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"nonet" Definitions
  1. [countable + singular or plural verb] a group of nine people or things, especially nine musicians
  2. [countable] a piece of music for nine singers or musiciansTopics Musicc2
"nonet" Synonyms
ensemble group band orchestra quartet company combo cast octet troupe chorus trio circle duo quintet sextet septet assembly association choir nine ennead ninesome More
"nonet" Antonyms
fraction individual part

180 Sentences With "nonet"

How to use nonet in a sentence? Find typical usage patterns (collocations)/phrases/context for "nonet" and check conjugation/comparative form for "nonet". Mastering all the usages of "nonet" from sentence examples published by news publications.

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The inclusion of Osvaldo Golijov's string nonet "Last Round" made even less sense.
Here he leads a nonet including the cellist Hank Roberts, the flutist Anna Webber, the trumpeter Nate Wooley and the banjoist Brandon Seabrook.
For one thing, I hadn't known that the Australian composer Brett Dean had done, early in his career, an arrangement of Strauss's "Till Eulenspiegel" for nonet.
Also on the bill are two arrangements for nonet, one of Mozart's Wind Quintet by Jean Françaix, and another of Strauss's "Till Eulenspiegels lustige Streiche" by Brett Dean.
She took the name a bit too literally, adding in the nonet of dragons at swim in the pool of the waterfall and slithering through the trees on either side.
He was the band leader for the nonet that produced the first cool jazz recordings in 1949, a series of 78s that were later compiled as Birth of the Cool (1957).
"Sunday Morning" may take that nonet instrumentation and add just a harp, but Mr. Golijov's cheap-thrills drama is so unlike Mr. Hertzberg's delicacy that the point — if, indeed, there was one — was lost.
Mr. Abrahamsen used his Bach arrangements as a model for two large-scale canons, written for a deliberately symmetrical instrumentation: a nonet comprising two trios of winds and strings, two pianos and a single percussionist.
The capstone of this ensemble's Facets of Brahms Festival looks at Brahms in the shadow of Beethoven, with a chamber arrangement of Beethoven's Symphony No. 2 preceding a version of Brahms's Serenade No. 1, in a version reconstructed in its original nonet form.
Never mind Mendelssohn's Octet, this concert deserves attention for its revival of the Nonet of Louise Farrenc, dating to 1849, a piece that shows the best of its remarkably fine composer, who taught at the Paris Conservatory and whose music is due for a revival.
147, 1931) and Alois Hába, whose first two nonets are titled Fantazie, opp. 40 and 41 (1931 and 1932), followed by Nonet No. 3, op. 82, and Nonet No. 4, op. 97\. Bohuslav Martinů dedicated his 1959 Nonet to the Czech Nonet on the occasion of its 35th anniversary .
77b) and a septet (Op. 79); he also wrote a nonet (op. 77a) for strings and woodwind."George Onslow Nonet" on Silvertrust Editions website, accessed 15 September 2014.
139, 1884), and Tilo Medek (Nonet in Nine Movements, 1974). Other works, though not actually titled "nonet", followed the same pattern, such as René Leibowitz's Chamber Concerto (op. 10, 1944). In the 20th century this standard instrumentation was embodied especially by the Czech Nonet, for whom works were composed by Josef Bohuslav Foerster (op.
The opera's overture opens with an unaccompanied female nonet. The first act is dominated by the orchestra, while vocal music predominates in the act. In the fourth and final act, the female nonet provides the voices of the dead children.
L.P. Nikolai Sidelnikov. “Russian Tales.” Ensemble and piano. Moscow. Melodia. L.P. (Nonet, Piano, percussion).
Franz Lachners Nonet in F major is a composition for chamber ensemble published in 1875.
Louis Spohr's nonet was so successful that its instrumentation became the standard for subsequent emulation down to the present time. The many composers who wrote for this combination include Louise Farrenc (op. 38, 1849), Georges Onslow (op. 77, 1851), Franz Lachner (Nonet in F major 1875), Joseph Rheinberger (op.
String-only nonets have also been composed, notably by Nicolai von Wilm (Nonet op. 150, 1911, 4 Violins, 2 violas, 2 cellos, and double bass) and Aaron Copland (1960, 3 Violins, 3 violas, 3 cellos) . Iannis Xenakis's Analogique A (1958) is also a string nonet, but must be performed with a companion tape work, Analogique B .
This can be useful if, for example, they have already deduced another cell within a nonet the cage resides in as having the number 1 as its solution. They then know that the 1 can only reside in cells that are outside of this nonet. If there is only one cell available, it is a 1.
One track featured singer Kenny Hagood. The presence of white musicians in the group angered some black players, many of whom were unemployed at the time, yet Davis rebuffed their criticisms. Recording sessions with the nonet for Capitol continued until April 1950. The Nonet recorded in total a dozen tracks which were released as singles and subsequently compiled on Birth of the Cool (1957).
Looking at the nonet on the left hand side in the middle, we can see that there are three cages which do not cross over into another nonet; these add up to 33, meaning that the sum of the remaining two cells must be 12. This does not seem particularly useful, but consider that the cell in the bottom right of the nonet is part of a 3-cage of 6; it can therefore only contain 1, 2 or 3. If it contained 1 or 2, the other cell would have to contain 11 or 10 respectively; this is impossible. It must, therefore, contain 3, and the other cell 9.
Davis recorded this same arrangement in October 1951 for his first LP, The New Sounds (Prestige Records, 1951). Davis also did a complete rewrite of 'Conception' (creating an entire new main theme) for his Birth of the Cool nonet, giving the composition the title 'Deception'. 'Deception' retains the rewritten bridge melody from Davis' 'Conception' arrangement, as well as Shearing's original chord progression. Davis's nonet recorded 'Deception' in March 1950.
Thelonious Monk Nonet Live In Paris 1967 is a live jazz album by Thelonious Monk on France's Concert Records LP FC-113, released in 1988. Recorded at "Salle Pleyel", Paris, France, November 3, 1967, Thelonious Monk Nonet Live in Paris is a concert recording of a rare large group that Monk assembled for the European tour, which featured the addition of some of the top horn players in jazz.
27b 2001) #Concerto grosso for violin, cello, piano, string orchestra and percussions op. 48 (1999, Trio version 2001) #Nonet Concerto op. 51 (2003) #Concerto for trumpet and string orchestra op.
Dibble notes that the first confirmed performance of the Nonet did not take place until 1937. The first recording, by the chamber ensamble Capricorn was released by Hyperion Records in 1987.
Like all particle states, exotic mesons are specified by the quantum numbers which label representations of the Poincaré symmetry, q.e., by the mass (enclosed in parentheses), and by , where is the angular momentum, is the intrinsic parity, and is the charge conjugation parity; One also often specifies the isospin of the meson. Typically, every quark model meson comes in SU(3) flavor nonet: an octet and an associated flavor singlet. A glueball shows up as an extra (supernumerary) particle outside the nonet.
Figure 1: The pseudoscalar meson nonet. Members of the original meson "octet" are shown in green, the singlet in magenta. Although these mesons are now grouped into a nonet, the Eightfold Way name derives from the patterns of eight for the mesons and baryons in the original classification scheme. In particle physics, the quark model is a classification scheme for hadrons in terms of their valence quarks—the quarks and antiquarks which give rise to the quantum numbers of the hadrons.
After working with Claude Thornhill and arranging for his orchestra, he began arranging for Miles Davis. In 1948 the Miles Davis Nonet was formed with a sound completely unlike anything jazz listeners had heard before. The original idea for the nonet was to achieve a sound like the Thornhill Orchestra but with fewer personnel. The group sent jazz off into a new path away from the huge big band, which was popular at the time. However they did adopt the new instrumentation with French horn, which would stay in Evans’ arrangements throughout the rest of his career. The Miles Davis Nonet recorded “Birth of the Cool” from January 1949 until March 1950 and rotated through three different French horn players on the recordings, Gunther Schuller, Junior Collins and Sandy Siegelstein.
The Hunt is a 1977 jazz album of performances from 1947 by a nonet featuring saxophonists Dexter Gordon and Wardell Gray. The title song is referenced in the book On the Road by Jack Kerouac.
Despite its intense nationalism, the harmonic language of the Nonet takes full advantage of the "advanced" chromatic and quartal dissonant formations of the 1920s, while at the same time showing the strong influence of Debussy . Despite the composer's vehement denial of influences from other composers, the impact of the Rite of Spring is also evident from the opening bars of the Nonet, which suggests that a substantial amount of work on the piece was completed after Villa-Lobos first heard Stravinsky's work in Paris .
One late-19th- century, slightly non-standard example is Samuel Coleridge-Taylor's 1894 Nonet in F minor, for an ensemble in which a piano replaced the flute. The non- standard instrumentation used by Hanns Eisler was different in each of his two nonets: his 1939 Nonet No. 1 is composed for flute, clarinet, bassoon, horn, two violins, viola, violoncello, and double bass, while his 1941 Nonet No. 2 is for flute, clarinet, bassoon, trumpet, percussion, three violins, and double bass (; ; ). Many nine-instrument works for other combinations than the standard Spohr ensemble have been composed since 1900, but often depart from chamber-music textures and mostly are given titles suggesting small orchestral forces. Examples include Darius Milhaud's chamber symphony Le printemps, op. 43 (1917), Egon Kornauth's Kammermusik, op. 31 (1924), Ernst Krenek's Sinfonische Musik for nine solo instruments, op.
Svetlana Vilić has been the conductor and art director of the choir since January 2004. She had earlier worked in the Belgrade Opera, the Radio and Television of Serbia, the Belgrade nonet, and the Chamber Choir "Servikon".
The nonet is scored for flute (doubling piccolo), oboe, clarinet, alto saxophone (doubling baritone saxophone), bassoon, harp, celesta, piano, and a large percussion battery (requiring at least two players): timpani, tam-tam, bass drum, large bass drum, field drum, side drum, cymbal, bronze and crockery plates, chocalhos (wood and metal), triangle, reco-reco (small and large), puíta, tambourines (small and large), caxambu, and xylophone. In addition to this instrumental nonet, the score calls for a SAATBarB mixed choir, sometimes divided further into as many a twelve separate parts.
On This Day ... Live At The Vanguard is an album recorded live in September 2002 at the famous Village Vanguard by Joe Lovano with his award-winning nonet. It was released on July 8, 2003 via Blue Note label.
Eastlawn Records is an independent blues and jazz record label based in Detroit, Michigan United States. Co-founded in 1990 by RJ Spangler and Frank Traum, major artists include Alberta Adams, Planet D Nonet, RJ Spangler's Blue Four, and Gino Parks.
Hubert Parry's Nonet in B-flat major for nine wind instruments is a composition for chamber ensemble composed around 1877. Not performed in the composers lifetime, it remained unpublished until 1988 when Edition Compusic published the work under the posthumous opus number 70.
