88 Sentences With "long playing record" | Random Sentence Generator

With this enhanced recording, Teibel released "Environments 1: Psychologically Ultimate Seashore" in 1969 as a long-playing record.

He helped popularize the long-playing record; organized the first jazz reissue series, preserving the recorded legacies of Louis Armstrong and other pioneers; and introduced Édith Piaf to American audiences.

Released in the United States in 1948, Mendelssohn's Concerto in E minor, performed by violinist Nathan Milstein with the New York Philharmonic Symphony Orchestra, was the very first vinyl LP, or long playing record.

"The fact that the long playing record came into existence was a huge step for music sound recording and for the listener," Linehan, curator of popular music in the British Library sound archive, said.

L'exposition d'un Rêve is conceived by Copeland as a long playing record with 12 songs (three can be heard in measly stereo here) derived from 12 dreams and set into frolicsome being in an otherwise empty gallery.

It remains to be seen what the future will make of Alcoholics Anonymous publications; apple seeds from Kazakhstan; barbed wire; a baseball from the Yankees; a Beanie Baby unicorn; Betty Crocker's Picture Cook Book; a cellphone; a chief's chair from Zimbabwe; a child's tooth; city sounds and noises, on a long-playing record; a condom; a David Letterman top 10 list; a fortune cookie fortune; a Four Seasons reservation list; hair samples from 26 humans and wool from Dolly the sheep; "I Have a Dream," the speech given by the Rev.

He also released a long-playing record of his singing entitled "The Boy from Peyton Place" on Phillips Records.

Ostava is an alternative rock band from Bulgaria. It was formed in 1991, and released a long-playing record in 2000.

Like most of Barbara's MCA output, Clean Cut was only ever issued on a long-playing record, with five songs per side.

Eddie Fisher Sings is a 1952 album by Eddie Fisher. It was issued as a 10-inch long-playing record by RCA Victor Records.

In 1963, Golden Records released a tie-in long- playing record for children entitled The Mighty Hercules (LP-108), with words and music by Winston Sharples.

A Wonderful Year! Guy Lombardo—and His Royal Canadians is a long-playing record album (LP) issued by Capitol Records in the United States in 1966.

A Night at the Roosevelt with Guy Lombardo—and His Royal Canadians is a long- playing record album (LP) issued by Decca Records in the United States in 1954.

The tracks all appear separately with spaces in between them on both the long playing record and the Compact Disc. On the original long playing record from Deram, "Long Piece No. 3" is listed with the four parts. A time of 20:42 is given as the overall length of the piece, with separate incremental lengths of time given for each of the parts. The reference to the side number and tracks therein is the same as the vinyl album.

The Hope That Kills You is a studio album by the band Palm Springs. It is the band's second long-playing record, featuring earlier singles "I Start Fires" (2007), "Blood and Water" (2008) and "Free Atlas" (2009).

These required new, sophisticated sonic developments that Haddy and his colleagues later put to peacetime use in Decca's innovative postwar recording techniques. He was an early proponent of the long-playing record, stereophony, video discs and digital recording.

Sylvan Fox, "Disks Today: New Sounds and Technology Spin Long-Playing Record of Prosperity", The New York Times, August 28, 1967, p. 35.RCA Victor Red Seal Labelography (1950–1967)."Mfrs. Strangle Monaural", Billboard, Jan. 6, 1968, p. 1.

B.B. King (1925–2015) was an American blues musician whose recording career spanned 1949–2008. As with other blues contemporaries, King's material was primarily released on singles until the late 1950s–early 1960s, when long playing record albums became more popular.

A Coloring Storybook and Long-Playing Record is the first and only EP by American pop punk band Cinematic Sunrise, a side project of Chiodos' Bradley Bell and Craig Owens. The pair's pop rock project is strictly about having a good time and making music that is innocent and fun to play. "Basically, the whole idea - everything about Cinematic Sunrise - is just happy and fun. And there's nothing more fun than coloring," explains vocalist Craig Owens about the decision to include a coloring book with their aptly titled debut EP A Coloring Storybook and Long Playing Record.

In 1975, Davorin Jagodić released a long-playing record in the avant-garde music series Nova Musicha of Italian label Cramps Records. Titled Tempo Furioso (Tolles Wetter) and produced by Walter Marchetti in Milan, the music is a collage of electronic and found sounds..

" From "Ex-psychologist and cabinetmaker spur harpsichord revival in the 'village', New York Times, 10 Sept. 1958, p. 67. with a revived interest in Baroque music and historically informed performance. The newly- perfected long playing record made possible the widespread distribution of high-quality recordings of Baroque works.

Culshaw (1981), p. 66 In 1948 he first worked with Georg Solti, a pianist and aspiring conductor.Culshaw (1981), p. 84 In 1950, after the introduction of the long-playing record (LP), he produced the first LP versions of the Savoy Operas with the D'Oyly Carte Opera Company.Culshaw (1981), p.

