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21 Sentences With "literary license"

How to use literary license in a sentence? Find typical usage patterns (collocations)/phrases/context for "literary license" and check conjugation/comparative form for "literary license". Mastering all the usages of "literary license" from sentence examples published by news publications.

Under questioning at the December deposition, Trump backed away from the claim of fraud by the education industry, suggesting he'd taken some literary license.
Rather, taking literary license with the title character's documented history, Palmer spins a cracking tale that, despite its disconcerting subject, is piquantly cheerful and compassionate.
In "Race to Judgment," literary license (accompanied by his original music and lyrics) grants even more wiggle room to expose the sausage factory side of criminal justice. .
Lyrics like, "I'm gon' say his name" and "keeping his name alive," run parallel to phrases used heavily in protests regarding black life, blurring the line of reality and literary license.
If Haley steered as close to the facts as possible with "The Autobiography," with "Roots" he took literary license that would form the basis for criticisms that Norrell suggests have gone too far.
As my colleague Matthew Yglesias has noted, the origins of the Iraq War were steeped in falsehoods shared by Fleischer and other members of the Bush administration, taking at absolute best what a former Bush administration official called "literary license" with the facts.
In a career spanning more than fifty years, Charyn has published thirty novels, including, in 2010, "The Secret Life of Emily Dickinson," which narrates a fictional version of the poet's life in her own voice—a literary license at which some readers took offense.
Guts & Garbage is the debut full-length album by Kirsten Price, released on October 19, 2007. The album's single, "Magic Tree", was featured on Showtime's The L Word, and appeared on a compilation CD for that show."Music for Episode 411 Literary License To Kill". The L Word Online.
In March 2007, "Ride a White Horse" was featured on an episode of the American television program The L Word."Goldfrapp: Ride A White Horse: The L Word video". NME. 31 December 2008. The episode titled "Literary License to Kill" featured the group performing the song at The Planet while the characters celebrated a birthday.
249–251 If this poem isn't simply literary license, Selene's death seems to have ironically coincided with a lunar eclipse. If so, astronomical correlation then can be used to help pinpoint the date of her death: Lunar eclipses occurred in 9, 8, 5 and 1 BC and in AD 3, 7, 10, 11 and 14. The event in 5 BC most closely resembles the description given in the eulogy.Ancey, pp.
The independent clauses can be joined inadequately with only a comma (the comma splice). James Joyce's novel Ulysses employs stream of consciousness, which takes literary license by intentionally breaking this grammatical rule by use of long, punctuation-free, run-on sentences, particularly in the final chapter "Penelope". In general, run-on sentences occur when two or more independent clauses are joined without using a coordinating conjunction (i.e. for, and, nor, but, or, yet, so) or correct punctuation (i.e.
Truman Capote interviewed Beausoleil in 1972, while the latter was imprisoned in San Quentin State Prison. Capote then published the interview in the form of a short story "Then It All Came Down", included in his 1980 book Music for Chameleons. According to his biographers, Capote believed his memory to be infallible and did not keep notes. Following the publication of the book, Beausoleil has said that Capote took gross literary license in his reporting of the interview from eight years earlier.
South Holland's Dutch descendants take exception to the literary license Ferber took with the character of the widow, creating a pushy flirtatious personality that South Hollanders say was nothing like the real Widow Paarlberg. Ferber gives a nod to the real Antje Paarlberg who appears in the novel as the "Widow Parlenberg". Ferber's So Big won the Pulitzer Prize and is considered among her most popular works. The book Lest We Forget by Henry Paarlberg, one of Klass's and Antje's grandchildren, tells the family's version of the Paarlberg family's difficult journey.
Computer Gaming World stated in February 1994 that Companions of Xanth was "a very funny game based on an interesting literary license", with "traditional adventure game puzzles". The magazine's Scorpia was less positive in March 1994, criticizing the forced choice of Nada Naga as a Companion, puzzle quality ("uneven at best, and in some cases, downright poor"), and short playing time. She concluded that Companions of Xanth was "the weakest Legend game to date". In August 1994 the magazine said that Xanth "was somewhat weak as a game, but full of Piers Anthony-style humor".