The precise circumstances under which Lachner composed the Nonet are undocumented, leading to speculation on just when and for whom it was composed. De Alvaré in his thesis speculates that the Nonet was composed shortly after Lachner retired from conducting and that the intended recipients were not dissimilar to those for whom Beethoven composed the Septet Op. 20. Ussi in his article agrees with de Alvaré regarding the intended audience and performers, but disagrees with the dating of the composition, believing instead based purely on stylistic grounds that the piece may have been written in the 1820s or 1830s and then completed for publication in the 1870s.
Nonet, subtitled "Impressão rápida de todo o Brasil" (A rapid impression of the whole of Brazil) is a chamber-music work (with mixed choir) by the Brazilian composer Heitor Villa-Lobos, written in 1923. It is number W191 in the catalogue of works compiled by David .
This was Wilson's debut album. He commented that using a nonet meant that the album "is a record of experimentation, of me finding a sound. I love this instrumentation. It preserves the sound of a small band, but it can sound big when I want it to".
The Washington Post. p. K4. Timmons' album Got to Get It! featured him as part of a nonet, playing arrangements by Tom McIntosh. Timmons' career declined quickly in the 1960s, in part because of drug abuseGiddins, Gary (March 7, 1974) "Bobby Timmons, 1935–1974" The Village Voice. pp.
Zaleski appeared on two trio albums with bassist Rick Rosato and drummer Colin Stranahan.Dryden, Ken (April 2015) "No Net Nonet Lucas Pino (Origin) My Ideal Glenn Zaleski (Sunnyside)". The New York City Jazz Record. p. 17. Zaleski's My Ideal, released by Sunnyside Records, contained both standards and Zaleski originals.
The music was written for the specific members of the nonet that performed it, included trumpeter Peter Evans. Hawkins appeared at the Vancouver International Jazz Festival in 2014, as a trio with Francois Houle (clarinet) and Eisenstadt."Alexander Hawkins/Francois Houle/Harris Eisenstadt" . coastaljazz.ca. Retrieved 13 July 2014.
Staverton is home to a village band: The Stavertones. A Nonet, the band plays a hip blend of funky fusion, Jammin' Jazz and pop. With a Facebook page liked by over 141 people, a sizeable proportion of the population of the village, the band is a prominent fixture in village life.
Except for the lost works, the Nonet, the two concerted works for violin and orchestra, Suite for Piano and Orchestra, a number of the symphonic poems, most of his choral music and all of the operas, his music is well represented on the world's recital and concert stages and on CD.
Allmusic's Scott Yanow said: "Heard with a nonet on three numbers, a quintet on two songs, and an 11-piece outfit during his "Skywalk," McGriff is in his usual fine form ... Outside of altoist Bill Easley and guitarist Jimmy Ponder, the sidemen are pretty obscure, although quite capable in this setting".
ORCH.: 2 symphonic poems: Tillotama (1908) and King Menkera (1916–18); Radio Overture (1936); 3 CzechDances for Orch. (1939; also for Nonet). CHAMBER: 2 string quartets (1923; 1926–28); Cello Sonata (1934); Small Suite for Violin and Piano (1937); Hunting, festive greeting for Horns (1938); numerous piano pieces. VOCAL: Choruses; songs.
Further composition continued up to his death: the second version of The Greek Passion, the Nonet, the Madrigaly, and the cantatas Mikeš z hor (Mikeš from the Mountains) and The Prophecy of Isaiah. He died in Liestal, Switzerland, on 28 August 1959. His remains were moved and buried in Polička, Czechoslovakia, in 1979.
GreatGuys () is a South Korean idol group signed to DNA Entertainment. The group consists of nine members: Jaei, Uiyeon, Horyeong, Daun, Baekgyeol, Donghwi, Hwalchan, Haneul, and Dongin. The nonet debuted on August 25, 2017, with the single "Last Men". They received the Rookie of the Year Award at the 2018 Asia Model Awards.
Thornhill encouraged the musicians to develop cool-sounding tones. The band was popular with both musicians and the public. Miles Davis's Birth of the Cool nonet was modeled in part on Thornhill's sound and unconventional instrumentation. The band's most successful records were "Snowfall", "A Sunday Kind of Love", and "Love for Love".
One of the features of the Davis Nonet was the use of paired instrumentation. An example of this can be heard on the John Lewis arrangement "Move". In "Move", Lewis gives the melody to the pairing of trumpet and alto saxophone, baritone saxophone and tuba supply counterpoint, and trombone and French horn provide harmonies.Cook, p.
Scott Yanow of Allmusic states: "this particular set finds Giuffre (tripling as usual on clarinet, tenor and baritone) leading a somewhat conventional band, a seven-horn pianoless nonet. ...The arrangements (all by Giuffre) swing, the beauty and joy of the melodies are brought out, and the leader is in top form. A true rarity".
Pepper that eschews the use of guitars and drums, featuring only a string nonet with a harp. Music historian Doyle Greene views it as the first of the album's songs to address "the crisis of middle-class life in the late 1960s" and comments on its surprisingly conservative sentiments, given McCartney's absorption in the London avant-garde scene.
Birth of the Cool is a compilation album by American jazz musician Miles Davis, released in February or March 1957 on Capitol Records. It compiles eleven tracks recorded by Davis's nonet for the label over the course of three sessions during 1949 and 1950.Smith, Chris. "101 Albums That Changed Popular Music: Birth of the Cool".
18 Gerry Mulligan's "Jeru" demonstrates another Nonet hallmark: the use of a unison sound and rich harmony throughout the horns. Davis said, "I wanted the instruments to sound like human voices singing ... and they did."Gioia, "The History of Jazz". p. 282. Though the album is seen as a departure from traditional bop,Gioia, "The History of Jazz".
Late 80's Mercedes is a New Zealand swing-funk nonet, formed in 2000. They experienced their first chart success in January 2010 with their self-titled debut extended play disc Late 80's Mercedes released at the 2010 Parachute music festival. The EP reached number fourteen on the New Zealand Albums Chart in the week of its release.
In September, the band completed their sole engagement as the opening band for Count Basie at the Royal Roost for two weeks. Davis had to persuade the venue's manager to write the sign "Miles Davis Nonet. Arrangements by Gil Evans, John Lewis and Gerry Mulligan". He prevailed only with the help of Monte Kay, the club's artistic director.
The Cosmic Scene is a 1958 album by American pianist, composer and bandleader Duke Ellington. Featuring a nonet rather than his usual big band, the album was credited as "Duke Ellington's Spacemen" and was recorded and released on the Columbia label.A Duke Ellington Panorama accessed May 17, 2010 It was reissued by Mosaic Records in 2007.
His first notable work was with Slide Hampton (1962) and Maynard Ferguson (1963–1965). Then from 1966 to 1967, Cuber worked with George Benson. He was also a member of the Lee Konitz nonet from 1977 to 1979. He can be heard playing in Frank Zappa's group in the mid-1970s, including the album Zappa in New York.
In 1946, Dumbarton Oaks inaugurated the Friends of Music concerts to offer a yearly chamber music subscription series in the music room. This series was based on the similar Friends of Music at the Library of Congress, of which Mildred Bliss was a long-time member. In 1958, Dumbarton Oaks commissioned Aaron Copland (1900–1990) to compose Nonet for Solo Strings (generally known as Nonet for Strings) in honor of the Blisses’ fiftieth wedding anniversary. Nadia Boulanger conducted its world premier with nine members of the National Symphony Orchestra on March 2, 1961. Copland dedicated the piece “to Nadia Boulanger after forty years of friendship.” In 2006, Dumbarton Oaks commissioned Joan Tower to compose Dumbarton Quintet, which was premiered in the music room on April 12, 2008, with the composer at the piano.
Rat Race Blues: The Musical Life of Gigi Gryce. Berkeley: Berkeley Hill Books, 2002. pp. 151-62. The final ticket to Gryce's success was his third recording with the Farmer Quintet in October 1955 and his nonet recordings for Signal Records immediately after. The Farmer record featured non-standard forms, and adventurous arrangements which pushed the limits of the hard bop idiom.
Song for My Sister is an album by American jazz saxophonist Roscoe Mitchell which was recorded in 2002 and released on Pi Recordings. It was the third studio recording by the Note Factory, a nonet with twin rhythm sections.Song for My Sister at Pi Recordings Vijay Iyer and Craig Taborn will later record duo album The Transitory Poems in 2019.
Gilbert Castellanos (born 1972) is an American jazz trumpeter, bandleader, educator, composer, and arranger based in San Diego, California. He was born in Guadalajara, Mexico. He is a former member of the Black Note, the Tom Scott Quintet, the Anthony Wilson Nonet, the Charles McPherson Quintet, and the Willie Jones III Quintet. He is a current member of the Clayton-Hamilton Jazz Orchestra.
Vol 1, pp. 314-315. Libraire de Firmin-Didot et Cie, Paris 1878 Farrenc died in Paris. For several decades after her death, her reputation as a performer survived and her name continued to appear in such books as Antoine François Marmontel’s Pianistes célèbres. Her nonet had achieved around 1850 some popularity, as did her two piano quintets and her trios.
D-Crunch () is a South Korean idol group formed by All-S Company in Seoul. The group consists of nine members: rappers Hyunho, O.V, Minhyuk, Chanyoung, Jungseung, and Dylan; and vocalists Hyunwook, Hyunoh, and Hyunwoo. The nonet released its debut single "Palace" from 0806 on August 6, 2018. Three months later, the group released its first mini-album M1112 (4colors) along with "Stealer".
The two cells in the top left must be 1+2. The 3 cells to the right totaling 15 cannot therefore have either a 1 or a 2, so they must be either 3+4+8, 3+5+7, or 4+5+6. The two vertical cells in the top left of the top right nonet cannot be 2+2 as that would mean duplicates, so they must be 1+3. The 1 cannot be in the top line as that conflicts with our first 2 cells therefore the top cell of this pair is 3 and the lower cell 1. This also means the 3 cell cage 15 to the left cannot contain a 3 and so is 4+5+6. Similarly the neighbouring 16 must be 9+7. The four cells in the top right cage (totaling 15) can only include one of 1, 3, 7, or 9 (if at all) because of the presence of 1, 3, 7, and 9 in the top right hand nonet. If any one of 1, 3, 7, or 9 is present then this must be the lone square in the nonet below. Therefore, these 4 cells is one of 1+2+4+8 or 2+3+4+6; the 2 cells in the middle of the left edge must be either 1+5 or 2+4; and so on.
2009 saw the release of his first solo album Bob, recorded in his kitchen in Buenos Aires. In 2011, he formed the jazz sextet Profesjonalizm, recording a critically acclaimed album Chopin Chopin Chopin. In 2014, he wrote and recorded a set of polonaises for his new nonet Polonezy. This album won him one of the most prestigious artistic awards in Poland - Polityka's Passport Award for Contemporary Music.
