The program opens with Hans van Manen's 1973 "Adagio Hammerklavier," which, set to the astounding adagio sostenuto movement of Beethoven's "Hammerklavier" sonata, is an odd addition to the repertory.
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As the old adagio says, there's an app for that.
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He was referring to the Adagio, MultiBonds and Allegro funds.
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But it's the second movement, an Adagio, that is most affecting.
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Also, should Albinoni's Adagio in G Minor not be banned onscreen?
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Originally, the Adagio Blower Brush retails for $199, but don't worry.
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The five-minute adagio has as much eventful suspense as a thriller.
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"I did the center," Ms. Kowroski said, referring to the adagio portion.
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A musicologist named Remo Giazotto claims to have discovered the adagio, circa 803.
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How did you feel in the Rose Adagio, which requires some formidable balances?
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Here, ghostlike, ominous sounds are shaped as adagio melodious washes, vast as curtains.
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"I have never been really great at adagio and moving slowly," she said.
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Why is Tchaikovsky's music for their grand adagio so unsugary, so imposing, so colossal?
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Its sustained adagio takes Mr. Tate through a long series of varied statuesque shapes.
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One, of Shostakovich's Symphony No. 216 and Barber's Adagio for Strings, won in 22017.
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The role begins with an astonishingly long supported adagio for a man and woman.
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Beethoven would play the adagio sostenuto from the "Hammerklavier Sonata" on a borrowed piano.
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It demands Adagio and Allegro skills, and its most scintillating coloratura passages should seem effortless.
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In the Prologue, there's a famous adagio for the six fairy godmothers and their retinue.
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In 1806, that second part was left to stand by itself after the rewritten Adagio.
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Giazotto took the liberty of finishing the composition, and the "Adagio in G Minor" was born.
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The Rose Adagio and that first variation into the coda — I've never felt like that before.
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Next comes adagio work, or slower sustained movements and balances, without the aid of a barre.
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Haydn's refined symphony earned the name "Philosopher" because of its unconventional first movement, a stately Adagio.
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As opposed to "Adagio lamentoso" in the beginning [of the movement], where the tempo is 54.
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But let me present to my fellow inadequate hair-doers a solution: the Adagio Blower Brush.
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After an Adagio colored by exquisite wind solos, the last movement erupts in a jubilant, rustic dance.
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Mr. Barenboim kept it vital, flowing: He didn't linger either on the bombast or the Adagio exhalations.
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"Adagio" can also be used as a noun to refer to any composition played at this tempo.
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That's how Beethoven said he was inspired to write the Molto adagio movement of Op. 59, No. 2.
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He revealed the slyness at work in the Adagio, with its almost mock-elegant trills and swirling passagework.
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The Adagio was, after all, originally written as the second movement of Barber's String Quartet in B minor.
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Mr. Yu seemed to approach it as program music, finding a long arc in the work's adagio bookends.
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The pensive Adagio movement comes closest to being a cogent entity, which made it all the more affecting.
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But in the Adagio, it gets to upstage its neighbor right at the somber plot twist in the music.
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The opening Adagio unfolded at a slow, measured pace, with a walking bass line underlying a chorale-like tune.
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Also on the bill are Anna Clyne's "Prince of Clouds," Copland's "Appalachian Spring" and Barber's "Adagio for Strings."naumburgconcerts.
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In the second movement adagio, Teresa Reichlen, opposite Jared Angle, was more stirring and transparent than she's ever been.
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So for the encore, they offered an arrangement for cello of the Adagio from Brahms's Violin Sonata in D minor.
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What she lacks, as yet, is heroic grandeur, especially in adagio; and without it, "Swan Lake" misses the tragic dimension.
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There are also bits of melody that either hark back to the Adagio or look forward to the known conclusion.
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The Adagio of Opus 127 is taken at a riskily slow tempo, yet it unfolds in long-breathed lyric arcs.
