Ahora era más lento y necesitaba vivir sus últimos años tranquilo.
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Today, we are bowing a string instrument, and the answer is the musical direction LENTO.
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Estudió horas de grabaciones, porque a veces no podía imaginar que debiera ir tan lento.
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En el panel, un periodista insinuó que en realidad estaba interpretando a Tom Hanks, pero simplemente "más lento".
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Lento came to #Brussels vigil with her friend Jeff, said: "People came here to feel something, to be human again." pic.twitter.
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Funciona exactamente igual que Chrome, Firefox o Internet Explorer, solo que más lento, debido al nivel extra de privacidad que ofrece.
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And there's a piece called "Duet" — also known as "Hayden Duet" or "Duet from Lento" — and that was last performed in 1992.
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Horst aprendió a amar a su nuevo esposo, pero fue un proceso lento, en el que tuvo que reconciliarse con ella misma.
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México está haciendo lo suyo; no sabemos si el equipo alemán está un poco lento o solo están demasiado seguros y sin problemas.
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No obstante, algunos críticos han acusado al gobierno de haber actuado demasiado lento, con lo cual habría puesto en grave peligro a la población.
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Words to Know Learn the difference between LENTO and LEGATO in this latest list of words you should know to become a better solver.
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Lento pero seguro, a 60 o 70 kilómetros por hora, el coche está volviendo a ser un privilegio de los que compran los más caros.
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El programa para la atención de refugiados avanza lento y tan solo en 2015 se permitió a los niños solicitar refugio desde sus países de origen.
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"Love Fear Loss" is choreographed to the songs of Edith Piaf and inspired by her life, while "A Fuego Lento" takes a look at first love.
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The last time we saw the actress out in public was at the MTV Movie Awards where she sported her standard shoulder-lento lob with piecey bangs.
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In mid-August the Latin boy band CNCO collaborated with British girl group Little Mix to create a Spanglish remix of their hit single 'Reggaetón Lento (Bailemos).
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El interés no provenía de una curiosidad ociosa o del patriotismo reflexivo, sino de un vínculo que se ha cocinado a fuego lento con las protagonistas mismas.
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Largo is similar in speed to the tempo "lento" (see No. 8 below), but it also denotes a composition that should be played more broadly and with emotion.
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Según un estudio reciente, el flujo de sangre hacia el cerebro se puede volver más lento lo que puede nublar la memoria o aumentar el riesgo de enfermedades neurodegenerativas.
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" But while the "Fuego Lento" singer said there's still a lot of details to be discussed among the pair, a reboot is "a lot closer than it's ever been.
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Pero, en realidad, ahí solamente comienza un proceso de lento revelado del profundo sentido del título que tiene ver con la aceptación radical del otro, en toda su diferencia.
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Si tu teléfono se traba o se vuelve lento cuando instalas actualizaciones, puedes solucionarlo con algunos trucos de nuestro equipo de tecnología, como revisar tus respaldos y agilizar tu almacenamiento.
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Lee nuestra reseña del capítulo de "Juego de tronos" transmitido ayer, en el que vimos un desembarco atribulado, pérdidas inexplicables y un momento amoroso que se cocinó a fuego lento durante años.
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Los pronósticos independientes predicen que el crecimiento económico en julio, agosto y septiembre será casi el mismo que el de abril, mayo y junio: alrededor del dos por ciento, lento y constante.
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Además, a excepción de un breve periodo entre 2006 y 2013 —sin considerar la Gran Recesión de 2009—, América Latina siempre ha estado plagada por la delincuencia y el lento crecimiento económico.
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No obstante, a pesar de algunas medidas importantes, el crecimiento económico en México ha sido lento y, por si fuera poco, es uno de los países con mayor desigualdad en América Latina.
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Ahora bien, Piñera fue menos el creador de su desgracia que el representante de una clase dirigente chilena donde la promiscuidad entre intereses políticos y económicos había cocinado a fuego lento el hartazgo popular.
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Some, like 29-year-old Florida resident Tiziano Lento, reached 555 seeds with no assistance throughout the 230 hours (and counting) he spent inside the game—before turning to a guide created by 32-year-old Texan Tobias Amaranth.
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Cuando reducimos las calorías, nuestro cuerpo responde con más hambre y el metabolismo se vuelve más lento; trata de almacenar calorías y hace que bajar de peso con una dieta estándar, baja en calorías, sea cada vez más difícil.
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Este proyecto académico de exactitud rigurosa y paso muy lento, ha producido hasta ahora dieciocho volúmenes de páginas enormes con textos pequeñísimos, y es el trabajo colectivo de casi 400 académicos, muchos de los cuales fallecieron hace mucho tiempo.
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Granted, even the most positive of seekers like Lento were relieved to hear the recently unveiled DLC releasing this summer will include a Korok mask that notifies Link of nearby seeds, bypassing the need for obsessively cross-referencing online guides.
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The sight of artist Yu Ji hoisted up a tree and laboring on a delicate, golden web made from pine resin over the course of a few hours ("Etudes-Lento," 2016) felt like witnessing an experience congealed and sealed into amber.
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Un crecimiento más lento "solo va a exacerbar las tensiones que han provocado los problemas políticos y socioeconómicos que hemos visto en Estados Unidos y parte de Europa", señaló Thomas A. Bernes, investigador del Centro para la Innovación en Gobernabilidad.
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La Instant Pot, que cuesta cerca de 50 dólares en oferta, también es un excelente dispositivo capaz de cocinar a presión y a fuego lento, pero no compres el modelo con wifi porque su aplicación para teléfonos inteligentes no funciona bien.
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El fallo, un acto valiente que es posible debido a varias décadas de lento progreso democrático que ha ayudado a arraigar un poder judicial independiente, merece ser aplaudido y apoyado tanto desde dentro de El Salvador como desde el extranjero.
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The moves came after the South China Morning Post reported Sunday that nine members of the same Hong Kong family contracted the coronavirus after sharing a hotpot and barbecue meal at a restaurant called the Lento Party Room, which has no known connection to Haidilao.
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Tapping into their Colombian roots, the four-piece harness the sounds and rhythms of cumbia and a plethora of other Afro-Latinx genres, like funana, kompa, salsa and reggae, to create dizzying, energetic songs that "imagine a future through music," the bandmember Niño Lento said.
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NUEVA YORK — La esposa de Segundo Huerta dice que una semana antes del accidente, su marido se había quejado de que el jefe del sitio de construcción donde estaba trabajando, en el Bronx, presionaba a los obreros y los regañaba por trabajar muy lento.
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Little Mix and CNCO "Reggaetón Lento (Remix)" If you will allow me to music nerd out on you a little bit, the thing that makes this song so infectious (and is prevalent in the Latanix music explosion) is that the chorus is a straight up banger.
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Los retrasos aumentan a medida que el gobierno de Donald Trump intensifica el escrutinio de las solicitudes, redirige al personal que suele revisarlas y promueve medidas que muy probablemente hagan más lento y difícil el proceso para que quienes tienen green card o residencia permanente puedan naturalizarse como ciudadanos.
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" While most of their music is in Spanish, the group has introduced English into many of their tracks — including in collaborations with Little Mix on "Reggeatón Lento" and with Meghan Trainor on "Hey DJ." CNCO is even nominated for three Teen Choice Awards this year, including for Choice Latin Artist, Choice International Artist and Choice Latin Song for their February single "Pretend.
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2 en re major - Murciana Largo. Allegro energico Lento. Tiempo de parranda. Lentamente Presto Allegro giocoso 1946 Dramatic Concerto for piano and orchestra Lento.
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Pas de deux – Eros and Dibutade – Allegro moderato :5. Air Lento– Change of scene – Lento espressivo ;Scene 2: The Court of Apollo – The Dedication :6.
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Lento is a genus of skippers in the family Hesperiidae.
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Lento (; ) is a commune in the Haute-Corse department of France on the island of Corsica. Since 2015, it is part of the canton of Golo-Morosaglia. The writer Marie Ferranti was born in Lento.
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His preference for slow, melodious movements based on singing is particularly noteworthy. Thus a trio sonata published in 1680 bears the movement names Largo - Lento - Grave - Lento - Grave. In addition to instrumental compositions, he created numerous cantatas.
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With Takako Lento. Pleiades Press, 2011. New European Poets. With Kevin Prufer.
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Indeed, he coined the name for this style, and he releases most of his Lento Violento songs on his own label Noise Maker, using aliases like Dottor Dag, Lento Violento Man, Uomo Suono, Orchestra Maldestra, or La Tana Del Suono, to distinguish these songs from his Italo dance work. Other artists started to create similar tracks after the success of this style. Also several compilation CDs are released with Lento Violento music, like the "Movimentolento" series. In fact Lento Violento is trademark restricted by Gigi D'Agostino to series of his compilation.
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The work starts Lento e misterioso. Subsequent tempo indications are Molto animato, Animato, Poco lento, Poco meno lento, Allegro, Tempo I and the work ends Tranquillo. It does not follow any formal model but is rhapsodic and moody, with rising and falling tensions and an advanced harmonic style. It strongly reflects the melancholy and introspection with which Chausson was imbued from an early age.
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Lento for Strings is an orchestral work by the Australian composer Malcolm Williamson.
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The Lento is scored for orchestral strings only, playing divisi most of the time.
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The Cantata runs 8-9 minutes. It starts with a Lento in three-quarter time in C major. The first half of the cantata is Lento, at 108 beats per minute. Then begins the Allegro agitato, characterized by rhythmic strokes of the timpani.
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This album's title comes from the Italian word 'lento,' Which means 'performing music slowly.' Yoon-Sun wrote and produced all the songs in "Lento." Indeed, most of the songs which this album contains are slowly paced. In addition, even though she was not originally a jazz musician and had sung various types of music such and rock and classical music, she uses variety of jazz techniques or produces similar effects in her songs in Lento.
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Italian producer Technoboy, in his track "The Undersound" released in 2009, fused Lento with modern hardstyle elements; while the track claims to christen the new genre "undersound", the term "lento" is still used occasionally to denominate hardstyle tracks. Technoboy himself has continued to use such motifs in his tracks like "Catfight", and the track "MF Point of Lento" by Brennan Heart and Headhunterz explicitly calls Technoboy the most prominent artist of the genre.
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Like the other pieces in Op.68, Silent Woods is a lyrical character piece, bearing the tempo marking Lento e molto cantabile for the main, dreamy theme in D major, which is reprised (Lento. Tempo I) after a light intermezzo (Un pochettino più mosso) in C minor.
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Müller, Hermann- Christoph. 1998. "Emanzipation der Konsonanz: Howard Skemptons Orchesterstück Lento". MusikTexte, no. 75 (August): 77–81.
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There are three movements: # Molto moderato quasi lento – Allegro # Lento con molto sentimento # Allegro non troppo ma con fuoco The music has a cyclical character whereby a motto theme of two four-bar phrases, used 18 times in the first movement, recurs at strategic point later in the work.
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Lento Violento ...e altre storie is a double CD album by Gigi D'Agostino, released on April 27, 2007.
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11 – Adagio, I. Tranquillo, II. Lento, III. Finale. Allegro, IV. Finale. End ;Act 2 :No. 1 – Moderato :No.
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9 – Lieder # Die Ersehnte. Andante con moto # Ferne. Andante # Der Rosenkranz # Die frühen Gräber. Lento e largo # Der Maiabend.
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171a/3) was replaced with a new Consolation (Lento placido in D major) and the remaining Consolations were simplified.
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Lucius Caesennius Lento (fl. 1st century BC) was a Roman playwright and politician who was a supporter of Marc Antony.
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The quartet is in three movements: #Allegro con brio #Lento, misterioso y fantástico #Lento–Allegro This work is regarded as "the best, most solid, and profound" of Revueltas's Quartets. The second movement, marked "mysterious and ghostly", contains references to the third movement of Béla Bartók's Fourth Quartet, which was written just three years earlier .
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39) #meno mosso del tempo I (Fig. P, p. 51) Part II #Lento (Fig. T, p. 63) #"Song to Freedom" (Fig.
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Two examples are in the baritone in the Lento section beginning at measure 123 and in the final Molto Lento section in the upper instruments of the orchestra beginning in measure 541. The repetitive nature of the melodic writing throughout the Beatus Vir Psalm is a direct descendant of the chant- like responses sung in Catholic churches.
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La Musica Che Pesta is a double album released by Gigi D'Agostino under the alias Lento Violento Man, in 2007 through Media Records.
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A coda repeats alleluia two more times, rallentando to Lento, and gradually softened to pp, ending on a soft six-part long note.
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The work consists of three elegiac movements, each marked Lento to indicate their slow tempi.Han-Leon, Chia. "Symphony No.3, op.36 (1976) ".
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The symphony is scored for piccolo, 3 flutes, 2 oboes, English horn, 3 clarinets, bass clarinet, 2 bassoons, double bassoon, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, bass drum, tenor drum, snare drum, cymbals, tambourine, triangle, gong, glockenspiel, celesta, harp, strings. It is in three movements: #Moderato – Allegro con fuoco #Lento molto espressivo #Introduction (Lento moderato) – Scherzo & Trio (Allegro vivace – Andante semplice) – Epilogue (Lento) The first movement opens with a moderato ostinato on bass trombone with the woodwinds on top playing grinding, dissonant chords. The following allegro con fuoco section gives the ostinato to the violas, this time in diminution.
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Opening bars from Op. 48 No. 1. The Nocturne in C minor, Op. 48, No. 1 is initially marked lento and is in 4/4 meter. In general, the scheme of the music is ternary form and follows A-B-A'. The piece becomes poco più lento at measure 25 and enters its middle section, which is a chorale in C major.
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Van Zandt was born Steven Lento to Mary (née Lento) Van Zandt, in Winthrop, Massachusetts. He is of Italian descent; his grandfather was from Calabria and his grandmother's parents were from Naples. His mother, Mary, remarried in 1957 and he took the last name of his stepfather, William Brewster Van Zandt. The family moved to Middletown Township, New Jersey, when he was seven.
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Lento (transl. Flight) is the second album by Finnish acoustic rock band Harmaja. It was released on 21 April 2010 in Finland through Wiima.
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Bone Thugs-n-Harmony) # Lento (feat. RBD) # Stars Are Blind (feat. Paris Hilton) # Torre de Babel (Remix) (Solo Tu) (feat. David Bisbal) # Asi Soy (feat.
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The symphony, lasting 30–35 minutes, is in one movement employing a modified sonata form. Sections are marked: Moderato, Allegretto, Lento, Tempo I and Allegretto.
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Lento Violento, sometimes shortened to simply Lento, is a style of electronic dance music that developed in Italy. Its name means slow (and) violent, as this style typically has a tempo between 85 and 115 BPM. It consists of a hard kick, like the ones present in hardcore or hardstyle, but played at a very slow tempo, with vocal samples and dark and acid sounds or loops.
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The Symphony No. 5 by Arnold Bax was completed in 1932 and dedicated to Jean Sibelius. It is in many ways heavily influenced by Sibelius. It is scored for two piccolos, three flutes, two oboes, English horn, three clarinets, bass clarinet, two bassoons, double bassoon, four horns, three trumpets, three trombones, tuba, timpani, bass drum, tenor drum, snare drum, tambourine, cymbals, gong, glockenspiel, harp and strings. It is in three movements: #Poco lento - Allegro con fuoco #Poco lento - Molto tranquillo #Poco moderato - Allegro - Epilogue It opens with a five-note motif that is used throughout the entire poco lento section, which is heavily reminiscent of Sibelius's Symphony No. 4.
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The quartet is in three movements: #Lento () – Allegro () #Adagio molto e con espressione () #Allegro giusto () The restlessly chromatic Lento introduction to the first movement is built on a three-note motive, A-C-D, that is found also in a number of the composer's other works . The boisterous main allegro portion of the movement is in A minor and sonata-allegro form. The slow movement is based on the motive from the Lento introduction of the first, and is in a chromatically inflected C major . The finale is in changing meters, with a dissonant-contrapuntal first theme, and a pandiatonic second one that wavers between G major and E major.
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Slowpoke Rodríguez ("Lento Rodríguez" in Spanish, though some more recent translations call him "Tranquilino") is a fictional animated cartoon mouse, part of the Looney Tunes' cast.
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Any other artist can't use this name. Gigi always says that 'lento violento' is not music style, that's why most producers use names 'slowstyle' or 'hard slowstyle'.
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On March 20, 2020, she released the Tainy-produced song "Lento", followed by "50ft." on April 17, 2020. Jauregui's debut album is set to be released in 2020.
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Composed for a standard piano quartet, the work is in three movements: # Allegro energico # Lento ma non troppo # Allegro A typical performance takes around 18 to 19 minutes.
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In 2007, D'Agostino released Lento Violento ...e altre storie, a compilation which contains two CDs and his new 35 Lento Violento songs. Most important "hits" of the album are "Cammino" (a collaboration with Dimitri Mazza) and "Vorrei Fare una Canzone" (a collaboration with Gerolamo Sacco) according to YouTube views. After some months, he released the compilation La musica che pesta under the name "Lento Violento Man", which contains two CDs for a total of 38 unmixed tracks. From 2005 until January 2010, he had radio programs, on the Italian Radio m2o Musica allo Stato Puro (in English: "Music at the Pure State"), called "Il Cammino di Gigi D'Agostino" and "Quello che mi piace ".
