumed the tirta amerta, a drink of gods that could make him immortal. Because only his throat touched the tirta amerta, Kala Rau survived with his floating head.
Far Cry 4 features a co-operative multiplayer mode known as "Guns for Hire", which supports up to two players. The mode is separated from the game's campaign, and players are free to explore the game's world, defeat enemies, and infiltrate outposts with their companion. In addition to the co-operative mode, players can gain access to several competitive multiplayer modes which have an asymmetrical structure. Players play as either a Rakshasa or a Golden Path member.
A Yakshagana artist portraying a rakshasa (demon)A typical house in Tulu Nadu, with the roof constructed using Mangalore tiles Tulu Nadu lies along the Konkan Coast. Tulu Nadu is bounded on the west by the Arabian Sea and on the east by the Western Ghats. Tulu Nadu spans an area of , roughly 4.4 per cent of the total geographical area of present-day Karnataka and Kasaragod District is the northernmost district of Kerala. Tulu Nadu also experiences heavy rainfalls during Monsoon season.
Idar is first known in tradition as Ilvadurg, the residence in the Dvapara Yuga, or third age, of Elvan the Rakshasa, and his brother Vatapi. These demons who harassed and laid waste the country round, were at last destroyed by the seer Agastya. The town is mentioned in Mahabharata and Bhavishottar Puran as 'Ilvadurg'. In the Kali Yuga, or present age, when Yudhishthira was ruling over Hastinapur at the end of the Kurukshetra War of Mahabharata, Veni Vachh Raj ruled in Idar.
Dehradun includes various Puranic stories and cultures. It is mentioned in the Ramayana that Lord Rama, along with brother Lakshmana, came to the area after defeating Ravana, the Rakshasa king of Lanka. The area is also linked to Dronacharya, the guru of the Kauravas and Pandavas in the Mahabharata. The area of Rishikesh is mentioned in the Skanda Purana as having been given to rishis (sages) by Lord Vishnu after killing the asuras Madhu-Kaitabha and their companions who tormented the rishis.
There are several legends attributed to Bellary, the city where the fort is located. A mythological legend states that the city is named after Indra, the king of gods, who destroyed the Rakshasa (demon) ‘'Balla'’ who resided in the area. Another ancient legend links this place to some events in the epic Ramayana. It is said that Rama while searching for Sita met Sugreeva and Hanuman at a place near Hampi, , from Bellary, the celebrated capital of the Vijayanagara Empire.
In another minor incident in the epic, Jatasura, a rakshasa disguised as a Brahmin abducted Yudhishthira, Draupadi and the twin brothers, Nakula, and Sahadeva during their stay at Badarikasrama. His objective was to seize the weapons of the Pandavas. Bhima, who was gone hunting during the abduction, was deeply upset when he came to know of Jatasura's evil act on his return. A fierce encounter followed between the two gigantic warriors, where Bhima emerged victorious by decapitating Jatasura and crushing his body.
Even as Indra ascends his throne once again with his regained opulence, Mahishasura, the Demon King of the Rakshasa clan attacks Heaven and Dethrones him. To destroy him and bring back the natural order of nature, Brahma, Vishnu and Shiva create Goddess Durga who accomplishes her task successfully. Seeking to avenge her brother, Mahishi, Mahishasura's younger sister seeks a boon from Brahma that renders her immortal. If she dies, it could only be at the hands of Shiva's and Vishnu's son.
The Ramayana narrates that Sita - the wife of Rama, prince of Ayodhya and avatar of the god Vishnu - was kidnapped by Ravana, the rakshasa (demon) king of Lanka. Rama, aided by an army of vanaras (monkeys), reached the end of land and wanted to cross over to Lanka. Rama worships the god of the ocean, Varuna and requests him to make way. When Varuna does not appear before Rama, Rama starts shooting various weapons at the sea, which starts drying up.
There are two legends about the goddess' origins, both associated with the Vajra. Thousands of years ago, a Rakshasa (demon) named Kalikala or Kalikut or Kali( the demon) troubled the rishis (sages) and humans in the region of Vadvali and waged a war against the devas (gods). Distressed, the gods and sages headed by Vashishta performed the TriChandi yagna, a fire offering to the Goddess, to please Her. An aahuti (offering of ghee in yajna) was not granted to Indra (king of devas).
The Kurma Purana describes the tale of Gajasurasamhara, when discussing the Krittivashvara ("The Lord who has skin as his garment") linga (the iconic form of Shiva) of Varanasi. When an demon (Rakshasa) assumed the form of an elephant and terrorized Brahmins who were worshipping the linga, Shiva emerged from this linga, slew the demon, and removed the elephant skin, thereafter wearing the hide on his upper body.Rao pp. 149-50 Another version narrates that Gajasura gained various powers by practising severe penance.