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But her "Adagio," which she performed with the marvelous David Adrian Freeland, is a small gem, full of charm and surprise.
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Throughout the adagio that follows, Siegfried opens her up and out; she keeps withdrawing, fending him off, falling away from him.
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One of my favorite oboe pieces is the adagio from Georges Bizet's "Symphony in C." Want to be even more impressed?
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"The Hard Nut" — a comedy that never loses its cartoon quality — turns out also to be a love story, and when Marie and the Nutcracker find love with each other, they aren't alone: The music for the Sugar Plum adagio becomes an adagio for the whole world, with characters from every part of the narrative returning.
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The ominous chords of a Beethoven adagio keep breathing in, making droll remarks about the volatile substance of banality and suffering onscreen.
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She said the course was part of a partnership with Adagio Health, which helps the school teach a sexual health education course.
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The symphony pivots on an Adagio of almost shocking tragic power—a funeral rite for the destroyed world of the composer's youth.
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It's written in five movements: an opening Adagio and concluding Rondo-Finale bracket two atmospheric "night music" movements and a boisterous Scherzo.
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And the supported adagio for eight couples, starting with a double-diamond geometry is one of Balanchine's most wonderful demonstrations of multidirectionality.
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One burger, the Vivace, he topped with ingredients typical of Northern Italy, including spinach; the other, the Adagio, featured flavors of Sicily.
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Even the radiant, melancholic Adagio, a flowing set of variations on a sublime theme, unfolded with unusual halts and moments of tension.
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In much of Frey's music, achingly Romantic harmonies drift to and fro, as if a Mahler Adagio were suspended in zero gravity.
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Listen to the track above, and cop the real deal on vinyl from Repeater (US) or Adagio (EU) or digitally from The Archivist.
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Perhaps the greatest surprise of the festival was Ms. Taylor's "Adagio in B Minor," a duet set to Mozart's piece for solo piano.
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The first movement begins with an Adagio introduction, flickering with piercing chords and sustained sonorities; this leads to a bustling, densely contrapuntal Allegro.
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The slow middle movement is the most beguiling, a neo-Romantic Adagio with an intensely soulful viola theme cushioned by soft, wistful strings.
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The glory of the work is the middle movement, an "Adagio con fantasia," music of subdued resignation in a pungently tonal harmonic language.
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In the Adagio, several clues convinced me that the missing 1805 version was probably closer to the sketches than to the 1806 revision.
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Mr. Gatti's magnificent account of the sublime Adagio made a convincing case for it as a fitting end to this work: a composer's farewell.
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The Adagio is built on a gesture of a minor ninth, a huge upward scooping interval that seems to express both hubris and hope.
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The dancers sat still, skittered backward on their heels, performed marvels of adagio control, slapped the floor and sprang up from it in jumps.
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The violinist favored a hard-edged tone, appropriate for aggressive, double-stop-strewn material in the first movement but less ideal during the Adagio.
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Around here he's called Josh and he won't shut the fuck up about Tiesto's "Adagio For Strings" being the last time trance meant anything.
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In the symphony's luscious Adagio, the first violins played the melody with sugared intensity, but the little trembling arpeggios that accompany them failed to speak.
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It starts with the plaintive notes of an organ playing the baroque Adagio in G Minor coupled with a spectacular aerial shot of Lower Manhattan.
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Though ballet's formal vocabulary is capable of multiple speeds, classroom tradition divides it into two: adagio and allegro, slow (and sustained) or fast (and intricate).
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Listen closely to Brahms's Adagio, and you may notice a destabilizing irregularity that is built into the rhythmic texture and lends it buoyancy and unease.
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Pull up a video on YouTube that scrolls through the score as the music play and find the opening of this Adagio (at 12:22).
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" Then: "Oh No," by the Mothers of Invention; then "Adagio for Strings" by Samuel Barber; Schumann's "Träumerei"; and Bob Dylan's "Lay Down Your Weary Tune.