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Of Etruscan descent,Hall, John Franklin, Etruscan Italy: Etruscan Influences on the Civilizations of Italy from Antiquity to the Modern Era (1996), pg. 167 and a member of the gens Caesennia, Caesennius Lento was, according to Cicero, an actor who specialised in writing and performing tragedies.Marcus Tullius Cicero, Gesine Manuwald, Marcus Tullius Cicero "Orationes Philippicae III-IX" (2007), pg. 34; Syme, pg. 132 Choosing to side with Julius Caesar during the civil wars of the late Republic, Caesennius Lento was appointed a Legatus under Caesar during Caesar’s campaigns in Hispania in 45 BC. It was Lento who was the officer who killed Gnaeus Pompeius during the Battle of Lauro, some weeks after the Battle of Munda.
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Cover of the printed score of Malcolm Arnold's Symphony No. 3 The Symphony No. 3, Op. 63 by Malcolm Arnold was finished in 1957. It is in three movements: I. Allegro – Vivace II. Lento III. Allegro con brio – Presto – Lento e maestoso – Presto The work was commissioned by the Royal Liverpool Philharmonic Society. The first performance was given by John Pritchard conducting the Royal Liverpool Philharmonic on 2 December 1957 at the Royal Festival Hall.
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The suite is in four movements: Lento: Allegro moderato in D minor, Lento in B minor, Menuetto in F-sharp major, and Allegro in D major. He spent much of the next few years writing some of his orchestral pieces, including The Rock (1893) and Caprice Bohémien (1895). His return to pianistic work in early 1896 was marked by his contribution to Four Improvisations, a collaboration with Anton Arensky, Alexander Glazunov, and Sergei Taneyev.
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Most of Lento is scored for strings alone, and although there's a central section scored for woodwinds, instruments other than strings are generally used to highlight various aspects of the music. The piece comprises 166 bars, but the single orchestral tutti occupies only eight. Timpani are used only twice, both times to produce a G trill. Like much of Skempton's work, Lento uses precomposed chance arranged sequences of chords as the basic harmonic material.
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The composition consists of a single multi-tempo movement marked, Allegretto lusinghiero-Allegro-Tempo primo-Allegretto-Allegro non troppo-Più Allegro- Allegretto-Lento and lasts around ten minutes in performance.
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Andante # Im Wald. Allegro vivace op. 4/5 – Songs Without Words # Allegro assai # Allegretto # Allegro molto quasi presto # Lento appassionato # Allegro molto vivace # Mélodie op. 6 – Songs Without Words # Lied.
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This densely thematic expression is taken to represent the turmoil of Faust's mind. #:The movement closes quietly in D major. # Lento (in F major) #:In key, the movement pretends to start in D major before settling in the home key of F major. Although the shortest in length and performance time, the second movement Lento provides technical difficulty in following long melodic lines, navigating multiple overlapping voices, and coherently performing the detailed climax, which includes a small cadenza.
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After the first theme of 'minor seconds' closes, Chopin introduces a Più Lento section in which a new melody (without dissonant minor seconds) is played in the parallel key, E major. The final section of the piece starts with a recapitulation of the first theme, with climaxes in a coda played in E Major. The second section is marked as Più Lento (It. More Slow) despite Chopin's metronome mark of ♩=168, a very quick tempo.
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The concerto has a duration of roughly 22 minutes and is cast in four movements: #Lento misterioso #Scherzo – Vivace #Quietly flowing #Allegro molto The third and fourth movements are played without interruption.
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The work, which takes about 33 minutes to perform, consists of the following movements: # Theme. Andante grazioso # Variation 1. L'istesso tempo, quasi un poco più lento # Variation 2. Poco agitato # Variation 3.
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The fifth, marked lento piacevole, is meant to convey the act of staring at a reflection in a pool. The work concludes with a "pleasant and meandering" representation of beauty and flow.
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Jörg Widmann's Clarinet Quintet was composed in 2017. It was premiered on 24 April 2017 in Madrid. The one-movement Adagio in tempo Lento assai has a duration of approximately forty minutes.
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14 on RISM #:: Vivace. Adagio. Allegro. Adagio. Allegrissimo. # in C major, for recorder, strings and continuo.Concerto 11 de GB-Lbl Ms. R.M.21.b.14 on RISM #:: Spirituoso. Lento. Allegro. Adagio. Allegro.
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The composition consists of three movements and a typical performance takes approximately 11 minutes. The movement list is as follows: # (Halfway through Life). Lento # (If from a Distance). Andante con tenerezza # (Evening Reverie).
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The quartet is in four movements: :I. Allegro agitatoCBS 160174ArsBrasil recording (CD 1, tracks 3–6).Concert program for 2014 of the Quarteto de cordas da cidade São Paulo. :II. Lento / Adagietto :III.
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Russian composer Alfred Schnittke's Symphony No. 8 was composed in 1994. Its dedicatee Gennady Rozhdestvensky conducted the Royal Stockholm Philharmonic Orchestra in the symphony's premiere in Stockholm on 10 November 1994. The symphony is scored for an orchestra of: 3 flutes, 3 oboes, 3 clarinets, 3 bassoons, 4 horns, 4 trumpets, 3 trombones, tuba, timpani, percussion, 2 harps, harpsichord, piano, and strings. The movements are as follows: #Moderato #Allegro moderato #Lento #Allegro moderato #Lento The playing time is approximately 35 minutes.
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Faith is the fifth studio album by the English synth-pop duo Hurts. It was released on 4 September 2020 by Lento Records. The album was preceded by the singles "Voices", "Suffer", "Redemption", and "Somebody".
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The second mazurka is in E minor, is in 3/4, and has a tempo marking of Lento, ma non troppo. A typical performance of the E minor Eleventh lasts about two-and-a-half minutes.
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"Lento" (English: "Slow") is the second single from the third album by Mexican singer Julieta Venegas, called Sí. The song was named the 5th best song of the 2000s decade by Latin music website Club Fonograma.
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The piece is difficult, and the piano parts are often percussive and dissonant. It is in three movements: #Toccata: Allegro moderato #Romanza: Lento #Fuga chromatica (Allegro), con finale alla tedesca The piece lasts about 25 minutes.
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Her latest novel, Solo de vino a piano lento, was published in 2013 and was named by literary critic Antonio Sacoto as the best novel written by an Ecuadorian woman so far in the 21st century.
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The symphony consists of six movements, organised into two parts with each part containing three movements, marked as follows: :Part One ::I. Allegro assai – attacca: ::II. Lento espressivo e solenne – attacca: ::III. Vivace – attacca: :Part Two ::IV.
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As typical of sonatas in the Romantic period, it has four movements: # Lento – Allegro moderato (G minor) # Allegro scherzando (C minor) # Andante (E-flat major) # Allegro mosso (G major) The work takes approximately 35 minutes to perform.
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This quartet, like all of Villa-Lobos's quartets except the first, consists of four movements: #Poco andantino #Vivo e energico #Andantino – tempo giusto e ben ritmato #Allegro The Fifth Quartet is unusual in Villa-Lobos's works in this medium for using genuine folk material, albeit in modified form . Over the course of the first movement the tempo changes many times, ranging from Lento to Presto. The long Lento section in b. 90 to 136 is characterised by lyrical melodic writing in the first violin accompanied by a complex rhythmic pattern in the other instruments .
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The quartet is in three movements: #Allegro #Lento #Allegro Both of the outer movements are in sonata-allegro form, and are in F minor. The central Lento movement is a calm theme and variations in C minor . However, the first movement actually begins in A major/minor, only gradually settling into F minor at the end, and the variation movement spends a lot of its time in the parallel major (the dominant of F minor). However, Piston's characteristic flexibility of tonality and thickly chromatic harmony makes it simplest to omit key signatures .
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None of them managed to enter any Billboard chart. The track "Suave y Lento" (featuring Wisin, Tico El Inmigrante and Franco El Gorila) peaked at number 21 on Billboards Latin Rhythm Digital Songs chart on May 22, 2010.
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332; Syme, pg. 116 As a supporter of Mark Antony, he was criticized by Cicero in his Philippicae in 43 BC. Lento was probably the great-grandfather of Lucius Caesennius Paetus, who was Roman consul in AD 61.
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The last mazurka in the set is in 3/4 and is marked Lento, ma non troppo. This piece lasts about four or five minutes in a typical performance. It is one of the more popular mazurkas of all Chopins' mazurkas.
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The concerto is written in three movements: #Prelude, lento – Allegro maestoso #Intermezzo, andantino con moto – Allegro presto – Andantino – Tempo I #Introduction, andante – Allegro vivace The first movement opens lento, then moves into an allegro maestoso, which continues throughout the rest of the movement. The opening has several measures of orchestral music before the solo cello enters with an ad lib theme that is played three times. This leads into the fast section, which features many fast and aggressive arpeggios, and quick and relentless sixteenth notes. The second movement starts with a slow andantino section, then progresses into a lively allegro presto.
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The symphony is in four movements: # Presto – Allegro molto – Allegro sempre # Lento – Andante con moto – Allegro moderato – Allegro – Allegro vivo – Presto – Poco meno presto # Adagio – Più lento # Presto After brass and pizzicato strings introduce the basic harmonies of the movement, the symphony proceeds as an allegro movement with "a ghost of a sonata form somewhere behind it", though there are no distinct first and second themes, and development is replaced by processes of transformation . The second movement is a lento that turns into a scherzo, beginning with a statement of the plainsong Ave maris stella in the alto flute. It has D as its tonic, and a modal dominant of F . The third movement is the slow movement proper, and has as its tonic the previous movement’s modal dominant, F, and the corresponding modal dominant A/B and becomes an invocation of the "extraordinary, almost unearthly, treeless winter land and seascape of the Orkney island" where the composer lives .
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On 6 December 2009, its residents voted in favor of indigenous autonomy for the municipality, with a vote of 90.8%."Las autonomías indígenas avanzan a paso lento per seguro, entre consensos e interrogantes" Diálogos en Democracia, 21 March 2010 (Supplement to Pulso Bolivia).
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Out of Doors contains the following five pieces with approximate duration based on metronome markings: # "With Drums and Pipes" – Pesante. 1 min 45s # "Barcarolla" – Andante. 2 min 17 s # "Musettes" – Moderato. 2 min 35 s # "The Night's Music" – Lento – (Un poco) più andante.
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Jauregui contributed to the soundtrack of the film Birds of Prey (2020), and released the Tainy-produced Latin urban song "Lento" in March 2020. In April 2020, she released the song "50ft". Jauregui's debut album is expected to be released in 2020.
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The album itself was re-released several times throughout 2004 and 2005. In early 2005 she collaborated with Mexican rock band Moderatto on a cover by Timbiriche titled "Muriendo Lento" which peaked at No. 1 in Mexico and was a commercial success.
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Broughton, pg. 311 In June 44 BC, Caesennius Lento was one of the seven agrarian commissioners established under the Lex Antonia and appointed by Mark Antony to divide the available Ager publicus in Campania and Lentini among veteran soldiers and needy citizens.Broughton, pg.
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The quartet is in three movements: # Allegro maestoso # Lento ed espressivo # Allegro giocoso A complete performance takes about 19 minutes. Musicologist Peter Evans considered it an immediate background to, and to strongly foreshadow, Britten's Sinfonietta, which was published in 1932 as his Op. 1.
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Various studies of the effectiveness of the Bollinger Band strategy have been performed with mixed results. In 2007, Lento et al. published an analysis using a variety of formats (different moving average timescales, and standard deviation ranges) and markets (e.g., Dow Jones and Forex).
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Sonatina is a work for piano solo in three movements composed in 192627 by John Ireland (18791962). He dedicated it to his friend, the conductor and BBC music producer, Edward Clark. A performance takes about 10½ minutes. The movements are marked: # Moderato # Quasi lento # Rondo.
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The first tracks with the Lento Violento sound were Anima Ladina by Ottomix (1991), Panic Mouse (stress mix) by Gigi d'Agostino (1996), Ibiza by Ottomix (1998) and Alex Castelli's Enjoy, that was co-produced by Ottomix. Although at that time, they were not called 'Lento Violento' yet. These tracks were influenced by the more techno and trance-oriented tracks like Mauro Picotto's Lizard, Iguana, Pulsar, Tuttincoro or Raggattak by Joman (Joy Kitikonti), all from the Italian BXR label. While some individual tracks were popular in the clubs, the style itself was not established until DJ/producer Gigi D'Agostino started with a series of productions in 2003, like Ripassa.
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They also announced plans for their first headlining tour in February 2017 in Latin America. On October 7, they released the single "Reggaetón Lento (Bailemos)", which peaked at number 6 on the Billboard Hot Latin Songs chart and number 11 on the Bubbling Under Hot 100.
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For the 2005 season, the league was reduced to 16, so with Semey, Kaisar, Akzhayik and Yassi-Sairam being relegated the previous season, only Bulat-MST were promoted. Before the start of the season Aktobe-Lento became Aktobe and newly promoted Bolat CSKA became Bulat-MSK.
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The music reaches a great climax (molto fortissimo); the tempo reverts to the opening Lento, and the brass intone the Lasciate ogni speranza theme from the slow introduction, accompanied by the drum-roll motif. Once again Liszt inscribes the score with the corresponding words of the Inferno.
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The sonata is in three interrelated movements: #Allegro agitato (B-flat minor) #Non allegro—Lento (E minor—E major) #Allegro molto (B-flat major) It gives the impression of being a single movement due to being joined by two Non allegro bridges. The piece strictly follows sonata form.
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Street vendor The original version of Esquinas consists of three movements, the second and third of which are played without a break: #Lento sostenuto—Allegro moderato ma agitato—Andante—Vivo—Lento sostenuto #Allegretto #Allegro Esquinas offers an early example of Revueltas's Mexican popular-musical modernism, "whose themes are shattered at the moment of their birth, a struggle that does not permit its features to be heard emerging, decomposed, barely sketched and acclimated" . In the second version of the work, Revueltas discarded the vocal part in the first movement of the original. Although it is difficult to be certain about the composer's reasoning, it was most likely a purely practical consideration. There are several difficulties with the part.
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This score, which extensively reused the music of Beecham's earlier suites, was arranged while he was in the US between 1941 and 1944. It is not known to be connected with any proposed ballet, and featured in his concert programmes in America. It was published in 1943. :1. Entrée – Lento :2.
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The concerto is in two movements: #Lento ma non troppo – Andante – Tempo I #Allegro vivace – Piu marcato – Meno mosso – Tempo I The total duration of the concerto amounts to about 25 minutes. The piece is among the late works of the composer, and among its melodies appear Russian folk songs.
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Eusebius (E major; Adagio – Più lento, molto teneramente) : Depicting the composer's calm, deliberate side. 6\. Florestan (G minor; Passionato) : Depicting the composer's fiery, impetuous side. Schumann quotes the main waltz theme from his earlier work Papillons, Op. 2, in this movement. 7\. Coquette (B major; Vivo) : Depicting a flirtatious girl. 8\.
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The tempo (quarter note = 52) is kept constant throughout the piece. Note values are restricted to mostly half notes and quarter notes. The piece was very well received; a number of scholarly articles were written about it. Lento was described as "the emancipation of the consonance" by musicologist Hermann-Christoph Müller.
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After signing with Anakin Ent, Dalex started singing in the duo Jayma and Dalex. Their first single "Me Encantas" drew attention. Subsequently, the duo collaborated with urban artist Cosculluela on the song "Lento," which surpassed a million views on YouTube. Jayma and Dalex's first album, "Gravedad", was released in October 2015.
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Xochipilli falls into three main sections, b. 1–83, 84–134, and 135–269, in an ABA' pattern. The two outer sections are in fast tempos (Allegro animato, = 100, and Vivo, = 104), surrounding a slow central section (Lento, = 58). Each of these parts is in turn subdivided into three subsections (; ).
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This composition's structural form is A (bars 1-8), A repeated (9-14), bridge (15-19), and coda (20-24), being that the second phrase repeats the first a fourth lower. It is 24 bars long with a Lento tempo marking, and it takes about two minutes to be played.
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Janitzio follows the three-part structure that Revueltas favoured in all his orchestral works, with a lyrical, slow middle section . This has also been described, somewhat differently, as a "fast–slow–radiant" structure . The three sections are marked "Con brio" (b. 1–177), Lento espressivo (molto sostenuto e cantabile) (b.
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Opening bars from Op. 48 No. 2. The Nocturne in F-sharp minor, Op 48, No. 2 is initially marked andantino and is in 4/4 meter. It switches to più lento at measure 57 and returns to the original tempo at measure 101. The piece is a total of 137 measures long.
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The original version of the Concerto consisted of two movements, namely, Quasi purgatorio and Suoni celeste. However, the final version is in one movement only. It takes 15 to 20 minutes to perform. It features a lento introduction with an initial cadenza, which was composed ex professo for some of its performances.
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The variations follow. Their number is debated, ranging from six to fifteen, depending on how one counts: brief variations having similar character can be analyzed as just sections of longer and more complex variations. The last variation is marked Molto più lento. It changes the mode from minor to major (F major).
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The melody features ambient sounds, layers of cellos and violincellos, a backing chorus, and drums. "Lento e Largo" is extracted from Henryk Górecki's Symphony No. 3 and "A Song of India" is a cover of Rimsky-Korsakov's song. Brightman also covers Sia's "Breathe Me", Cocteau Twins' "Eperdu" and Paul McCartney's "Venus and Mars".
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The second movement's predominantly fast tempo is also interrupted after eleven bars by a Lento section featuring double stops in all four instruments and sul ponticello tremolo effects in the two violins. After eight bars, the opening tempo is resumed for the remainder of the movement, save for a concluding Molto lento coda of five bars . The third movement inverts the relationship found in the first two movements by interrupting a predominantly slow tempo after only two bars with a fast and light-hearted section (Tempo giusto e ben ritmato) of sufficient length to make the opening material sound merely like a slow introduction. After twenty-three bars, however, a slow tempo (Adagio) is resumed, eventually giving way to the original Andantino .
