As Beatrice and Florindo, Ms. Wisan and Mr. Pabotoy simply overact.
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There were a couple times with close-ups where I tended to overact.
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To Western eyes, many Russian dancers overact, and Vishneva's acting, too, is pretty enthusiastic.
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After all, it's safer to overact to the unknown than to do too little.
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That's one thing I needed to tone down with the animators, because animators love to overact.
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Mr. Kline does not overact; it's his character who does, and it's important to recognize the distinction.
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" Acting had taught him another lesson, too: "Politics is like bad cinema—people overact, take it too far.
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The part would be easy to overact, but Mr Malek inhabits it brilliantly, both when strutting on stage and when revealing his vulnerabilities.
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Never averse to chewing a bit of scenery that was asking for it, he's landed a character who is essentially impossible to overact.
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While psoriasis seems like a skin condition, it is actually a disease of the immune system that causes cells to overact and reproduce 10 times faster than normal.
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Dialogue is often clunky, the scares feel canned, and actors overact to the point where you wonder if they thought they were in a stage play instead of a movie.
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Mr. Sheen and, especially, Mr. Waterston overact merrily as Robert and Sol, whom you can imagine as Chandler and Ross from "Friends" finally openly embracing their sexuality 40-some years after viewers had met them.
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You can argue about the wisdom of casting a huge star like Lawrence in Apocalypse and then not giving her much to do, but Singer makes it work by not letting anyone overact or try to pull focus.
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In an ad Mr. Cruz released on Thursday, called "Conservatives Anonymous," actors playing a support group overact and emote in consoling a man who says he feels "dumb" for trusting Mr. Rubio to stay true to his conservative campaign promises.
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Liberman, meanwhile, will have to balance his own need to be tough (he was a bitter critic of what he believed was the weak response to the Gaza conflict in 2014) with his desire not to overact and make the situation on the ground worse by undermining Israeli-Palestinian security cooperation.
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Miscarriage is something that affects the whole family so I didn't want to overact or underact.
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" "An actor can overact or underact. This equally applies to lighting and cameraman. He has to observe restraint in his work like the actor. I feel that in my own work I have a tendency to 'underact.
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Prabhu acts as if he is a nice guy and also gets caught a few times when he tries to overact. Sangeetha (Sangeetha), Meena's close friend, comes and stays with Meena as she is doing her final year in Madras Medical College. Prabhu had earlier pinched Sangeetha's hip when she was travelling on a bus. He gets slapped by Sangeetha and was thrown from that bus before she meets him.
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Despite filling the screen with "winged, fully animated demons" and "multiple gigantic twisters spiraling gorgeously into the clouds", Sacrifice performed smoothly on the reviewers' machines, impressing the staff of Edge magazine. Aside from the visuals, the game's audio attracted comments. GameSpot's staff enjoyed listening to the story unfold through the recorded voices. They found that the voice actors did not overact their roles despite the extravagant appearances of the characters.
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Ensembles included shrunken sweaters, leather pants, flared skirts, and voluminous tweed jackets. Accessories varied from graffiti-style backpacks, canvas shoppers with bead appliqué, metallic leather mini purses, and logo-emblazoned plexiglass bags. This season's palette varied from white and black to pink and purple. As explained to WWD, Lagerfeld noted that the show's concept began several months ahead of the collection as satire and the idea that people overact to art today.
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This effected her profoundly as she dressed up as Anne of Green Gables for a year afterward. One day, she is given an invitation for an audition, which turns out to be for the fledgling women's wrestling promotion Gorgeous Ladies of Wrestling (GLOW). Ruth initially has personality conflicts with director Sam Sylvia due to her tendency to overact in the ring. Aside from her acting style, Sam often questions her looks, unsure whether or not he finds her attractive.
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As Jordan and Turkey are considered to be liberal in a turbulent region like MENA, Jordan and Turkey share a close tie based on common mutual gestures, although sometimes strained due to conflict with Jordanian interests. Two countries also vowed to strengthen their bilateral tie. Both Jordan and Turkey share common concerns over the status of Jerusalem and criticized Israel's overact in the city. Nonetheless, differences between Jordan and Turkey still prevail over trade disputes and the growing role of Turkey in the Middle East.
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" Brown also listed her amongst his least favourite soap characters saying "Lewis, my least favourite soap character of all time (although Ruth is right up there with him), is feeling guilty about his tryst with Lorraine and refuses to sleep with her again. Which opens the gates, methinks for Ruth to find out, and a big barney to ensue. Great. I can hardly wait to see Terri Dwyer overact her way through this one." Upon Dwyer receiving a nomination Brown later added "if Terri Dwyer wins Best Actress I shall really have to complain.
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212 The film was to be produced by Charles Brackett and directed by Billy Wilder, the two men also collaborating to write the screenplay. Milland had already worked with both men, having starred in the comedy The Major and the Minor (1942), and he was excited by their involvement. 200px Milland's first concern with taking on the role of Don Birnam in The Lost Weekend was that he might overact and look amateurish. After a shambolic attempt to act parts of the script while actually drunk, Milland quickly realized that he needed to understand alcoholism.
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The film opened across nearly 105 screens in Tamil Nadu, which was considered "huge for a film with newcomers". Initially the film had its release date fixed on 25 June 2010, but it was released the following week on 2 July 2010. The magazine Ananda Vikatan gave the film a rating of 38 out of 100. Malathi Rangarajan of The Hindu said, "Performance wise, new hero Kadhir has quite a long way to traverse while debutant Arundhati, who looks charming and just right for the role, tends to overact". Behindwoods.