American Folk Songs is a 1948 album by Jo Stafford. The original release featured six songs on three 78-RPM discs. It was released as a long-playing record in 1950, with two additional songs. Since the 1962 re-release, the album has featured twelve popular folk songs.

Audio Fidelity Records, was a record company based in New York City, most active during the 1950s and 1960s. They are best known for having produced the first mass-produced American stereophonic long-playing record in November 1957 (although this was not available to the general public until March of the following year).

Ostava's first long-playing record was released in 2000, receiving overally positive reviews. The album alternates between melancholic, moody ballads and more guitar-driven tracks. The group quickly gained popularity, especially after "Would you come with me?" () won the "Best rock/alternative song of the year" award at the MM Music awards.

The third and last season of the program premiered on September 29, 1948. Several "firsts" were made during this season of the program. The first 33rpm long-playing record changer was introduced to the public through this program. Also the first ad for Philco television sets were also broadcast through this program.

I'm in the Mood for Love is the name of a 1952 album by Eddie Fisher, reissued in 1955, featuring the song of the same name. It was issued as a 10-inch long- playing record by RCA Victor Records. The album peaked at #1 on the pop album chart remaining there for fifteen weeks.

The group's debut EP, the misleadingly titled A Coloring Storybook and Long Playing Record, was released on May 13, 2008.Album Review , The Album ProjectAlbum Review, Absolutepunk.net, May 7, 2008. Beeler recorded, produced and engineered the EP. The EP dented the Billboard charts at No. 196 and hit No. 8 on the Top Heatseekers chart, as well as No. 26 on the Top Independent Albums chart.

The peak of Jordan's popularity occurred when the two-song record single was the typical format, before the emergence of the long-playing record album. As a result, although he recorded prolifically, he had relatively few albums until compilations began appearing after his death in 1975. Listed here are the singles and albums Jordan recorded during his career, as well as the more current and notable compilations.

The result was Čokolada. Originally planned to be released as a double EP entitled U gradu bez sna, at Jugoton's insistence it was released as a long-playing record. The album turned out to be the greatest commercial success the band had ever achieved. It sold roughly 350,000 copies which, with the Riblja Čorba album Mrtva priroda, made it one of the best-selling albums in Yugoslavia.

It was originally released with four colored pencils intended for use in a book that includes drawings of animals with caricatures of the band members hidden somewhere in the environment. Craig Owens said in an interview that he requested crayons, not colored pencils. He was supposedly disappointed by Equal Vision's mishap. On October 14, 2008, Equal Vision Records re-released A Coloring Storybook and Long-Playing Record.

During this work with Chiodos, Owens and Bell formed the side project Cinematic Sunrise as a place to perform music that didn't fit Chiodos' style. When the band signed with Equal Vision, in March 2008, its line-up had included Owens, Bell, Bryan Beeler, Marcus Vankirk and Dave Shapiro. Cinematic Sunrise released an EP later that Spring, A Coloring Storybook and Long Playing Record.

The first recording of the symphony was made by the London Symphony Orchestra in 1931, conducted by the composer for His Master's Voice. The recording was reissued on long-playing record (LP) in 1970,Reviews Gramophone, December 1970, p. 120 and on compact disc in 1992 as part of EMI's "Elgar Edition" of all the composer's electrical recordings of his works.Reviews, Gramophone, December 1992, p.

Great and Lady Soul was the name of a six-piece pop band from Widnes, Cheshire, England. Formed in 1985, the band signed to Virgin Records in 1988, releasing two singles on seven-inch and twelve-inch vinyl formats. A long- playing record was recorded but not released. The name itself is taken out of context from an autobiography by the jazz bass-player Charles Mingus, called Beneath the Underdog.

FM radio receivers using Armstrong circuits and treble de-emphasis would render high-quality, wide- range audio output with low noise levels. When the Columbia LP was released in June 1948, the developers subsequently published technical information about the 33 rpm, microgroove, long-playing record.'The Columbia Long-Playing Microgroove Recording System' by P. C. Goldmark, R. Snepvangers, and W. S. Bachman, Proceedings of the IRE, Vol. 37, No. 8, August 1949, pp. 923–927.

The score was composed by Bronislau Kaper and conducted by Johnny Green, with orchestrations by Robert Franklyn. One piece of source music, "Rakoczy March", an 1809 piece by John Bihari, was conducted by Miklós Rózsa. MGM Records released two suites of portions of the music from the film on long-playing record after the release of the film. The complete score was released in 2004, on cd, on the Film Score Monthly label.

As the band played Reed's tunes at more shows he became more of a public figure, and eventually began to be recognized for his music. In 1968, the Hollow Rock String band released a long-playing record, The Hollow Rock String Band: Traditional Dance Tunes. This record was made up of many tunes from Reed. The tune "Over the Waterfall" was produced by the Hollow Strings Band and is one of Reed's most well-known compositions.