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Elvis Martínez a.k.a El Jefe (born January 5, 1976) is a Dominican singer, songwriter, and guitarist. He is a well known Bachata artist from the Dominican Republic. He is known for hits such as "Maestra", "Lento y Suave", "Asi Te Amo", "Yo Te Voy Amar", "Laudano", "Directo al Corazon", "El Profesor","Aventura", among others.
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"Reggaetón Lento" was certified platinum in the United Kingdom. "Mamita" was released as the third single on 20 October 2017. The music video was released on 18 January 2018 and as of May 2019 has achieved over 120 million views. A remix featuring Luan Santana was released on 23 March 2018 alongside a music video.
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Marie Ferranti, real name Marie-Dominique Mariotti (; born 1962, in Lento, Haute-Corse), is a French writer. She chose the patronym of her maternal great-grandmother as a literary pseudonym. Her novel La Princesse de Mantoue won the Grand prix du roman de l'Académie française. She was discovered by Pascal Quignard at éditions Gallimard.
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The Headquarters no 7 is also located at the air force base. The unit was created in 1918 as the Lento-Osasto II. During World War II it was to encompose the Fighter Squadrons 24, 26 and 28. The unit was moved to Rissala after the wars, and the fighter wing was divided between Flying Regiments 2 and 3.
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Suono Libero is a two-disc album released by Gigi D'Agostino in 2008. It contains many remixes of previous works, including L'Amour Toujours, Another Way, La Passion, Bla Bla Bla (titled "La Danza Del Sole"), The Riddle and L'Uomo Sapiente (titled "L'uomo Dei Fenomeni"). The first disc is mostly Italodance while the second is mostly Lento Violento.
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"Reggaetón Lento (Bailemos)" is a song by Latin American boy band CNCO. It was released on October 7, 2016, as the third single from their debut studio album, Primera Cita (2016). The song was written by Eric Perez, Jadan Andino, Jorge Class and Yashua Camacho. The video has received over 1.5 billion views on YouTube as of April 2019.
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Schumann gave the tempo as "" ("very fast") while Tárrega's transcription was published with the tempo indication "lento" ("very slow"). This difference is reflected in the titles of the two versions of the composition. Without access to the original manuscript it is impossible to tell whether this re-interpretation was made by Tárrega or by the publisher.
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It consists of a single movement composed by Piston in four variations without theme: # Variation I Con moto- # Variation II Poco piu mosso- # Variation III Assai lento- # Variation IV Allegro—Vivo The unusual structure was inspired by the success of the composer's earlier Variations for Cello and Orchestra (1966). The average performance time is around 12 minutes.
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One of his most successful songs is "Andamento lento", which won Festivalbar in 1988. His 1983 single, "Stop Bajon (Primavera)" reached No. 58 in the UK Singles Chart in March 1987. His 1985 song "Radio Africa"(written by Lino Nicolosi & Dora Carofiglio was a collaboration with Guinean singer Mory Kanté. He also wrote scores for several movies.
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An assortment of middle- and upper-class people come to the house of the widowed Mrs Amesbury to hear a new violin concerto by David Shiel. As the music plays their minds wander, and their reveries are theatrically performed. Each act of the play corresponds with a movement of the concerto: Allegro capriccioso, Lento, and Allegro — agitato — maestoso nobile.
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Consolation No. 3, First few bars. The third Consolation is in D major and initially marked as Lento placido. It is the most popular of the Consolations and also a favorite encore piece. Its style is similar to the Chopin Nocturnes, in particular, it seems to have been inspired by Chopin’s Nocturne Op. 27 No. 2.
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Gnaeus and Sextus managed to escape another time but supporters were difficult to find. It was by now clear Caesar had won the civil war. Within a few weeks, Gnaeus Pompeius was cornered and killed by Lucius Caesennius Lento. Sextus Pompeius was able to keep one step ahead of his enemies, and survived his brother for another decade.
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The concerto is structured in the traditional concerto form of three movements: # Allegro non troppo ma passionato # Lento cantabile # Allegro vivace The concerto is scored for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, glockenspiel, xylophone, celesta, snare drum, bass drum, cymbals (both crashed and suspended), harp and strings.
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The dominating movement of the symphony is the central Lento which takes up nearly half the length of the entire work. Its slow theme, initially heard on the strings, evokes the music of various other composers important to Schnittke, including Bruckner, Mahler, Wagner and Shostakovich.Per F. Broman (2005) Liner note from the BIS recording The second Allegro moderato commences with fanfares and, in contrast with the mood of much of the rest of the symphony, attempts at being sprightly but ultimately descends into echoes of Shostakovich-like bleakness. The final Lento (very short at just two minutes) is effectively a coda dedicated solely to the gradual building of a tone cluster of all of the notes of the C major scale spread across more than three octaves which gradually fades.
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Lento, after it was released, was commercially successful in several countries in Europe. It has been peaked on #14 in French Leschart and # 70 in Switzerland. In Germany, Yoon-Sun received German Jazz Gold Award for reaching to #1 in German Chart. She also received ECHO, the German Grammy as the best international jazz singer and most sold-out album.
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Mazurka in G-sharp minor, Op. 33, No. 1, the opening mazurka of the set, has a tempo marking of Lento. This mazurka has an emotional melody, accompanied in the left hand with a waltz pattern. The mood changes many times throughout the piece, and to good effect. This intimate piece is occasionally considered less complicated than many of Chopin's other mazurkas.
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A remix of "Reggaetón Lento (Bailemos)", alongside British girl group Little Mix was released on 18 August 2017 as the second single from the album. The song became CNCO's first hit in the United Kingdom, where it debuted and peaked at number five. The video was released on 17 September 2017 and as of July 2020 has amassed over 300 million views.
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In late 2003 she released the album Sí on which she collaborated with Coti and "Cachorro Lopez." Sí was recorded in Argentina and Spain. As her most commercially successful release to date, it allowed her to reach a wider market. It has sold over a million copies, making the songs "Andar Conmigo," "Lento," and "Algo Está Cambiando" pop standards in Latin music.
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They recorded a mournful ballad called "Unspoken" together and they immediately realised that this was the sound that they wanted to develop as a duo. After informing the rest of the band that it was finished, they went on a short break to Verona in Italy, where they claim they discovered a musical genre called "Disco Lento". Daggers split on 30 January 2009.
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At the movement's climax, a brief and thunderous piano solo is joined by the full orchestra. However, the orchestra suddenly cuts off to leave the piano musing alone in a short lyrical cadenza. This leads without a break into the slow movement. #Romanza: Lento #:The Romanza is more delicate, providing the listener with hints of Vaughan Williams's previous studies with Maurice Ravel.
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Presto Brown I:D 5 - Symphony in D major, I. Adagio - Vivace, II. Andante cantabile, III. Intermezzo: Allegro scherzante, IV. Menuetto, V. Andante siciliano un poco lento, VI. Menuetto, VII. Finale: Allegro Brown I:D 6 - Symphony in D major, I. Allegro molto, II. Andante, III. Allegro non troppo Brown I:D 7 - Symphony in D major, I. Allegro assai, II. Andante, III.
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Non troppo presto Brown I:D 8 - Symphony in D major, I. Allegro, II. Andante, III. Tempo di menuet Brown I:D 9 - Symphony in D major, I. Allegro, II. Andante lento, III. Tempo di menuetto Brown I:D10 - Symphony in D major, I. Allegro molto, II. Andante, III. Finale: Presto Brown I:E1 - Symphony in E major, I. Andante arioso - Allegro, II. Andantino, III.
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The reappearance of the first subject in D minor proclaims the opening of the recapitulation, followed by Excerpt 4. The second subject begins in B major, but, just four bars later, modulates into D major, which leads to the reappearance of the introductory Lied (Poco Lento), in the same tonality. Echoes of Excerpt 3, following Excerpt 1 and 2, conclude the movement.
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Paetus, also known as "Caesennius Paetus" in a number of sources, was possibly the son of Publius Caesennius Paetus, an Etruscan from Tarquinia; the "Lucius Junius" suggests he was adopted by a Lucius Junius.Olli Salomies, Adoptive and Polyonymous Nomenclature in the Roman Empire (Helsinki: Societas Scientiarum Fennica, 1992), p. 87 He may also be the great-grandson of Lucius Caesennius Lento.
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This section has 17 bars and is separated by a double bar. The second section, the Slovakian Dance itself, is marked Allegretto in the score and generally gravitates towards F major, even though the key signature makes no specifications. This lively, dance, ends in bar 81, when the ritornell is reprised for the last few bars, marked Lento in the score.
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Lento is a composition for orchestra written by Howard Skempton in 1990. It was Skempton's third work for large forces, and his first major success. The piece was commissioned by the BBC Symphony Orchestra. Skempton was to write a piece to be performed between the Prelude from Richard Wagner's Parsifal and a Deryck Cooke completion of Gustav Mahler's Tenth Symphony.
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Both the single and the album received an incredible support in the United States, Latin America and Europe. History repeats itself in 2011 when his third album Bachata Stereo produced again with Jaén in collaboration with Richy Rojas, with just two months on the market receives again a nomination in the Latin Grammy Award for Best Contemporary Tropical Album His song "Lento", a sensual Kizomba fusion which has a video with the Kizomba dancer sensation: Sara Lopez is one of Daniel's biggest hits. To the date Lento has more than 100 million views in Youtube. In 2016 his album "Toda La Vida" (a tribute for Mexican singer Emmanuel) got a nomination for The Latin Grammy Award for Best Contemporary Tropical Album and the song "La Carretera" co-written with Prince Royce got a nomination as well for best Tropical song.
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After the whole orchestra has been effectively taken to pieces in this way, it is reassembled using an original fugue which starts with the piccolo, followed by all the woodwinds, strings, brass and percussion in turn. Once everyone has entered, the brass are re-introduced (with a strike on the tamtam) with Purcell's original melody. The sections of the piece and instruments introduced by the variations are as follows. ;Theme: Allegro maestoso e largamente :Tutti (D minor), woodwinds (F major), brass (E♭ major), strings (G minor), then percussion (written in A major) ;Variation A: Presto :Flutes and Piccolo ;Variation B: Lento :Oboes ;Variation C: Moderato :Clarinets ;Variation D: Allegro alla marcia :Bassoons ;Variation E: Brillante: alla polacca :Violins ;Variation F: Meno mosso :Violas ;Variation G: Lusingando :Cellos ;Variation H: Cominciando lento ma poco a poco accel.
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The trio is in three movements: #Allegro #Lento #Tema con variazioni The opening Allegro is dominated by the interval of the perfect fourth, and in general alternates pairs of the instruments, rather than using all three together. Although they are not the basis of the entire work, Berkeley's use of fourths in the opening of this movement resembles the free atonality of the Chamber Symphony No. 1 by Arnold Schoenberg, but this sound was also very much in the air amongst British composers at that time, in particular Michael Tippett's Piano Concerto . The character of this movement rests largely on its springy rhythms, moving at the end to a calm close in F major . The Lento is a slow dirge with a more lively middle section, and the only movement that shows much affinity with the Brahms trio (; ).
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Allegro is played to travel back to the past (20 years ago) while the lento version is played to travel to the future. In the film, Xiaoyu explained that she needed to play the song faster when she returns to the past. In addition, other conditions are implied: # There is a time difference when playing the piano score. It will not affect everything immediately.
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Tempo is varied throughout the piece and is marked by the terms accelerandi and ritenuti. Some sections have notated tempo, for example 60 bpm during some energetic passages. The lento passages are pulseless, hence, creating contrast between the sections where pulse is evident and the ones where it is not. Dectuplets, syncopations between septuplets and quintuplets and grace notes are used in the metrically active sections.
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The quartet consists of four movements: #Allegro #Lento #Scherzo (Vivace) #Quasi allegro According to the composer, the Eighth Quartet is systematically atonal throughout . The first movement lacks the expected development section, while the slow, second movement displays the qualities of the Brazilian improvisational instrumental serenade called a choro. The finale is marked by a rhythmic pattern that is especially difficult from the performers' point of view .
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Football Club Aktobe (), commonly referred to as FC Aktobe or simply Aktobe, is a professional football club based in Aktobe. They last played in the Kazakhstan Premier League, the highest level of Kazakh football. Formed as Aktyubinets in 1967, they became Aktobemunai in 1996, Aktobe in 1997, Aktobe- Lento in 2000 and finally Aktobe again in 2005. Their home ground is the 13,500 seat Central Stadium.
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Additionally, the theory that the iliotibial band needs to stretch has been questioned as, in cadaveric studies under extreme load, the flexibility of the iliotibial band has been shown to be minimal with greater stiffness than capsular fibers.Akuthota V, Stilp SK, Lento P, Gonzalez P. Iliotibial band syndrome. In: Frontera W, Silver JK, Tizzo TD Jr, eds. Essentials of Physical Medicine and Rehabilitation, 2nd ed.
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Rigoberto Paredes (26 April 1948 – 9 March 2015) was a Honduran poet, essayist and publisher. He was the founder of Editorial Guaymuras, Editores Unidos and Ediciones Librería Paraíso. Among his works were En el Lugar de los hechos (1974); Las cosas por su nombre (1978); Materia prima (1985); Fuego lento (1989); La estación perdida (2001). He received the Ramón Rosa National Literature Award in 2006.
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Valiente (English: Brave) is the fifteenth studio album by Mexican recording artist Thalía, released on November 9, 2018 by Sony Music Latin. The album brings the hit single No me acuerdo, that peaked number one across Latin America. "Lento" was released as the second single, which peaked top 10 in several countries. "Lindo Pero Bruto" is the third single, the song gained attention with its music video.
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Mostly held in small venues such as Le Cagibi, Le Pastel and L'Escalier, as well as 'semi-private' loft parties, the 2012 and 2013 editions took place in November of their respective years and featured past UnPop alumni such as Will Austin, Patrick Hutchinson, and Allan Lento, and newcomers such as Les Vestiges and Les Guenilles, and a Lame De Fer reunion featuring Sébastian Hell.
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The opening bars of No. 3 in G minor. Chopin's sixth nocturne begins with a slow lento tempo and is written in 3/4 time. The right hand part is composed of simple eighth and quarter note patterns, followed by a chromatic rise and fall. The left hand part maintains quarter note patterns to support the right hand, with pedal marks every six notes.
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The central, slow section quotes a lento interpolation found in the first movement . In fact, most of the motivic material in this "angry scherzo" is held in common with the first movement . The concluding movement is very short, only thirty- seven bars. It opens with a brief subject in quintuple meter, presented in stretto imitations, and continues in a busy and noisy fashion to the end .
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8 It opens with a slow (molto lento) theme of harmonic ambiguity, followed by a second theme, equally ambiguous in key, though nominally in D major. The central section is in F major, and the re-emergence of the first theme brings the piece to a conclusion.Anderson (1993), p. 3 Morrison finds in this piece a sense of bleakness, and of the composer's struggle against despair.
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In November 2004 they launched El Detector de Metal, whose first single, a cover of Timbiriche's "Muriendo Lento", featured female pop singer Belinda as a collaboration with her. The group released ¡Grrrr! at the end of 2006 with its first single, "Sentimettal", which climbed to No. 3 on the Mexican Top 40 in three weeks. Three of their first five albums were certified platinum.
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All the three sections of this theme are heard. The remnants of the woodwinds motive lead to the motto theme, played at first in E and then in A major. It goes directly into another slow tempo section (Un poco più lento), where the third theme is given in the home key. In the coda (Tempo del inizio) the motto and the main theme are heard simultaneously.
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The concerto has three movements, played without any breaks: #Largo non troppo – Allegro agitato – Largo non troppo #Molto lento – Poco meno lento – Andante tranquillo #Finale: Allegro non troppo The first movement represents two-thirds of the entire concerto, and is in a modified sonata- allegro form with a thirty-bar introduction and a cadenza linking the end of the recapitulation to the coda . The movement is modal, predominantly in E Phrygian with excursions to F and G, eventually returning to E Phrygian but with a final cadence on the subdominant, A . The second, slow movement has two main parts, which are preceded by an introduction and concluded with a canonic coda. Harmonically the movement is dominated by quartal harmonies, anchored over pedals of A (bridging from the first movement), D (beginning with and continuing through most of the second section), and G from b.
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The B major area dissolves as the harmony mysteriously changes character via secondary dominant. The two chords from the beginning reappear, superimposed over vestiges of the middle section. Then the beginning presto repeats itself in the familiar minor tonic. The lead-in to the dramatic, virtuosic coda is similar to the approach toward the Molto più lento, but slightly different (as it is with Chopin's Second and Third Scherzi).
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Cali & El Dandee are a Colombian Latin Pop Music urban duo, consisting of brothers Alejandro Rengifo (Cali) and Mauricio Rengifo (Dandee). They started their career in 2008 and have been together since. Their biggest hits are "Gol", "Volver","Move Your Body","Tus Ojos", "Lento", "La Muda". Their most successful singles "Por Fin Te Encontré" and "Yo Te Esperaré" have received more than 800 million and 370 million views respectively on YouTube.
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The Symphony is divided into three movements: #Allegro #Molto lento #Vivo non troppo mosso In contrast to the Third Symphony, there are no formal innovations here . The symphony is in the key of A—a sort of A minor tonality—though the overall character is brighter and more optimistic than the Third Symphony. Chávez treats his material cyclically, which means that thematic elements reappear throughout all three movements .