The name Rama's Bridge or Rama Setu (Sanskrit; setu: bridge) refers to the bridge built by the Vanara army of Lord Rama in Ramayana, with instructions from Nala, which he used to reach Lanka and rescue Sita from the Rakshasa king, Ravana. The Ramayana attributes the building of this bridge to Rama in verse 2-22-76, naming it as Setubandhanam, a name that persists until today. In the memory of Sethubandhan, Thriprayar Sree Ramaswamy temple (Trichur District) observes "Sethubandhan" in every year.Sreenilayam Sukumara Raja (1983).
He is a rakshasa living in Dandaka forest who briefly kidnaps Sita in an episodeAranyakanda, Sarga 2. that has been described as "strongly [prefiguring Sita's] later abduction by Ravana, the central event of the book and the pivotal event of the epic." Rama and Lakshmana begin to battle the monster, but though they shoot it with many arrows, the arrows pass straight through him and leave him unharmed (Aranyakanda, Sarga 3). The monster reveals that he has a boon from Brahma which makes him invincible to weapons.
Salem, probably 16th-century.) In Hindu mythology, Kabandha (, , lit. "headless torso") is a Rakshasa (demon) who is killed and freed from a curse by the god Rama – an Avatar of Vishnu – and his brother Lakshmana. Kabandha's legend appears in the Hindu epics Ramayana and Mahabharata, as well as in later Ramayana adaptations. Kabandha was a gandharva (celestial musician) named Vishvavasu or Danu, who was cursed and made into an ugly, carnivorous demon by Indra, the king of the gods, and/or a sage named Ashtavakra.
Hanuman encounters Sita in Ashok Vatika, bazaar art, early 1900s Ashok Vatika was a garden in Lanka that was located in the kingdom of the Rakshasa king Ravana, as mentioned in the Vishnu Purana and the Hindu epic Ramayana of Valmiki, and all subsequent versions, including the Ramacharitamanas written by Tulsidas, where it finds mention in the Sundar Kand.Sundar Kand - Arrival of Ravana at Ashoka Vatika (English translation) . The Vatika has garden houses around it, built by Vishwakarma himself.Historic Rama of Valmiki: Shastragrahi Rama, by Visvanath Limaye.
A character described as a Carvaka briefly appears in the Mahabharata (in the Shanti Parva). As Yudhishthira enters the city of Hastinapur, a brahmin, referred to as Carvaka, accuses him of killing his own kinsmen and says that he would suffer for it. The accuser is revealed to a rakshasa in disguise, who was a friend of Duryodhana. He had existed since the Satya Yuga by virtue of a boon from the god Brahma, that he could only be killed when he is showing contempt towards brahmins.
Chyavana son of Bhrigu and Puloma In Mahabharata, as narrated by the bard Sauti, Puloma was the wife of sage Bhrigu and they were staying in a hermitage. She became pregnant. One day Bhrigu went for his morning ablutions in the river leaving his wife in the ashram at the care of Agni. At that time a rakshasa by name Puloman, who had earlier loved Puloma and had been betrothed to her, came to the ashram and saw Puloma and he was besotted by her beauty.
But Agni was reluctant to reveal the truth as he was scared that Bhrigu would curse him if he told the truth. But on Puloman's insistence, Agni told him the truth that Brighu had married Puloma as per Vedic scriptural rites in his presence as she had only been betrothed to him (rakshasa) and not formally married to her. Hearing this Puloman changed his form to a boar and abducted Puloma. Frightened by this development, Puloma gave birth to her son who fell on the ground.
During that time, as a coincidence, Bhoja Raja asks him scripture an epic on feelings out of separation when Kalidasu composes a beautiful love story Meghasandesam. At that point in time, Kavi Rakshasa challenges to write the same but fails, so, he steals Kalidasu's book. But by god's grace Bhoja Raja understands the reality when Kavi Rakshana is penalized by withdrawing his laureates. Thereafter, Bhoja Raja requests Kalidasu to pen the story of Shakuntala which he hesitates as there is a lack of standards in characters.
The (945) Old Book of Tang records that in 630, envoys from Chams presented Emperor Taizong of Tang (r. 626-649) with a crystalline huǒzhū 火珠 (lit. "fire pearl/bead") "fire orb; burning glass", the size of a hen's egg, that would concentrate the sun's rays and ignite a piece of punk. The envoys said they obtained this tribute gift in the country of the Luóchà 羅剎 "rakshasa creatures in Hindu mythology", probably imported into India from the Hellenistic Near East (Schafer 1963: 237).
Kumbhakarna (Sanskrit: कुम्भकर्ण, lit. pot-eared) is a named rakshasa and younger brother of Ravana in the famous Hindu Legends in the events of Ramayana. Despite his gigantic size and great appetite, he was described to be of good character and great warrior in those times, though he killed and ate many monkeys only to show his power. He was considered so pious, intelligent and unchallenged warrior in battle that Indra, the king of gods, was worried and jealous of him and his strength.