His Nonet was premiered in London in 1938, and he married Elena Šlevaitė in 1941. In 1944, they escaped from Lithuania and travelled through Poland into Germany, where they were finally rescued by American troops. In 1949, they arrived in the United States, and Kačinskas became a church organist and choirmaster in Boston, Massachusetts. From 1967 to 1986, he taught at Berklee College of Music.
He composed five-act fairy-tale opera Three Hairs of the Wise Old Man, writing on toilet paper using pencil or medicinal charcoal. The 240 sheets containing a detailed sketch of the opera was secretly passed to a friendly warden. The orchestrations were completed after his death and from his notes by his pupil Zbynek Vostřák.CD notes: Suppaphon SU 3266-2 661 His Nonet op.
Birth of the Cool was voted number 349 in Colin Larkin's All Time Top 1000 Albums 3rd Edition (2000). Many members of the Miles Davis Nonet went on to have successful careers in cool jazz, notably Gerry Mulligan, John Lewis, and Lee Konitz. Mulligan moved to California and joined forces with trumpeter Chet Baker in a piano-less quartet, before creating his Concert Jazz Band.Klinkowitz, p.
1, p.171 Despite this, Farrenc was paid less than her male counterparts for nearly a decade. Only after the triumphant premiere of her nonet, at which the famous violinist Joseph Joachim took part, did she demand and receive equal pay. Besides her teaching and performing career, she also produced and edited an influential book, Le Trésor des Pianistes, about early music performance style,Bea Friedland.
He has worked with two different trios for a long time; the trio with Christian Weber and Dieter Ulrich and also the trio with Dominique Girod (double bass) and Christian Wolfarth (percussion). IN 2004, he founded his nonet Undersong and composed for this ensemble. His compositions were played also by Lucerne Jazz Orchestra. Besides, he was also the leader of the group Urban Village.
"Fats" Sadi Pol Lallemand (23 October 1927, Andenne, Belgium – 20 February 2009, Huy) was a Belgian jazz musician, vocalist, and composer who played vibraphone and percussion.Jazz in Belgium biography He chose the name "Sadi" because he disliked his last name, which means "the German" in French. He led a quartet and nonet and won the Belgian Golden Django for best French-speaking artist in 1996.
Other performers were saxophonist Arthur Blythe, drummer Paul Motian and his Electric Bebob Band, saxophonist Lee Konitz, who recorded "the Birth of Cool" with Miles Davis, pianist Paul Bley and the singer Mary Stallings. For the shows in Brazil, Lee Konitz was accompanied by nine musicians who make up the Talmor Nonet. Younger musicians included pianist Jason Moran and his trio, and the saxophonist Eric Alexander.
As a composer, Lundin has covered many different areas. Trine-Lise Væring has put lyrics to and recorded a number of his songs, and he has delivered material to Jonas Johansen Move. Works of his have been commissioned and recorded by Copenhagen Art Ensemble, (the albums My Sisters Garden and Angels Share), New Music Orchestra,(for Copenhagen Jazzfestivals) and The JazzPar Nonet. He has composed music for dance performances (e.g.
The third section is slower, followed by another scherzo and a finale which restates passages taken from the opening. The rhythmic patterns in both pieces resemblance each other. This would have been no surprise, Butterworth writes, since Copland revised that score in 1955. Pollock states that another work that might have been fresh on the composer's mind was his Nonet for strings, composed in 1960, which also employs an arch form.
Lynch grew up in Milwaukee, Wisconsin, and attended Nicolet High School. He apprenticed with pianist Buddy Montgomery and organist Melvin Rhyne, while earning a degree from the Wisconsin Conservatory of Music. While living in San Diego 1980–81, he gained further valuable experience in the group of Charles McPherson. Lynch moved to New York in late 1981 and was hired by Bill Kirchner, performing and recording with Kirchner's nonet.
Since 2010 Bezuglov is living in US, where he has been studying with professor Dmitri Berlinsky at MSU College of Music. Since 2012, he was professor Berlinsky's teaching assistant. Bezuglov was the principal violinist with the International Chamber Soloists strings orchestra, and the Concertmaster of the Ad Libitum chamber orchestra. He is also the member of the ION Piano Trio, Michigan State String Quartet, and OctoOpus+ String Nonet.
The strangeness quantum number S (not to be confused with spin) was noticed to go up and down along with particle mass. The higher the mass, the lower the strangeness (the more s quarks). Particles could be described with isospin projections (related to charge) and strangeness (mass) (see the uds nonet figures). As other quarks were discovered, new quantum numbers were made to have similar description of udc and udb nonets.
During his period of occasional work with the Davis nonet between 1949 and 1951, Mulligan also regularly performed with and arranged for trombonist Kai Winding. Mulligan's composition "Elevation" and his arrangement of "Between the Devil and the Deep Blue Sea" were recorded by Mulligan's old boss, Elliott Lawrence. This brought Mulligan additional recognition. Mulligan also arranged for and recorded with bands led by Georgie Auld and Chubby Jackson.
The nine members of GreatGuys—Jaei, Uiyeon, Horyeong, Daun, Baekgyeol, Donghwi, Hwalchan, Haneul, and Dongin—were trainees for three years. The name of the group signifies their ability to be "show a cool image on and off stage". With an average height of , they have been dubbed "the tallest idols". The nonet released their debut synth-pop digital single album Last Men and its title track on August 25, 2017.
John S. Wilson's contemporaneous review was positive, noting that both quintet and nonet bands feature "Farmer playing with broad authority no matter what the fare at hand while Golson's warm, dark lines flare and glide through all the pieces."Wilson, John S. (1959) The Collector's Jazz: Modern, p.120. J. B. Lippincott. Scott Yanow of Allmusic stated, "this underrated gem served as a strong start to Benny Golson's influential solo career".
He also did Chamber music. He was a member of multiple groups: the Vlach Quartet (1957-1970), the Smetana Trio, and from 1975-1988 he was the artistic director and first violinist of the Czech Nonet. In the late 1950s until 1969, he was a member of the famous Chamber music ensemble Ars Rediviva. From 1964 until his death, he was a professor at the very university he graduated from.
Gounod had composed two symphonies for full orchestra in the 1850s but had since then generally concentrated on opera, songs, and religious music.Huebner, Steven. "Gounod, Charles-François", Grove Music Online, Oxford University Press, 2001. Retrieved 28 November 2019 At the request of a Parisian wind ensemble, the Société de musique pour instruments à vent, led by the flautist Paul Taffanel, he wrote a nonet for flute and pairs of oboes, clarinets, horns and bassoons.
Barber completed a master's degree from the Manhattan School of Music and became an elementary school music teacher at Copiague, New York. He continued to play where possible including with the Goldman Band. In 1992, he recorded and toured with a nonet led by Gerry Mulligan, reworking material from Birth of the Cool. From 1998 to 2004 he was part of The Seatbelts, New York musicians who played the music of the Japanese anime Cowboy Bebop.
On May 19, 1970 he gave a concert with his Quinteto at the Teatro Regina in Buenos Aires in which he premiered his composition Cuatro Estaciones Porteñas. Back in Buenos Aires he founded his Conjunto 9 (a.k.a. Nonet), a chamber music formation, which was a realisation of a dream for Piazzolla and for which he composed some of his most sophisticated music. He now put aside his first Quinteto and made several recordings with his new ensemble in Italy.
From 1963 Francis toured with singer Dinah Shore for five years. He then set up home in California, but struggled to find work. He toured Japan with Sam "the Man" Taylor in 1970–71, and appeared on film again in 1972, in Lady Sings the Blues. Back in New York, Francis was part of Sy Oliver's nonet from 1973 to 1975, during which time he also appeared at jazz festivals and toured internationally with other bands.
The History of Jazz. 281–282. Out of Thornhill's band came Lee Konitz, Gerry Mulligan, and Gil Evans, Miles Davis calling the Konitz-Mulligan-Evans incarnation "the greatest band" only after "the Billy Eckstine band with Bird." The Thornhill band was known for its impressionistic style, innovative use of instrumentation, such as the use of tuba and French horn, and a non-vibrato playing style, hallmarks that the Miles Davis Nonet adopted for The Birth of the Cool.Crease, Stephanie.
With Ole Morten Vågan he was part of guitarist Hallgeir Pedersen's Trio at Moldejazz in 2002. This band was extended to a quartet, including his brother Roger Johansen (drums). They performed with Norwegian folk singer Terje Nilsen at Trondheim Jazz Festival in 2006 and the nonet Lars Gullin tribute with John Pål Inderberg (baritone saxophone) and Lars Sjösten (piano). Johansen has also worked extensively in a duo format with pianist Vigleik Storaas, documented on Rainbow Session (2007).
In 1949–1950 baritone saxophonist Gerry Mulligan participated in the Miles Davis band, contributing arrangements to the recordings that became Birth of the Cool (1957). In 1952 Mulligan, who had moved to California, formed an innovative and successful piano-less quartet with trumpeter Chet Baker, drummer Chico Hamilton, and bassist Bob Whitlock. Mulligan would later form a decet based on the Birth of the Cool nonet. In 1950 Stan Kenton disbanded his Innovations Orchestra in Los Angeles.
This Is How I Feel About Jazz is a 1957 album by Quincy Jones. Jones arranged and conducted three recording sessions during September 1956, each with a different line-up, from a nonet to a fifteen piece big band. Musicians on the album include Art Farmer, Phil Woods, Lucky Thompson, Hank Jones, Paul Chambers, Milt Jackson, Art Pepper, Zoot Sims, and Herbie Mann. The bonus tracks on the CD release include compositions by Jimmy Giuffre, Lennie Niehaus and Charlie Mariano.
Barber became a founding member of Miles Davis's nonet in 1949 in what became known as the Birth of the Cool recording sessions. He then worked in the theatre pit orchestras of The King and I, Paradiso, and the City Center Ballet. He joined up with Davis and Gil Evans in the late 1950s to record the albums Sketches of Spain, Miles Ahead and Porgy and Bess. Barber also played tuba on John Coltrane's album Africa/Brass released in 1961.
Guaraldi used a variety of sidemen throughout his career. His main preference was playing as a trio, although this number would increase depending on the needs of a song, live performance or Peanuts soundtrack. The largest confluence of musicians occurred in 1969 for soundtrack recordings of It Was a Short Summer, Charlie Brown (octet) and A Boy Named Charlie Brown (nonet). For bass/double bass, regular sidemen during the 1950s and 1960s included Monty Budwig, Dean Reilly, Fred Marshall and Tom Beeson.
Some of these musicians were hired by Miles Davis for his album Birth of the Cool. Evans approached Davis for permission to write the arrangement of "Donna Lee" for Thornhill. Davis agreed and then got the idea to "imitate the sound of Claude Thornhill but with less people" for his nonet recordings, as he says in his autobiography. Jazz bassist Jaco Pastorius recorded a version of "Donna Lee" on bass guitar, with Don Alias on congas, for his debut album Jaco Pastorius (1976).