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Zhiger were relegated at the end of the 2000 season, and were replaced by FC Aktobe-Lento, FC Mangystau and Atyrau. Batyr were reformed as Ekibastuzets-NK and CSKA Kairat became Kairat. In addition to the changes in clubs in the Kazakhstan Premier League, there weer various name changes as well. Access-Golden-Grain became Esil Bogatyr, Akmola became Esil and Kaisar-Hurricane returned to being called Kaisar.
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The ballet is in ten movements: # Prologue (Allegretto) # Introduction (Tempo de marche) # Danse du moulinet autour du caudron (Poco meno) # Danse du chaudron et du couvercle (Allegro) # Tango (Danse d'amour. Lento) # Duel (Poco a poco allegro. Tempo di Charleston) # Entracte (Lamentation du chaudron. Allegro moderato) # Marche funèbre (Adagio) # Danse radieuse (Tempo di marche) # Fin du drame (Allegretto) The suite is in four movements: Prologue, Tango, Charleston, and Final.
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Menuetto, IV. Allegro con spirito Brown I:D 1 - Symphony in D major, I. Allegro con spirito, II. Andante grazioso, III. Menuetto: Lento - Allegrino, IV. Finale: Presto Brown I:D 2 - Symphony in D major, I. Allegro molto, II. Andante moderato, III. Menuet, IV. Finale: Presto Brown I:D 3 - Symphony in D major, I. Allegro spiritoso, II. Andante, III. Allegro molto Brown I:D 4 - Symphony in D major, I. Allegro, II. Andante, III.
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The piece then slows down more to Meno, quasi lento. The piece then suddenly picks up in pace and is at Allegro vivace. It then slows down to Allegretto and finally to Molto più vivo. The tempo changes make the piece exciting and interesting, but even with all of these tempo changes, it is generally expected that there should be some rubato to add feeling to the piece.
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There are also many different dynamic changes in the piece, ranging from pianissimo to fortissimo. In the Meno, quasi lento section, the violin plays "artificial," "stopped," or (less accurately) "false" harmonics. This involves the violinist placing their finger down on the note and playing another note, with the finger only just touching the string 5 semitones above. This gives the effect of the violin sounding two octaves (24 semitones) higher.
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The next climax calms down with a codetta using Excerpt 3, which closes the exposition. In the development section, Poco Lento, the viola starts a fugue based on Excerpt 1, followed by second violin, cello, and then first violin. A conventional development of the first subject (Excerpt 3), again Allegro, comes after the emotional end of the fugue. The development also includes Excerpts 4, 5 and many other materials.
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After a short rest for breath, the orchestra begins the third movement, a funeral Recitativo marked Lento. The intervals of minor and major seconds dominate the discourse, recalling the prelude. Everything is tightly controlled until the soloists begin to produce larger intervals and wild glissandi runs; an uncontrollable climax is reached and with feverish pitch the orchestra slowly creeps to their highest register until reaching a piercing shriek.
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"Lento con gran espressione", and the Bolero in C major-A minor, Op. 19. Kogosowski put these together as a three-movement work and performed it under the misleading title of "Chopin's Piano Concerto No. 3 in A major" on 8 October 1999, with the Detroit Symphony Orchestra under Neeme Järvi. Austrian pianist Ingolf Wunder orchestrated and recorded it with the Warsaw Philharmonic Orchestra in 2015 for Deutsche Grammophon.
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After a long pause the chorale from the opening section is recapitulated in augmentation, accompanied by string pizzicati. The Più lento theme from the opening section is heard once again, and both themes are briefly alternated. Two harps take up the triplets and the concluding strain of the movement's opening theme returns. The music modulates from B major to B major, and passes without a break to the final chorus.
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The trio, marked Più lento, has a songlike quality to it with its simple, sensuous melody.Huneker (1900), p. 297 Following the return of the scherzo is a coda that is a condensed reprise of the trioLeikin (1994), p. 190 and therefore ends the work in the relative major; other works of Chopin that also end in the relative major include the Scherzo No. 2 in B minor (Op.
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The Serenade, after Plato's Symposium, is a composition by Leonard Bernstein for solo violin, strings and percussion He completed the serenade in five movements on August 7, 1954. For the serenade, the composer drew inspiration from Plato's Symposium, a dialogue of related statements in praise of love, each statement made by a distinguished speaker. The seven speakers who inspired Bernstein's five movements are: :I. Phaedrus: Pausanias – marked Lento and Allegro :II.
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It is rounded by the cornets with the third section of the main theme. The tempo becomes slower (Un poco più lento) to let the violins sing the third theme, now in E major. However, it is constantly disturbed by the scattered elements of the main theme in other voices. The music modulates to A major, and the main theme rallies its forces (Tempo I) to begin the recapitulation.
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The work is dedicated to the Breton composer Paul Ladmirault. The suite consists of six movements: #Basse-Danse, Allegro moderato, D minor #Pavane, Allegretto, ma un poco lento, G minor #Tordion, Con moto, G minor #Bransles, Presto, G minor #Pieds-en-l'air, Andante tranquillo, G major #Mattachins (Sword Dance), Allegro con brio, F major The individual movements are very brief; a performance of the suite lasts about 10 minutes.
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The symphony has five movements: #Allegro: "A terra e os seres" (The Earth and Its Creatures) #Lento: "Grito de guerra" (War Cry) #Scherzo (Allegretto scherzando): "Iurupichuna" #Lento: "A voz da terra e a aparição de Anchieta" (The Voice of the Earth and the Appearance of Anchieta) #Poco allegro: Glory in Heaven, and Peace on Earth The first movement is for the orchestra alone, and serves as an overture to the four remaining movements, which feature the vocal soloists and choirs. The movement is in sectional form, dominated by a principal melodic motif consisting of an upper-neighbour note figure followed by an upward leap. This motif is found in all five of the main sections of the movement, which are differentiated by tempo, key area (C, B, E, C, and C), instrumentation, rhythms, harmonies, and specific transformations of the main motif. The second theme of the first of these sections is the only one not derived from the core motif.
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The piece is scored for piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, contrabassoon, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, triangle, snare drum, bass drum and strings. The piece departs from the conventional four-movement symphonic structure, which has been modified by the insertion of the Lento maestoso as an introduction to the Allegro molto vivace. Unusually among the classics, Schumann's 'Rhenish' symphony also has an "additional" slow movement in fourth place.
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Petals does not consist of a fixed structure. The score is presented in a one-stave- per-line layout. This piece relies on two opposite themes which organize it into two contrasting sections: fragile coloristic passages and more energetic events with clear rhythmic and melodic character. The coloristic sections are marked with tempo lento and sempre legatissimo; have harmonics, glissandos and trills; the dynamics are quieter; have long note values and bow pressure is used.
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Rachmaninoff wrote a second Elegiac piano trio in 1893 after the death of Tchaikovsky. This work is cast in only one movement, in contrast to most piano trios, which have three or four. This movement is in the classical form of a sonata, but the exposition is built on twelve episodes that are symmetrically represented in the recapitulation. The elegiac theme is presented in the first part Lento lugubre by the piano.
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Horacio Adolfo Salgán (June 15, 1916 – August 19, 2016) was an Argentine tango musician. He was born in Buenos Aires. Some of Salgán's most well-known compositions include Del 1 al 5 (Días de pago) (1944), Don Agustín Bardi (1947), Entre tango y tango (1953), Grillito, La llamo silbando, Cortada de San Ignacio, and A fuego lento. He turned 100 in June 2016 and died two months later on August 19, 2016.
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Tchaikovsky's first piano concerto with the Maui Pops Orchestra (2016) A concerto (; plural concertos, or concerti from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three-movement structure, a slow movement (e.g., lento or adagio) preceded and followed by fast movements (e.g. presto or allegro), became a standard from the early 18th century.
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She has one elder brother, Allegro, a writer, and a younger brother, Lento, a carpenter and offshore oil rigger. Woodruff's father was a professional orchestra musician, and her parents named her and her brothers after musical tempos, with her name, Largo, meaning a wide or broadly slow tempo. Woodruff was raised in the Panama Canal Zone from age 2. As a child, she studied various dance as well as cello and guitar.
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A capriccio (Italian: "following one's fancy") is a tempo marking indicating a free and capricious approach to the tempo (and possibly the style) of the piece. This marking will usually modify another, such as lento a capriccio, often used in the Hungarian Rhapsodies of Franz Liszt. Perhaps the most famous piece to use the term is Ludwig van Beethoven's Rondò a capriccio (Op. 129), better known as Rage Over a Lost Penny.
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The four sections of the symphony proceed without pause. In the Introduction (tempo marking: Lento), the main theme appears in the basses answered by the trumpets and taken up in the first violins and woodwinds. The first movement begins with this theme in the violins and is taken up in the basses and gradually works up to a climax. As it dies away a hymn-like theme appears in the muted strings.
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The Caesarians, under command of Lucius Caesennius Lento, began to attack the Pompeian positions, but thanks to the natural conditions, the defenders were able to repulse multiple assaults. Thus thwarted, Lento's forces settled down to besiege and starve out the Pompeians. Recognizing this, the defenders resolved to try to break through the siege. When the Pompeians began their breakout attempt, heavy and brutal fighting ensued, with the escaping defenders suffering heavy casualties.
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Second phrase, mm.5-9, the first at tempo lento, from Cesar Franck's Variations symphoniques (1885), features chromaticism from use of borrowed chords and, "descending bass lines," (voice leading) and demonstrates that, "chromatic evasiveness internally in the phrases [may be] countered by cadence strength and clarity," such as the, "resolute movement from V of V to V to I."Cooper, Paul (1975). Perspectives in Music Theory, p.216. New York: Dodd, Mead, and Company. .
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This composition is in one movements and takes approximately 3 minutes to perform. It is marked lento sostenuto at the beginning, which is the general tone of the piece. The composition is notated without bar lines, which transforms the piece into a pseudo-improvisatory composition, leaving the performer great room for expression. It starts with a low G being played in a pulsating manner and develops from there a sighing tone adding higher notes.
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It is in three movements: #Allegro con fuoco #Lento e dolce #Allegro misurato – Tempo I, ma impetuoso – Epilogue: Largo Andrea Olmstead describes all of Sessions's symphonies as "serious" and "funereal", with No. 7 being one of four with, "quiet reflective endings."Olmstead, Andrea (2012). Roger Sessions: A Biography, p.356. Routledge. . The composer said that the symphony was influenced by the Story of O. Andrea Olmstead, Roger Sessions: A Biography (New York: Routledge, 2008}: 360.
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The lead single No Me Acuerdo was certified quadruple platinum in both Mexico and the United States as well as double platimun in Spain. The album also spawned the hits Me Oyen, Me Escuchan, Lento, and Lindo Pero Bruto with the latter being certified gold in the United States. The album had a total of 8 songs released as singles. In January 2019 she released her line of hair care products called Adria by Thalía.
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The work is in four movements: # Allegro impectuoso #Andantino #Andante #Lento – Allegro The Fourth Symphony employs the principle of cyclic form. The main theme of the first movement recurs in all of the following movements, with the aim of providing unity to the whole work . Moreover, themes from Villa-Lobos's Third Symphony are also quoted here, which has sometimes incorrectly been assumed to imply that these two symphonies were originally a single work .
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The Russian composer Nikolai Myaskovsky wrote his Symphony No. 11 in B-flat minor in 1931/1932. It has three movements: #Lento – Allegro agitato #Andante – Adagio, ma non tanto #Precipitato - Allegro The symphony (his opus 34) was begun three years after his 10th symphony was completed, a symphonic pause long for him. The style of this symphony is entirely different from that of its predecessor, which was still a modern-sounding work. Symphony no.
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The opening measures of "Le coq ..." The pieces display > contrasts in sonority and tempo: the Préface—"vif" and "quasi una > cadenza"—comes together on an andantino assuming a rich adornment evoking > the sustained "voice of the nightingales in the flowers". "Les herbes de > l'oubli ..." follows the course of a larghetto phrase. The tempo of "Le coq" > is moderato, with a little more animation towards the end. "La petite tortue > ..." proceeds naturally on a lento rhythm.
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There are twelve movements in all: six short contrasting even-numbered movements with an introductory movement and five interludes,Northcott 1998, 9. in which the players "discuss in different ways what has been played and what will be played". :1. Introduction = 72 :2. Giocoso = 96 :3. Interlude I :4. Lento espressivo ( = 60) :5. Interlude II :6. Presto scorrevole :7. Interlude III :8. Allegro energico ( = 72) :9. Interlude IV :10. Adagio sereno ( = 48) :11.
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Their debut and second singles "Tan Fácil" and "Quisiera", charted well soon after their debut. They released their first album, Primera Cita on August 26, 2016, which included the hit "Reggaetón Lento (Bailemos)". The group released their self-titled second album, on April 6, 2018, which included the singles "Mamita" and "Se Vuelve Loca". Their debut EP Que Quiénes Somos, containing the singles "De Cero" and "Pegao" featuring Manuel Turizo, was released on October 11, 2019.
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The concerto is written in three movements: #Moderato con moto – Agitato – Tempo primo – #Vivace – Animando – Largamente – Cadenza – #Passacaglia: Andante lento (Un poco meno mosso) This form, although in three movements, is highly unlike that of concertos from the Classical and Romantic eras. First used in the First Violin Concerto of Sergei Prokofiev, this design is also evident in the concertos of William Walton and later in Shostakovich's first violin concerto, that has a structure that clearly recalls Britten's concerto.
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The first quartet of the set, in B-flat major, is numbered III/44 in the Hoboken-Verzeichnis catalogue. Its movements are: #Allegro #Adagio non lento #Menuetto: Poco allegretto #Finale: Vivace The opening measures of the first movement The first movement is in cut common (2/2) time. It starts with the cello, alone, playing eight quarter notes on the same B-flat. It is not until the third measure of the movement that the violins and viola enter.
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The first dance (Allegro vivace) is rhapsodic in form, though with a recurrent main theme. This theme, which provides the melodic, textural, and rhythmic foundations of the work, is first heard pianissimo in the murky depths of the keyboard. The middle section, Lento, presents an evocative modal melody against a various tremolo harmonies in the bass. This section fades away, and, after a long and increasingly frenzied crescendo, the main theme returns in triumphant fortissimo octaves.
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The 1980s saw an increase of interest in Skempton's music, which led to more commissions and permitted him to compose more for larger forces.Parsons 1987, 16. Lento, an orchestral work composed in late 1991, became one of Skempton's most widely recognised pieces. In the 1990s important recordings of his works started appearing, such as a disc of piano music recorded by his old friend and former Scratch Orchestra colleague John Tilbury, released on Sony Classical in 1996,MacDonald 1996.
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Edvard Grieg's Piano Sonata in E minor, Op. 7 was written in 1865 when he was 22 years old. The sonata was published a year later and revised in 1887. The work was Grieg's only piano sonata and it was dedicated to the Danish composer Niels Gade. The sonata has four movements with the following tempo markings: # Allegro moderato # Andante molto # Alla Menuetto, ma poco più lento # Finale: Molto allegro A typical performance lasts around 20 minutes.
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The work is composed for solo oboe and orchestra and comprises four movements: #Moderato con moto #Allegretto alla pavana #Lento rapsodico #Allegro agitato The third movement was added in 1973 and is in the style of an unaccompanied cadenza which adds to the soloistic display of the piece. The piece is scored for solo oboe, 2 french horns, 2 trumpets, 3 trombones, percussion (including triangle, glockenspiel, celesta and tubular bells), harp, and strings (violins, violas, cellos, and double-bass).
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The work was commissioned by the tenor Peter Pears.Liner notes by Peter Pears on LP Argo ZK 28-29 It consists of settings of texts by John Donne (15721631), adapted from three of the Meditations in his Devotions upon Emergent Occasions. A typical performance takes 9 minutes. The titles of the songs are: # "Wee Cannot Bid the Fruits" (from Meditation XIX) # "In the Wombe of the Earth" (from Meditation XVIII) # "Nunc, lento, sonitu dicunt, morieris" (from Meditation XVII) Latin.
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The brief but eloquent Lento for Strings was written in 1985, while the composer was in Australia. The work was commissioned by the Royal Melbourne Philharmonic, who premièred it in the autumn of that year in Melbourne, and Williamson chose to dedicate the piece to a longtime friend and champion, Paul McDermott. McDermott was held in particularly high regard by Williamson, especially as it was he who had successfully conducted his Symphony No. 6: Liturgy of Homage a few years before.
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It then impacted another group of homes to north the of town on the Turner Expressway, heavily damaging or destroying them and killing three in the area. The tornado then moved directly through Speaks Mill, crossing over 2 Sisters Ferry Road before reaching its peak intensity along Lento Road. Here, a well-built two story home was leveled with only a pile of debris remaining, and some of its debris scattered into the yard. Damage to the residence was rated EF4.
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Memento Mori is in one movement and last for approximately 14 minutes. It is in common time and the tempo is lento. The piece opens with an introduction, which them leads into two statements of the Dies irae plainchant, part of the Latin mass for the dead: 687x687px Following this, the music oscillates between the pitches of G and A-flat. The composer notes that this is because the astronomer Kepler believed those pitches to be the sound of the planet Earth.
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In her song, "Pancake", she talks about how much she likes to consume her favorite fast foods like ice cream, donuts and milkshake. Her interpretation of Randy Newman's "Same Girl" is a solo performance that carries a genuine emotion. Na arranges a Korean traditional folk song in this album, and create a mass version of Kangwondo Arirang. Then she does again in her next album, Lento, with a title, Arirang, which she performs in a closing ceremony Sochi Winter Olympic in 2014.