Their Illithattu and Charippu are larger than that of the Kuthiras and diminishes in size upwards. Therus are also smaller than the Kuthiras height. Bhima and Hanuman The wooden icons of Bhima made by Mattom North and Hanuman brought by Mattom south are probably the largest of its kind in the world, and are sure to be the largest in Kerala. Bhima's icon is postured as the Pandava en route to kill Baka on Pothu Vandi (vehicle drawn by buffalos) with food for the Rakshasa King.
There are different plays like Kaisika Natakam in South India where artist play role of Brahm-Rakshas.Gopi, an amateur artiste working as a Junior Assistant at Sastra University, Thanjavur, played the powerful role of the Brahma Rakshasa with ease. While the entire portrayal was exemplary, it was the last scene – where he pleads with Nampaduvan to relieve him from the curse of his previous birth and to help attain moksham – that brought tears to the eyes of the devotees and won him an ovation.
The ceremony goes off very gloriously and well.(Sargas 12,13 and 14) Meanwhile, the gods are having a problem. The Rakshasa (demon) known as Ravana was causing a huge problem because, due to a boon he had received from Brahma, he was invincible to gods, celestial snakes and devils. The gods ask Narayana (Vishnu) what to do and he decides to incarnate himself on earth as a man - when Ravana had asked for his boon, the foolish demon had forgotten to mention protection from men.
Hindu marriage ceremony from a Rajput wedding. A Nepali Hindu couple in marriage ceremony. Hinduism sees marriage as a sacred duty that entails both religious and social obligations. Old Hindu literature in Sanskrit gives many different types of marriages and their categorization ranging from "Gandharva Vivaha" (instant marriage by mutual consent of participants only, without any need for even a single third person as witness) to normal (present day) marriages, to "Rakshasa Vivaha" ("demoniac" marriage, performed by abduction of one participant by the other participant, usually, but not always, with the help of other persons).
According to legend, the name Surathkal is derived from "shiratakal" meaning "headstone" in Tulu. The famous Sadashiva temple on the shores of Arabian Sea (Lakshadweepa Samudra) is said to be built around the linga that a Rakshasa by name Kharasura carried on his head. Another legend is that when Ravana threw in fit of rage the atma shivalinga, some of the pieces from shivalinga fell at place where Sadashiva temple is situated at present. Noted historian Padoor Gururaj Bhat is of opinion the temple might have been constructed around 11 C.E. (11 A.D).
The son of the Demonic Cult's () leader is murdered and Lanhuzi, the owner of the Silver Hook Gambling House (), frames Lu for it. Lanhuzi promises to help Lu clear his name on the condition that Lu helps him find his ex-wife, Li Xia, and the Rakshasa Tablet (), the cult's sacred artefact. Lu recovers the tablet but finds it to be a fake one, and the real one is with Lanhuzi. In fact, Lanhuzi had used Lu to divert the cult's attention so he can take control of the cult with the tablet.
Such workarounds are used in rare cases, and the acceptability is questionable. Vedic Hinduism recognises eight types of marriages, thus predominantly follows the principles as stated in the Manu Smriti, referring to 8 types of marriages, the roles and responsibilities of husband and wife and the purpose of marriage. Eight types of marriages are, (1) Brahma Vivaha, (2) Arsa Vivaha, (3) Daiva Vivaha, (4) Prajapatya Vivaha, (5) Gandharva Vivaha, (6) Asura Vivaha, (7) Rakshasa Vivaha, and (8) Paishacha Vivaha. The first four types of marriages reflect the paradigm behind arranged marriages.
In the Ramayana, Sarama (, ) is the wife of Vibhishana, the brother of Ravana, the demon (rakshasa) king of Lanka. Sometimes, she is described a rakshasi (demoness), at other times, she is said to have gandharva (celestial dancers) lineage. All accounts agree that Sarama was friendly to Sita, the consort of Rama (the prince of Ayodhya and an avatar of the god Vishnu), who was kidnapped by Ravana and imprisoned in Lanka. Like her husband who sides with Rama in the war against Ravana, Sarama is kind to Sita and aids Rama.
The Russian Cossacks were named luocha (羅剎), rakshasa by Amur natives, after demons found in Buddhist mythology. They feared the invaders as they ruthlessly colonized the Amur tribes, invaders who were subjects of the Qing dynasty during the Sino–Russian border conflicts. Russia's Defense Minister Sergey Shoygu is of Tuvan descent The regionalist oblastniki was, in the 19th century, among the Russians in Siberia who acknowledged that the natives were subjected to violence of almost genocidal proportions by the Russian colonization. They claimed that they would rectify the situation with their proposed regionalist policies.