The first recording of Edward Elgar's Symphony No 1 was made by the London Symphony Orchestra in 1930, conducted by the composer for His Master's Voice (a label absorbed into the EMI recording group the following year). The recording was reissued on long-playing record (LP) in 1970,Reviews The Gramophone, December 1970, p. 120 and on compact disc in 1992 as part of EMI's "Elgar Edition" of all the composer's electrical recordings of his works.Reviews, Gramophone, December 1992, p.

Independently, he also taught piano as well as vocal technique. From 1960 to 1985 he commuted to New York City from Becket, Massachusetts. As a pianist, Levenson made one known surviving recording, which was only released as a long-playing record album. Survey of the Art Song (EMS 501), recorded circa 1950 on EMS Recordings, Jack Skurnick's record label, included recordings of nine art songs by Edvard Grieg and eight by Charles Griffes, performed by Levenson in accompaniment with tenor Norman Myrvik.

In 1979 her son Benjamin was born. Veronika Fischer at the concert at Sparkasse Eberswalde, 2006 In 1981 Veronika Fischer left East Germany and moved to West Berlin after her house composer Franz Bartzsch and her then Hungarian husband Lászlo Kleber had also left the country. In the same year, the long-playing record amazed the audience at WEA. Further albums followed, but in West Germany Veronika Fischer could not build on the success she had enjoyed in the east.

William Alcott Savory (June 11, 1916 – February 11, 2004), also known as Bill Savory, was an audio engineer known for his extensive private recordings of important jazz musicians in the 1930s, and for his contributions to recording technology. A musician who developed an interest in sound engineering, Savory began building his own recording devices in the mid-1930s. Savory was involved with the team led by Columbia Records engineer William Bachman that succeeded in bringing the first 33⅓ rpm long-playing record albums to market in 1948.

McNicol, Donald (1946) Radio's Conquest of Space, p. 336-340 AM radio offered the highest sound quality available in a home audio device prior to the introduction of the high-fidelity, long-playing record in the late 1940s. Listening habits changed in the 1960s due to the introduction of the revolutionary transistor radio, (Regency TR-1, the first transistor radio released December 1954) which was made possible by the invention of the transistor in 1948. (The transistor was invented at Bell labs and released in June 1948).

Geraty later produced a popular long-playing record with amusing anecdotes in Gullah. She wrote a Gullah-English dictionary, a Gullah cookbook, and a Gullah adaptation of the children's book The Night Before Christmas. She also wrote the script and served as the dialect coach for the award-winning film Gullah Tales in which the characters speak entirely in Gullah, and she served as a consultant to the BBC production The Story of English. Geraty translated the libretto of Porgy & Bess into Gullah and produced her version of the famous musical for audiences in Charleston.

Many of his stories have been made into videos by Steve "Sleeze" Steele, and one, about a man who gives his life over to the creation of a garment made of vienna sausages, was given feature-length film treatment by Catherine Pancake under the name The Suit. In 2005 a long playing record of his spoken performances, titled I Am Drunk, was issued. His latest book entitled Misto Peas: Tiny Special Stories, was published in 2009 by Luna Bisonte Productions. The book contains rewordings or "hacks" of poet John M. Bennett's writing.

When the record was played back using a complementary inverse curve, signal-to-noise ratio was improved and the programming sounded more lifelike. When the Columbia LP was released in June 1948, the developers subsequently published technical information about the rpm microgroove long playing record. Columbia disclosed a recording characteristic showing that it was like the NAB curve in the treble, but had more bass boost or pre-emphasis below 200 Hz. The authors disclosed electrical network characteristics for the Columbia LP curve. This was the first such curve based on formulae.

" Deryck Cooke argues that Mahler's popularity escalated when a new, postwar generation of music-lovers arose, untainted by "the dated polemics of anti-romanticism" which had affected Mahler's reputation in the inter-war years. In this more liberated age, enthusiasm for Mahler expanded even into places—Spain, France, Italy—which had long been resistant to him.Cooke, pp. 3–4 Robert Carr's simpler explanation for the 1950s Mahler revival is that "it was the long-playing record [in the early 1950s] rather than the Zeitgeist which made a comprehensive breakthrough possible.

In 1951 the British publisher Collins issued a guide to recorded classical music under the title The Record Guide. The authors were Edward Sackville-West and Desmond Shawe-Taylor. Supplements were published in 1952 and 1953; a new edition of the guide was published in 1955, and a final supplement was issued the following year.WorldCat (1951); (1952); (1953); (1955); and (1956) Four years later the Long Playing Record Library (LPRL) published The Stereo Record Guide, edited by Ivan March and written by March, Edward Greenfield and Denis Stevens.

