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"pochette" Definitions
  1. KIT entry
  2. HANDBAG
  3. a small envelope of thin transparent paper for holding a stamp (as in an album)
"pochette" Antonyms

28 Sentences With "pochette"

How to use pochette in a sentence? Find typical usage patterns (collocations)/phrases/context for "pochette" and check conjugation/comparative form for "pochette". Mastering all the usages of "pochette" from sentence examples published by news publications.

Recent finds included a vintage Bakelite belt from the 393s (€45) and a python pochette from Prada (€295).
The "It" accessory of the year is smaller than a pochette, holds next to nothing and requires regular recharging.
Her biggest coup came in 1997, when she created the Baguette, an oblong, short-strapped pochette meant to be tucked just under the shoulder.
The first formal ballet classes, she said, were taught by a dance master under Louis XIV, playing a tiny pochette violin tuned up a fourth.
Then add a tote bag or backpack, shoulder bag and pochette that can double as an evening clutch, and you should be in good shape.
Mr. Arnault appeared at the Kith show during New York Fashion Week with a little Rimowa pochette, a kind of clutch with the brand's trademark ridges.
The two groups arrived at the same stop in the 16th Arrondissement, eyeing each other with wary amusement — the green-haired and the pochette-clutching — before going their separate directions.
Clair can tell you, for example, that the Louis Vuitton Pochette Metis would sell for almost 100 percent of its original price, for example, but the LV Papillon, a more common style, is closer to 40 percent.
Por ejemplo, Clair te puede decir que el Pochette Metis de Louis Vuitton se venderá casi al 100 por ciento de su precio original, pero el LV Papillon, un estilo más común, está cerca del 40 por ciento.
A pochette shaped like a violin is called a "kit violin".
An English-language version and a mix version were also recorded and are available on the album Pochette Surprise.
The pochette tends to be tuned one octave above a violin. The three string variant specifically tends to be tuned the highest. Claudio Monteverdi used the "chirp" sound of the pochette to infer bird song in his aria "Ecco pur ch'a voi ritorno" from the 1607 opera L'Orfeo. In the opera they are called violini piccoli alla francese ("small French violins").
The Cappadocian Kemane is a musical instrument from Cappadocia having the same form but sympathetic strings added. The European rebec and even the later dancing master’s kit or pochette fiddle share also common features.
The pochette is a small stringed instrument of the bowed variety. It is essentially a very small violinlike wood instrument designed to fit in a pocket, hence its common name, the "pochette" (French for small pocket). Also known as a pocket fiddle it was developed to be used by dance masters in royal courts and other places of nobility, and by street musicians, from about the 15th century until around the 19th century, with it being especially popular in the 1800s. In the past the rebec was used in a similar way.
A five- speed manual became available on a special edition Today G in September 1987. Another special edition appeared in February 1987; the Today M-based Pochette received special colors and was aimed at female buyers. The Pochette became a regular model by 1990 and remained available into the second generation. In a market where three-cylinder engines were the norm, this unit (developed for the Acty truck from the 1974 Honda Gold Wing motorcycle engine) was outdated and was replaced by the three-cylinder four-valve single overhead camshaft E05A 547 cc engine in February 1988.
The Ultimate Encyclopaedia of Musical Instruments, , p85 The Fellowship of Makers and Restorers of Historical Instruments has expressed that a even with a soundpost a violin can not imitate the sound of a pochette enough for the two to be considered the same.
A pochette is distinguishable from the rest of the violin family due to the fact that the neck is an prolongation of the body, instead of simply being attached to it. The Fellowship of Makers and Restorers of Historical Instruments has expressed that a pochette's strings ought not to be longer than ten inches.
"Dur dur d'être bébé!", which was retitled "Dur dur d'être bébé! (It's Hard to Be a Baby)" for its American audience, is a 1992 song recorded by French singer Jordy Lemoine, credited as Jordy. The first single from his debut album Pochette surprise, it was released in September 1992 and achieved success across the world, particularly in France.
In 1926, Canson opened a subsidiary in New York City, USA. In 1947, Canson created the famous French « pochette », so teachers no longer have to transport heavy stacks of pads. In 1956, Blanchet et Kléber de Rives joined the mills of d'Arches, Johannot d'Annonay, et du Marais and created Arjomari (ARches, JOhannot, MArais, RIves). The Arjomari company acquired Papeteries Canson & Montgolfier in 1976.