Maricha, who had a first-hand experience of Rama's strength, was horrified by the idea. The wise Maricha attempted to dissuade Ravana by recalling the righteousness and valor of Rama and warned that this idea would only lead to the doom of Ravana, Lanka and the rakshasa race. He narrated his first encounter with Rama, when he underestimated Rama and dismissed him as a boy, how he was thrown hundreds of leagues away by Rama's single arrow. He followed that with the story of his second encounter with Rama in Dandakaranya.
If caught, she said it could be bred as a pet and taken back to Ayodhya as remembrance of their 14 years exile. Rama said that this deer would die at his hands that day to comply with Sita's wish, or, if it was a magical rakshasa like Maricha – who killed kings and harmed sages – as Lakshmana had said, then too it was his duty to kill the beast. Rama decided to go after the deer and slay it and asked Lakshmana to take care of Sita in the meantime. Maricha ran, followed by Rama.
Ravana was born to great sage Vishrava (or Vesamuni), and his wife, the Rakshasa princess Kaikesi in the Treta Yuga. People of Bisrakh village in Uttar Pradesh claim that Bisrakh was named after Vishrava, and that Ravana was born there. But according to Hela historical sources and folklore, Ravana was born in Lanka, where he later became king. Ravana's grandfather on his father's side, the sage Pulastya, was one of the ten Prajapatis or mind-born sons of Brahma and one of the Saptarishi (Seven Great Sages Rishi) in the first Manvantara (age of Manu).
Draupadi showing the flowers to Bhima Bhima tries to lift Hanuman's tail (by Asi from Razmnama) Once in Badarikasrama forest, Draupadi scented the Saugandhika flower and was deeply attracted to it. The lotus species was not to be located easily so Bhima went in search of the flower and ended up at Kubera's palace. He was stopped in his tracks by the rakshasas called Krodhavasas, but he defeated them all and reached the lotus pond. He also slew the rakshasa Maniman a wicked demon, who had in the past, incurred a curse from Rishi Agastya.
When she was very young living in her father's home in Janakpura, a Brahmana had passed through and told her of Ravana's older brother, names Sahastra Ravana, one thousand armed and thousand headed, living on an island named Pushkar, he was much more powerful than his younger brother. Sarga 18: Rama collected his army of monkeys, men, and rakshasas, and departed to conquer Sahastra Ravana. Sahastra Ravana was surprised to see Rama's army deployed against him, but quickly assembled his hordes of rakshasas. This sarga describes the rakshasa army commanders and their weapons in detail.
He is best known for his long poems:Brahma-rakshasa (ब्रह्मराक्षस), Chand ka Muh Teda hai (The Moon Wears a Crooked Smile) (चाँद का मुहँ टेढ़ा है), Andhere Mein (In the Dark) (अंधेरे में) and Bhuri Bhuri Khak Dhul (The Brown Dry Dust) (भूरी भूरी ख़ाक धूल); his complete works extending to 6 volumes, were published in 1980, as Muktibodh Rachnavali. Sharadchandra Madhav Muktibodh (1921–1985), a Marathi poet, novelist, and Marxist critic, winner of Sahitya Akademi Award (1979) in Marathi, was the younger brother of MuktibodhNOTES 12 www.ciil-ebooks.net.
An's performance was recognized and praised by critics, leading to widespread recognition for her. The same year, An played the lead role in the comedy web drama Let's Shake It. The low budget series unexpectedly become popular and gained a cult following online, leading to a second season to be produced. The same year, she starred in the fantasy action series Rakshasa Street alongside Jiro Wang, as well as youth melodrama The Endless Love. In 2018, An starred in the period romance drama Granting You a Dreamlike Life with Zhu Yilong.
Karanth directed over a hundred plays, more than half of which were in Kannada with Hindi close behind. He also directed plays in English, Telugu, Malayalam, Tamil, Punjabi, Urdu, Sanskrit and Gujarati. Hayavadana (by Girish Karnad), Kattale Belaku, Huchu Kudure, Evam Indrajit, Oedipus, Sankranti, Jokumara Swami, Sattavara Neralu, Huttava Badidare and Gokula Nirgamana are some of his most popular plays in Kannada. Of the forty or so plays he directed in Hindi, Macbeth (using the traditional Yakshagana dance drama form), King Lear, Chandrahasa, Hayavadana, Ghasiram Kotwal, Mrichha Katika, Mudra Rakshasa, and Malavikagni Mitra are some of the more popular ones.
Sahaya Sheelan Shadrach (born 24 March 1966) known by his screen name Sadhu Kokila, is an Indian musician, actor, film director and producer, and an occasional screenwriter and lyricist who works in Kannada cinema. He began his career as a composer before taking to acting in films, appearing mostly in comic roles. He has also directed ten Kannada films, the notable one being Raktha Kanneeru (2003). As a composer, he is a two-time recipient of the Karnataka State Film Award for Best Music Director, which he won for Rakshasa (2005) and Inthi Ninna Preethiya (2008).