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The shortest, and by far the funniest, film in this program, it sets a compendium of petty everyday frustrations to Samuel Barber's Adagio for Strings.
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WOODWARD As Glenn keeps explaining to me, throughout the Rose Adagio Aurora becomes more and more confident, and she is showing off to her suitors.
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"Happy" music included Jacques Offenbach's cheerful "Infernal Gallop," and "sad" music included Samuel Barber's "Adagio for Strings," which is almost universally considered to be extremely depressing.
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Axa Investment Managers is also in the market with Adagio V CLO via JP Morgan, and Alcentra is circulating its latest Jubilee CLO via Morgan Stanley.
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Mahler didn't really finish his 212th Symphony, which, aside from its great opening Adagio, was left in various states of sketchiness when he died in 280.
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He was aiming for a startling juxtaposition, of a rapid plunge from the deceptive bliss of the scherzo to the profound despair of the Adagio Lamentoso.
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So the Adagio from Bach's Sonata No. 1 that opened Friday's program had both remarkable clarity and feeling, with the lightness of a dance among clouds.
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Sure, I might not truly agree with Gee Sunray's assessment that Tiesto and Barber's version of "Adagio for Strings" will one day bring peace to Palestine.
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In the second movement adagio, Teresa Reichlen found moments of great beauty but failed to connect them; at times she appeared more above the ballet than in it.
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But Mr. Denk also brought real lyric beauty to the Adagio, and gave a hushed, transporting encore of the Andante from Mozart's Piano Sonata No. 16 (K. 545).
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The work is usually represented in concert by the substantial opening Adagio, and various attempts to complete it have drawn limited support from conductors, for all their uncertainties.
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"The score is wonderful, and there are amazing waltzes, gallops, polkas and a beautiful violin adagio, but it's challenging because not all of it is danceable," he said.
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Three of these casts brought a happy development: The restoration of a moment, late in the adagio, that has been smudged away by most other dancers this century.
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The program, billed as "Americans in Paris," stretched the theme considerably to include Mozart's Adagio and Rondo in C Minor for Glass Harmonica, Flute, Oboe, Viola and Cello.
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And all the while, "Adagio for Strings" plays — a musical shortcut to suggest tragedy, scoring a scene that doesn't have the groundwork to be tragic on its own.
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My own heart, seemingly impervious to how I live, almost never begins the day above a cool adagio, so that last part is easy for me to say.
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Mr. Watkins played his soaring operatic lines in the Adagio — the sketches for which Beethoven inscribed with the words "les derniers soupirs" ("the last sighs") — with burnished, glowing tone.
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Mr. Ax played the runs in the first movement with sparkling energy; the trills of the Adagio unfolded with leisurely grace, and the concluding Rondo with both strength and charm.
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In her dream, her mother (now in a gold-lamé frock) becomes the Queen of the fair and dances an acrobatically amorous number with him to Tchaikovsky's Sugar Plum adagio.
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And in Aurora's celebrated Rose Adagio, in Act I, he adds the heroic balances on one point that Margot Fonteyn from 1939 onward made into part of the role's legend.
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Of these four Auroras, Ms. Seo was the easiest to find fault with: In several passages, she's bland and forgettable, and her balances in the famous Rose Adagio were never secure.
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ANTHONY TOMMASINI AT 4 MINUTES 31 SECONDS Last weekend the New York Philharmonic presented some of the most beloved American music of the 20th century, including Samuel Barber's Adagio for Strings.
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The resulting imbalance meant that in the serene Adagio, Ms. Mullova seemed to be enacting a pas de deux on her own, the oboe's part reduced to a distant, tinny tinkle.
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The hotel management would be sorry that Albinoni's Adagio was being endlessly piped into the halls and lobby, but it would be a deep-rooted technical problem and difficult to fix.
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Mr. Blechacz dispatched the brawny passages of octaves, chords and dizzying runs in the first movement, and then drew out the wistfulness of the Adagio, with its unquiet currents lurking below.