In 1967, he enlisted in the U.S. Army, playing with a rock band in Vietnam during the Vietnam War in 1967 and 1968. He was discharged in 1969. After returning to Chicago, Threadgill joined fellow AACM members bassist Fred Hopkins and drummer Steve McCall in a trio which would eventually become the group Air. He moved to New York City, where he formed his first group, X-75, a nonet consisting of four reed players, four bass players, and a vocalist.
Like previous releases, Lincoln does not utilize a full band arrangement. Instead, bass and drum tracks are entirely synthetic or sampled, with the exception of "Lie Still, Little Bottle"'s live drums. The drum tracks on the album were produced with an Alesis HR-16 drum machine.Stated by John Linnell in a 1999 online chat (archived here) The album featured The Ordinaires, a nonet which was also signed to the Bar/None label, providing the string arrangement for "Kiss Me, Son of God".
However, Davis died in September and Mulligan continued the recording project and tour with Wallace Roney and Art Farmer subbing for Davis. Re-Birth of the Cool (released in 1992) featured the charts from Birth of the Cool, and a new nonet which included Lewis and Barber from the original Davis band. Mulligan appeared at the Brecon Jazz Festival 1991. Mulligan's final recording was a quartet album (with guests), Dragonfly, recorded in the summer of 1995 and released on the Telarc label.
AllMusic awarded the album 4 stars with its review by Scott Yanow stating, "The altoist is backed for the set by a nonet arranged by the great Los Angeles legend Horace Tapscott. The arrangements are challenging but complementary to Criss' style, and he is in top form on the six Tapscott originals... highly recommended for both Criss' playing and Tapscott's writing".Yanow, S. Allmusic Review, accessed September 7, 2012 The Penguin Guide to Jazz identified it as part of their recommended "core collection".
Nine musicological treatises of great significance were composed in the Vijayanagar period and these have been called the Vijayanagara Sangitashastra Navaratna or the 'Vijayanagara Musicological Nonet'. ;Sangitasara The first of the navaratnas is Vidyaranya's Sangitasara, composed in the second half of the fourteenth century. The work dealt with, among other things, the fifteen melas and their fifty janya ragas as well as certain types of singers. Some of this even found its way into Govinda Dikshita's Sangitasudha (nidhi), authored in the early seventeenth century.
21 (1928) and Concerto, op. 24 (1931–34). On the other hand, Heitor Villa-Lobos's Nonet, subtitled "Impressão rápida de todo o Brasil" (1923) exceeds the ensemble's nominal size by adding a mixed choir to the basic instrumentation of flute/piccolo, oboe, clarinet, alto/baritone saxophone, bassoon, celesta, harp, piano, and percussion—the latter requiring more than one player . The third of British composer Peter Seabourne's chamber concerti, Storyteller, is a miniature double bass concerto accompanied by an octet of wind quintet and piano trio.
Varner has combined contemporary chamber music with jazz and free improvisation in almost all of his subsequent projects. His recent work (finished in 2008, released 2009), Heaven and Hell, is for a tentet of three brass, five reeds, and bass and drums. His newest CD, Nine Surprises, is for a nonet of three brass, four reeds, and bass and drums, and was released in Fall 2014. It features Seattle players Mark Taylor, Steve Treseler, Eric Barber, Jim DeJoie, Thomas Marriott, David Marriott, Phil Sparks, and Byron Vannoy.
All-S Company shared a group concept photo of D-Crunch via social media on May 13, 2019, which initiated a 14-day countdown to the release of M0527. It presented D-Crunch with "radiant smiles" while wearing white and red clothing, which reflects the "bright" ambience of the single. Two days later, a second picture was posted showing the nonet on a running track. Individual profile images of all nine members, in addition to a third group photo, were simultaneously published on May 23.
He did extensive work as a studio sideman, with Chick Bullock, Bunny Berigan, Miff Mole, Claude Thornhill, Larry Clinton, Teddy Wilson, Louis Armstrong (1938–39), Lionel Hampton, and the Metronome All–Stars. He recorded as a leader between 1937 and 1939, doing two sessions with a big band, one with a nonet, and one with a trio. Mondello served in the military during World War II. He continued doing session work and remained active into the 1970s. He and Goodman reunited to record in 1967.
Streams of Expression is the 20th studio album by American jazz musician Joe Lovano to be released on the Blue Note label. It was released in 2006 and features a five-part "Streams of Expression Suite," three-part "Birth of the Cool Suite," and three other shorter works. The "Birth of the Cool Suite" was conducted by Gunther Schuller and utilizes melodic themes inspired by Miles Davis' work from his 1948 and 1950 nonet. The album also features George Garzone, Ralph Lalama, Gary Smulyan, and Tim Hagans.
In Netanyahu's second Government, the 32 Government, there was also an active limited forum of ministers. It was first known as the Septet Forum (or the Septenary, , HaShviya), and included Prime Minister Netanyahu, Ehud Barak, Avigdor Lieberman, Moshe Yaalon, Dan Meridor, Benny Begin, and Eli Yishai. With the inclusion of the Minister Yuval Steinitz to the ministerial forum the name was changed to the Octet (). In August 2012 Minister Avi Dichter joined the small forum of ministers and accordingly it was renamed the Nonet forum (, HaTeshiya).
London Symphony Orchestra, Barbican Hall A concert band. Classical chamber ensembles of six (sextet), seven (septet), or eight musicians (octet) are fairly common; use of latinate terms for larger groups is rare, except for the nonet (nine musicians). In most cases, a larger classical group is referred to as an orchestra of some type or a concert band. A small orchestra with fifteen to thirty members (violins, violas, four cellos, two or three double basses, and several woodwind or brass instruments) is called a chamber orchestra.
A Night in Tunisia is a 1957 jazz album by Art Blakey & the Jazz Messengers, released by the RCA Victor subsidiary label Vik.RCA Vik Record Label Discography, accessed November 30, 2015 It features the only recorded instances of saxophonists Jackie McLean and Johnny Griffin playing together. The album's original five tracks were augmented by up to three alternative takes on CD reissues. The album was also reissued under the title Theory of Art, with two nonet tracks – "A Night at Tony's" and "Social Call" – added.
Live recordings of this performance are lodged with the RCM and the British Library. The artists were Andrew Berridge (violin), Martin Anthony (Tony) Burrage (violin), Joanna Lacey (viola), Michael Parrott (cello) and John Peace (piano). After receiving copies of the work from the RCM in London, Patrick Meadows made printed playing editions of the Nonet, Piano Quintet, and Piano Trio. The works were performed in Meadows's regular chamber music festival on the island of Majorca, and were well received by the public as well as the performers.
The Vijayanagara musicological nonet or the Sangitashastra navaratna are a group of nine musicological treatises written during the reign of the Vijayanagara empire. These works are counted among the most important and definitive treatises in Carnatic music theory. Each of these works contributed seminally to the growth of the Carnatic music tradition. These nine works are the Sangitasara by the sage Vidyaranya, Taladipika by Salva Gopa Tippendra, Sangitakalanidhi by Kallinatha, Bhandaru Vittaleshwara's commentary on the Sangita Ratnakara, Bhandaru Lakshminarayana's Sangitasuryodaya, Achyutadevaraya's Talakalabdhi/Talakalavriddhi and the much celebrated Swaramelakalanidhi by Ramamatya.
The Nonet is in a single movement and relies for its effect on colouristic and rhythmic devices more than on structural or harmonic elements . The score is multi- sectional and constructed like a mosaic, presenting short melodic and rhythmic fragments superimposed and in rapid succession . There are eight large sections encompassing approximately twenty-five short episodes, though because of the lack of traditional harmony and thematic structure such numbers are rather arbitrary . The result is a rhapsodic, improvisational atmosphere, which is also reflected in the treatment of the voices.
Dameronia was the name of a bebop jazz ensemble founded by Don SicklerCarr, Ian; Fairweather, Digby and Priestley, Brian Rough Guide to Jazz Rough Guides, 2004 "Don Sickler" and Philly Joe Jones in the 1980s that featured the original compositions and arrangements of Tadd Dameron. They recorded three albums, two for Uptown Records and the other for Soul Note Records, and continued to perform even after Jones' death in 1985. The nonet, which included several of the composer's colleagues, attempted to create an "historically accurate" representation of Dameron's music.
Of the ensemble types named according to the number of musicians in the group, the decet, undecet, duodecet, tredecet, etc., are names less common in music than smaller groupings (quartet, quintet, etc., up to nonet). In the eighteenth century, twelve-part ensembles were most often encountered in the genre of the wind serenade, divertimento, nocturne, or partita—for example, Josef Reicha's Parthia ex D, for 2 flutes, 2 oboes, 2 clarinets, 3 horns, 2 bassoons, and double bass, and the partitas for the same instrumentation by Reicha's colleague Johann Georg Feldmayr .
In addition to his activities as a musician, Franz Vorraber also devotes himself to composition. Several solo compositions are already published on CD. His first piano concerto was premiered with great success at the monastery festival in Maulbronn, Germany. His wind quintet was premiered by the "Wind Quintet of Staatskapelle Berlin", a seven-piece trio at the Mendelssohnfest, the Nonet in Gewandhaus Leipzig, and his sextet at the Stelzenfestival. A great success was also the project "Sätze von Liebe" (Sentences of Love) with poems and self-compositions together with the writer Peter Härtling.
Villa-Lobos occasionally joined such bands. Early works showing this influence were incorporated into the Suíte popular brasileira of 190812 assembled by his publisher, and more mature works include the Sexteto místico (1955, replacing a lost and probably unfinished one begun in 1917), and his setting of the poetry of Mário de Andrade and Catulo da Paxão Cearense in the Canções típicas brasileiras of 1919. His guitar studies are also influenced by the music of the chorões. All the elements mentioned so far are fused in Villa-Lobos's Nonet.
OESC presents a variety of opportunities to grow and learn in many different aspects of music making. This includes musical subjects such as HIP (historically informed performance) from baroque to 20th century repertoire, and all kinds of useful techniques and skills such as efficiency in rehearsing, knowledge of learning development, communication within the ensemble and dealing with mental and physical stress. OESC is designed for ensembles consisting of Bachelor and Master students and for young professional chamber music ensembles (from duo to nonet, for all classical instrumentalists and vocalists).
Pete Rugolo produced the sessions for Birth of the Cool. The nonet recorded twelve tracks for Capitol during three sessions over the course of nearly a year and a half. Davis, Konitz, Mulligan and Barber were the only musicians who played on all three sessions, though the instrumental lineup was constant (excepting the omission of piano on a few songs and the addition of Hagood on "Darn That Dream"). The first session occurred on January 21, 1949, recording four tracks: Mulligan's "Jeru" and "Godchild" as well as Lewis's "Move" and "Budo".