While Nataraj wasn't sure whether Vasu is a friend or an enemy, he dislikes the company of Vasu because of his brazen actions. Vasu is a bully, and is once compared to a Rakshasa (a demon) by Nataraj and Sastri. Vasu takes up residence in the attic of Nataraj's press by chance and convinces Nataraj that he would stay there as a guest (self declared) only for a few days until he gets put up some place else. Little known to Nataraj, Vasu sees the place very suitable for his activities as a taxidermist plans otherwise.
Ahalya suggested that he bring her the divine earrings of Madayanti, King Mitrasaha Saudasa's wife, as gurudakshina. The king had turned into a cannibalistic rakshasa by a curse and was known as Kalmashapada. Uttanka met Kalmashapada, who approached Uttanka to eat him, but Uttanka stopped him and explained that he was duty-bound to get Madayanti's earrings as gurudakshina and that he, Uttanka, would return to Kalmashapada after fulfilling his obligation. Kalmashapada agreed and directed him to his wife, who refused to part with her earrings until Uttanka brought some token from Kalmashapada as proof of his consent.
Mangalartha essentially is the Vaman Avatar (incarnation) of Lord Vishnu. The legend has it that in this Avatar, The Lord blessed Bali, the Rakshasa (demonic people) King by asking three vows from the latter in which the Lord took three giant steps and covered the entire Earth, The Heaven and then in order that He could bless the King, put his third step on the vituous King's head. Pediments lie on the ground. They show Vishnu reclining on Shesha, the three strides of Vishnu to regain the World, a Shiva dancing with four arms and Krishna lifting Mount Govardhana.
The story begins in the Ming dynasty during the final years of the reign of the Wanli Emperor (). Lian Nichang, a female bandit leader nicknamed "Jade Rakshasa", is introduced as an impressive vigilante- heroine who uses her legendary swordplay skills to uphold justice and punish the wicked. Meanwhile, many government officials are implicated in a scandal to overthrow the crown prince, and they are either executed or imprisoned. Zhuo Yihang of the Wudang Sect helps the crown prince uncover the truth behind the case and succeeds in clearing the name of his father, who was wrongly put to death.
The Rakshasa are equipped with bows and arrows, and have the ability to teleport and to summon wildlife to assist them and gain transparency, while Golden Path members are equipped with guns and explosives, and have access to armored vehicles. Known as "Battles of Kyrat", players fight against each other in three modes, called Outpost, Propaganda, and Demon Mask. Far Cry 4 also contains a Map Editor that allows users to create and share custom content. Similar to that of Far Cry 3, players can create their maps by customizing landscapes, and by placing buildings, trees, wildlife, and vehicles.
Shulassakar are humanoids who possess some similarity to yuan-ti, but possess feathers covering their scales, and especially powerful ones also possess feathered wings. They rever couatls, who created their race, and dwell in the ruins of krezent on the Talenta plains (on Khorvaire), and help the remaining couatl prevent the rise of the rakshasa and their rajahs. Rakshasas are part of an evil organization called the Lords of Dust who scheme in Khorvaire to release their godlike masters from Khyber. These evil spirits are the undisputed masters of illusion, treachery, and subversion, and they have a hand in the politics of practically every nation of Khorvaire.
Dwivedi didn't conceive of the series as a "purely factual account" of Chanakya's life and times. But he did want "to present a work of fiction based on historical evidence—unlike the serials Ramayan and Mahabharat which presented history with a touch of masala." He didn't want to "[create] false drama just to appease popular sentiments." Episodes 11, 12 and 14 were based on McCrindle's book The Invasion of India by Alexander the Great as described by Arrian, Q. Curtius, Diodoros, Plutarch and Justin, while the final episodes dealing with Chanakya's scheme to win over Dhanananda's minister, Rakshasa, were based on Vishakhadatta's 4th century CE play, Mudrarakshasa.
Takahashi (1972) Shutendoji no tanjo: mou hitotsu no Nihon bunka 酒呑童子の誕生: もうひとつの日本文化, p. 41, cited in The oni was syncretized with Hindu-Buddhist creatures such as the man-devouring yaksha and the rakshasa, and became the oni who tormented sinners as wardens of Jigoku (Hell),, administering sentences passed down by Hell's magistrate, King Yama (Enma Daiō). The hungry ghosts called has also been sometimes considered a type of oni (the letter "ki" 鬼 is also read "oni"). Accordingly, a wicked soul beyond rehabilitation transforms into an oni after death.
