Using data from CDP, which tracks firms' climate disclosures, Schumpeter has developed (with stacks of poetic licence) a Shakespearean guide to climate action, from denial to reluctant engagement to bold ambition.
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"Some of the guys from the union have scolded me about that from time to time, but it's very hard to explain poetic licence to a union member," Mr Webb says.
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You Decide, in which he examines the British jury system. This second book is purged of the chapters recounting 'personal experiences' which McVicar claims were the product of poetic licence for the most part.
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Motion's marriage to Joanna Powell ended in 1983."Andrew Motion: Poetic licence to thrill". The Independent, 27 August 2006. He was married to Jan Dalley from 1985 to 2009, divorcing after a seven-year separation.
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Byron wrote The Bride of Abydos at the age of 26, and published it on 2 December 1813.Mole, Tom. "The Regime of Visibility" Liberty and Poetic Licence: New Essays on Byron. eds. Bernard Beatty, Tony Howe, and Charles E. Robinson.
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Folk dance research has shown that this individuality is not merely poetic licence, but genuine features. Daniel Berzsenyi wrote, "Its secret laws are not ordered by craft. The laws are its own and enthusiasm sets the limit."György Martin (1974) Hungarian Folk Dances.
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The first 109 laisses exhibit assonance in the decasyllables, but the last 56 laisses are rhyming. This sudden shift may indicate a change in authorship. The dialect of the poem is Francien with Picard characteristics. The noun case system is preserved (with some poetic licence).
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Letitia Elizabeth Landon's poem St. Knighton’s Kieve is based on a legend she was told of concerning hidden treasure submerged at the foot of the falls. In the poem she writes of a charmed golden cup, which, with some poetic licence, is taken to be irretrievable.
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Van Hoddis's poem Weltende has been often translated into English. But most of translations miss rhyme scheme, rhythm, verse form, and in sum the 'foolhardy' spirit of the original. The following adaption by Natias Neutert affords a little generosity on poetic licence (verse 6: "as if they were midges"),Cf. Natias Neutert: Foolnotes.
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In Greek and Latin poetry, hiatus is generally avoided although it occurs in many authors under certain rules, with varying degrees of poetic licence. Hiatus may be avoided by elision of a final vowel, occasionally prodelision (elision of initial vowel) and synizesis (pronunciation of two vowels as one without a change in spelling).
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Martin Newell's collections (from left to right): I Hank Marvinned, Wild Man of Wivenhoe, Black Shuck, Under Milk Float, Poetic Licence, The Illegible Bachelor, Pioneer: Last of the Skillingers, Selected Poems, A Return to Flanders, Spoke 'n' Word, New, Late Autumn Sunlight (flanked by irrelevant Pelicans) This is a list of books by Martin Newell.
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London: J. M. Dent; p. 347 A folk song called "Ding Dong Mine" was written in 1986 by West-country singer Jerry Johnson. One verse tells of a disaster at the mine, although no official records or documents confirm that such a disaster happened. Johnson may have been using poetic licence to describe such similar occurrences in the area.
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This show was previewed in the Guardian Guide by Jessica Lack. In June 2008 guest curator Harry Pye organised a group show called, "Poetic Licence". This exhibition featured sixteen artists including John Moseley, Barry Thompson, and Edward Ward. Each of the show's contributors made a painting or drawing that was inspired by their love of a favourite poem.
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The 10-point manifesto reads: # Primarily storytellers, we are dedicated to the narrative form. # We are prose writers and recognise that prose is the dominant form of expression. For this reason we shun poetry and poetic licence in all its forms. # While acknowledging the value of genre fiction, whether classical or modern, we will always move towards new openings, rupturing existing genre expectations.
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Livorno: Tommaso Masi), 1791, pp. 212 ff. Bandello probably knew Beccadelli personally when the latter was living in Milan. Despite some elements of poetic licence (including portraying himself under the name Delio), Bandello's basic account is supported by contemporary literature such as Camillo Tutini's Chronicle,Giacomo Della Morte, Cronica di Napoli di Notar Giacomo; pubblicata per cura di Paolo Garzilli, Napoli: Stamperia Reale, 1845, pp.
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Thereafter, as Brian Glanville notes (with some poetic licence) in his The Story of the World Cup for The Sunday Times (1973), "the FA whisked him in 1946 from reserve team trainer at Aldershot to the team managership of Sweden". During 1939 he was a 'guest' WW2 player with Aldershot, Bournemouth, Bury, Clapton Orient with 1 appearance, Crystal Palace and Hull City. Source: Neilson N. Kaufman, historian Leyton Orient FC.