In 1995 he recorded a tribute to Stan Getz on NYC Records called Alone: Four's and Two's followed a year later with Joe Lovano, and in 1999 Garzone returned with Moodiology. Fringe in New York was released in summer 2000. With the Joe Lovano Nonet he recorded at the Village Vanguard in September 2002. He has also performed with Don Alias, Kenny Barron, Dennis Chambers, Stanley Cowell, Anton Fig, Dan Gottlieb, Tom Harrell, Dave Holland, Dave Liebman, Cecil McBee, Bob Moses, Gary Peacock, Marvin Smith, Bill Stewart, Harvie Swartz, and Lenny White.
Adlerová has also recorded several different song cycles with the Prague Radio Symphony Orchestra (SOČR) and recorded works for Czech radio and television. As a chamber musician, Adlerová has appeared in concert with such ensembles as Czech Nonet and Clarinet Factory. She has also given two recitals at the Prague Spring International Music Festival, and appeared in recital at the Smetana's Litomyšl International Opera Festival, the Kishinev Spring Festival in Moldavia, and Les Invalides in Paris. She has also given recitals of Jewish music at Prague's Nine Gates Festival.
He lived and worked in Jamaica and Africa, and played and recorded with Fela Kuti. Bowie's onstage appearance, in a white lab coat, with his goatee waxed into two points, was an important part of the Art Ensemble's stage show. In 1984, he formed Lester Bowie's Brass Fantasy, a brass nonet in which Bowie demonstrated jazz's links to other forms of popular music, a decidedly more populist approach than that of the Art Ensemble. With this group he recorded songs previously associated with Whitney Houston, Michael Jackson, and Marilyn Manson, along with other material.
Kneisel String Quartet, led by Franz Kneisel, is an example of chamber music. This American ensemble debuted Dvořák's American Quartet, opus 96 an Iranian musical ensemble in 1886 In Western classical music, smaller ensembles are called chamber music ensembles. The terms duet, trio, quartet, quintet, sextet, septet, octet, nonet and decet describe groups of two up to ten musicians, respectively. A group of eleven musicians, such as found in The Carnival of the Animals, is called either a hendecet or an undecet, and a group of twelve is called a duodecet (see Latin numerical prefixes).
He was part of the celebrated nonet on the first session of Miles Davis' Birth of the Cool. For much of the 1950s and 1960s, "Haig was all but a forgotten giant", in Brian Case's words; "Jazz pianism, ever more percussive in a crass simplification of [Bud] Powell's methods, had no room for the crystalline touch and swift, logical turnover of ideas. Haig got by with semi- cocktail piano in New York bars." Although Haig is best remembered for playing bebop, he spent much of his career playing in non-jazz contexts.
The pseudoscalar mesons consisting of up, down, and strange quarks only form a nonet In high-energy physics, a pseudoscalar meson is a meson with total spin 0 and odd parity (usually noted as JP=0−). Compare to scalar meson. Pseudoscalar mesons are commonly seen in proton-proton scattering and proton- antiproton annihilation. The pion was first proposed to exist by Yukawa in the 1930s as the primary force carrying boson of the Yukawa Potential in nuclear interactions, and was later observed at nearly the same mass that he originally predicted for it.
The symphony has four movements: # Allegro #Scherzo #Moderato #Allegro grandioso In 1928 or 1929, Villa-Lobos explained to music journalist Suzanne Demarquez that the as-yet unperformed Fifth Symphony, like its two predecessors, added a wind band to the orchestra, but also included a mixed chorus singing nonsense syllables borrowed from several languages: Russian, French, Chinese, African, etc. The object of such a text is to explore the influence of phonemes and rhythm on musical effect, as he did again later in the choir parts of the Nonet and Chôros No. 10 .
The AllMusic review by Scott Yanow stated "If there were justice in the world, Eddie "Cleanhead" Vinson would have been able to tour with this type of group throughout much of his career. Roomful of Blues, a popular five- horn nonet, has rarely sounded more exciting than on this musical meeting with the legendary singer/altoist. Vinson himself is exuberant on some of the selections ... Whether one calls it blues, bebop, or early R&B;, this accessible music is very enjoyable and deserves to be more widely heard".
Stanford's chamber music, which as Dibble notes even Shaw praised, has not entered the general repertoire, but is well crafted. Dibble singles out the Three Intermezzi for clarinet and piano (1879), the Serenade (Nonet) of 1905, and the Clarinet Sonata (1911) with its touching lament. Dibble writes that while his Violin Sonata No. 1 was still influenced by Beethoven and Schumann, his Violin Sonata No. 2, composed c. 1898 after studies in Germany including works by Brahms, in "seamless sonata construction gives the impression of a free form".
From 1949 through 1950, Davis recorded twelve tunes with a nonet consisting of other noted jazz musicians including arranger Gil Evans, Gerry Mulligan, Lee Konitz, John Lewis, Max Roach and Kenny Clarke. The arrangements for that group were scored for instruments rarely used in jazz such as French horn and tuba. These recordings, which were labeled cool jazz and eventually appeared on the album Birth of the Cool in 1957 by Capitol Records, marked an important influence on the future jazz. He later signed to Columbia and released 'Round About Midnight on March 18, 1957.
The presence of so many prominent bebop musicians performing at the Royal Roost led to the club being nicknamed "the Metropolitan Bopera House," a pun referencing the club's close proximity to the nearby Metropolitan Opera House. In 1949, a record label, Roost Records, was founded by Arthur Faden, Bill Faden, Monty Kay and Ralph Watkins, which recorded many of the musicians who performed at the club. In September 1948, Miles Davis debuted his nonet at the club. By the early 1950s, the jazz component of the Roost was moved to Watkins's new club, Bop City.
Black Unstoppable is an album by American jazz flautist Nicole Mitchell, which was recorded in 2007 and released on Delmark. It was the fourth album by her Black Earth Ensemble and the first for Delmark after three recordings on Dreamtime, the label she established with David Boykin.Original Liner Notes by Kalamu ya Salaam According to Mitchell, this project features a diverse collection of songs that touch all sides of Great Black Music: avant-garde jazz, blues, R&B; and soul. The group ranges in size from a quartet to a nonet.
This innovation was to prove so influential that, following its explication, all temporal activities in music and dance came to be organized and consolidated under these elements. ;Sangitakalanidhi To the same period belongs the third work of the Nonet, Kallinatha'sSangitakalanidhi, a versatile commentary on Sharngadeva's Sangita Ratnakara, the encyclopedic magnum opus on Indian music. It was about dancing and aesthetics of the thirteenth century. In the work, Kallinatha meticulously annotated, explicated, criticised and emphasised all the central issues of the Ratnakara; he also illumined it through comparison with contemporary practices, theories and norms of music and dance.
There are two double-violin concertos as well. Better known today, however, are the four clarinet concertos, all written for the virtuoso Johann Simon Hermstedt, which have established a secure place in clarinettists' repertoire. Among Spohr's chamber music is a series of no fewer than 36 string quartets, as well as four double quartets for two string quartets. He also wrote an assortment of other quartets, duos, trios, quintets and sextets, an octet and a nonet, works for solo violin and for solo harp, and works for violin and harp to be played by him and his wife together.
Villa-Lobos began work on the Nonet in Rio de Janeiro in 1923, shortly before his first visit to Europe, and completed the score in Paris in September of the same year . It was premiered on 30 May 1924 at the Salle des Agriculteurs in Paris by an ensemble conducted by the composer. The score is dedicated to Olívia Guedes Penteado . The work marks a fundamental turning point in Villa-Lobos's style to the strongly Brazilian-nationalistic character that dominated his compositions throughout the rest of the 1920s, and in particular those to which he gave the title Chôros (; ).
1996-2000 Peter Rainer was the first concert master of the Brandenburg Philharmonic Orchestra Potsdam, and currently is concert master of the Kammerakademie Potsdam.Kammerakademie Potsdam on Peter Rainer Together with eight further soloist, in 1998 he founded the Persius Ensemble, a chamber music ensemble dedicated in particular to the classical nonet literature.Persius Ensemble In 2007 their CD with pieces of Louis Spohr, Muzio Clementi and Wolfgang Amadeus Mozart was elected „CD of the week“ by Rundfunk Berlin Brandenburg (RBB). In his performances as a soloist, his special attention is devoted to contemporary and rarely performed pieces of the violin literature.
Besides the presence of Romanian orchestras and artists (Valentin Gheorghiu, Ion Voicu, Radu Aldulescu, Mircea Basarab, Constantin Bugeanu and Antonin Ciolan, the "George Enescu" Philharmonic Orchestra, the Radiotelevision Orchestra, the Philharmonic Orchestra in Cluj, the Madrigal Choir, the "George Enescu" Quintet or the "Muzica Quartet"), international performers or ensembles were also present, such as Los Angeles Philharmonic, Moscow State Philharmonic, Grand Paris Opera Ballet, Czech Nonet and Tatrai Quartet. These ones and other artists such as Van Cliburn, Isaac Stern, Claire Bernard, Friedrich Gulda, David Oistrah, Mstislav Rostropovich, Zubin Mehta, Kiril Kondrashin and Kurt Masur have filled the concert halls once again.
A number of his works have been based on Renaissance isorhythmic techniques such as the nonet Ficta . Other important works include Broken Frames, for cello and piano, and the solo piano pieces Injera and The Principle of Terrestrial Mediocrity (which was recorded for CD by Chris Jones). His most substantial work to date is 'Everything in Life can be Montaged', an hour-long piece for soprano, two solo celli, percussion, ensemble and electronics based on ideas and texts by the Russian thinker Viktor Shklovsky. It received its first performance at the Royal Academy of Music in June 2009.
Adams was active as a performer and recording artist in her final years. In 2009 she contributed vocals and composition to the album Local Boys, by the Motor City Horns, and in 2010 she was a composer and guest artist on Blowin' Away the Blues, by Planet D Nonet. The following year she was a primary artist on the compilation album The Eternal Myth Revealed Vol. 1, featuring her older tracks with Red Saunders on Chess Records, and in 2013 she was a primary artist on the compilation album Definitive Detroit Blues, released by Not Now Music.
The isospin analogy also applies to quarks, and is the source of the names up (as in "isospin up") and down (as in "isospin down") for the quarks found in protons and neutrons. While for angular momentum states the singlet-style terminology is seldom used beyond triplets (spin=1), it has proven historically useful for describing much larger particle groups and subgroups that share certain features and are distinguished from each other by quantum numbers beyond spin. An example of this broader use of singlet-style terminology is the nine-member "nonet" of the pseudoscalar mesons.
Al McKibbon (January 1, 1919 - July 29, 2005) was an American jazz double bassist, known for his work in bop, hard bop, and Latin jazz. In 1947, after working with Lucky Millinder, Tab Smith, J. C. Heard, and Coleman Hawkins, he replaced Ray Brown in Dizzy Gillespie's band, in which he played until 1950. In the 1950s he recorded with the Miles Davis nonet, Earl Hines, Count Basie, Johnny Hodges, Thelonious Monk, Mongo Santamaria, George Shearing, Cal Tjader, Herbie Nichols and Hawkins. McKibbon was credited with interesting Tjader in Latin music while he played in Shearing's group.