The Army of Super Creatures – from The Saugandhika Parinaya Manuscript (1821 CE) Asura, in the earliest hymns of the Rigveda, originally meant any supernatural spirit, either good or bad. Since the /s/ of the Indic linguistic branch is cognate with the /h/ of the Early Iranian languages, the word Asura, representing a category of celestial beings. Ancient Hinduism tells that Devas (also called suras) and Asuras are half- brothers, sons of the same father Kashyapa; although some of the Devas, such as Varuna, are also called Asuras. Later, during Puranic age, Asura and Rakshasa came to exclusively mean any of a race of anthropomorphic, powerful, possibly evil beings.
There are other great Charukesi compositions in Malayalam Films like Krishna Kripa Saagaram from Sargam sung by Yesudas and Chitra. Yaathrayai from Aayiram Para by Yesudas, Pooja Bimbam Mizhi from Harikrishnans by Yesudas and Chitra and Swapnam Thejichal from Rakshasa Raajavau by Yesudas to mention a few. In the 2012 release of his devotional album on Lord Ayyappan Sabarimalai Va Charanam Solli Va, ace singer P. Unni Krishnan renders a song on Raga Charukesi, Uthirathil Udhithavane Sol, signifying the Lord's birth star UTHIRAM.Devotional song on Charukesi by P. Unni Krishnan This album was composed and released by Manachanallur Giridharan, a noted Music Director from Tamil Nadu.
Ravana attempted to extinguish the fire, but still could not find her, instead of finding five gems in the ashes. Ravana took the gems in a box to Lanka and asked Mandodari, his wife, to look after them, but when she opened the box she saw a beautiful girl. Mandodari realized that this girl could destroy the rakshasa race, and recommended that she be thrown into a forest. Trusting her judgment, Ravana had her taken to a distant forest. As she was being taken away, she exclaimed: “I will return to kill Ravana, along with his sons and family. Arriving a third time, I will...” The rakshasas were frightened, and Ravana wished to kill her, but Mandodari dissuaded him.
In Hindu mythology, Kalmashapada (Kalmasapada, कल्माषपाद), also known as Saudasa (), Mitrasaha (मित्रसह), Amitrasaha and Kalmashanghri (Kalmasanghri), was a king of the Ikshvaku dynasty (the Solar dynasty), who was cursed to be a rakshasa (demon) by the sage Vashishtha. He is described as an ancestor of Rama, the avatar of the god Vishnu and the hero of the Hindu epic Ramayana. Many texts narrate how Kalmashapada was cursed to die if he had intercourse with his queen, so he obtained a son from Vashishtha by niyoga, an ancient tradition whereby a husband can nominate another man to impregnate his wife. Kalmashapada's story is narrated in various works including the classic epic poems Mahabharata and Ramayana, and the Puranas.
Ravananugraha or Ravananugraha-murti ("form showing favour to Ravana" ) is a benevolent aspect of the Hindu god Shiva, depicted seated on his abode Mount Kailash with his consort Parvati, while the rakshasa-king (demon-king) Ravana of Lanka tries to shake it. The depiction is labelled variously as Ravana Lifting Mount Kailash or Ravana Shaking Mount Kailash. According to Hindu scriptures, Ravana once tried to lift Mount Kailash, but Shiva pushed the mountain into place and trapped Ravana beneath it. For a thousand years, the imprisoned Ravana sang hymns in praise of Shiva, who finally blessed him and granted him an invincible sword and a powerful linga (Shiva's aniconic symbol, Atmalinga) to worship.
Starting in 1978, and under the supervision of Baba Hari Dass, the Ramayana has been performed every year by Mount Madonna School in Watsonville, California. Currently, it is the largest yearly, Western version of the epic being performed. It takes the form of a colorful musical with custom costumes, sung and spoken dialog, jazz-rock orchestration and dance. This performance takes place in a large audience theater setting usually in June, in San Jose, CA. Baba Hari Dass has thought acting arts, costume-attire design, masks making, and choreography to bring alive characters of Sri Ram, Sita, Hanuman, Lakshmana, Shiva, Parvati, Vibhishan, Jatayu, Sugriva, Surpanakha, Ravana and his rakshasa court, Meghnaad, Kumbhakarna, and the army of monkeys and demons.
And the spirit by whose influence a man smells sweet odour, and becomes cognisant of various tastes (when there are no odoriferous or tasteful substances about him) and soon becomes tormented, is called the Rakshasa spirit. And the spirit by whose action celestial musicians (Gandharvas) blend their existence into the constitution of a human being, and make him run mad in no time, is called the Gandharva spirit. And that evil spirit by whose influence men are always tormented by Pisachas, is called the Paisacha spirit. When the spirit of Yakshas enters into the system of a human being by some accident, he loses his reason immediately, and such a spirit is called the Yaksha spirit.