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For dancers, this entrance is famously challenging: Aurora's opening rush of vivacity must change pace and scale as she meets the suitors and dances with them the famous, ceremonious Rose Adagio.
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His clarity of line was admirable in the tumultuous thickets of the first movement; the ethereal Adagio unfolded with a gorgeous simplicity; and he imbued the third-movement Rondo with seething tension.
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Este adagio hace referencia a la naturaleza efímera de la riqueza y a la famosa tendencia de que una generación la forje, otra la gaste y la tercera se quede sin ella.
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In meditative movements like the Adagio of the G Minor Sonata, Ms. Hahn takes an unabashedly Romantic approach, with slow tempos that allow her to spin out the melody in shiny ribbons.
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This grandiloquent action, an archetypal example of ballet classicism, is a crucial transaction within supported adagio, that singularly momentous idiom: With the man's assistance, a female dancer blooms all the more fully.
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The Andante, her most famous piece, consists of a fierce litany of minuscule swells attaining such expressive energy that the music becomes a kind of discordant version of Barber's Adagio for Strings.
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Produced by French animation studio Parallel, the film is a 75-second montage of some of life's most universally disappointing moments, set to the tragic sounds of Samuel Barber's Adagio For Strings.
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Bonobo responds by playing Lino Capra Vaccina's delicately clanging 1978 album Antico Adagio, while Trayer Tryon of Hundred Waters puts on Alain Kremski's oneiric, wandering 1979 record Musiques Rituelles Pour Cloches Et Gongs.
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Beethoven's Seventh, slyly quoted at one point, was a model for Shapero's piece, which opens with an elusive Adagio, all flickering chords and sustained sonorities, that shifts into a bustling, densely contrapuntal Allegro.
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The second, adagio, movement begins with one man (Sam Black) adjusting his balance on one leg, while other dancers lie flat on the floor, now writhing to the beat, now positioning themselves like sunbathers.
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Along with "The Star-Spangled Banner" and "Adagio for Strings", the BBC added the finale of Beethoven's 9th Symphony—"Ode to Joy"—to their final-night celebrations after the attacks on September 11th 2001.
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This type of press conference has long been the norm for Andrew Cuomo; but since Cynthia Nixon entered the race for governor, the tempo of these comedic operas has gone from adagio to allegro.
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To the adagio of Bohuslav Martinu's Second Piano Quintet, and in colored and patterned costumes by Dries Van Noten, this showed both man and woman with independent lives and thoughts, soliloquizing as well as cooperating.
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What overwhelms our senses are the sounds of "Adagio in G Minor," a haunting piece of baroque, Italian composition that we've all heard on screen many times, from Flashdance to Casanova to Manchester by the Sea.
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True, both Ms. Teuscher and Ms. Boylston blaze their way through the 32 fouetté turns of "Swan Lake" and take to the air impressively in leaps; but Ms. Teuscher's natural domain seems adagio, Ms. Boylston's, allegro.
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As part of the pioneering Angel's Share series, and accompanied by projections, Eli Spindel conducts Pärt's "Fratres," Barber's "Adagio for Strings" and Pergolesi's "Stabat Mater," with the soprano Molly Netter and the mezzo-soprano Kate Maroney.
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Whether the music is adagio or allegro, this dance is always pedal to the metal — the dancers running, spinning, one leaping headlong into the others' arms, another rolling across the stage as the others jump over her.
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No sooner has the Cavalier entered than he embarks with Sugar Plum upon an extensive, grand, thrilling adagio that can be seen as a nonstop obstacle course for him: a series of different high-exposure partnering exercises.
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He opened the Saturday evening concert with the Adagio from Mahler's unfinished 10th Symphony in a big, burly performance, and followed with a specialty of his, if not necessarily the orchestra's: Berlioz's "Symphonie Fantastique," in a revelatory account.
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Those quivering petits battements serrés at the end of the adagio, in which the ballerina beats one foot rapidly beside her ankle, like the rapid fluttering of a wingtip, surpass those by quite a number of "real" ballerinas.