He made no secret of the fact that he was gay and lived openly with his partner Pierre as early as 1949. Halali's career reached a turning point in when he released a long-playing record in French and performed at the Salle Pleyel in Paris early in 1970. He later gave additional concerts in Paris, Montreal, and Casablanca. Though still successful, Halali decided to retire to Cannes, where he was known for hosting lavish parties at his villa, which had an Arabian nights decor like his cabarets, and a garden with two pet tigers.

Subsequent performances quickly followed, first by the Boston Symphony Orchestra, then in New York on May 12, 1945, by the NBC Symphony Orchestra at Columbia University's First Annual Festival of American Music, and again in New York by the New York Philharmonic Symphony, conducted by Artur Rodziński. On the basis of these New York performances Piston won the Music Critics' Circle Award for the 1944–45 season.Anon., jacket notes for Symphony No. 2 by Walter Piston, American Recording Society Orchestra, conducted by Dean Dixon. Ten-inch 33⅓ R.P.M. Long Playing Record.

11 To the keep the guide current, Sackville-West and Shawe-Taylor produced interim updates, The Record Year in 1952 and 1953. At this time the long playing record was being introduced, but records were also being issued in the old 78 r.p.m. format. By 1955 the number of new releases threatened to overwhelm the authors, who recruited two younger colleagues to help them, Andrew Porter and William Mann. Between them they produced a full new edition of The Record Guide in 1955, running to 957 pages,Robertson, Alec, Review, The Gramophone, January 1956, p.

Cover of December 1984 "35th Anniversary" Schwann catalog, featuring Leonard Bernstein, Frank Zappa, Cyndi Lauper, and Sadao Watanabe The Schwann Catalog (previously Schwann Long Playing Record Catalog or later Schwann Record And Tape Guide) was a catalog of recordings started by William Schwann in 1949. The first edition was hand-typed and 26 pages long, and it listed 674 long- playing records (see LP record). By the late 1970s, over 150,000 record albums had been listed in Schwann. The company was honored by the record industry both at the 25th anniversary (1974)Billboard - 30 nov.

Ulay experimented extensively with incorporating audience participation into his performance art. His installations Can’t Beat the Feeling: Long Playing Record (1991–1992) and Bread and Butter (1993) were openly critical of European Union expansion.Ulay zu Gast am ZKM In the Berlin Afterimages – EU Flags series, he exploited the phenomenon of retinal afterimages to depict reversed images of EU member nation flags. Interview von Carola Padtberg He produced The Delusion: An Event about Art and Psychiatry (2002) on the grounds of the Vincent van Gogh Psychiatric Institute in Venray, the Netherlands.

82–83 Lewis was a shrewd picker of employees and associates. His choice of Culshaw, the pioneering engineer Arthur Haddy, and the international manager Maurice Rosengarten were crucial to Decca's success. Lewis kept Decca ahead of the British competition by launching the long-playing record in Europe in June 1950, following the example of American Columbia, and encouraging the development of stereophony as early as 1954. In the 1960s, Decca famously turned down an agreement with The Beatles, but made amends for the error by signing up The Rolling Stones and other successful groups.

Bell was the lead vocalist, along with members Pat McManaman, and two other members named Matt and Chad, of a pop punk band called Still No Sign. The band released one EP, literally entitled The EP, but disbanded in 2001 so Bell and McManaman could move on to Chiodos. Bell was the keyboardist of pop punk band Cinematic Sunrise, along with Craig Owens, Underminded frontman Nick Martin, and the Agency Group manager Dave Shapiro. He was featured on their first and only EP, A Coloring Storybook and Long Playing Record.

Quartet/Quintet/Sextet is an album by jazz saxophonist Lou Donaldson featuring his earliest recordings as a leader on the Blue Note label performed by Donaldson's Quartet with Horace Silver, Gene Ramey and Art Taylor, his Quintet with Silver, Blue Mitchell, Art Blakey, and Percy Heath, and a Sextet with Heath, Blakey, Kenny Dorham, Matthew Gee, and Elmo Hope.Lou Donaldson discography accessed December 2, 2009. The album was originally released as a 10" LP, then as a 12" long-playing record, and finally as a CD with additional tracks added.

In the GDR, this method always worked very efficiently and smoothly with regards to forbidden music and literature. She then was also still able to give concerts in some churches, for example in the Samariterkirche in East Berlin, which was known for its oppositional events. In 1978, she suddenly also became known in West-Germany via a television broadcast named "Kennzeichen D" of Dirk Sager. It provided the opportunity for her to publish her first long-playing record (at CBS), which was an audio recording of a concert in the artist's residence Bethanien.

After the war, Steinweiss freelanced for Columbia. During one lunch meeting there, the company's president, Ted Wallerstein, introduced him to an innovation that the company was about to unveil: the long-playing record. But there was a problem. The heavy, folded kraft paper used to protect 78 rpm records left marks on the vinyl microgroove when 33 1/3 rpm LPs were stacked. Steinweiss was asked to develop a jacket for the new format and, with help from his brother-in-law, found a manufacturer, Imperial Paper Box, that was willing to invest about $250,000 in equipment.