Near an ant-hill, the King found the cowherd lying dead on the ground. While the King stood wondering how it had happened, the Lord rose from the ant-hill and cursed the king to become an Rakshasa (Demon) for the fault of his servant. Entreated by the king who pleaded innocence, the Lord blessed him by saying that His curse would end when He was adorned with the Kireetam (crown) presented by Akasa Raja at the time of His marriage with Sri Padmavati. To atone the sins of raising the axe against the Lord, the cowherd's atma (spirit) received the boon that he and his descendants would have the pleasure of opening the door in the Lord's temple in due time.
Knight, p.26 To fit with the series, the clown became a shapeshifting Rakshasa of Hindu mythology. This decision made the clown "less satisfying", to Kripke's chagrin, because it limited the clown- related scenes.Knight, p.27 Another element of folklore favored by Kripke was the story of Robert Johnson, which he focused on in his first screenplay as a writer. He found the legend similar to Supernatural, noting, "It's a piece of real life American history and folklore, it's an American horror story, it takes place on the dusty back roads of rural America, and it's got great music."Knight, pp.54–55 However, the lore takes place in the early 20th century, and prevented the inclusion of Sam and Dean.
Once Lakshmana leaves in search of Rama, the Rakshasa king Ravana comes in the form of a mendicant and asks Sita for alms. Not expecting a trick, she unsuspectingly crosses the Lakshmana Rekha to provide alms to him and Ravana kidnaps her in his Pushpaka Vimana. Radhey Shyam Ramayan mentions that the crossing of Lakshamana Rekha by Sita was done absent-mindedly by an anxious Sita only to honour the great Indian tradition of "अतिथि देवो भवः" (Atithi Devo Bhava): the guest is embodiment of a Deva (divine entity). Sita crosses the boundary line only to give alms to Ravana once he insists that alms cannot be accepted across a barrier as having a boundary in between was against the principle of free will of the donor.
In the Hindu epic Ramayana, Nila (Sanskrit: नील, IAST: nīla, lit. blue) is a vanara chieftain in the army of Rama, the prince of Ayodhya and avatar of the god Vishnu. He is the commander-in-chief of the monkey army under the monkey king Sugriva and is described as leading the army in Rama's battle against the rakshasa king Ravana of Lanka (identified with modern-day Sri Lanka) and as killing many rakshasas. Though the Ramayana credits Nala as the sole builder of the Rama Setu, a bridge across the ocean between Rameswaram (India) and Lanka, enabling forces of Rama to pass over to Lanka, other adaptations of the epic attribute the bridge's construction to both Nala and Nila.
The Pancharatra text Jayakhya-Samhita mentions that Vaikuntha Chaturmurti has four faces: Vaikuntha, Narasimha, Varaha and Kapila and four arms holding the usual attributes of Vishnu: shankha (conch), chakra, gada (mace) and padma (lotus). In the Vishnudharmottara Purana, Vaikuntha Chaturmurti is described as having eight arms and four faces, human (nara – human or saumya – mild or purusha – man) facing the East (front), lion (Narasimha – the lion-headed avatar of Vishnu) on the South (his right head, left), boar (Varaha – the boar avatar of Vishnu) on the North (his left head, right) and demonic (kapila or raudra – fierce/wrathful or rakshasa – demon) facing the west (rear).Gail pp. 297–300, 306 In one of earliest Vaikuntha Chaturmurti images dating from the Gupta era – c.
The first record of ondel-ondel is probably by British merchant William Scot who noted that een reus raksasa ("a giant Rakshasa") was one of the figures included in the procession led by Prince Jayakarta Wijayakrama to celebrate the circumcision of 10 years old Prince Abdul Mafakhir in the year 1605. Up until the modern colonial period, ondel-ondel figure was recorded to have a gruesome facial feature such as large fangs and menacing goggle-eyes, similar to the Balinese Barong or Rangda figure. The ondel-ondel was performed on the streets and asked by-passers for opium. When opium was banned in the Dutch East Indies, the ondel-ondel would ask for cigars instead, which is done by placing a cigar on their mouth.
The Asvalayana Grhyasutra text of Hinduism identifies eight forms of marriages. Of these first four – Brahma, Daiva, Arsha and Prajapatya – are declared appropriate and recommended by the text, next two – Gandharva and Asura – are declared inappropriate but acceptable, and the last two – Rakshasa and Paishacha – are declared evil and unacceptable (but any children resulting were granted legal rights).The Illustrated Encyclopedia of Hinduism: A-M, James G. Lochtefeld (2001), , Page 427Hindu Saṁskāras: Socio-religious Study of the Hindu Sacraments, Rajbali Pandey (1969), see Chapter VIII, , pages 158-170 #Brahma marriage - considered the religiously most appropriate marriage, where the father finds an educated man, proposes the marriage of his daughter to him. The groom, bride, and families willingly concur with the proposal.