In the third and fourth works, they meet various groups of Cro-Magnons and encounter their culture and technology. The couple finally return to southwestern France and Jondalar's people in the fifth novel. The series includes a highly detailed focus on botany, herbology, herbal medicine, archaeology and anthropology, but it also features substantial amounts of romance, coming-of- age crises, and—employing significant literary license—the attribution of certain advances and inventions to the protagonists. In addition, Auel's series incorporates a number of recent archeological and anthropological theories.
The series dramatizes the history of "Easy" Company, 2nd Battalion, 506th Parachute Infantry Regiment, of the 101st Airborne Division, from jump training in the United States through its participation in major actions in Europe, up until Japan's capitulation and the end of World War II. The events are based on Ambrose's research and recorded interviews with Easy Company veterans. The series took some literary license, adapting history for dramatic effect and series structure. The characters portrayed are based on members of Easy Company. Some of the men were recorded in contemporary interviews, which viewers see as preludes to several episodes, with the men's real identities revealed in the finale.
Other sources claim that currywurst was invented in Hamburg. Author Uwe Timm contends in his novel The Discovery of Currywurst that he had eaten currywurst in Hamburg as early as 1947, but the inventor of Currywurst in his novel, Lena Brücker, is an admitted literary license. However, that did not prevent the former Hamburg Senator of the Interior Ronald Schill from honoring Lena Brücker in 2003. Food historians such as Petra Foede believe that, as with most culinary creation myths, several rather than a single person were involved in developing this dish, sausage sellers experimenting with various spice mixes in order to replace the tomato ketchup that was unavailable during the immediate postwar years.
O'Brian used literary license in making Aubrey a Commodore while still a relatively junior captain, however this puts him equal in rank to the man who led the squadron in history, Commodore Rowley. In the novel, Aubrey was appointed directly by the Admiralty with the help of Maturin's persuasion, as Maturin had been at work on the intelligence side of the project. There are other differences from the historical event, one being that the French captain of the Vénus Hamelin survived the encounter, surrendering to the British, going on to honor in France. In contrast, Captain Corbett's reputation and death aboard ship match that of Robert Corbet, who was captain of Néréide and then given the Africaine when he brought the captured Caroline in to England.
A famous haiku by Yosa Buson entitled, The Piercing Chill I Feel illustrates the use of objective correlative within poetry: > The piercing chill I feel: > my dead wife's comb, in our bedroom, > under my heel... In the Clint Eastwood movie Jersey Boys, songwriter Bob Gaudio of The 4 Seasons is asked who the girl is in his song Cry For Me. He makes reference to T.S. Eliot's topic, "the Objective Correlative", as the subject being every girl, or any girl. In adherence to this reference, the author allows himself the literary license to step outside the scope of his personal experience, and to conjecture about the emotions and responses inherent with the situation, and utilize the third party perspective in the first party presentation.
Bob Hogan's story formula was for a secret diary of never-before- revealed wartime adventures to be opened to him by a former master spy. There would be an intimacy with high command that hinted at real events, but with the admission that literary license would be freely practiced. Hogan also determined to avoid similarity and dullness with a healthy injection of fantasy. Using this basic structure, 110 issues were fleshed out with amazing variation in detail for the situational limitations of World War I. The first story, “The Bat Staffel” appeared in September, 1933. Print orders eventually peaked at about 200,000 and things went very well until early 1936 when the price per issue was reduced from 15¢ to 10¢ in an effort to hold circulation.
The novels deal with the experiences of Sano Ichiro, a samurai and minor official who, by the end of the first novel, became the trusted chief investigator for the fifth Tokugawa shōgun, Tokugawa Tsunayoshi, and by the tenth novel, was promoted to a very high office. Throughout the stories, Sano constantly had to deal with his problems following the code of bushido while serving both justice and his master, the Shogun; and with his wife, , who frequently involves herself in Sano's investigations. Sano experiences great pressure as he is faced with death if he does not fulfill his obligations to the shōgun as well. Rowland takes some literary license with known figures, creating fictionalized versions of Tokugawa Tsunayoshi, Emperor Higashiyama in The Samurai's Wife, and Yanagisawa Yoshiyasu.

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