In the late 1950s and early 1960s, Cleber also worked as a staff conductor for Phonogram, making recordings with Conny Stuart, Corry Brokken, Mieke Telkamp, Jules de Corte, and Willy Alberti, among others. From 1962-64, Cleber lived in South Africa, trying unsuccessfully to start a new orchestra in Johannesburg. While in South Africa, Cleber recorded a long playing record titled "Charls Segal's Compositions", featuring the compositions of South African pianist and composer Charles Segal. Cleber returned to conduct De Zaaiers and the Cosmopoitain Orkest until 1966, when AVRO dissolved them during a period of cost cutting.

Amplifiers and cutters both using negative feedback were employed thereby improving the range of frequencies cut and lowering distortion levels. Radio transcription producers such as World Broadcasting System and Associated Music Publishers (AMP) were the dominant licensees of the Western Electric wide range system and towards the end of the 1930s were responsible for two-thirds of the total radio transcription business. These recordings use a bass turnover of 300 Hz and a 10,000 Hz rolloff of −8.5 dB. Developmentally, much of the technology of the long playing record, successfully released by Columbia in 1948, came from wide range radio transcription practices.

RCA Victor introduced an early version of a long-playing record for home use in September 1931. These "Program Transcription" discs, as Victor called them, played at rpm and used a somewhat finer and more closely spaced groove than typical 78s. They were to be played with a special "Chromium Orange" chrome-plated steel needle. The 10-inch discs, mostly used for popular and light classical music, were normally pressed in shellac, but the 12-inch discs, mostly used for "serious" classical music, were normally pressed in Victor's new vinyl-based Victrolac compound, which provided a much quieter playing surface.

His fame brought him appearances on The Jack Paar Show (1957–1962) which allowed him to publish his predictions in three publications of Spaceway Magazine (February 1955, April 1955, and June 1955), as well as run a weekly syndicated newspaper article starting on September 6, 1951. He later published three books of predictions; From Now to the Year 2000, Your Next Ten Years, and Forbidden Predictions. He also recorded a long playing record, Your Incredible Future (which was later released on CD), featuring 84 minutes of his predictions in his own voice. Criswell appeared in the movies of writer and director Ed Wood.

The vinyl records, however, are easier to scratch or gouge, and much more prone to warping compared to most 78 rpm records, which were made of shellac. In 1931, RCA Victor launched the first commercially available vinyl long-playing record, marketed as program- transcription discs. These revolutionary discs were designed for playback at rpm and pressed on a 30 cm diameter flexible plastic disc, with a duration of about ten minutes playing time per side. RCA Victor's early introduction of a long-play disc was a commercial failure for several reasons including the lack of affordable, reliable consumer playback equipment and consumer wariness during the Great Depression.

Ivan March was born on 5 April 1928 in Portsmouth, but was raised in Eltham, south London. "Ivan March, classical music enthusiast who in the 1950s pioneered a postal record lending library – obituary", The Daily Telegraph, 2 January 2019 His father, John, was a policeman; his mother Mabel (née Adams) had been a milliner before her marriage. He was educated at Colfe's School, where one of his teachers awakened a love for music, particularly – then and always – that of Tchaikovsky. At the time, gramophone records were expensive and March conceived the idea that later became his Long Playing Record Library, enabling people to borrow rather than buy records.

These were never released on a long-playing record but have appeared in several compilations of Williams' output. Williams also competed in the teenage- oriented singles market and had several charting hits, including "Can't Get Used to Losing You", "Happy Heart", and "Where Do I Begin", the theme song from the 1970 blockbuster film Love Story. In addition, Williams hit the Top 10 of the UK Singles Chart with "Almost There" (1964), "Can't Help Falling in Love" (1970), "Home Lovin' Man" (1970) and "Solitaire" (1973). Williams and Petula Clark recorded "Happy Heart" around the same time, just before his guest appearance on her second NBC-TV special.

The recording of the Mendelssohn Violin Concerto by Nathan Milstein and the New York Philharmonic Orchestra conducted by Bruno Walter was the first classical long-playing record, and the first 12" LP of any kind, in 1948. The issue marked Columbia Records' move away from the 78 rpm format for classical, and the success of Columbia's format soon forced RCA to follow suit.D. Kern Holoman The Orchestra: A Very Short Introduction 2012 Page 107 "The first classical LP was the Mendelssohn Violin Concerto with Nathan Milstein, Bruno Walter, and the New York Philharmonic-Symphony, Columbia ML-4001. RCA capitulated in 1950, leaving 45s as the medium ofchoice for pop singles.

Successive U.K. Subs album titles start with consecutive letters of the alphabet, and the band announced on 24 October 2015 via their Facebook page, that the 26th album starting with the letter "Z" would be their last long playing record, although they would continue to release EPs. The band intend to fund the final album through Crowdfunding site Pledge Music, the official start date for their pledge campaign is 1 November 2015. The U.K. Subs song "Down on the Farm" was covered by Guns N' Roses on their 1993 covers album "The Spaghetti Incident?". The U.K. Subs joined the bill for the 2006 Fiend Fest.