Five Treasures of Snow The area around Kangchenjunga is said to be home to a mountain deity, called Dzö-ngaAnna Belikci Denjongpa, Kangchendzönga: Secular and Buddhist perceptions of the mountain deity of Sikkim among the Lhopos or "Kangchenjunga Demon", a type of yeti or rakshasa. A British geological expedition in 1925 spotted a bipedal creature which they asked the locals about, who referred to it as the "Kangchenjunga Demon". For generations, there have been legends recounted by the inhabitants of the areas surrounding Mount Kanchenjunga, both in Sikkim and in Nepal, that there is a valley of immortality hidden on its slopes. These stories are well known to both the original inhabitants of the area, the Lepcha people, and Limbu people and those of the Tibetan Buddhist cultural tradition.
Rakshasa or the demon as depicted in Yakshagana, a form of musical dance-drama from India The first form of Indian theatre was the Sanskrit theatre. It began after the development of Greek and Roman theatre and before the development of theatre in other parts of Asia. It emerged sometime between the 2nd century BCE and the 1st century CE and flourished between the 1st century CE and the 10th, which was a period of relative peace in the history of India during which hundreds of plays were written. Japanese forms of Kabuki, Nō, and Kyōgen developed in the 17th century CE. Theatre in the medieval Islamic world included puppet theatre (which included hand puppets, shadow plays and marionette productions) and live passion plays known as ta'ziya, where actors re-enact episodes from Muslim history.
However, in Lanka Kanda of the Ramcharitmanas, (35.1) Mandodari rebukes Ravana on his boisterous claims of valour by hinting that his claim of strength and valour is shallow for he could not even cross a small line drawn by Shri Rama's younger brother Lakshmana. In the story, Rama goes chasing a golden deer (which actually is the Rakshasa Maricha in disguise), and does not return for a long time. When Sita coerces Lakshmana to leave in search of his brother, Lakshmana who cannot bear to see Sita cry in grief, reluctantly decides to go and search for Rama, subject to his condition that Sita not cross the protective line he draws. Anybody other than Rama, Sita and himself attempting to cross the line would be singed by flames erupting from the line.
Currently, it is the largest yearly, Western version of the epic being performed. It takes the form of a colorful musical with custom costumes, sung and spoken dialog, jazz-rock orchestration and dance. This performance takes place in a large audience theater setting usually in June, in San Jose, CA. Dass has taught acting arts, costume-attire design, mask making and choreography to bring alive characters of Rama, Sita, Hanuman, Lakshmana, Shiva, Parvati, Vibhishan, Jatayu, Sugriva, Surpanakha, Ravana and his rakshasa court, Meghnadha, Kumbhakarna and the army of monkeys and demons. In the Philippines, a jazz ballet production was produced in the 1970's entitled "Rama at Sita" (Rama and Sita). The production was a result of a collaboration of four National Artists, Bienvenido Lumbera’s libretto (National Artist for Literature), production design by Salvador Bernal (National Artist for Stage Design), music by Ryan Cayabyab (National Artist for Music) and choreography by Alice Reyes (National Artist for Dance).
Kashmir valley seen from space; "..the valley lying to the south and west of the Pir Panjal Range (white) which is surrounded by Jhelum river) in the west and Kishtwar in the east" as the expanse of Khasas as per the Nilamata Purana The Brihat Samhita authored by Indian polymath Varāhamihira grouped Khasas with Kulutas, Kashmiras, Tanganas, and Kunatas. The Mudrarakshasa of Indian poet Vishakhadatta mentions that Khasas and Magadhas were Ganas (troops) in the army of Rakshasa and Malayaketu. According to an ancient Kashmiri text Nilamata Purana compiled by Indian scholar Ved Kumari Ghai, the Khasa tribe occupied This assertion is also corroborated by the later 12th century text Rajatarangini translated by British archaeologist Sir Marc Aurel Stein. The Bharata Nātyaśāstra by the Indian musicologist Bharata Muni mentions that the mother tongue language of Khaśas was Bāhliki language in the phrase The Kavyamimamsa of Rajashekhara mentions the Kuluta king with the title Khasadhipati.
The brief satirical novel Xiyoubu (, "A Supplement to the Journey to the West", ) follows Sun Wukong as he is trapped in a magical dream world created by the Qing Fish Demon, the embodiment of desire (, qing). Sun travels back and forth through time, during which he serves as the adjunct King of Hell and judges the soul of the recently dead traitor Qin Hui during the Song dynasty, takes on the appearance of a beautiful concubine and causes the downfall of the Qin dynasty, and even faces Pāramitā, one of his five sons born to the rakshasa Princess Iron Fan, on the battlefield during the Tang dynasty. The events of Xiyoubu take place between the end of chapter 61 and the beginning of chapter 62 of Journey to the West. The author, Dong Yue (), wrote the book because he wanted to create an opponent—in this case desire—that Sun could not defeat with his great strength and martial skill.

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