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Even so, the combination of Fonseca's piano, the complex time signatures and Javier Zalba's eastern- inflected clarinet on this piece suggest Turkey's Ayşe Tüntüncü Trio. The contrarily titled "Lento Y Despacio" (Slow and slowly) is a stop-start percussive jam, similar in style to Aron Ottignon. The BBC considers the most striking piece to be "Drume Negrita", describing it as "a cool, relaxed vibe and features some lovely sax work by Zalba." Cape Verdean singer Mayra Andrade sings on "Siete Potencias" (Bu Kantu).
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Other actors who intervened in the program were Ernesto Alonso and Silvia Pinal. Maria Victoria's first charted in Billboard Magazine on 10 July 1976 was with a song written by Juan Gabriel titled "17 Años – 17-years-old," and by September it had reached the Top 10, on Billboard's Hits of The World. In 1977 she filmed A fuego lento (Mexico nocturno) with Óscar Chávez, Gilberto Pérez Gallardo and María Luisa Landín, directed by Juan Ibáñez. In 1980 she began to work abroad.
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The Symphony No. 1 in C minor, Op. 3, by Nikolai Myaskovsky was written in 1908 (and revised 1921). It is in three movements: # Lento, ma non troppo. Allegro. # Larghetto, quasi andante # Allegro assai e molto risoluto The first sketches for this symphony were written at the time of Myaskovsky's studies in Saint Petersburg in February 1908. The following summer he wrote the piano score, and on the first, ninth and twenty-seventh of July, the movements were finished in piano reduction.
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Finale Brown I:F 4 - Symphony in F major, I. Allegro molto in tempo di presto, II. Andantino, III. Finale Brown I:F 5 - Symphony in F major, I. Allegro moderato, II. Andante, III. Finale Brown I:F 6 - Symphony in F major, I. Allegro molto, II. Andante molto, III. Menuetto: Moderato, IV. Finale: Presto Brown I:F 7 - Symphony in F major, I. Allegro, II. Andante non troppo lento, III. Presto Brown I:F 8 - Symphony in F major, I. Andante, II. Fuga, III.
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Poco lento - Allegro 4/4 D major This movement, written in unusual sonata form combined with ternary form, begins with a large introduction, which d'Indy calls the Lied (song) and also L'idée mère (fundamental or generative idea). The first violin plays the main theme of the introduction over the harmonic accompaniment of strings (Excerpt 1). This subject will appear in this and later movements as the first cyclic theme. The introduction comprises Excerpt 1 and Excerpt 2, which is played quietly in contrast.
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The symphony has a duration of roughly 35 minutes and is composed in four movements: #Con fuoco #Andante cantabile #Grave #Lento Though it was originally conceived as a purely orchestral work, Harbison decided to add vocal parts to the symphony at the suggestion of James Levine. The first two movements are set to the text of Czesław Miłosz's Orpheus and Eurydice, while the third and fourth movements are set to Louise Glück's Relic and Rainer Maria Rilke's Sonnets to Orpheus, respectively.
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The thought from Psalm 90 (2b), "" (Ah, Lord, teach us to consider that we must die) is rendered as an arioso of the tenor, marked Lento. The melodic line is broken by rests of reflection. The warning to be prepared for death (2c) from Isaiah, "" (Put your house in order; for you will die), is performed as an aria by the bass, marked Vivace. Arpeggios of the recorder accompany the voice which has been described as "evocative of the command of God".
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3–5 Fauré first conceived the music as a set of individual pieces, but then decided to make them into a single work by carrying the main theme of each section over into the following section as a secondary theme.Howat (Piano Works by Gabriel Fauré) p. 7 The work opens with the F major theme, an andante cantabile, which is followed by a slower section, marked lento, in E minor. The third section is an andante introducing a third theme.
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The Nunc dimittis, marked "Tranquillo a poco lento" (Calm and somewhat slow), is set in more homophony. After a few measures of organ introduction, the lower voices enter with a long chord, on which the sopranos begin a melody, all voices joining for "depart in peace", ended with another long chord marked pianissimo. The doxology is built from material of the first one. Divided tenors emphasize the phrase "world without end", while all voices are divided for the final soft Amen.
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The concerto is scored for solo violin and an orchestra of: 3 flutes (no. 3 doubling alto flute), 2 oboes, cor anglais, 3 clarinets in B (no. 3 doubling bass clarinet in B), alto saxophone in E, 3 bassoons (no. 3 doubling contrabassoon), 4 horns in F, 4 trumpets in B, 4 trombones, contrabass tuba, percussion (6 players), harp, celesta, harpsichord, prepared piano, and strings. The movements are as follows: #Andante #Vivo #Adagio #Lento A performance typically lasts approximately 35 minutes.
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5) was included as part of the definitive version of the cycle.Lucie Renaud, Lucie, translated by Peter Christensen, Notes for the Analekta album Années de pèlerinage – Suisse (Years of Pilgrimage – Switzerland), André Laplante, , accessed Sept. 8, 2010 # Chapelle de Guillaume Tell (William Tell's Chapel) in C major – For this depiction of the Swiss struggle for liberation Liszt chooses a motto from Schiller as caption, "All for one – one for all." A noble passage marked lento opens the piece, followed by the main melody of the freedom fighters.
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It differs from the first movement in that it maintains a constant 3/4 meter but, like its predecessor, can be analyzed as a binary structure . The oboe takes the foreground in the third movement, which is in a slow 5/4 time ( = 48). The movement is cast in a five parts, set off from one another by the alternating tempo markings molto lento and pochiss. piu mosso but, unlike the first two movements, the motivic writing here avoids repetition in favor of unfolding constantly new ideas (; .
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The piece continues in this manner for a while until the second theme, a chordal section marked Poco più mosso is introduced. It begins pianississimo but then grows to an appassionato climax. The music then seems to fade out, followed by an entire new section of the piece, marked Più lento con intimo sentimento. This section's song like melody is accompanied by arpeggiation in both hands (bringing out the main melody is a surprising technical feat, due to the wide spacing of the arpeggios in each hand).
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This is analogous with the assignment in imperative computer languages: `{x = f(x);} ≡ {xnew = f(xold);}` Before the modern concept and notation of metric modulations composers used the terms doppio piu mosso and doppio piu lento for double and half-speed, and later markings such as: :(Adagio)=(Allegro) indicating double speed, which would now be marked (=) . The phrase l'istesso tempo was used for what may now be notated with metric modulation markings. For example: to (), will be marked l'istesso tempo, indicating the beat is the same speed.
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The 2010 edition takes place from August 26 to September 23, with an average of one show per week. It started with a spot at Parc Des Amériques during the St-Laurent street sale on Thursday, August 26, with 6 one-hour slots from 4PM to 10PM; Richard Lahmy, sskkLLFFkk, The Lindbergh Line, Desert Owls, Dead Messenger and Allan Lento & Will Austin performed, with the last duo getting fined for excessive noise, which garnered much media exposure, considering they played an unplugged acoustic set.
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In February 2020, she collaborated with Puerto Rican producer Tainy on his Latin urban song "Nada" featuring Spanish artist C. Tangana. Jauregui released the Tainy-produced song "Lento" and its music video on March 20, 2020. On April 17, 2020, Jauregui released the song "50ft". Jauregui was scheduled to perform at Something in the Water music festival in Virginia Beach in April 2020, and at the inaugural Virgin Fest in Los Angeles in June, however both festivals were postponed to 2021 due to the COVID-19 pandemic.
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The catchphrase he used for one of his most celebrated tricks was "No se puede hacer más lento" (Spanish for "it cannot be done any slower"), referencing the measured and slow pace of his performances. In between international tours he resided in Tandil, Argentina and adapted a train wagon into a magic saloon where he taught the art of illusion. He also co-wrote (with Richard Kaufman) the book Mysteries of my Life. The book is an autobiography as well as an instructional book on his magic.
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It is in three movements: #Allegro moderato #Lento moderato – Piu mosso – Poco largemente – Tempo I #Allegro – Allegro scherzando – Piu largamente – Vivo The blustery opening movement begins with the strings and woodwinds playing a joyous melody, eventually joined by solo trumpet. It is probably the most imposing opening of the Bax symphonies, drawing inspiration from the sea. The organ is used and there are six horns (being the most in any Bax symphony). The second subject is much calmer and gorgeously melodic, being introduced by solo oboe and then taken up by the strings.
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This first Scherzo takes A-B-A-Coda form and begins with two chords in fortissimo. At tremendous speed, a series of dramatic outbursts in the B minor tonic follows. Near the center of the piece, the music leads into a slower section in B major; finally one hears a tangible melody in the middle register, surrounded by accompaniment in both the left and upper right hands. Chopin quotes here from an old Polish Christmas song (Lulajże Jezuniu); the tempo in this section is marked Molto più lento.
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Lento is the eighth studio album by South Korean jazz singer-songwriter Na Yoon-Sun, released on March 12, 2013 by ACT Music. It is the third album that Yoon-Sun and ACT Music worked on music together. After Yoon-Sun refused to contract with French record label Bleu, she had formed quintet with French accordionist Vincent Peirani, Swedish guitarist Ulf Wakenius, French percussionist Xavier Desandre-Navarre, and Swedish bassist and cellist Lars Danielsson. This quintet has been working together since 2009 when they created Yoon-Sun's sixth album Voyage.
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The Symphony is in three movements: #Allegro molto moderato #Molto lento #Allegro con brio In contrast to the Romantic character of the Fourth Symphony, Chávez here adopts a neoclassical orientation. This is especially pronounced in the last movement, whose contrapuntal textures lend it a decidedly baroque character . The first movement is in 12/8 time and in a sort of E minor tonality. The style of the movement resembles the opening of the Allegro of the Third Symphony, though of course without the powerful effect of a large orchestra .
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Stanford set a paraphrase of the first verse of Psalm 119 in Latin, "Beati quorum via integra est, qui ambulant in lege Domini" (Happy are they that are upright in the way, who walk in the law of the LORD). He composed the text for a mixed unaccompanied six-part choir, SSATBB. The piece is in A-flat major and 3/4 time, marked Con moto tranqillo ma no troppo lento (In calm movement but not too slow). The three upper voices begin, imitated by the three lower voices.
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Soli I is scored for oboe, clarinet, trumpet, and bassoon. It is in four movements, each of which foregrounds one of the four instruments in the ensemble, and features a distinctive metric character : #Sciolto e ritmato (changing meters, clarinet) #Moderato (3/4, bassoon) #Molto lento (5/4, oboe) #Vivo (6/8, trumpet) The clarinet is the featured instrument in the first movement, which is jazzy with polyrhythmic inflections . It is in binary form with a transition in the middle . The second movement is in a moderate tempo with the bassoon as soloist.
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The Battle of Lauro (45 BC) was the last stand of Gnaeus Pompeius the Younger, son of Gnaeus Pompeius Magnus, against the followers of Julius Caesar during the civil war of 49–45 BC. After being defeated during the Battle of Munda, the younger Pompeius unsuccessfully attempted to flee Hispania Ulterior by sea, but was eventually forced to land. Pursued by Caesarian forces under Lucius Caesennius Lento, the Pompeians were cornered at a wooded hill near the town of Lauro, where most of them, including Pompeius the Younger, were killed in battle.
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For the Cambridge production of The Frogs in 1936, Leigh produced another score precision-made for the occasion. The music for A Midsummer Night's Dream was written for an open-air schools performance at Weimar in 1936; it is scored for flute, clarinet, trumpet, strings and harpsichord. Music for String Orchestra is a work written sympathetically for amateurs in four movements: Adagio – Vivo – Lento – Allegro. The only other major commission Leigh undertook before the outbreak of war was to produce the music for Herbert Farjeon's intimate revue Nine Sharp (1938).
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Opening bars of No. 2 in A major. The Nocturne in A-flat major is initially marked as lento and in 4/4 meter. It is structured in an A-B-B'-A' format and features a melodic and bright main melodic theme in the A section, with a turbulent and dramatic theme in the B sections. In measure 27, the A section transitions into the B section, as the meter switches to 12/8 and the key to F minor (the relative minor of A-flat major).
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The third album Lucifer Songs was released in 2005 and brought the band to discover new sonic paths with a massive use of droning sounds and synths, while in 2007 the band recorded a collaboration album with fellow Italian band Lento titled Supernaturals: Record One. Poia (left), Vita (centre) and Urlo (right) performing at Shagoo Shagoo Fest 2008.In 2008, they released their fourth studio album, Idolum, pushing even further the monolithic sound and psychedelic vein of their music to a new level of composition. In 2010 the band released Eve, their fifth album.
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Venues: Zoobizarre, Playhouse, Quai Des Brumes, Barfly, L'Absynthe, Cagibi, and Lola Lounge. Performers: Croc Mort, God: Zero, Les Vestons, The Unsettlers, The Jimmy Riggers, Me & Mary Jane (twice), Richard Carr, Sébastian Hell, Nightwood, Plunt, Infinite Moksha, Raw Madonna, The Sacramentos, Pax Nipponica, Shane Watt, members of Ideal Lovers, UnPop All Stars, Launie Anderssohn, Belleisle, Dush, Will Austin Escape, Les Jazz Bin, OK Giraffe, Allan Lento, Elizabeth Bruce, Shot While Hunting, On Bodies, Eleveneighty, Devil Eyes, Dead Messenger, Meltdown Club, Doc Pickles, Black Mammoth, Argon Floozy, .Cut, Anti-School-Year, Les Tristes Tropiques.
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The opening motive of the first movement, an upward-leaping fourth followed by a minor second and a major second, is related to the major second-minor second alternation of the main theme of the Lento. The first two movements are tripartite in form while the third has been compared by Richard Dyer to a toccata. Sessions worked on the sonata in conjunction with his second symphony, completed the same year, and his opera Montezuma, but the latter did not achieve final form until much later.Prausnitz, Frederik (2002). , page 253.
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At the start of verse 11, it returns to the first tempo, but this time un poco animato. The tempo winds down to Piu Lento at the beginning of verse 20, before slowing down to Largo for the final 9 bars. The work either begins on the dominant of D Dorian or on the tonic A Mixolydian, with an unexpected progression of four major chords, which is an unusual chord progression for this time period. This composition arguably concludes in D Major with a cadence that spans three bars.
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Skempton initially set out to compose three short pieces to be played in sequence, but afterwards decided on a single large piece. Lento was completed in November 1990; it was premiered on 12 March 1991 by the BBC Symphony Orchestra at the Barbican Centre concert hall, conducted by Mark Wigglesworth. The work is scored for 3 flutes, 3 oboes, cor anglais, clarinet, 3 bassoons, contrabassoon, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, and strings. The instrumentation is the same as that of Wagner's Parsifal prelude, although Skempton's use of instruments is very different.
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Movement 1. The piece is structured as a typical sonata in the Classical period: the first movement is a long Allegro moderato (moderately quick), the second a Lento (very slow), and the third an Allegro molto (very fast). # Allegro moderato (in D minor, ends in D major) #:The substantial first movement Allegro moderato presents most of the thematic material and motifs revisited in the later movements. #:Juxtaposed in the intro is a motif revisited throughout the movement: a quiet, questioning fifth answered by a defiant authentic cadence, followed by a solemn chord progression.
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The Consolations, S.172 consist of six solo compositions for the piano. # Andante con moto (E major) # Un poco più mosso (E major) # Lento placido (D major) # Quasi Adagio (D major) # Andantino (E major) # Allegretto sempre cantabile (E major) Composed between 1849 and 1850, they are Liszt's second version of the Consolations. This version of the Consolations is better known than the first version and was published in 1850 in Leipzig by Breitkopf & Härtel. In comparison to the first version of the Consolations, the original third Consolation (S.
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A typical performance takes about 15 minutes. The movements are headed: # Poco presto ed agitato # Variations, andante lento # Tarantella The first movement is in sonata form. The writer, publisher and friend of Britten's Erwin Stein suggested that the work as a whole is modelled on the Chamber Symphony No. 1 of 1906 by Arnold Schoenberg. In 1937, before Britten departed for America, his friend W. H. Auden inscribed his poem "It's Farewell to the Drawing-room's Civilised Cry" on the fly-leaf of a miniature score of the Sinfonietta.
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8–9 minutes Opening of the Marche funèbre The third movement, titled Marche funèbre, is a "stark juxtaposition of funeral march and pastoral trio".Boczkowska (2012), p. 217 The movement is in B minor and time with the trio in the relative major of D. The tempo designation, Lento, was not added until after the sonata's publication in 1840. The movement opens with a melody consisting of just a repeated B for almost three measures accompanied by alternating B (without the third) and G major chords that ring like a funereal bell.
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Nikolai Myaskovsky composed his Symphony No. 22 in B minor in 1941. Its official name is Symphonic Ballad (or Ballade), and it lasts about 35–40 minutes in performance. The symphony is in one movement in three sections: #Lento. Allegro non troppo in B minorKeys from score #Andante con duolo in B minor #Allegro energico, ma non troppo vivo in B minor The first section begins with a slow introduction which acts as a section-connecting and recurring motive, in B minor but with a tendency to slip to a G major chord.
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The Concerto per Trombone e Orchestra in C was composed by Italian composer Nino Rota in 1966. The concerto is in three movements: #Allegro giusto #Lento, ben ritmato #Allegro moderato This concerto was given its premiere performance on March 6, 1969, at the Conservatorio di Musica "Giuseppe Verdi" in Milano, Italy, by trombonist Bruno Ferrari (to whom the work is dedicated), with the Orchestra I Pomeriggi Musicali conducted by Franco Caracciolo. This piece is considered one of the important trombone concertos in the classical repertoire. A performance of the concerto usually lasts around 13 minutes.