The show was also a pioneer in using simple, early special effects, such as making it appear as if the opening train ride went through a tunnel to enter Imagination Land, emerging from the smoke from its engine. Yul Brynner served as the director of the show at times, but did not appear as a performer. The show also featured performances by Walter Matthau, Richard Boone, Joe Silver, Ted Tiller, and Simon Oakland. Mr. I. Magination also was featured on several RCA records for children, including Billy On A Bike and Mr. I. Magination Meets Rip Van Winkle; there are at least two versions on LP (long playing) record.

These were eventually compiled on a Capitol Records long-playing record, titled Birth of the Cool. Mulligan wrote and arranged three of the tunes recorded ("Rocker", "Venus de Milo", and "Jeru", the last named after himself), and arranged a further three ("Deception", "Godchild", and "Darn That Dream"). He was also (with Davis, Konitz and Barber) one of only four musicians who played on all the recordings. Despite the chilly reception by audiences of 1949, the Davis nonet has been judged by history as one of the most influential groups in jazz history, creating a sound that, despite its East Coast origins, became known as West Coast Jazz.

The album era was a period in popular music from the mid 1960s to the early 2000s, in which the album was the dominant form of recorded music expression and consumption. It was primarily driven by three successive music recording formats: the 33 rpm long-playing record (LP), the audiocassette, and the music compact disc. Rock musicians were often at the forefront of the era, which is sometimes called the album-rock era in reference to their sphere of influence and activity. LP albums developed in the early 20th century and were originally marketed for classical music and wealthier adult consumers, while singles dominated the music industry, eventually through the success of rock and roll performers in the 1950s.

Record sales in the US had dropped from a high of 105.6 million records sold in 1921 to 5.5 million in 1933 because of competition from radio and the effects of the Great Depression. Few if any new Program Transcriptions were recorded after 1933, and two-speed turntables soon disappeared from consumer products. Except for a few recordings of background music for funeral parlors, the last of the issued titles had been purged from the company's record catalog by the end of the decade. The failure of the new product left RCA Victor with a low opinion of the prospects for any sort of long-playing record, influencing product development decisions during the coming decade.

Other recordings: Chopin, Four Ballades, IPG (Societe francaise du son) 1973 Long Playing Record. During his years of recovery Magin went back to composition, which became one of his main priorities for the rest of his life. A prodigious piano virtuoso, he regularly gave concerts in different countries around the world, mainly performing works by Chopin, his favorite composer, but also works by Mozart and various Polish, French and Russian composers, as well as his own music. In parallel to his career as a pianist and composer, Miłosz Magin became a popular teacher with students who came to him from all over the world, including such famous performers as Jean- Marc Luisada.

In the fall and winter of 1957, Golden Records issued a number of new children's records and repackaged some of its steady favorites in a variety of speeds. The general trend was toward the long-playing record, LP, for the older child nearer 10 than 5, as this was more convenient and had greater fidelity. The small 78's and 45's were suitable for the younger child running his own machine fitfully—children seemed to enjoy changing the record as much as playing it. Bing Crosby was enlisted to read and sing four of the stories and in addition to A Christmas Story there were Ali Baba and the Forty Thieves, Never Be Afraid and Jack B. Nimble – A Mother Goose Fantasy.

He was the conductor of choice for many of Victor's innovative recordings. He conducted Victor's first record made by the electrical process in 1925, the first commercial (albeit unsuccessful) Victor Long Playing record in 1931, and was the first conductor to successfully dub an electrically recorded orchestral accompaniment over the acoustically recorded vocals of Enrico Caruso, Victor's star recording artist, who died in 1921, before electrical recording was developed. The premiere recording of George Gershwin's symphonic poem An American in Paris, in 1929, was one of five conducted by Shilkret that later earned Grammy Awards. Shilkret also conducted Paul Whiteman's Orchestra in the first electrical recording of Gershwin's Rhapsody in Blue in 1927 (after Whiteman refused to conduct following a disagreement with Gershwin).

Among his notable film roles were Minnesota Fats in 1961's The Hustler (co-starring with Paul Newman), and Buford T. Justice in the Smokey and the Bandit series from 1977 into the early 1980s (co-starring Burt Reynolds). Throughout the 1950s and 1960s, Gleason enjoyed a prominent secondary music career, producing a series of best-selling "mood music" albums. His first album, Music for Lovers Only, still holds the record for the longest stay on the Billboard Top Ten Charts (153 weeks), and his first 10 albums sold over a million copies each.Joel Whitburn Presents the Billboard Albums, 6th edition, To date, his output spans some 20-plus singles, nearly 60 long-playing record albums, and over 40 CDs.