His concert works of note include a Sonata for guitar (1959), Continuum for tape (1969), a cantata Peccata Mundi (1972), Contours and Densities at First Hill for orchestra (1972), a Nonet (1979), String Quartet No. 2 (1985) and The Dancing Girls for orchestra (1991). Cary is also particularly well known for his film and television music. He wrote music for the science fiction television series Doctor Who (including the first Dalek storyChris Thomas, Music-maker for the Daleks, p.41, The West Australian, 12 May 2008.), as well as the score for the Ealing comedy The Ladykillers (1955).
Ohad Talmor lives currently in New York where he plays regularly with his own project NEWSREEL; a flexible group mirroring his multi-faceted musical identity and which features some of New York's most creative musicians: Dan Weiss, Jacob Sacks, Miles Okazaki, Shane Endsley and Matt Pavolka. Talmor's other projects include: "Steve Swallow/Ohad Talmor/Adam Nussbaum TRIO" "MASS TRANSFORMATION" a Nonet focusing on the Music of Anton Bruckner and featuring Austria's Spring String 4tet, singer Judith Berkson, Pete McCann, Shane Endsley, Mark Ferber. "TRIO", with Miles Okazaki and Dan Weiss. The group's original repertoire focuses on short forms with highly interactive rhythmic studies.
In 2010, she performed with the World Jazz Nonet at the John F. Kennedy Center in Washington D.C. and participated in the a cappella music group The Singing Tribe that sang alongside Bobby McFerrin. Having received a scholarship to study at Berklee College of Music, Marina Satti graduated in 2011, majoring in Contemporary Writing & Production, studying under Danilo Perez, Jamie Haddad, Simon Shaheen, John Patittuchi, and Christiane Karam among others. During her years at Berklee, she developed her signature musical style by combining elements of Greek, Arabic, and Balkan traditional music, all of which she grew up with from a very early age.
The first work to actually bear the title of nonet was Louis Spohr's Grand Nonetto in F major, op. 31 (1813), for flute, oboe, clarinet, bassoon, horn, violin, viola, cello, and double bass. Earlier compositions, however, had been composed for nine instruments (Joseph Haydn's four Divertimenti (or Cassations), for 2 oboes, 2 horns, 2 violins, 2 violas, and contrabass, HII:9, 17 [2 clarinets instead of oboes], 20, and G1, Ignaz Pleyel's Nocturne of 1785, for 2 clarinets, 2 horns, 2 violas, contrabass, and 2 hurdy-gurdies, and Franz Schubert's Begräbnis-Feyer (Eine kleine Trauermusik) of 1813 (D 79), for two clarinets, two bassoons, contrabassoon, two horns, and two trombones).
Tom Harrell was born in Urbana, Illinois but moved to the San Francisco Bay Area at the age of five. He started playing trumpet at eight, and within five years he was playing gigs with local bands. In 1969 he graduated from Stanford University with a music composition degree and joined Stan Kenton's orchestra, touring and recording with them throughout 1969. After leaving Kenton, Harrell played with Woody Herman's big band (1970–1971), Azteca (1972), the Horace Silver Quintet (1973–1977), with whom he made five albums, the Sam Jones-Tom Harrell Big Band, the Lee Konitz Nonet (1979–1981), George Russell, and the Mel Lewis Orchestra (1981).
In September 1948, Miles Davis formed a nine-piece band that featured arrangements by Mulligan, Evans and John Lewis. The band initially consisted of Davis on trumpet, Mulligan on baritone saxophone, trombonist Mike Zwerin, alto saxophonist Lee Konitz, Junior Collins on French horn, tubist Bill Barber, pianist John Lewis, bassist Al McKibbon and drummer Max Roach. The band only played a handful of live performances (a two-week engagement at the Royal Roost jazz club and two nights at the Clique Club). However, over the next couple of years, Davis reformed the nonet on three occasions to record twelve pieces for release as singles.
These were eventually compiled on a Capitol Records long-playing record, titled Birth of the Cool. Mulligan wrote and arranged three of the tunes recorded ("Rocker", "Venus de Milo", and "Jeru", the last named after himself), and arranged a further three ("Deception", "Godchild", and "Darn That Dream"). He was also (with Davis, Konitz and Barber) one of only four musicians who played on all the recordings. Despite the chilly reception by audiences of 1949, the Davis nonet has been judged by history as one of the most influential groups in jazz history, creating a sound that, despite its East Coast origins, became known as West Coast Jazz.
After completing his studies, Vitek was a founding member, concertmaster and soloist with the Prague Chamber Soloists conducted by Vaclav Neumann, member of the Czech Nonet, an official chamber ensemble of the Czech Philharmonic Orchestra, and the piano trio Pro Camera. In 1968, he won a position in the Royal Danish Orchestra and moved to Copenhagen, Denmark. From 1969 to 1972, he played in the Royal Danish Orchestra as alternate concert master, founded [NAME OF PIANO TRIO] with the Director of the Royal Danish Opera and later, the Sydney Opera, John Winther, as well as the Danish Chamber Orchestra. In 1970, he co-founded the Danish Chamber Orchestra.
The first modern performances of some of these works were done in the early 1990s by the Boston, Massachusetts-based Coleridge Ensemble, led by William Thomas of Phillips Academy, Andover. This group subsequently made world premiere recordings of the Nonet, Fantasiestücke for string quartet and Six Negro Folksongs for piano trio, which were released in 1998 by Afka Records. Thomas, a champion of lost works by black composers, also revived Coleridge's Hiawatha's Wedding Feast in a performance commemorating the composition's 100th anniversary with the Cambridge Community Chorus at Harvard's Sanders Theatre in the spring of 1998. The Nash Ensemble's recording of the Piano Quintet was released in 2007.
The album was recorded at with Christoph Eschenbach and the Houston Symphony in 1993. In addition, he was featured on Cantos, a CD of works by American composer Samuel Adler and a recording of the chamber version of Bruckner 7th symphony performing with Gruppo Montibello. In addition to the dozens of recording made as Principal Horn in an orchestra he has recorded the Brahms Trio opus 40, Mozart Quintet K. 407, Schoenberg Wind Quintet, Beethoven Septet opus 20, Spohr Nonet opus 31, and the Six Bagatelles for wind quintet by Ligeti for Music@Menlo. In addition, he is featured as first horn on a live recording of Bach Brandenbug Concerto no.
The French horn was at first rarely used in jazz music (Note that colloquially in jazz, the word "horn" refers to any wind instrument). Notable exponents, however, began including French horn in jazz pieces and ensembles. These include composer/arranger Gil Evans who included the French horn as an ensemble instrument from the 1940s, first in Claude Thornhill's groups, and later with the pioneering cool jazz nonet (nine-piece group) led by trumpeter Miles Davis, and in many other projects that sometimes also featured Davis, as well as Don Ellis, a trumpet player from Stan Kenton's jazz band. Notable works of Ellis' jazz French horn include "Strawberry Soup" and other songs on the album Tears of Joy.
17 That date Kai Winding replaced Zwerin on trombone, Al Haig replaced Lewis on piano, and Joe Shulman replaced McKibbon on bass. The second recording date came three months later on April 22, 1949 with Davis filling in for Fats Navarro in Tadd Dameron's band with Charlie Parker during the interim. The band returned to the studio with five substitutions in personnel: J. J. Johnson on trombone, Sandy Siegelstein on French horn, Nelson Boyd on bass, and Kenny Clarke on drums, and John Lewis returning to piano. At this session, the nonet recorded Mulligan's "Venus de Milo", Lewis's "Rouge", Carisi's "Israel", and "Boplicity", a collaboration between Davis and Evans, credited to the pseudonym "Cleo Henry".
30 & 31, a sextet for piano and winds Op. 40, which later appeared in an arrangement for piano quintet, two piano trios Opp.33 & 34, the nonet for winds and strings Op. 38, a trio for clarinet (or violin), cello and piano Op. 44, a trio for flute (or violin), cello and piano Op. 45, and several instrumental sonatas (a string quartet sometimes attributed to her is regarded by specialists as the work of another composer, not yet identified). In addition to chamber music and works for solo piano, she wrote two overtures and three symphonies. She heard her third symphony Op. 36 performed at the Société des concerts du Conservatoire in 1849.
There they played with Oscar Peterson and Maynard Ferguson before returning to England in 1948. He was one of the early Club Eleven players, along with Ronnie Scott, John Dankworth, Lennie Bush, and others; he also played with many of these musicians on the recordings of Alan Dean's Beboppers. After Club Eleven shuttered, Shaw played with Vic Lewis and toured Europe with Cab Kaye, then joined Jack Parnell's ensemble in 1953 and Ronnie Scott's nonet in 1954. Shaw played regularly both live and as a session musician for many British jazz musicians over the course of the next twenty or so years, working with Joe Harriott, Tony Crombie, Don Rendell, Tony Kinsey, Stan Tracey, Bill Le Sage, and others.
Between 1941 and 1948, Evans worked as an arranger for the Claude Thornhill Orchestra. Even then, early in his career, his arrangements were such a challenge to musicians that bassist Bill Crow recalled that bandleader Thornhill would bring out Evans's arrangements "when he wanted to punish the band." Evans' modest basement apartment behind a New York City Chinese laundry soon became a meeting place for musicians looking to develop new musical styles outside of the dominant bebop style of the day. Those present included the leading bebop performer, Charlie Parker, as well as Gerry Mulligan and John Carisi. In 1948, Evans, with Miles Davis, Mulligan, and others, collaborated on a band book for a nonet.
His departure began a period when he worked mainly as a freelancer and sideman. His nonet remained active until the end of 1949. After signing a contract with Capitol Records, they recorded sessions in January and April 1949, which sold little but influenced the "cool" or "west coast" style of jazz. The line-up changed throughout the year and included the additions of tuba player Bill Barber, alto saxophonist Lee Konitz, who had been preferred to Sonny Stitt as his style was considered too bop-oriented, pianist Al Haig, trombone players Mike Zwerin with Kai Winding, French horn players Junior Collins with Sandy Siegelstein and Gunther Schuller, and bassists Al McKibbon and Joe Shulman.
Serge Noskov (born 1956 in Syktyvkar, Komi Republic, Soviet Union) is a composer. In 1986 he graduated from Gorky (now Nizhny Novgorod) State Conservatoire as a composer, as well as a music theory and history teacher. His graduation compositions were: 1st Symphony for triple cast symphony orchestra, "Nonet" – chamber composition in three movements for 9 instruments, “Dreams” – vocal cycle for baritone and 4 instruments, set on his own poems. After the graduation, he returned to Syktyvkar, where he wrote the 1st String Quartet, “Psalms” for a choir a'capella on texts of a poem by Victor Savin in Komi language, and the Bible, musical “Ogorod”, numerous songs with lyrics by Komi poets of 19th century, also, a few songs for a pop-group “Aski”.