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The Finnish Air Force (The Whites) received one aircraft as a gift from Sweden from the grocery magnate G. Svensson in the spring of 1918. The aircraft arrived by ship at Turku on 5 May 1918, where it was used at the Turku Flying School (Turun Lentokoulu), established on 1 May 1918. The flying school was renamed V Flying Detachment (V Lento-osasto) of the Finnish Air Force on 1 October 1918. The aircraft was mainly used as a trainer aircraft and was destroyed in a crash due to engine malfunction outside Helsinki's Pohjoissatama harbour in February 1919.
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According to an article in The Guardian, in cities such as Verona and Milan, producers would work with singers, using mass-made synthesizers and drum machines, and incorporating them into a mix of experimental music with a "classic-pop sensibility" which would be aimed for nightclubs. The songs produced would often be sold later by labels and companies such as the Milan- based Discomagic. Gigi D'Agostino, developer of the Lento Violento subgenre. Italo disco influenced several electronic groups, such as the Pet Shop Boys, Erasure and New Order, as well as genres such as Eurodance, Eurobeat and freestyle.
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Latin American boy band CNCO has released two studio albums, one extended play, twenty-four singles, including seven as a featured artist, and six promotional singles. The group released their debut single "Tan Fácil" in January 2016, which peaked at number 23 on billboard's Hot Latin Songs chart. Later in May, they released "Quisiera", which reached number 29 on the chart. The band released their anticipated debut album, Primera Cita, on August 26 of the same year, which achieved a Gold certification in the U.S. The group gained international recognition after the release of their third single "Reggaetón Lento (Bailemos)".
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It has been certified 5x platinum, and its video reached over 1 billion views in less than a year. In April 2017, they released "Hey DJ", the lead single from their sophomore album, featuring Yandel. Throughout the year they were featured in several singles and remixes from artists such as Río Roma and Becky G. Later in August, they collaborated with Little Mix on a remix of "Reggaetón Lento" as the second single, followed by "Mamita", released in October. The group released their self-titled album on April 6, 2018, accompanied by the fourth single "Sólo Yo".
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While the whole piece is thematically unified, the proper variations occupy only the central third of the work. The introduction has reminded many commentators of the theme of the slow movement of Beethoven's Piano Concerto No. 4 in G. The entire work is based on two themes. The first part begins in the home key of F minor with different elements of the themes played by the orchestra and the piano (Poco allegro). Soon both themes get a proper statement, the first (ascending) in A major by the orchestra (L'istesso tempo), the second (descending) in C minor by the piano (Poco più lento).
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This initial transition is performed over the C dominant 7th chord, which is not totally foreign to A-flat and yet pushes strongly away towards the F minor B section. James Huneker found the F-minor section to "[broaden] out to dramatic reaches" though he still viewed the overall piece negatively. After a tumultuous set of chromatically descending octaves at the end of the B section, the key changes to F-sharp minor in measure 39 and returns to A-flat major at measure 51, where the meter also returns to 4/4. The tempo returns to lento in measure 73.
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The text is Psalm 100, also known as the Jubilate Deo, in the German translation by Martin Luther.(). Mendelssohn set it in one movement of three sections with different tempo markings. Written in C major and common time, it is first marked Andante con moto, the middle section ("Gehet zu seinen Toren ein") is marked Poco lento, and the final section ("Denn der Herr ist freundlich") Andante. While the outer sections are for four parts, all parts are divided in the middle section, split in a chorus of the four lower and one of the upper voices which first sing alternately.
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Fair at the Plaza de la Constitución, Mexico City Música de feria is written in a single movement which nevertheless incorporates the structure and development of a traditional quartet. A distinctive feature is the simultaneous presentation of independent melodic lines in each part but within a single rhythmic pattern . There is considerable disagreement about the musical structure. According to one interpretation, the quartet is seen as clearly falling into four main sections, corresponding in miniature to the structure of a traditional four-movement string quartet: Allegro (first movement), Lento (slow movement), Allegro giocoso (scherzo), and Allegro tempo I (finale) .
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LPO recording of Malcolm Arnold's Symphony No. 6 The Symphony No. 6, Op. 95 by Malcolm Arnold was written in 1967, and finished in July of that year. It is in three movements: I. Energico II. Lento – Allegretto' III. Con fuoco It is scored for three flutes, two oboes, two clarinets, two bassoons, four horns, three trumpets, three trombones, one tuba, timpani, three percussionists, playing snare drum, bass drum, tenor drum, tambourine, cymbals (both crash and suspended), tam-tam, tubular bells, harp and strings. It was premiered by the composer conducting the BBC Northern Symphony Orchestra in Sheffield in June 1968.
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The French strategy The French strategy was to disembark at Bastia, follow the current course of Route N193 (built over the old road) up the Golo River valley and over the passes to Corte, seizing the strategic center of Paoli's political power. The Corsican strategy The Corsican strategy was to block the passage at Ponte Novu, a choke point where the road had to cross the river on the bridge. To do this Paoli stationed substantial forces on either side of the bridge. Gaffori was posted to the north above the road at Lento and Grimaldi at Canavaggia.
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Nor statement of this requires long time, and a new valse-like theme (in B minor) is presented in the brass, which is derived from the principle theme of the first movement. After some 30 bars it ends abruptly with piano stating the cadenza theme (Poco più lento). The recapitulation of the first theme entrancingly imitates musical snuff-box; it is slightly expanded and lacks the final section. Different reminiscences upon the valse theme follow (mostly in D major, showing it to be the real second subject of this movement) before the skittish melody returns (Poco più mosso, again in F major).
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Roger Sessions' Piano Sonata No. 2 was composed in 1946.The score indicates that the work was finished in Berkeley, California in November of that year. It has three movements: #Allegro con fuoco (tempo quarter note=120) #Lento (quarter note=50) #Misurato e pesante (quarter note = 66–72) The first two movements each end in a slight pause, followed by a briefer pause.in essence they follow each other without one, and in the Edward Marks 1976 score the three movements' measure numbers are numbered consecutively rather than starting again with 1: bars 1-168, 169-230, and 231-404.
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Tainy produced the 2019 hit "China" by Anuel AA, Daddy Yankee, and Karol G featuring Ozuna and J Balvin that peaked at number one in 6 countries and reached the top 10 in nine others. Tainy has produced songs like Lauren Jauregui's debut Latin single"Lento", "Feel It Too" featuring Jessie Reyez and Tory Lanez and Justin Bieber's "Habitual". He released his debut EP titled Neon16 Tape: The Kids That Grew Up on Reggaeton which consists of tracks with several other artists. The single "Nada" featuring Jauregui and C. Tangana was released on February 21, 2020.
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784: "When the Severn Suite was finished, [Elgar] dedicated the new work to Bernard Shaw." There are five movements, which follow each other without breaks: # Introduction (Worcester Castle) - Pomposo # Toccata (Tournament) - Allegro molto # Fugue (The Cathedral) - Andante # Minuet (Commandery) - Moderato # Coda - Lento - Pomposo The Severn of the title is the name of the river which runs through the centre of the city of Worcester where Elgar spent his childhood and lived later. The subtitles refer to historic places in the city. These subtitles were not devised by Elgar himself but were later added to the Military Band arrangement published in 1931.
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The aria is notated in D-flat major with time signatures of 3/4 for the verse and common time (4/4) for the refrain (""); the tempo indication is andantino (=66) for the verses and un poco più lento (a little slower) for the refrain. The vocal range extends from B-flat3 to G-flat5, with a tessitura from E-flat4 to E-flat5."Mon cœur s'ouvre à ta voix" at The Aria Database The instrumentation calls for flute, oboe, English horn, clarinet, horns, harp and strings. All instrument lines, except the harp, make intensive use of divisi (cellos play in four divisi).
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Steven Van Zandt (né Lento; born November 22, 1950), also known as Little Steven or Miami Steve, is an American singer, songwriter, musician, producer, actor, and activist. He is best known as a member of Bruce Springsteen's E Street Band, in which he plays guitar and mandolin. He is also known for his roles on television drama series, such as Silvio Dante on The Sopranos (1999–2007) and Frank Tagliano on Lilyhammer (2012–2014). Van Zandt has his own solo band called Little Steven and The Disciples of Soul, active on and off since the 1980s.
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He then published the short story collections Una casa para siempre, Suicidios ejemplares and Hijos sin hijos; Recuerdos inventados is an anthology of his best stories. His following works were novels, including Lejos de Veracruz, Extraña forma de vida, El viaje vertical, Bartleby & Co. and Montano's Malady, among others. In 1992 he published a collection of articles and literary essays under the title El viajero más lento, which he followed up in 1995 with El traje de los domingos. Other books containing literary essays include Para acabar entendamos nada (2003, Chile), El viento ligero en Parma (2004, Mexico; re-published in Spain, 2008), and And Pasavento ya no estaba (2008, Argentina).
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Melville-Mason, Graham. Notes to Sony Classical CD SMK87780 (2002) The suites are impossible to detail definitively as Beecham was in the habit of adding, dropping or changing the order of movements from performance to performance and recording to recording, and his concert and recorded performances frequently differed from the published scores. The first Handel- Beecham arrangement was given simply as "Suite – Handel" at a concert in February 1924.Melville-Mason, Graham. Notes to SOMM CD SOMM-BEECHAM-7 (2000) In April of that year Beecham conducted the London Symphony Orchestra in a recording of the work. The suite consisted of four movements: :1. Air – Lento :2.
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This is an example of syncopation. The left hand leaps intervals of up to a tenth (octave plus a third) between the bass and the lowest note of the following chord (and back): this requires a very strong left hand 5th finger. Very often, the performer is required to hold the uppermost note of the right hand in legato while continuing to play the rest of the chord in that hand (and in the left hand) as staccato: this requires a very strong right hand 5th finger. The ending is marked Lento and pianissimo and the chords are all on beat in stark contrast with the rest of the piece.
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The quartet consists of the traditional four movements: # Allegro non troppo # Lento # Scherzo (Allegro vivace) # Allegro vivace (con fuoco) The first movement is in ternary, ABA form, rather than the expected sonata-allegro form, and has a long concluding coda of thirty-seven measures . The second movement is also in ternary form and has the character of the improvised instrumental serenade called a choro . The third movement is a traditional scherzo with trio, followed by a concluding coda . The finale breaks with traditional forms, offering instead a succession of three unrelated sections, a transition, and a recapitulation of the first half of section one, and an extended coda .
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Taking influences from Italo disco and Italo house, Italo dance generally included synthesizer riffs, a melodic sound, and the usage of vocoders. The genre became mainstream after the release of the single "Blue (Da Ba Dee)" by Eiffel 65, which became one of Italy's most popular electronic groups; their album Europop was crowned as the greatest album of the 1990s by Channel 4.Eiffel 65 planet – Discography Also, a subgenre of Italo dance known as Lento Violento ("slow and violent") was developed by Gigi D'Agostino as a much slower and harder type of music. The BPM is often reduced to the half of typical Italo dance tracks.
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The cycle consists of eight pieces: #Vivace (E minor) #Poco andante (B major) #Poco andante e molto cantabile (A major) #Poco andante (F major) #Vivace (A minor) #Poco allegretto (B major) #Poco lento e grazioso (G major) #Poco andante — Vivace – Meno mosso, quasi Tempo I (B minor) The main theme of the first Humoresque was sketched in New York City on New Year's Eve 1892, with the inscription "Marche funèbre" (sic).Score, p. VI The minor theme was accompanied with the inscription "people singing in the street". The opening theme of the fourth piece was also sketched in New York, among ideas intended for the unrealized opera Hiawatha.
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The fourth movement, lento, con risoluzione, or as Still titled it in "Rashana," "Aspiration," begins with a hymn-like section, and continues on in a modal fashion, eventually ending with an upbeat and lively finale. This movement, ultimately in F minor, avoids traditional progressions from the dominant to the tonic (V-I). The opening contains no suggestion of modulation and has no authentic cadences, producing a sense of ambiguity of the tonic. The slow modal sections that follow the opening are centered on E natural, so by the time these slow sections are interrupted by passages in F minor, the use of E natural as a leading tone has been downplayed.
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She subsequently successfully toured throughout Mexico, the Caribbean, Central and South America as well as in Los Angeles, San Francisco and Spain, working with a variety of artists. For a brief period at the end of the 1940s, she lived in Santo Domingo, Dominican Republic, and more briefly in Havana. In addition, she appeared singing boleros in several films, including Su gran ilusión (1944) written and directed by Mauricio Magdaleno, Amor perdido (1950) directed by Miguel Morayta, El jibarito Rafael (1969) directed by Julián Soler and A fuego lento o México nocturno (1977) written and directed by Juan Ibáñez. She also appeared on television in the Dominican Republic.
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The symphony is in three movements, with much thematic material shared among the movements. # Adagio ( = 50) — Allegro moderato ( = 100) — Lento ( = 56) molto espressivo — Piu mosso — Meno mosso ( = 72) — Tranquillo — Molto piu mosso ( = 112) — Animato — Molto meno mosso ( = 80) — Animato ( = 112) — Meno mosso ( = 96) — Ancora meno mosso — Molto meno mosso # Andante con tenerezza # Allegro con brio — Molto meno mosso — Piu mosso — Animato — Largamente The "lyrical, haunting second theme" of the first movement has become known as the "Interlochen theme"p. 24 (2004) Cohen (as it is performed at the conclusion of all concerts at the Interlochen Center for the Arts). It reappears "with greater emphasis" in the following two movements.p.
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Martínez subsequently left Premium Latin Music (which consequently released the greatest-hits album La Historia de Elvis Martínez in 2005) and switched to Univision Records for Yo Soy Más Grande Que Él (2005). His best-selling album to date, Yo Soy Más Grande Que Él featured the hit singles "Tu Traición" and "Yo No Nací Para Amar". The partnership with Univision was short lived, however, as Martínez switched labels once again, moving to Universal Music Group for La Luz de Mis Ojos (2007), which spawned the hit single "Lento y Suave". He then went back to his first label Premium Latin and released "Esperanza" in 2012.
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Alternatively, the quartet is regarded as falling into just three large sections, each of which consists of a succession of three contrasting subsections. The opening section (Allegro–Vivo allegro) returns in slightly modified form at the end, thereby forming an overall ABC-DEF-ABC pattern. The central section is marked at its onset (D) by a slow tempo (Lento) employing ostinato patterns, but this gives way to increasingly faster material in the second and third subsections (E and F, Allegro tempo I and Giocoso, respectively). The recurrence of the opening section is almost literal in its A and B subsections, with the C section in an accelerated tempo, Presto y frenético .
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Nocturne in E-flat major, Op. 55, No. 2 The second nocturne in E major features a 12/8 time signature, triplet quavers in the bass, and a lento sostenuto tempo marking. The left-hand features sweeping legato arpeggi from the bass to the tenor, while the right-hand often plays a contrapuntal duet and a soaring single melody. There is a considerable amount of ornamentation in the right hand, for instance the prolonged trills in measures 34 and 52-54. The characteristic chromatic ornaments, in measures 7, 25, 36, and 50, often subdivide the beats in a syncopated fashion in contrast with the steady triplets in the left hand.
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The dialogue is opened by the soprano as the Soul in an aria in E minor, marked lento, "" (Dearest Jesus, my desire), The voice is complemented by an obbligato oboe, described by John Eliot Gardiner as "a solo oboe as her accomplice in spinning the most ravishing cantilena in the manner of one of Bach’s concerto slow movements". Julian Mincham distinguishes in the oboe line two different "ideas", in the first five measures a "sense of striving, effort and stretching upwards", then "garlands" of content in achieving a union, as the last lines of the text say "" (Ah! My treasure, bring me joy, let me embrace You with greatest delight).
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The theme is introduced Lento e molto tranquillo in C major, then proceeds through 27 variations in various tempi, ending in an ingenious fugal finale Allegro maestoso. The work remains in C major until Variation 17, moving into D major for Variation 18, B major for Variation 19, B minor for Variations 20–24, G major for Variations 25 and 26, before returning to C major for the final variation and the finale. It is predominantly in time, but explores for the Scherzo (Variation 17) and Tempo di valse (Variation 19), and also uses , and in some of the later variations. The final variation and the fugal finale return to .
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Skempton's first major success came in 1991 with the premiere of Lento (1990), an orchestral piece that gained a larger audience for the composer. During the 1990s and the 2000s Skempton started composing longer works for larger forces. These include several concertos, among which are some for instruments rarely used in the western tradition: the hurdy-gurdy (Concerto for hurdy-gurdy and percussion (1994)) and the accordion (Concerto for oboe, accordion and strings (1997)). Some of the later works explore non- standard instrumentation: Alveston (2007) is scored for four trumpets, Horizons (2001) is scored for oboe and harp, Ballade (1997) is a pieces for saxophone quartet and string orchestra.
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This song helped influence Lento Violento, a subgenre that had yet to be distinguished. On 15 July 2004, his compilation "Euro Dance" won Platinum certification with 120,000 copies sold in just a few weeks. In December 2004, D'Agostino released his fourth studio album, L'Amour Toujours II. D'Agostino has played in some well-known clubs throughout Europe, including in Italy, Spain, France, the Netherlands, the Czech Republic, Germany, Switzerland, and England (in 1996, he played at the Ministry of Sound in London with Mauro Picotto). In 2006, he created his own new record label called "Noisemaker Hard" to differentiate the style of music released under his older record label, "Noisemaker".
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The Consolations, S.171a consist of six solo compositions for the piano. # Andante con moto (E major) # Un poco più mosso (E major) # Lento, quasi recitativo (E major/C-sharp minor) # Quasi Adagio, cantabile con devozione (D major) # Andantino (E major) - "Madrigal" # Allegretto (E major) Composed between 1844 and 1849, they are Liszt's first version of the Consolations and were first published in 1992 by G. Henle Verlag. The manuscripts are located at the Goethe and Schiller Archives in Weimar. The third Consolation is an arrangement of a Hungarian folksong that would be later reused by Liszt in his Hungarian Rhapsody No.1, S.244/1.