Riccardo Beretta, Ostello Universale, Galleria Pianissimo (Milan), 2009 With Valerio Carubba he worked on the poster design for Performat, the limited edition, long-playing record, composed by Marcella Vanzo for the festival Performa 09 in New York City.Marcella Vanzo, Performance at PERFORMA 09 In 2010 he took part in the group exhibition IBRIDO (“Hybryd”) at the PAC, Pavilion of Contemporary Art (Milan), curated by Giacinto Di Pietrantonio and Francesco Garutti. In 2010 he also exhibited in Low Déco show, curated by Alessandro Rabottini,Francesco Scasciamacchia, Low Déco - Alessandro Rabottini, Flash Art On Web inside the Villa Necchi Campiglio (Milan), producing a special work for the Villa’s garden. Beretta leaned against a tree a wooden inlay sculpture which imitates a marble surface.

The group met up again to work in early 1992 towards their second LP (Long playing record) The White Birch, with recording commencing in June at Harold Dessau Recording at 25 Murray Street in Manhattan. At the studio, the group attempted to record versions of "Realize", "Jr", "Tom", "Wird" "Smoking Room", "Barely Real", "Something New" and "Sea" within a months time. Immerwahr was not content with the tracks, noting several issues such as: his own vocals, his desire to record music with even slower tempos, and the presence of high pitched noises in the songs that no one else could hear. On attempting to fix a broken toilet at the studio, Immerwahr accidentally flooded the clothing store below the studio.

In 1977, shortly after the foundation of the school, a mixed choir was founded which quickly became, and remains, the cultural showpiece of Fairbairn. In its early years, the choir performed radio broadcasts as well as performing for the Goodwood community, in churches, eisteddfods and pageants. As early as 1979 the College Choir made its first recording. This was either a tape or a long playing record. In 2004, the choir, accompanied by the school organ and orchestra, recorded a CD. It has become tradition for the choir to perform "The Hallelujah Chorus" at the Founders’ Day service in February each year. It has also become custom for Past Pupils who were choir members to join the choir on Founders’ Day.

The long-playing record was launched in the US in 1948 by Columbia Records (not connected with the British company of the same name at the time). It enabled recordings to play for up to half an hour without a break, compared with the 3 to 5 minutes playing time of the existing records. The new records were made of vinyl (the old discs were made of brittle shellac), which enabled the ffrr recordings to be transferred to disc very realistically. In 1949, in both the UK and the US, Decca took up the LP promptly and enthusiastically giving the British arm an enormous advantage over EMI, which for some years tried to stick exclusively to the old format, thereby forfeiting competitive advantage to Decca, both artistically and financially.

Heinrich Schlusnus made important pre-war lieder recordings for Decca. Decca's emergence as a major classical label may be attributed to three concurrent events: the emphasis on technical innovation (first the development of the full frequency range recording [ffrr] technique, then the early use of stereo recording), the introduction of the long-playing record, and the recruitment of John Culshaw to Decca's London office. Decca released the stereo recordings of Ernest Ansermet conducting L'Orchestre de la Suisse Romande, including, in 1959, the first complete stereo LP recording of The Nutcracker, as well as Ansermet's only stereo version of Manuel de Falla's The Three-Cornered Hat, which the conductor had led at its first performance in 1919. John Culshaw, who joined Decca in 1946 in a junior post, rapidly became a senior producer of classical recordings.

He edited a long-playing record drawn from earlier recordings in the Archive, which was published in 1971 as American Fiddle Tunes. With Carl Fleischhauer, he undertook a three-year project to research, record, and photograph the history and traditions of a single Appalachian family, from which came the 1973 Library of Congress double record album The Hammons Family: A Study of a West Virginia Family's Traditions. In 1974 he moved to the National Endowment for the Arts to become founding director of that agency's grant-giving program in folk arts. In 1976 Alan Jabbour became the founding director of the American Folklife Center in the Library of Congress, continuing in that position for twenty-three years before stepping down from the directorship and retiring from federal service in 1999.

Before becoming president of the company, Lieberson was responsible for Columbia's introduction of the long-playing record. The LP was particularly well-suited to Columbia's long-established classical repertoire, as recorded by the Philadelphia Orchestra under Eugene Ormandy and the New York Philharmonic Orchestra conducted by Artur Rodziński, Dmitri Mitropoulos, and Leonard Bernstein. Lieberson was also a lifelong friend of musician, recording artist, TV personality and Columbia A&R; manager/producer Mitch Miller, having met Miller when the two were studying music at the Eastman School of Music in the 1930sDannen, Frederic, Hit Men: Power Brokers and Fast Money Inside The Music Business, Vintage Books, 1991 (), p. 62 He was promoted to president of Columbia Records from 1956 to 1971 and again from 1973 to 1975. In 1966, in a reorganization, Columbia Records became subsidiary to the newly formed CBS/Columbia Group.