In 2006, David was signed by Fat Cat Records of Brighton, England, and released his fourth album, Sharp Teeth as a co-release between Fat Cat and Bu hanan. He followed that with Fear of Flying in 2008, a meditation on death and the afterlife. His next LP, "I Mean to Live Here Still," (2010) is a song cycle using the texts of Henry David Thoreau, with Daniels' music and singing accompanied by Fight the Big Bull, a nonet from Richmond, VA led by Matthew E. White. That album, characterized by The Line of Best Fit as "brave and beautiful [...], marrying the North American folk vernacular with interesting free-jazz textures and atmospheres" was called one of the "5 Best Genre Defying Albums of 2010" by NPR.
Scarponi's first stage race of the season was March's Tirreno–Adriatico, where he featured less prominently compared to previous years, finishing seventh overall. Scarponi then moved on to the Tour of the Basque Country, where he was part of the lead group on the final climb of the third stage to Eibar, before fading down to seventh place on the stage. He ultimately finished the race in eighth place overall. Later in April, Scarponi finished sixth in the Giro dell'Appennino, and added another eighth place at Liège–Bastogne–Liège. Having been promoted to the 2011 victory earlier in the year, Scarponi was therefore in a position to defend his Giro d'Italia title in May, leading the nonet with support from Damiano Cunego as a main domestique.
In August 1948, Davis declined an offer to join Duke Ellington's orchestra as he had entered rehearsals with a nine-piece band with pianist and arranger Gil Evans and baritone saxophonist Gerry Mulligan, taking an active role on what soon became his own project. Evans' Manhattan apartment had become the meeting place for several young musicians and composers such as Davis, Roach, Lewis, and Mulligan who were unhappy with the increasingly virtuoso instrumental techniques that dominated bebop. These gatherings led to the formation of the Miles Davis Nonet, which included the unusual additions of French horn and tuba; leading to a thickly textured orchestral sound. The intent was to imitate the human voice through carefully arranged compositions and a relaxed, melodic approach to improvisation.
By early 1957, Davis was exhausted from recording and touring with his quintet and wished to pursue new projects. During a two-week residency in Chicago in March, the 30-year-old Davis told journalists of his intention to retire at its conclusion and revealed offers he had received to become a teacher at Harvard University and a musical director at a record label. Avakian agreed that it was time for Davis to explore something different, but Davis rejected his suggestion of returning to his nonet as he considered that a step backward. Avakian then suggested that he work with a bigger ensemble, similar to Music for Brass (1957), an album of orchestral and brass-arranged music led by Gunther Schuller featuring Davis as a guest soloist.
The culmination of this week was a performance of Aerodynamics by the Sioux City Symphony, directed by Ryan Haskins, as well as the premiere of Spectral Fanfare, a work for brass octet and percussion on the same program. Later in the fall of 2012, Zare composed Fractal Miniatures for the SONAR new music ensemble in Baltimore. Originally for mixed nonet, Zare has also made versions for mixed sextet and full orchestra. Fractal Miniatures has won the 2014 Boston New Music Initiative call for scores, the 2014 Boston Musica Viva composition competition, the 2015 Northridge Composition Prize, the 2015 Illinois State University Red Note Festival composition competition in the chamber orchestra category, and grand prize in the China-US Emerging Composers Competition in 2016.
Jacobean Salute was first performed in 1995, and notably played in a composer portrait concert at the Gasteig in Munich on 5 October 2003, along with the Piccolo Quintet, the premiere of the Bassoon Quintet, the Nonet and other chamber music, played by Burkhard Jäckle, Lisa Outred, Albert Osterhammer, Ulrich Haider, Lyndon Watts, Odette Couch, Kirsty Hilton, Isabel Charisius, the composer and Matthias Weber (including several members of the Munich Philharmonic), conducted by Yaron Traub. The version for bagpipe and string orchestra was recorded in 2002 (released in 2004) by Graham Waller and the English Chamber Orchestra, conducted by Traub. A reviewer noted that it is "a deeply serious work", with the Highland Bagpipe "a real partner in this virile, rousing piece of music".
But it was later revealed that Wiseman was actually Coredegon in disguise while the real Gunz was put in a coma so his negative energy was absorbed. After Coredegon alongside his pals (in his combined form as a Mechtogan Destroyer) sent the Brawlers to the Doom Dimension, he completely destroyed the Earth and New Vestroia. With Gunz back to his normal state, Dan and the others travel through time in order to stop Mechtavius Destroyer from killing every human and Bakugan. In the final battle, Dragonoid Destroyer, who is Drago's last Mechtogan, acquires an infinite power that comes from the bond between Bakugan and humans all over the world, which gave them a chance to defeat the Nonet Mechtogan and send them back between dimensions.
The chamber version, published as Planos, is scored for a nonet: B clarinet, B bass clarinet, bassoon, C trumpet, piano, 2 violins, cello, and double bass. This heterogenous scoring, reminiscent of provincial bands, resembles those of other Revueltas scores, such as Alcancías and Colorines (both from 1932), Toccata sin Fuga (1933), and the slightly later Homenaje a Federico García Lorca . The large-orchestra version, published as Danza geométrica, is scored for piccolo, 2 flutes, 2 E clarinets, 2 B clarinets, B bass clarinet, 3 bassoons (3rd doubling contrabassoon), 4 horns, 4 trumpets, 3 trombones, tuba, percussion (4 players: xylophone, glockenspiel, large and small tamtams, bass drum, slapstick, cymbal, large gong, tambourine, and tubular bells), 2 pianos, and strings. The larger ensemble seems to have required a temporal expansion as well.
Pohjanmaan kautta, which had a libretto written by Tiina Puumalainen, is a story of Prohibition in Ostrobothnia (the title is literally translated as "through Ostrobothnia", a Finnish toast). They have all been premiered in Ilmajoki and are usually performed outside. His music is characterised as being wistful and restless, featuring playful melodies and brusque ostinatos. They often emphasise brass instruments, and include two symphonies including one for brass quintet and orchestra (notable for its aleatoric counterpoint), concerti (double bass in 1979, flute in 1985, tuba in 1986, violin in 1989 and trombone in 1994) and chamber music (importantly, a Wind Quartet and a String Quintet, both of 1993; also Taikalamppu for brass quartet, Dedications, Memories (1985) for brass quintet, the Wind Nonet (1985) and the Brass Quintet (1991)).
Manteca is a Canadian jazz fusion band that toured during the 1980s and 1990s. It was formed by percussionist Matt Zimbel and bassist Henry Heillig in 1979.Jazz Times - Volume 22 - Page 52 1992 Manteca, the spirited Toronto- Montreal based nonet, makes waves with Later Is Now\ (Justin Time R2 79381, 52:59), an imaginative and varied mix of jazz, folk and world components. ... Saxmen Dwyer and John Johnson, trumpeters Steve McDade and Rick Rait, keyboardist Gordon Sheard, bassist Henry Heillig, drummer Charlie Cooley, and percussionists Art Avalos and Matt Zimbel all deserve kudos for forging one of contemporary music's most accomplished and musically ... Their repertoire consisted of pieces composed by keyboardist Aaron Davis and Rick Tait, and, after he replaced Davis on keys in 1992, Gordon Sheard.
In May and June of 1945, Mal Braveman and Kay's New Jazz Foundation produced concerts at New York's Town Hall that included Dizzy Gillespie, Pearl Bailey, Erroll Garner, Don Byas, Charlie Parker, Max Roach and Sidney Catlett. As the artistic director of the Royal Roost (a jazz venue on 52nd Street) he succeeded in persuading the owner, Ralph Watkins, to hire Miles Davis' nonet - sometimes called the "Tuba Band" - with which Davis was pursuing a project that gave birth to the cool jazz movement later to be called Birth of the Cool. Kay befriended Davis and, during his later marriage to singer/actress Diahann Carroll, was for a time Miles' neighbor. In 1949 he founded the jazz club Birdland (later, he would also open another jazz club, Le Downbeat, in Chicago).
He was the first Western composer invited to compose for Balinese ensembles in Bali and has completed a series of works of an increasingly experimental character for the gamelan since 1982, among them Sinar Jegog (1985), Situ Banda ("Bridge of Monkeys"; 1989), Banyuari ("Tributary"; 1992), Talakalam for gamelan with tabla (1999), "Puser Belah" for 2 simultaneous gamelan ("Unstable Center"; 2003), and "Buk Katah" for gamelan with a nonet of brass, winds and piano ("Underleaf"; 2006). These works have been cited by Balinese critics as "an important and unique contribution to our cultural heritage". The last three compositions cited plus others are featured on the 2009 CD Let Others Name You on New World records. In 1979, Tenzer co-founded the Sekar Jaya gamelan ensemble in Berkeley, California, an organization of Americans dedicated to the performance of Balinese arts that is now internationally known.
AllMusic CreditsBroadway World Credits She has been a member of the Ron Carter Nonet."Jazz Bassist Ron Carter: Helping Others Sound Their Best, Famed musician is a stand-up guy", All Things Strings, by Dan Ouellette, May 2004 Lawson appears on multiple recordings, including the GRAMMY Award-winning album Dedicated to You: Kurt Elling Sings the Music of Coltrane and HartmanAllmusic CreditsArtist Direct She is a member of acclaimed Brazilian jazz pianist Marcelo Zarvos +Group.All About Jazz reviewAllmusic review Lawson is a graduate of the Juilliard School and a current faculty at the Preparatory Division of Mannes College at the New School.Mannes Faculty She is quoted numerous times in the book How to Grow as a Musician: What All Musicians Must Know to Succeed by Sheila E. Anderson on the topic of how to balance work and family as a working musician.
The first mention of the composition is in a letter dating from Autumn of 1877 to Parrys then teacher Edward Dannreuther where he referred to the work as "..an experiment...". Parry showed the incomplete composition to Dannreuther on the 21st of December 1877, but did not complete the work until the 31st of December 1877. Dibble notes that Parry continued to work on the Nonet into February 1878, and suggests that the composer may have considered having members of the Crystal Palace Orchestra perform it. The reasons for the lack of performance during the composers lifetime and the decision not to publish are unclear, but may be related to the fact that the experimental nature of the work, conceived as a test of the composers ability to score for wind instruments, or the composer may have simply been dissatisfied with the work.
These ensembles, larger than the trio-to-quintet "combos", but smaller than the "big bands" which were on the brink of economic unviability, allowed arrangers to have a larger palette of colors by using French horns and tuba. Claude Thornhill had employed hornist John Graas in 1942, and composer-arranger Bob Graettinger had scored for horns and tubas with the Stan Kenton orchestra, but the "Kenton sound" was in the context of a dense orchestral wall of sound that Evans avoided. The Miles Davis-led group was booked for a week at the Royal Roost as an intermission group on the bill with the Count Basie Orchestra. Capitol Records recorded 12 numbers by the nonet at three sessions in 1949 and 1950. These recordings were reissued on a 1957 Miles Davis LP titled Birth of the Cool.