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This movement consists of 19 distinctive sections: #Tranquilo ma decico # - # - #Viace e con allegra #Moderato #Andante #Piu lento # - #Molto vivace #Allegro molto #Allegretto #Piu moderato #Andante tranquilo #Cosa piu mosso e ben marcato # - (the first theme is brought back here) #Andante (reprise of #1) #Poco moderato (juxtaposition of the first and second theme) #Flebile #Tempo I. Most of the sections are variations on the second theme, but the movement breaks with traditional variations procedure by section 15 - from that point on the first theme is brought back in and the two themes undergo a common development which might remind one of the first movement.
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Her solo piano compositions included "Concert Etude in D flat", the ballades "Chivalric Poem" and "Of Romance", and a Ballade in C-sharp minor that won the Prize for a Piano Composition in the 1916 St. Louis Art League Music Competition; organ works included "Etude in D minor", "Lento Assai", and "Meditation". Her works for violin included "Serenade", "Spring Fantasie", and "Twilight in the Garden". Wyer's art songs with piano accompaniment encompassed "I Have a Rendezvous With Death", "Requiescat", "To Ships", "Remembrance", "The Mocking Bird", plus a setting from Paul Verlaine's "The Sky Above the Roofing Lies" and one from Charles Baudelaire's "Tropic Memories".
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A hymn is heard (specifically the Kyrie ad libitum 1, Clemens Rector; and the Sanctus from Mass IX, Cum jubilo), the sound rising and sinking again into some sort of catacomb, the cavern in which the dead are immured. An offstage trumpet plays the Sanctus hymn. Lower orchestral instruments, plus the organ pedal at 16′ and 32′ pitch, suggest the subterranean nature of the catacombs, while the trombones and horns represent priests chanting. The Pines of the Janiculum (I pini del Gianicolo, lento) The end of the third movement features this recording of the song of a nightingale which Respighi incorporated into the score.
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It is in three movements: #Allegro - Poco largemente - Tempo I #Lento - Piu mosso. In Legendary Mood - Tempo I #Theme and Variations: Allegro - Andante - Tempo I - Epilogue (Sereno) The movement opens with a melodic motive from the clarinets, and the slower, second main motive is introduced almost immediately after (sounding like a quote from the Tragic Overture, Op. 81 by Johannes Brahms). These two motives form a basis for the first subject, which has a very haunting mood, almost looking back on the opening of the fifth symphony. The lyrical second subject is achingly tender, but does show signs of optimism, particularly when it recapitulates at the end of the movement.
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Scherzo III. Scherzo: Allegro vivace - Trio: Un poco più lento A minor/major, Trio in F major; Allegro vivace In compound ternary form, the shadowy, mercurial scherzo plays off of elements of the first movement (in particular the V-I-V-I chord sequence from the second theme), and synthesizes, reinforces, and summarizes harmonic and thematic relationships from throughout the sonata, an approach Schubert used in the scherzi in his mature piano sonatas. Odd phrase lengths, subito effects, and unprepared distant modulations give the scherzo a quirky character. The pastoral F major trio, a gently rocking interlude with soft dynamics, is in stark contrast.
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This composition has eight movements: The first movement, Molto moderato, the original melody is repeated three times without not much variation and a coda at the end. The mode of this melody comes from the Dorian mode scale on C, but the accompaniment plays unrelated triad chords, all of them derived from melody notes. In the second movement, Molto capriccioso, the main melody is repeated also three times, but here, even though it shares its Dorian mode on C, there are fragments written in Mixolydian mode, its rhythm is much more syncopated, there are much more sudden tempo changes and it is much more dissonant than the first. The third movement, Lento rubato, is polytonal.
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From the beginning, they caught the attention of the media with their playful on-stage performances, while their fan base - who called themselves "Chicos y Chicas Pánico" (Pánico Boys and Girls) - slowly started to grow. They were known from the beginning for working independently with no record label, setting an example for other bands. Their first album, Bruce Lee (independent), included the songs Fútbol, Yendo al hipermercado and No me digas que no, si quieres decir que sí. They then released their second album, Canciones para aprender a cantar, also independent, which contained a collection of low-fi tracks that would become some of their best-known classics, such as: Las cosas van más lento and El choclo.
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They released the single Las cosas van más lento (Things are going slower), which would become one of the band's classics, still played today in their live shows. Edi and Caroline also worked on their indie label Combo Discos, which was responsible for the release of Pánico's own albums as well as the albums of bands like Mambo Taxi and the French group Holden. During 1998, they also released Pánico Remixes, which featured songs from Rayo al ojo and Panorámico (a Pánico album released in the European market) remixed by a group of invited DJs. ;1999 In 1999, Pánico released their new sound, named by Edi Electro Tropical Destroy, on the local radio station "Rock and Pop".
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Theatro Municipal, Rio de Janeiro, venue of the concerto's première The concerto has four movements: #Vivo #Lento #Quasi allegro – Cadenza #Allegro In the first movement, the solo part emphasizes parallel chord movements in both hands. The main theme has a modal colouring, and irregular metres occur throughout the movement . The second movement has been described as "a sticky, humid nocturne furnished with a lush orchestral carpet, above which the piano leaps and tumbles through a remote harmonic maze of augmented fourths and tritones " . The third movement is entirely taken up with a cadenza for the soloist, while the scherzo-finale has an energetic, Mediterraean-tinged first theme and a lyrical central section in the manner of a Brazilian modinha .
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During the flashback showing Logan Delos' first contact with Ford and Arnold's first hosts, a piano cover of "Runaway" by Kanye West plays in the background. Other classic piano compositions play in the episode, like Sergei Rachmaninoff's Morceaux de fantaisie, Op. 3: II. Prelude in C-Sharp Minor at the beginning of the episode, in cold open, and Frédéric Chopin's Piano Sonata No. 2 in B-Flat Minor, Op. 35: III. Marche funebre, Lento, played by Dolores at James Delos's retirement party. After he asks her to play "anything but fucking Chopin", she switches to the Gershwin piece The Man I Love, which had already been performed earlier in the episode by host Clementine at the demonstration for Logan.
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The second movement, the slowest in tempo and the longest in duration of the three, is "redolent with a deep Finnish melancholy". The first subject—Lento misterioso—consists of a dissonant, siren-like motif on flutes juxtaposed against a lugubrious solo cello, their interplay periodically interrupted by ominous interjections from the brass. Half-way through the movement, the second subject—Poco tranquillo—appears: a delicate woodwind dialogue in F-sharp minor between oboe, clarinet, and flute, supported by string bass pizzicati, strings, and horns. Although this passage recalls the third movement of Sibelius's Third Symphony, it is by no means derivative; the subject is, according to Finnish musicologist Erkki Salmenhaara, "all Madetoja's own".
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The first two movements were presented on 31 July 1919 in the Theatro Municipal, Rio de Janeiro, by the Orchestra do Theatro Municipal conducted by the composer, as part of a concert dedicated to the President of Brazil, Epitácio Pessoa. The complete symphony was first performed (together with the Fourth Symphony) in the same venue and by the same forces in September 1920, in a concert given in honour of Albert I and Elisabeth of Bavaria, the King and Queen of Belgium . However, it appears that at this time the symphony had only three movements. The slow movement, Lento e marcial, "certainly did not exist before 1946", and was probably added shortly before the work was publishedin 1955 .
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The symphony consists of four movements: #Allegro non troppo #Lento #Allegretto quasi animato #Allegro The main theme of the symphony was devised by projecting the outline of mountains at Belo Horizonte, Brazil, onto graph paper and transcribing the result as a melody. Villa-Lobos called this technique milimetrazação (graphing), sometimes rendered in English as "millimetrization" or "milmeterization" . A harmonized version of this melody for piano, together with a similar treatment titled New York Skyline, was initially published in the October 1942 issue of New Music, devoted to works by Brazilian composers . The first movement is in a slightly unconventional sonata-allegro form which, according to the composer's usual methods, omits the second theme from the recapitulation.
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In June 2014, Baxter was the guest on BBC Radio 4's Desert Island Discs. Her choices were "Deo Gracias" from A Ceremony of Carols by Benjamin Britten, the final chorus from the St Matthew Passion by Johann Sebastian Bach, "Milord" by Édith Piaf, "Beat Out Dat Rhythm on a Drum" from the musical Carmen Jones, the "Andante quasi lento e cantabile" from the Carol Symphony by Victor Hely-Hutchinson, the Allegro from the String Quintet in C Major by Franz Schubert, the Allegro from the Concierto de Aranjuez by Joaquín Rodrigo and the "Papageno Duet" from The Magic Flute by Wolfgang Amadeus Mozart. Her book choice was The Traveller's Tree by Patrick Leigh Fermor.
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The tempo then changes to Più lento and the key signature reverts to D major. The cellos introduce a new theme, which is quickly passed to the first violins: center As it too dies away like the opening theme, it gradually metamorphoses into a chorale-like theme in F minor, which is solemnly intoned by horns and woodwind in a slower tempo (un poco meno mosso): center This is developed at length, being joined in counterpoint with a variant of the second theme. The music finally dies away and silence ensues, bringing this opening section to a close in B minor. The second terrace of Ante-Purgatory is inhabited by the late repentant.
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In 2010 Professor released his debut album as a solo artist under Kalawa Jazmee Records. The album was titled "University of Kalawa Jazmee" and its lead single titled "Jezebel", it was a runaway success and catapulted to even higher levels of success as an artist and launched as an individual rather than part of the duo. The songs contained in the album were so strong that every single that came out of it was critically praised; this includes, "Jimaphi le Weight", "Imoto" and "Lento". Furthermore, at the year 2010 edition of the Metro FM Music Awards the album was nominated in three categories; Best Kwaito Album, Song of the Year (Jezebel) and Best Collaboration.
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The album debuted at number one on the UK Albums Chart and stayed there for four weeks; it later became their first album to yield more than two top ten singles when the fourth single, "Power", reached number six on the UK Singles Chart. In January 2018 the album was certified triple platinum in the UK for shipments of 900,000 units. The group re-issued the album on 24 November 2017 as Glory Days: The Platinum Edition. The re-issued album includes the single "Reggaetón Lento (Remix)", a remix of CNCO's song featuring the band, which peaked at number five on the UK Singles Chart, along with three other previously released remixed singles, three new songs and a bonus documentary "Glory Days: The Documentary".
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The quartet consists of six movements: #"Cantilena" (Andante) #"Brincadeira" (Allegretto scherzando) #"Canto lírico" (Moderato) #Cançoneta (Andantino quasi allegretto) #"Melancolia" (Lento) #"Saltando como um Saci" (Allegro) The six short movements of this quartet take the form of a suite, alternating cantabile and dance movements . The lively and humorous second movement, titled "Brincadeira" (Joke), features effects of pizzicato, battendo coll'arco (striking the strings with the back of the bow), and harmonics, both natural and artificial . Throughout the third movement the melodic material is confined entirely to the viola and first violin . The composer describes this movement as "a deliberate and elevated caricature of romantic arias, transcending the delicious idea of a romanza sung by a baritone accompanied by a small provincial orchestra" .
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A contrasting theme from the first section The piece is marked Lento con gran espressione and is written in common time. After a soft, sad introduction, the main theme starts at bar 5, with the left hand playing broken chords in legato slurs throughout the section, imparting a haunting and continuous quality to the music (similar to the Moonlight Sonata). The theme then shifts to a dreamy pianissimo in bar 21, before returning to the original theme in bar 47, and finally ending in C major. The first two bars of the theme from the middle section (bars 21 and 22), resemble the main theme from the third movement of Chopin's second piano concerto in F minor, which was composed around the same time (1829).
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Because of logistic issues mostly, Sébastian Hell decided that 2008's edition was to feature no more than 3 acts per show, with clear headliners who will have a longer allotted time slot. 2008's edition occurred over four days in early December, split into two venues. December 4 was at Cagibi and featured Sébastian Hell, Might, Reason To Hide and Anti-School-Year; December 5 and 6 were at The Pound, with the Friday show Raw Madonna, The Montreal Nintendo Orkestar, Launie Anderssohn and Merles Guitar Band, while the Saturday show had The Nevers, ElevenEighty and Smoked Meat Fax Machine. December 7 was back at Cagibi with Patrick Hutchinson (of Swift Years), Will Austin, Allan Lento and Elizabeth Bruce.
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The Triple Concerto is structured in three sections or movements: # Con moto # Lento # Presto Smirnov scored the work for the three solo instruments, and an orchestra consisting of piccolo, cor anglais, bass clarinet, percussion (3–4 players of timpani, triangle, suspended cymbal, maracas, woodblock, bongos, tom-tom, gongs, tam-tam, side drum, bass drum, glockenspiel, xylophone, bells), and strings. The concerto takes about 25 minutes to perform. The first movement has been described by a reviewer as "music meant to wound", the second movement as "unsettling and angst-ridden", and the third movement was compared to a Hitchcock film track. The three solo instruments complement each other, comparable to the voice types soprano for the violin, mezzo-soprano for the harp, and basso profundo for the double bass.
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Bella Figura is a one-act ballet by Jiří Kylián, first presented in 1995 by Nederlands Dans Theater. Premiere: Australia in 1996 by Nederlands Dans Theater. American in April 2011 by Boston Ballet. Lyon, France 2015 by Ballet de l'Opéra de Lyon Music: Lukas Foss ("Lento and Andante" from Salomon Rossi Suite) Giovanni Battista Pergolesi ("Stabat Mater Dolorosa and Quando Corpus Morietur" from Stabat Mater) Alessandro Marcello ("Adagio" from Oboe Concerto in D minor) Antonio Vivaldi ("Andante" from Concerto for two mandolins in G major) Giuseppe Torelli ("Grave" from Concerti Grossi Op 8 No. 6 in G minor "Christmas Concerto") Ken Ossola was assistant to the choreographer for the Boston Ballet production, the set design was by Kylián, costume design by Joke Visser, lighting design and technical adaptation by Kees Tjebbes.
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As a result, some quartets make their own adaptation, working from the orchestral original. Quartets have occasionally created performances that evoked the format of the premiere, with verse readings replacing the original words and sermons. The Brentano String Quartet, for instance, commissioned poet Mark Strand to supply a series of readings to replace the "words"; the result was "Poem After the Seven Last Words" (included in the volume Man and Camel). In another recorded example, by the Aeolian Quartet in 1976, poetic readings were substituted for the "words", read by Peter Pears; these readings were from John Donne (Introduction), George Herbert (Adagio), Robert Herrick (Grave e cantabile), an anonymous 15th century writer (Grave), Edith Sitwell (Largo), Edwin Muir (Adagio) and David Gascoyne (Lento), and the final Largo and Earthquake completed the performance.
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The Grosses Concert-Solo anticipates several of the most salient features of Liszt's undisputed masterwork, the Piano Sonata in B minor, namely the nonprogrammatic "four-movements-in-one" form. The earlier unpublished solo version (S.175a) as well as the unpublished orchestra accompaniment sketches for a projected piano concerto version (S.365) do not contain the slow Andante sostenuto middle section, which shows that Liszt’s initial conception was one virtuoso sonata- allegro movement with exposition, development, recapitulation, and coda. The new "comprehensive" sonata form is the result of an insertion of a slow movement (sometimes compared to the Lento sostenuto of Chopin’s Fantasy in F minor) between exposition and development and a cyclic recurrence of the slow movement theme between recapitulation and coda in order to achieve unity.
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The symphony in its final form has four movements: #Allegro quasi giusto: "A vida e o labor" (Life and Work) #Como um scherzo: "Intrigas e cochichos" (Intrigues and Whispers) #Lento e marcial: "Sofrimento" (Suffering) #Allegro impetuoso: "A batalha" (Battle) Unlike Villa-Lobos's two preceding symphonies and the following one, the Third Symphony does not use cyclic techniques internally, though there is a neighbour-note motive found in all four movements . More unusually, several themes from this symphony recur in the Fourth Symphony, creating cyclic relationships between these two independent works . Although Villa-Lobos took great care in the construction of the first movement , its form is by no means clear cut. If it is viewed as a traditional sonata-allegro, then there is very little development in the middle section.
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The trio is in three movements: #Lento–Allegro moderato #Adagio espressivo #Moderato, scherzando There is some disagreement concerning the compositional techniques employed. While Banks most often employed twelve-tone serial techniques in his concert music, one writer contends that the trio is an exception , while another describes it as atonal as well as serial . Whatever the technical basis, the work is economically built from a small group of basic ideas, with an emphasis on the descending semitone and a perfect fourth (; ). After a slow introduction, the first movement falls into five main sections: a lyrical first section, a passage of fluctuating tempos featuring muted horn and sul ponticello violin, a slow section based on the unifying falling semitone, a horn cadenza, and a reprise of the first main section .
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There are three movements: #Vivace #Lento #Vivace The first movement is influenced by twelve-tone technique, but is not bound by its formal procedures: there is no row in the strict sense of the word, but the music is based on retrogrades of various melodic and rhythmic fragments. For example, the contents of bars 1–2 is presented in retrograde in bars 20–21, with the same rhythm, and similar symmetries and transformations inform the entire movement (Nicholls 2002, 64). By contrast, the second movement uses the tone row technique in a much more strict manner, although still only marginally related to Schoenberg's method. It begins with the various forms of the row following one another in close succession: prime (bars 1–5), transposed (bars 5–9), retrograde (bars 10–12).