The Capacitance Electronic Disc (CED) is an analog video disc playback system developed by RCA, in which video and audio could be played back on a TV set using a special needle and high-density groove system similar to phonograph records. First conceived in 1964, the CED system was widely seen as a technological success which was able to increase the density of a long-playing record by two orders of magnitude. Despite this achievement, the CED system fell victim to poor planning, various conflicts with RCA management, and several technical difficulties that slowed development and stalled production of the system for 17 years—until 1981, by which time it had already been made obsolete by laser videodisc (DiscoVision, later called LaserVision and LaserDisc) as well as Betamax and VHS video cassette formats. Sales for the system were nowhere near projected estimates.

At the time the LP was introduced, nearly all phonograph records for home use were made of an abrasive (and therefore noisy) shellac compound, employed a much larger groove, and played at approximately 78 revolutions per minute (rpm), limiting the playing time of a 12-inch diameter record to less than five minutes per side. The new product was a 12- or 10-inch (30 or 25 cm) fine-grooved disc made of PVC ("vinyl") and played with a smaller-tipped "microgroove" stylus at a speed of rpm. Each side of a 12-inch LP could play for about 22 minutes. Only the microgroove standard was new, as both vinyl and the rpm speed had been used for special purposes for many years, as well as in one unsuccessful earlier attempt (by RCA Victor) to introduce a long-playing record for home use.

Concorde is an album by the Modern Jazz Quartet, recorded in New York on July 2, 1955, and first released that year as an LP, Prestige 7005, with liner notes by Ira Gitler. The album was reissued in 2008 as part of the Rudy Van Gelder Remasters collection. The album is the first to feature drummer Connie Kay, who replaced Kenny Clarke in 1955. It is also the first Modern Jazz Quartet LP conceived from the beginning as a long playing record; previous MJQ recordings had been released as 78's, 10 inch 33's or reissues of these formats on a 12-inch LP. The liner notes acknowledge the additional playing time of the LP format by asking the listener to regard this album as a performance set "at one of America's leading jazz rooms".

In 1915 the soprano Anna Case and contralto Christine Miller showed in a tone test at the West Orange lab that there was no difference between their live voices and Diamond Disc recordings of their voices. Other Edison companies were absorbed in the years that followed, including Edison Phonograph Works (28 August 1924), Edison Storage Battery Company (30 June 1932) and Emark Battery Corporation (30 December 1933). Charles Edison, president of the company 1927–57 In the 1920s the recording company began to lag in technical innovation, and also failed to attract recording stars of the same quality as its rivals Victor and Columbia. An attempt to market a long playing record in 1926 did not succeed, and the company did not begin recording electrically (with condenser microphones) until mid-1927, two years after the rest of the industry had adopted the process.

Goldblatt fought in the Pacific theater as a member of the United States Army during World War II. After the war he attended the Massachusetts College of Art, and took a job in a print factory while doing contract work as an artist in Boston. In the early 1950s, he relocated to New York City, and in 1953 took a position with CBS, where he worked until 1955 doing advertising and design of show credits. During this time, as the long playing record became commercially viable, he began designing album covers for both major and independent labels, including Decca, Atlantic, Savoy, Roost, and Bethlehem, as well as the bootleg label Jolly Roger. Among those he designed covers for were Chris Connor, Duke Ellington, Billie Holiday, Herbie Mann, Carmen McRae, Charles Mingus, Oscar Pettiford, Eddie Shu, and Kai Winding.

It proved a popular production despite some purists' objections. CIÉ put on a special train from Waterford, and there were plans for a long-playing record. The play was taken to the Westminster Theatre, London after a four-week run, and later was performed in New York in early 1959. Mary O'Malley put on the play a number of times at various venues in 1959, 1962 and 1971. BBC televised scenes from the show in September 1958, and in 1971 it was aired on RTÉ as part of the Synge centenary. It was revived several times, including in the Abbey Theatre in 1978, and was popular with amateur dramatic societies. On 18 April 1963 she married Hugh Charlton (1930–2012) in the church of San Clemente, Rome. He was an art dealer and property developer, and owner of Apollo Gallery on Dawson Street, Dublin.

Samba in Your Casa is the fourth studio album by British pop/jazz/soul/dance band Matt Bianco, released in 1991. It was their first long playing record for EastWest label, and came out one year after their first Greatest Hits album for WEA, the UK #49 The Best of Matt Bianco, and three years after their third studio work, the UK #23 Indigo, the latter including their UK #11 dance smash hit double A-side single "Don't Blame It on That Girl/Wap-Bam-Boogie". Unlike their typically jazz and soul early works, the 1991 album was more oriented to Latin pop, dance, and electronic music, but did not achieve much commercial success in Europe, instead starting a loyal fan base for the group in Japan and Asia, though it was in fact well received in Germany too, one of the few European countries which never forgot Matt Bianco. The LP was mainly promoted by the single "Macumba",See the related page 'macumba' for the meaning of this exotic word.