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Wilde did acknowledge (evidently to several people, since numerous separate sources recalled this) a glaring error in the very first line of the poem, "He did not wear his scarlet coat"—because Wooldridge, as a member of the Royal Horse Guards, had a blue uniform—but justified this poetic licence because the second line would make no sense if it said "For blood and wine are blue".e.g., Hart-Davis, Rupert, The Letters of Oscar Wilde (1962, NY, Harcourt) page 730.
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186In his notes to page 186, Ferris (1989) states that in a BBC Home Service programme aired in 1950, Poetic Licence, in which Campbell and Thomas appeared, Thomas said "I won't forgive you for the Swansea's Rimbaud, because you called me that first Roy". Critics have explored the origins of Thomas's mythological pasts in his works such as "The Orchards", which Ann Elizabeth Mayer believes reflects the Welsh myths of the Mabinogion."The Orchard" makes reference to the 'Black Book of Llareggub'. Here Thomas makes links with religion and the mythic Wales of the White Book of Rhydderch and the Black Book of Carmarthen.
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His poems have been published in the poetry anthologies First Words, onewinged, No Other City and Love Gathers All, as well as the journals the2ndRule, Quarterly Literary Review Singapore, Softblow, Quarto, Asian Journal and Queer. In 1998, he won first prize in the NUS Poetry Competition, and in 2003, fared similarly at the Writers' Week Poetry slam. His performed plays include Serve (The Ordinary Theatre), Snake (Stage Right), Redhill Blues (Creative Arts Alumni Programme, Republic Polytechnic), Hungry (Theatreworks, Singapore Polytechnic, Anderson Secondary School and International Islamic University, Malaysia). One of his plays formed the core of Poetic Licence, a performance poetry production by STAGES presented in 2002 and 2005.
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While the poetic licence is apparent in the modern versions of the ballads, the attack of Prithviraj Chauhan is directly attested by two inscriptions of 1182CE at Madanpur near Lalitpur in a Jain temple.आल्हा की शौर्य गाथा सात समंदर पार तक गूंजी, Jagran, Thu, 02 Aug 2012 Alha is sometimes called Alhan. Alhan (अल्हण) was a popular name in 12-13th century in North India. जीण माता संवत १२३० इसमें उदयराज के पुत्र अल्हण द्वारा सभा मंडप बनाने का उल्लेख हैछत्तीसगढ़ के संस्कृत कवि, श्री हरि ठाकुर, December 8, 2007, पृथ्वी देव प्रथम के शासन काल में अल्हण सुप्रसिद्ध विद्वान कवि थे The genealogy of Chandela ruler Parmal (Parmardi) given in Mahoba Khand or Alha Khand does not match the genealogy given in Chandela inscriptions.
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On 11 April 2009, it was reported by The Daily Telegraph that McBride had sent a series of emails to former Labour Party official Derek Draper discussing plans to set up the Red Rag blog which would be used to post rumours they had made up about the private lives of senior and high-profile members of the Conservative Party. These false rumours were to have included sexual and personal allegations about Conservative politicians and their spouses, including Nadine Dorries, David and Samantha Cameron, and George and Frances Osborne. McBride conceded in his emails that he had used "poetic licence" in respect of existing gossip and rumours. The emails, which had been sent from the Downing Street Press Office, were acquired by Paul Staines, known for his Guido Fawkes blog, who brought them to the attention of the media.
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One week later on 15 July 1993, the Ulster Volunteer Force confirmed responsibility for the bombings, but also denied that it was aided by British security forces. The UVF claimed that: > The entire operation was from its conception to its successful conclusion, > planned and carried out by our volunteers aided by no outside bodies. In > contrast to the scenario painted by the programme, it would have been > unnecessary and indeed undesirable to compromise our volunteers anonimity > [sic] by using clandestine Security Force personnel, British or otherwise, > to achieve [an] objective well within our capabilities. ... Given the > backdrop of what was taking place in Northern Ireland when the UVF [were] > bombing republican targets at will, either the researchers decided to take > poetic licence to the limit or the truth was being twisted by knaves to make > [a] trap for the fools.
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Maggie Smith as the title character in the film adaptation of The Prime of Miss Jean Brodie Jean Brodie is a fictional character in the Muriel Spark novel The Prime of Miss Jean Brodie (1961); and in the play and 1969 film of the same name—both by Jay Presson Allen—which were based on the novel, but radically depart from it in the interest of theatre and poetic licence. Miss Brodie is a highly idealistic character with an exaggerated romantic view of the world; many of her catchphrases have become clichés in the English language. The character takes her name from the historical Jean Brodie (aka Jean Watt), common law wife or mistress of Willie Brodie, whom the fictional Miss Brodie claims as a direct descendant; thus, she is the fictional namesake of the real Jean Brodie. The real Deacon Willie Brodie was indeed a cabinetmaker and fashioner of gibbets.
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