Pochette Surprise (Surprise Package) is the first album by singer Jordy. When it was released in France in 1992, he was only four years old. Its first single "Dur dur d'être bébé!" charted at #1 for 15 weeks, making Jordy the youngest recording artist to ever reach #1. It was followed by "Alison" which was also number one for five weeks, then by "Les Boules", which was much less successful (#13).
Many fiddlers in the eighteenth century used pochettes because of their portability. The pochette or pocket fiddle was used by dance masters not only during dances, but when teaching as well. The great luthier Antonio Stradivari is known to have made a few pochettes in his career, two are known to have survived to modern times, one possibly in bad shape, and the other on display at the Paris Conservatoire Museum.
Shodensha was founded on 1970-11-05 by five people: Shōzō Sasabe (from Shogakukan), Isamu Kurosaki (from Kobunsha), Kōzaburō Iga, Hidenori Sakurai, and Toshio Fujioka. The company was able to release a number of best selling titles which helped the company get off to a running start. They began their "Non-Novel" imprint in 1973, and their "Non- Pochette" imprint in 1975. In 2000, Shodensha created their Shodensha Gold imprint, and their most recent imprint, Shodensha Shinsho, was released in 2005.
He was born in Nancy, and graduated from l'École nationale supérieure des Beaux-Arts. He released his first album, 12 Chansons dans la Sciure ("12 Songs in the Sawdust") in 1978, followed by Le Pêcheur ("The Fisherman") in 1979 and Pochette surprise ("Lucky Dip") in 1981. He was then signed by Chris Blackwell to Island Records, becoming the first French artist on the label. He recorded the album Poèmes Rock in New York, and also contributed a track to the album A Christmas Record issued by ZE Records, an affiliate of the Island label.
They are kept inside very modern, circular cases in the center of the room, which match the rich decoration of the floors. Then there are the instruments: lutes; the harmony of flutes by Manfredo Settala of 1650, which represents a real unicum; the pochette, various little violins used as instruments by dance instructors, the ghironde, the serpentoni, the extraordinary series of horns and cornets from the 16th and 17th centuries, and finally, a unique performance instrument: the tiorba, which is in the shape of a khitára. Italian opera is the focus of the following room.
Trichet is said to have described the pochette's leather carrying case as a poche. Similarly, Mersenne wrote that it was common practice among pochette players (such as traveling minstrels or dance teachers) to carry the instrument in a pocket. The word "kit" possibly arose from an abbreviation of the word "pocket" to "-cket" and subsequently "kit"; alternatively, it may be a corruption of "cittern" (). The word "Kit" is believed to have first been used in the first quarter of the 16th century England where it was mentioned in Interlude of the Four Elements, 1517.
Due to being an essential feature of court entertaintment and dance pochettes were often made of expensive materials such as exotic woods, tortis shells or ivory, as well as being decorated with elaborate carvings. A pochette shaped like a boat is called a sardino (or Tanzmeistergeige in Germany), while a violin-shaped one is called a kit. In general pochettes have a narrower body and longer neck in overall relation to its size compared to other bowed string instruments, they also often lack frets and either have four or three strings. They also often have a distinctly vaulted and arched back.
A man playing the violin It is possible to play the violin holding it in a variety of ways. Most players hold the lower bout of the instrument between the left shoulder and the jaw, often assisted by a semi-permanently attached chinrest and detachable shoulder rest. If held properly under the chin, the violinist can let go of the instrument with their hands and it will stay there firmly. Other common ways to hold the instrument include the seated Carnatic attitude, with the scroll resting on a foot, or the dancing-master's "kit" or "pochette" hold, along the forearm, by the lower margin of the rib cage, even though these are not widely traditional holds.
Their debut LP, Always Now, appeared in 1981 and was produced by Martin Hannett at Britannia Row studio. The pochette sleeve was among the most expensive and elaborate in the label's history (designed by Peter Saville) utilising an exclusive 'marble' effect design printed on the inner jacket and a fold-out cover that resembled a match-book similar to the cover used by Cabaret Voltaire for their 2x45 album. The three-piece group played many gigs in Britain and Northern Europe between 1979 and 1981, both as a headline act and with other Factory Records artists, such as Joy Division, A Certain Ratio, Blurt, The Durutti Column, Crispy Ambulance and New Order. The group also released a self-produced second album, The Key of Dreams.

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