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Theatre: To perform with forcefulness and exaggeration; to overact; To impose one's character assertively into a scene; to upstage.) Later, it evolved into a general description of the aesthetic choices and behavior of working-class homosexual men.Esther Newton (1978): Mother Camp: Female Impersonators in America, University of Chicago Press. . The concept of camp was described by Christopher Isherwood in 1954 in his novel The World in the Evening, and then in 1964 by Susan Sontag in her essay and book Notes on "Camp". The rise of post-modernism made camp a common perspective on aesthetics, which was not identified with any specific group.
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Laughton made his first colour film in Paris as Inspector Maigret in The Man on the Eiffel Tower (1949) and, wrote the Monthly Film Bulletin, "appeared to overact" alongside Boris Karloff as a mad French nobleman in a version of Robert Louis Stevenson's The Strange Door in 1951. He played a tramp in O. Henry's Full House (1952). He became the pirate Captain Kidd again, this time for comic effect, in Abbott and Costello Meet Captain Kidd (1952). Laughton made a guest appearance on the Colgate Comedy Hour (featuring Abbott and Costello), in which he delivered the Gettysburg Address.
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A Jekyll-and-Hyde character, William McElroy is a timid Yale professor of Egyptology who, after being hit in the head with a brick at a peace rally, assumes the persona of the charismatic, monomaniacal Egyptian King Tut. When he suffers another blow to the head, the villain recovers his meek academic personality. The role, which proved to be the most frequently featured original villain in the series, was one of Buono's favorites because he was delighted at being able to overact without restraint. He played another villain in a 1967 unsold TV pilot film based on the Dick Tracy comic strip.
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Raimondi says that the main characters overact, the rest of the characters are caricatures, and that there are too many coincidences. The show has been placed within a context of the Catalan independence movement, and the 2017 declaration of independence and its aftermath in particular. Wilson writes that while using eviction as the story starter is not original, it feels regionally appropriate due to unrest in Catalonia at the time the show was set. Rebecca Patton for Bustle begins her review with a paragraph outlining the situation in Catalonia at the time, though says "it's unclear from the trailer whether [the show] will touch on all of this political unrest".
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In another scene, Will and Derrick enjoy naming random states and seeing how many people in the audience cheer to show state pride. A great deal of the humor stems from the many layers on which the fourth wall is broken. Will and Derrick think they are making a sitcom, and think that the live studio audience and the sets are part of a "making of" reality TV show, though Tucker has told his VP Roy that the reality TV show is the real show, and has no serious plans to make Will and Derrick's sitcom. Will and Derrick constantly overact, which during extended "sitcom mode" sequences seems odd.
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At the time of its release, the staff at Variety magazine panned the film: "Despite a sextet of name players, Ruthless is a victim of clichéd and outmoded direction and of weary dialog to which no actor could do justice. Performances are handicapped by the direction of Edgar G. Ulmer. Adaptation from the Dayton Stoddart novel, Prelude to Night, is involved and confusing. Plot’s denouement is also telegraphed long before the finale. Hayward contribs a fair interpretation of Scott’s associate, who eventually breaks from him. Diana Lynn, in a dual role, is wistful and appealing as a pawn in Scott’s affections. Sydney Greenstreet, cast as a utilities magnate who’s ousted by Scott, tends to overact."Variety, film review, 1947.
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James Hunt, in his review for the website Den of Geek, called the episode "alright", but criticised the lack of links between the two plots. He suggested that Okona himself was a Mary Sue type character, as the episode revolves around his actions but added that he was pleased that there was a twist which was more complicated than Okona turning out to be evil. He also praised the entertainment seen in Brent Spiner's ability to "overact", saying that it "could fill an episode in itself" and that the observation that Data makes towards the end was the most profound of the series so far. Keith DeCandido reviewed the episode for Tor.
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Murder in Peyton Place received generally negative reviews, with the reviewer of the Los Angeles Times calling it "dull" and furthermore wrote: "Pretend that you're a network programmer and someone gives you this idea--a really crackerjack notion of how grand it would be to get the gang from Peyton Place together again. You could toss in some hopelessly convoluted, arteriosclerotic plot, have them cry and overact (and generally humble their professional integrity) for two interminable hours and call it Murder in Peyton Place. Bingo!""'Murder in Peyton Place' Deadly Dull" by James Brown, Los Angeles Times, October 3, 1977. Of the entire Peyton Place franchise, Murder in Peyton Place was often called "the most forgettable".
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The team spent a lot of resources in carrying out detailed motion capture, to enhance players' engagement with the story and make it easier for them to form emotional attachments to characters, and to keep the game and the TV show consistent with each other. They also hoped that use of this technology would add realism to the game and prevent players from getting distracted by the characters' unrealistic behaviors and appearances. Lake added that one of the challenges when recording motion capture is to convince the inexperienced actors, who thought that the system lacked complexity, not to overact. According to Lake, the game features a technology that creates realistic digital counterparts of the characters and records every little detail of their faces.
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In 2000, Lewis starred opposite Benicio del Toro in the thriller The Way of the Gun, and was featured as a vocalist on the track "Bad Brother" by the band The Infidels, from The Crow: Salvation soundtrack album, released on April that year. She then appeared in the crime film Picture Claire (2001), opposite Gina Gershon, followed by the independent lesbian-themed drama Gaudi Afternoon (2001), co- starring with Judy Davis and Lili Taylor. The film received unfavorable reviews, with A. O. Scott of The New York Times writing that both Taylor and Lewis "overact like second-string sketch performers on Saturday Night Live." Lewis subsequently had a supporting role in the drama Enough (2002), playing the friend of a battered woman (played by Jennifer Lopez). Lewis received an Emmy nomination for Outstanding Supporting Actress for her performance in the television film Hysterical Blindness (2002), in which starred opposite Uma Thurman and Gena Rowlands as the friend of a woman in 1980s New Jersey who receives a psychiatric diagnosis.
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