Michael Zwerin was born in New York on May 18, 1930, where his father was president of the Capitol Steel Corporation. Zwerin studied at the High School of Music and Art, and began leading bands in his teens, in which he employed several up-and-coming musicians. At the age of 18, while on his summer holidays from the University of Miami, Mike Zwerin was the trombonist in Miles Davis's nonet at the Royal Roost club in New York This band was famously to record its music the following year in the album that became immortalized as Birth of the Cool, but by then Zwerin had graduated and gone into his father's steel business. He abandoned his musical life for much of the 1950s but after a spell in France he returned to New York in 1958 and played the trombone in several big bands.
They had a broad repertoire of Chamber music compositions. In 1934 they listed all the String Quartets of Haydn, Mozart, Schubert, Brahms, Dittersdorf, Beethoven, Schumann and Dvorak; Quartets of Borodin, Dohnanyi, Grieg, Tchaiskowsky, Debussy, Franck, Ravel and Smetana; Quartets by British Composers, Bax, Goossens, Moeran, Ethel Smyth, Delius, Holbrooke, Imogen Holst, Vaughan Williams, and by French-American composer Marthe Servine; Piano Quintets of Schumann, Brahms, Franck, Dvorak & d’Erlanger; Quintet for Oboe and String Quartet by Bax, and works for larger Combinations including the Septet of Beethoven, Nonet of Bax, and the Septet of Ravel. They performed with some of the most well known musicians of the day, pianists Harriet Cohen, Malcolm Sargent, Myra Hess, & William Murdoch; Leon Goossens (oboe), Frederick Thurston (clarinet), and accompanied singers such as Dorothy Helmrich, Peggy Stack, Pouishnoff and Anne Thursfield. The Kutcher String Quartet championed modern composers and their music .
By the end of the 1940s, the nervous energy and tension of bebop was replaced with a tendency towards calm and smoothness, with the sounds of cool jazz, which favoured long, linear melodic lines. It emerged in New York City, as a result of the mixture of the styles of predominantly white jazz musicians and black bebop musicians, and it dominated jazz in the first half of the 1950s. The starting point were a series of singles on Capitol Records in 1949 and 1950 of a nonet led by trumpeter Miles Davis, collected and released first on a ten-inch and later a twelve-inch as the Birth of the Cool. Cool jazz recordings by Chet Baker, Dave Brubeck, Bill Evans, Gil Evans, Stan Getz and the Modern Jazz Quartet usually have a "lighter" sound which avoided the aggressive tempos and harmonic abstraction of bebop.
He refers to these as "graph theoretic poems" since they are generated using graph theory, where "graph" refers to mathematical values that relate words to each other in a semantic web. He has posted in the thesaurus section of his online dictionary the values used in these algorithms. Genres produced include the following: acrostic, butterfly, cinquain, diamante, ekphrastic, fib or Fibonacci poetry, gnomic poetry, haiku, Kural, limerick, mirror cinquain, nonet, octosyllable, pi, quinzaine, Rondelet, sonnet, tanka, unitoum, waka, simple verse, and xenia epigram. Genres were created by Parker to allow one genre of poem for each letter of the English alphabet, including Yoda, for Y (poetry using the grammar structure of the famous Star Wars character), and Zedd for Z (poems shaped like the letter Z). His poems are didactic in nature, and either define the entry word in question, or highlight its antonyms.
Today he is a player with and exceptional technique, combined with his natural gift for discovering and illuminating the natural spaces in music. At 27 years old, moved to Buenos Aires, where he became one of the most sought-after bandoneon players on the tango scene, and played with many different groups, including the Jose Basso, Osvaldo Berlinghieri, Alberto Di Paulo, Carlos Lazari, Osvaldo Piro, Osvaldo Requena, Francisco Rotundo and Hector Varela tango orchestras. He also established his own groups, with which he performed extensively in the better known tango venues of Buenos Aires such as Michelangelo, Caño 14 and La Ciudad, and toured all over the world. He created Ensamble Trio (bandoneon, piano and bass), played duos with guitarist Jorge Labanca and, together with bandoneonist Lisandro Adrover, set up the revolutionary nonet Ensamble Porteño (flute, clarinet, two violins, two bandoneons, piano, bass and percussion).
Fats Pichon on an LP cover in the 1950s Dixieland Records 78 By the end of the 1940s, the nervous energy and tension of bebop was replaced with a tendency towards calm and smoothness, with the sounds of cool jazz, which favoured long, linear melodic lines. It emerged in New York City, as a result of the mixture of the styles of predominantly white swing jazz musicians and predominantly black bebop musicians, and it dominated jazz in the first half of the 1950s. The starting point were a series of singles on Capitol Records in 1949 and 1950 of a nonet led by trumpeter Miles Davis, collected and released first on a ten-inch and later a twelve-inch as the Birth of the Cool. Cool jazz recordings by Chet Baker, Dave Brubeck, Bill Evans, Gil Evans, Stan Getz and the Modern Jazz Quartet usually have a "lighter" sound which avoided the aggressive tempos and harmonic abstraction of bebop.
Because only the u and d mass are similar, this description of particle mass and charge in terms of isospin and flavour quantum numbers only works well for the nonets made of one u, one d and one other quark and breaks down for the other nonets (for example ucb nonet). If the quarks all had the same mass, their behaviour would be called symmetric, because they would all behave in exactly the same way with respect to the strong interaction. However, as quarks do not have the same mass, they do not interact in the same way (exactly like an electron placed in an electric field will accelerate more than a proton placed in the same field because of its lighter mass), and the symmetry is said to be broken. It was noted that charge (Q) was related to the isospin projection (I3), the baryon number (B) and flavour quantum numbers (S, C, B′, T) by the Gell-Mann–Nishijima formula:S.
On August 29, 1966 Thomas recorded on some unreleased Atlantic Records tracks with the Dorothy Ashby Octet, featuring Clark Terry, Hubert Laws, John Patton, Richard Davis, Ray Barretto, Randall Hicks,Atlantic Records discography and on the following day, a further series of tracks, also unreleased, by the Dorothy Ashby Nonet, with the same personnel, minus Laws and with Richard Williams, and Clifford Jordan instead. In his years studying at the Juilliard School he often played drums for dance classes and befriended choreographer Michael Bennett with whom he later worked as musical coordinator (credited as Robert Thomas) developing the critically acclaimed and Pulitzer Prize winning Broadway show A Chorus Line. His other Broadway musical credits include "Henry, Sweet Henry", " Promises, Promises", "Coco", "Company", "Don't Play Us Cheap". Thomas performed with Jerome Robbins' Ballet U.S.A., Carmen McRae, Herbie Mann, Cy Coleman, Alvin Ailey Dance Company, Ray Charles, Jimmy Heath, Gloria Lynn, Charles Aznavour, Frank Wess, Dionne Warwick, Joe Williams, Lionel Hampton, Gerry Mulligan, Paul Desmond, Oliver Jones, and the Billy Taylor Trio.
André Previn left two concert overtures, several tone poems, 14 concerti, a symphony for strings, incidental music to a British play; a rich trove of chamber music (six violin sonatas, other scores for violin and piano; sonatas for bassoon, cello, clarinet, flute and oboe, each with piano; a waltz for two oboes and piano, three other trios, a string quartet with soprano, a clarinet quintet, a quintet for horn and strings, a nonet, a so-called Octet for Eleven, and three works for brass ensemble); several works for solo piano; dozens of songs (in English and German); a monodrama for soprano, string quartet and piano (Penelope, completed just before he died); a musical each for New York and London (Coco and The Good Companions); and two successful operas.For a full catalogue raisonné containing the dates, places and participants of premieres as well as the names and sources for lost works abandoned works, rejected works and withdrawn works,see Frédéric Döhl: André Previn. Musikalische Vielseitigkeit und ästhetische Erfahrung, Stuttgart 2012, p. 279–294.
Paul Hindemith used the same instrumentation as Schubert for his own Octet. In the realm of even larger works, Mozart included the double bass in addition to 12 wind instruments for his "Gran Partita" Serenade, K.361 and Martinů used the double bass in his nonet for wind quintet, violin, viola, cello and double bass. Other examples of chamber works that use the double bass in mixed ensembles include Serge Prokofiev's Quintet in G minor, Op. 39 for oboe, clarinet, violin, viola, and double bass; Miguel del Aguila's Malambo for bass flute and piano and for string quartet, bass and bassoon; Erwin Schulhoff's Concertino for flute/piccolo, viola, and double bass; Frank Proto's Afro-American Fragments for bass clarinet, cello, double bass and narrator and Sextet for clarinet and strings; Fred Lerdahl's Waltzes for violin, viola, cello, and double bass; Mohammed Fairouz's Litany for double bass and wind quartet; Mario Davidovsky's Festino for guitar, viola, cello, and double bass; and Iannis Xenakis's Morsima-Amorsima for piano, violin, cello, and double bass. There are also new music ensembles that utilize the double bass such as Time for Three and PROJECT Trio.
Davis left Cawthon and his three children in New York City in the hands of a friend, jazz singer Betty Carter. He remained grateful to her for the rest of his life. He toured with Eckstine and Billie Holiday and was arrested for heroin possession in Los Angeles. The story was reported in DownBeat magazine, which caused a further reduction in work, though he was acquitted weeks later. By the 1950s Davis had become a more skilled player and was experimenting with the middle register of the trumpert alongside harmonies and rhythms. In January 1951, Davis's fortunes improved when he signed a one- year contract with Prestige after owner Bob Weinstock became a fan of the nonet Davis chose Lewis, trombonist Bennie Green, bassist Percy Heath, saxophonist Sonny Rollins, and drummer Roy Haynes; they recorded what became part of Miles Davis and Horns (1956). Davis was hired for other studio dates in March, June, and September 1951 and started transcribing scores for record labels to fund his heroin addiction. During the next month, he recorded his second session for Prestige as band leader. The material was released on The New Sounds (1951), Dig (1956), and Conception (1956).
In 1995, Lotoro founded the Orchestra Musica Judaica.Encyclopedic Dictionary of Music and Musicians, 1999, UTET, Torino (Italy)Lotoro's biography by Thomas Saintourens: Maestro, Paris, Éditions Stock, 2012 In the 1990s, he conceived the project of collecting the musical literature produced by musicians in captivity during the Holocaust, starting with the collection and recording of all the piano and chamber music works written by Alois Piňos, Petr Pokorný, Petr Eben and others after the Prague Spring, and above all by recording works for the music Encyclopedia in 48 CD-volumes titled KZ Musik. KZ Musik which consists of the recording of the musical corpus created in places of captivity, deportation and deprivation of human rights from the opening of the Dachau and Börgermoor camps until liberation at the end of the Second World War and on the Eurasian (May 1945) and the Pacific (August 1945) sides. In this collection he recorded Symphony No. 8 by Erwin Schulhoff for piano (written in the Wülzburg Internment Camp), the piano score of Don Quixote tanzt Fandango by Viktor Ullmann and of Nonet by Rudolf Karel (written in the Pankrác prison, Prague).

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