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After Smetana retired, Murray joined Ardyth Lohuis to form the Murray/Lohuis Duo which performs music for violin and pipe organ, and created a new niche for artists of both instruments. Composers Allan Blank, Derek Healey, Wilber Held and Lew Whikehart have written and dedicated pieces to Murray and Lohuis, thus increasing the already surprisingly ample available repertoire. In addition, John Corigliano gave their violin and organ duo permission to make an organ transcription from the piano score for the "Lento" movement of his Sonata for Violin and Piano, and like the Blank, Healey, Held and Whikehart pieces, this selection is also included on one of their recordings. The Murray/Lohuis Duo has performed at the Piccolo Spoleto Festival, Charleston, S. Carolina, at the Margam Festival in Swansea, Wales, and for concert series and conventions in North America too numerous to mention.
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On February 7, 2017, the band was announced as one of four finalists in the category "Artist of the Year, New" for the 2017 Billboard Latin Music Awards, representing artists who charted well over the past year. On February 26 they began their first headlining tour, Más Allá, in Cochabamba, Bolivia, for a total of 15 countries, including 40 performances in Central and South America, Mexico, Portugal, Spain, and the United States; and recorded music for their second album while on tour. On April 4, 2017, the group officially released the lead single from their second album, "Hey DJ", featuring Puerto Rican singer Yandel; they also released a solo pop version. On August 18, CNCO released a remixed version of "Reggaetón Lento" featuring vocals from British girl group Little Mix as the second single from the record.
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The quartet is in two movements: #Allegro energico #Vivo The first movement is regarded by one analyst as not following any conventional formal scheme, consisting instead of a series of contrasting episodes in different tempos and frequently changing meters that is similar to the Italian canzonas of the late-sixteenth and early seventeenth centuries . According to another view, it is in a ternary, ABA form, which conflicts with the expected sonata-allegro form of the traditional string quartet . The outer sections are fast, rhythmically irregular, loud, and aggressive, while the middle section contrasts with a slower tempo (Lento), regular rhythms, soft dynamics, and a lyrical, tender mood. The first section falls into four subsections (Allegro energico, Poco meno mosso – cantabile, Tempo I, and Meno mosso), each marked at the end by sustained chords, grand pauses, or both.
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"Una storia sbagliata" (literally "A wrong story", but also translatable as "A story in error" or "A story full of mistakes")Commentary by Dennis Criteser, on his blog Fabrizio De André in English – including English translations for all of his songs. is an impassioned folk rock song in time, set at a lento (= slow) tempo of about 57 BPM (in tuplets). It features an arrangement led by layered acoustic and electric strummed guitars, and mostly sung in close harmony by De André and co-writer Bubola. Written on a commission from RAI as an end-credits song for the 1980 documentary Dietro il processo ("Behind the trial") by journalist Franco Biancacci,Riccardo Venturi's commentary (in Italian and English) on Anti-War Songs it is a topical song about the mysterious, unsolved 1975 murder of writer, poet and film director Pier Paolo Pasolini.
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The trio is in four movements: The first movement, in sonata form, begins with a quiet, broad melody shared between piano and cello, building from the low register in a manner comparable to the opening of Op. 8, which eventually leads to a more extroverted second theme. The second movement is a rousing scherzo in F minor, similarly building from a quiet, low-register beginning; this contrasts with the gentle trio in B major (major-mode IV in relation to F minor). The return of the scherzo builds as before to a turbulent, galloping climax and finishes abruptly with no added coda. The D major Lento begins with a chordal passage on piano, which is then turned into a string duo with piano in the middle of the texture; the second thematic idea resembles a funeral march in B minor.
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In the autumn of 1885, the twelve-year-old Rachmaninoff entered the home of Nikolai Zverev to receive private piano instruction and at the end of May 1886, Zverev took his students to Crimea, where Rachmaninoff continued his studies, hoping to gain entrance to Anton Arensky's harmony class at the Moscow Conservatory. It was during this time that Rachmaninoff created his first composition, a two-page Étude in F-sharp major (the manuscript is now lost). After admission to the class, he produced more exercises, the earliest of which is a Lento in D minor; it is the only surviving piece of ten he is said to have composed. Now beginning to compose independently, Rachmaninoff's next project was a group he titled Three Nocturnes, and is regarded as his first serious attempt at writing for the piano.
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While meters and keys vary, the nocturnes are generally set in ternary form (A–B–A), featuring a melancholy mood, and a clear melody floating over a left-hand accompaniment of arpeggios or broken chords. Repetitions of the main theme generally add increasingly ornate embellishments, notably in Opus 9 No. 2 in E. From the 7th and 8th nocturnes onwards, Chopin published them in contrasting pairs, although each can stand alone as a complete work. Exceptions to the ternary form pattern include Opus 9 No. 2 and Op. 55 No. 2 in E, neither of which contain a contrasting section, Op. 15 No. 3 in binary form with a novel coda, and Op. 37 No. 2 in A–B–A–B–A form. The tempo marking of all but one of the nocturnes is a variation of Lento, Larghetto or Andante, the Allegretto of No. 3 breaking the mould.
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These works have also drawn on Chaudhuri's insights." On Asia before Europe, Sugata Bose, Gardiner Professor of History at Harvard University, wrote: “Yet it remains an open question whether the recourse to mathematical precision fares much better than a historian’s intuitive presumptions in resolving the problem of the spatial limits of an interregional arena of human interaction.”Sugata Bose, Hundred Horizons, The Indian Ocean in the age of Global Empire, Harvard University Press, 2006, p.,11. In 1991, Chaudhuri was invited to become the first Vasco da Gama Professor of the History of European Expansion at the European University Institute in Florence, Italy, with the support of the Portuguese National Commission for Maritime Discoveries.O tempo lento do Indico, Interview between K.N. Chaudhuri and Rui Rocha, Expresso, Revista, Lisbon, Saturday, 3 August 1991 and "Indian History and the Indian Ocean (Professor K. N. Chaudhuri Interviewed by Ranabir Chakrabarti).
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Realmente lo Mejor lines up the 12 singles from Venegas repertoire. "De Mis Pasos" and "Como Sé" taken from her Gustavo Santaolalla-produced debut album Aquí; "Sería Feliz" and "Hoy No Quiero" from Bueninvento; "Andar Conmigo", "Lento", "Algo Está Cambiando" and "Oleada" from her Grammy winning recording Sí; and four singles from Limón y Sal, "Me Voy", the title track, "Eres Para Mí" and "Primer Día". This collection received a very positive review by Jason Birchmeier of Allmusic, recalling that the singles flow together smoothly, and that the "stylistic evolution of Venegas over the years sounds perfectly natural, an artistic progression rather than a calculated crossover bid." Since this album release was announced that a special edition, consisting on a compilation album titled Cosas Raras, including rarities, demos, and tracks recorded for films, but that never have appeared on any Venegas album was to be released.
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The first movement is based on a scene at the Villa Borghese gardens Pines of the Villa Borghese (I pini di Villa Borghese, allegretto vivace) This movement portrays children playing by the pine trees in the Villa Borghese gardens, dancing the Italian equivalent of the nursery rhyme "Ring a Ring o' Roses" and "mimicking marching soldiers and battles; twittering and shrieking like swallows". The Villa Borghese, a villa located within the grounds, is a monument to the Borghese family, who dominated the city in the early seventeenth century. The Pines Near a Catacomb (I pini presso una catacomba, lento) In the second movement, the children suddenly disappear and shadows of pine trees that overhang the entrance of a Roman catacomb dominates. It is a majestic dirge, conjuring up the picture of a solitary chapel in the deserted Campagna; open land, with a few pine trees silhouetted against the sky.
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2, Florence, 1895 Details of the thermometer were published in the Saggi di naturali esperienze fatte nell'Academia del Cimento sotto la protezione del Serenissimo Principe Leopoldo di Toscana e descritte dal segretario di essa Accademia (1666), the Academy's main publication. The English translation of this work (1684) describes the device ('The Fifth Thermometer') as 'slow and lazy', a description that is reflected in an alternative Italian name for the invention, the termometro lento (slow thermometer).José Montesinos, Carlos Solís Santos [eds], Largo campo di filosofare: Eurosymposium Galileo 2001, Fundación Canaria Orotava, 2001 The outer vessel was filled with 'rectified spirits of wine' (a concentrated solution of ethanol in water); the weights of the glass bubbles were adjusted by grinding a small amount of glass from the sealed end; and a small air space was left at the top of the main vessel to allow 'for the Liquor to rarefie' [i.e. expand].
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The Symphony No. 1 by Arnold Bax was completed in 1922 and dedicated to John Ireland. Its outer movements were based on a Piano Sonata in E♭ that Bax subsequently orchestrated, while the central movement was newly composed for the symphony. It is scored for 4 flutes (3rd doubling alto flute, 4th doubling piccolo), 2 oboes, 1 English horn, 1 heckelphone or bass oboe, 3 clarinets (3rd doubling E♭ clarinet), 1 bass clarinet, 2 bassoons, 1 sarrusophone or contrabassoon, 4 horns, 3 trumpets, 3 trombones, 1 tuba, timpani, bass drum, tenor drum, snare drum, tambourine, cymbals, gong, triangle, bells, xylophone, glockenspiel, celesta, 2 harps and strings. It is in three movements: #Allegro moderato e feroce - Moderato expressivo - Tempo I #Lento solenne #Allegro maestoso - Allegro vivace ma non troppo The work is in many ways autobiographical with some music critics suggesting they could find references within the work to the Great War.
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2009's edition took place from August 21 to October 23, often letting a complete week in between shows. It was launched with an afternoon show at record store SoundCentral on August 21, featuring solo sets from Small Wars and Sébastian Hell, followed by a couple of shows at Quai Des Brumes on August 26 (Jade Malek, Anti-School-Year, and Video Nasties) and September 8 (A Devil's Din, Low End Ensemble, Technical Kidman and Natalie Portland) and a Cagibi singer-songwriter night (Allan Lento, Philémon Chante, Simon Schreiber and a surprise mini-set by Hell). As a tribute to years past, 2006 specifically, UnPop also held a spot on the outdoors scene usually reserved to Pop Montreal during the St-Laurent street sale on Friday, August 28. UnPop veterans Dead Messenger and Sébastian Hell played, as well as first- timers Le Mon@de, Plajia, After The Weather and (The) Slowest Runner (in all the World).
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The original 1786 work, for full classical orchestra, is as follows:HC Robbins Landon, Haydn: Chronicle and Works, 5 vols, (Bloomington and London: Indiana University Press, 1976–) v. 2, Haydn at Eszterhaza, 1766–1790 #Introduzione in D minor – Maestoso ed Adagio #Sonata I ("") in B-flat major – Largo #Sonata II ("") in C minor, ending in C major – Grave e cantabile #Sonata III ("") in E major – Grave #Sonata IV ("") in F minor – Largo #Sonata V ("") in A major – Adagio #Sonata VI ("") in G minor, ending in G major – Lento #Sonata VII ("") in E-flat major – Largo #Il terremoto (Earthquake) in C minor – Presto e con tutta la forza The seven meditations on the Last Words are excerpted from all four gospels. The "Earthquake" movement derives from Matthew 27:51ff. Much of the work is consolatory, but the "Earthquake" brings a contrasting element of supernatural intervention—the orchestra is asked to play presto e con tutta la forza—and closes with the only fortississimo (triple forte) in the piece.
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Petty (1999), p. 284 However, Jeffrey Kallberg believes that such indications are because of an autograph manuscript of eight bars of music in D-flat major marked Lento cantabile, apparently written as a gift to an unnamed recipient. The manuscript, which is dated 28 November 1837, would later become part of the trio of the Marche funèbre. However, Kallberg suggests this manuscript may have been intended as the beginning of an earlier attempt of a different slow movement instead of being part of the Marche funèbre, writing that "it would have been unusual for Chopin to make a gift of a manuscript that, if it did not contain an entire piece, did not at least quote the beginning of it", as almost all of his other presentation manuscripts did. He also suggests that a four-hand arrangement by Julian Fontana of the Marche funèbre may be connected with an abandoned piano sonata for four hands that Chopin wrote in 1835, originally to be published as his op.
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Since 2005, Poetry Kanto has featured a wide and diverse range of poets such as Gwyneth Lewis, Ilya Kaminsky, Beth Ann Fennelly, Vijay Seshadri, Harryette Mullen, Ellen Bass, Rigoberto González, Ayukawa Nobuo, Tarō Kitamura, Akira Tatehata, Shuntarō Tanikawa, Gregory Orr, Michael Sowder, Ann-Fisher Wirth, Sarah Arvio, Michele Leggott, Saburō Kuroda, Rin Ishigaki, Kiyoko Nagase, Toriko Takarabe, Inuo Taguchi, Hiroshi Kawasaki, Mari L’Esperance, Ekiawah Adler-Belendez, William Heyen, Linda Ann Strang, J.P. Dancing Bear, Yasuhiro Yotsumoto, Kiriu Minashita, Chimako Tada, Masayo Koike, Naoko Kudō, Ryūichi Tamura, Kenji Miyazawa, Maiko Sugimoto, Junzaburō Nishwaki, Irene McKinney, Jane Hirshfield, Shinjirō Kurahara, Ryō Kisaka, Alicia Ostriker, Judy Halebsky, Hiromi Itō, Jeffrey Angles, Takako Arai, Libby Hart, Gregory Dunne, Niels Hav, William Heyen, and Adele Ne Jame. In addition, the work of translators such as Jeffrey Angles, Hiroaki Sato, William I. Elliott & Kazuo Kawamura, Katsumasa Nishihara, Oketani Shogo & Leza Lowitz, Marianne Tarcov, Mitsuko Ohno & Beverly Curran, Leith Morton, Takako Lento, Hidetoshi Tomiyama & Michael Pronko, Arthur Binard & Ryō Kisaka, Hosea Hirata, and Ayako Takahashi have in recent years been featured in the pages of Poetry Kanto.
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Chamber Symphony No. 2, Op. 38, by Arnold Schoenberg was begun in 1906 and completed in 1939. The work is scored for 2 flutes (2nd doubling piccolo), 2 oboes (2nd doubling cor anglais), 2 clarinets, 2 bassoons, 2 horns, 2 trumpets and strings, and is divided into two movements, the first (in E-flat minor) marked Adagio and the second (in G major) marked Con Fuoco-Lento. The work's belated completion was prompted by the conductor Fritz Stiedry, who asked Schoenberg for an orchestral piece for his New Friends of Music Orchestra in New York. The work was first performed there on December 14, 1940, under Stiedry's direction.Malcolm MacDonald: 'Schoenberg' (Oxford University Press, 2008) When Schoenberg began the work in 1906, he was on the verge of a major stylistic change. His Chamber Symphony No. 1, for 15 players, has a concise form in which the four movements of a traditional symphony are condensed into a single larger one, and establishes the soloistic orchestral writing sporadically found in works such as Gurre-Lieder and Pelleas und Melisande.
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The work is not so much an integrated composition as three disparate style exercises, related only through the use of a common twelve- tone row in which thirds and perfect fifths predominate . Together with the Drei Lieder for alto and chamber orchestra, composed the previous summer, the Sonatine is the most significant example of Stockhausen's employment of classical Schoenbergian twelve-tone technique, but at the same time both compositions integrate this technique with aspects of neotonality and stylistic features associated with neoclassicism . The three movements, played without pause, are: #Lento espressivo—vivacetto irato—tempo 1 #Molto moderato e cantabile #Allegro scherzando The first movement is lyrical and restrained in character, similar in character to a three-part invention in which rhythmic motives join with row transformations to produce the structure . On the other hand, it also resembles a small sonata-allegro form, beginning with the polyphonic superimposition of three different forms of the row (prime and retrograde in the right and left hands of the piano, inversion in the violin), all beginning on the same pitch, C5.
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The sonata, while it is nominally structured in four movements, is effectively a two-movement work with the first movement directly linked to the second and the third movement directly linked to the fourth: #Placido, teneramente, ma con moto - Lento, assai espressivo e tranquillo #Allegro mosso, scherzando - Epliogue: Tranquillo, mesto, ma con moto Since the work was rediscovered, there has been speculation about just what it was that caused Goosens to reject the sonata. In looking at the later clarinet sonata, both Huss and the anonymous author of the liner notes to the Hyperion recording comment that while both compositions share structural and rhythmic similarities, the clarinet sonata represents a simplification and clarification over the earlier work. Huss further speculates that as he started the process of revision Howells may have decided that in attempting to write a composition that would challenge Goosens skills as an oboist, he had in fact written beyond the capabilities of the oboe as he perceived them. The author of the Hyperion liner notes comments that in their opinion that the ending of the composition, which recapitulates material from the first two movements may have been a miscalculation on the composers part.
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In August 2017, Little Mix and Latin American boy band CNCO collaborated on a remixed version of the latter group's song "Reggaetón Lento (Bailemos)". The song was included on the reissue of Glory Days, which was released on 24 November 2017, and featured a revised track listing of four remixed songs and three new songs, as well as a bonus documentary. As of November 2017, Glory Days has sold over 1.6 million copies worldwide. The group announced on 27 November 2017 that they would be undertaking the Summer Hits Tour 2018, with tickets going on sale on 30 November. Still of the band performing "Woman Like Me" with Minaj on 2018 MTV Europe Music Awards, via YouTube. In February 2018, Pinnock announced that the group were working on their fifth album, set for release in 2018, and that there would be a tour to accompany the album. On 14 June 2018, it was revealed that a song by Little Mix and American DJ trio Cheat Codes, "Only You", would be part of the compilation album The Pool Party, to be released on 6 July 2018 by Ministry of Sound. The song was released on 22 June 2018.
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