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He certainly drew out the music's character: the curious mix of Wagnerian surging and symphonic rigor in the Allegro; the weighty, pummeling energy of the Scherzo; the throbbing, melting expressivity of the Adagio; the architectonic grandeur of the finale.
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The elegance with which he opened the Sugarplum adagio was exceptional — while firmly supporting the admirable Ashley Hod with his upper body, he took a magnificently deep, far-stretched fourth position of the legs: a wonderful touch of romance.
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Somewhat fewer remained after intermission for Mahler's sprawling Tenth Symphony, as completed by Deryck Cooke in the 1960s, and fewer still after the work's 25-minute opening Adagio, the lone movement that Mahler had substantially completed before his death in 1911.
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Put it in the best light: Perhaps, like Leonard Bernstein, who consented to perform only the Adagio, the defectors were purists with little taste for conjecture of the type needed to fill out Mahler's waning sketches for the four remaining movements.
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Vivaldi's The Four Seasons was the happy piece, Adagio for Strings by Samuel Barber was the sad, slow piece and The Planets: Mars, Bringer of War by Gustav Holst was used as a negative, arousing - in other words, anxious - piece.
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He joined the horns and Wagner tubas in the Adagio — their joint sound taking on a gnomish melancholy — before returning to his regular spot next to the trombones for the heavy lifting in the fortissimos of the final two movements.
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The preternaturally gifted Ms. Wang — showily attired as usual, in a gown with a plunging neckline — joined the orchestra in Ravel's Piano Concerto in G, playing with energy and flair in the outer movements and limpid grace in the central Adagio.
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Their American debut last year at the Shed was one of the major events of the cultural year, and now Currentzis and the orchestra will bring their blistering intensity to Carnegie, with Tchaikovsky's "Pathétique" Symphony and the Adagio from Mahler's Symphony No. 10.
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Not for him the unblinking steadfastness of a Bernard Haitink or the shattering tonal language of an Esa-Pekka Salonen: Instead, a sense of wonder so great that on Friday Mr. Nelsons could carry the Adagio to its demise with a smile on his face.
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The program Mr. Weinert presented at the Pillow on Friday through Sunday began with a perfect example: "The Death of Adonis" (also known as "Adagio Pathétique"), a 1924 solo for a near-naked man whose face and body are covered in chalk-white makeup.
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When the Swedish star clarinetist Martin Frost performs Mozart's Clarinet Concerto with the conductor Paavo Jarvi at the Mostly Mozart Festival on Friday and Saturday, audience members may not see much of the effort that goes into shaping the gently soaring lines of its famous Adagio.
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And most of the dancers, all experienced members of the corps, have individual material that allows them to register in new ways; the full-bodied adagio solo for Devin Alberda is just one of several examples in which Mr. Schumacher adds to our knowledge of a performer.
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Although he received an Oscar nomination for "The Elephant Man," Mr. Morris remained frustrated that Mr. Lynch had mandated that he use Samuel Barber's "Adagio for Strings," a popular 20th-century orchestral work, in a segment of the film rather than stay with the original score.
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Sure, the makers of "The Colorado," a new eco-documentary, could have gone the easy route and used Barber's Adagio for Strings as the soundtrack for its elegiac shots of parched landscapes punished by drought and insufficiently fed by what they charge is an "overused, over-promised" Colorado River.
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Ideally, Blain-Cruz and the cast would have had a few more weeks to work through the play's complex rhythms, to make each pause seem like the response an interaction demands rather than what the script requires, to find the music — grave, adagio — in the not-quite naturalism.
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Set to Glinka's "Divertimento Brillante" (a chamber score, with variations on arias from Bellini's opera "La Sonnambula") and costumed (by Ms. Kunikova) with the tutus and tunics of ballet tradition, it gave its dancers opportunities to shine in both adagio and allegro, with appealing touches for both upper and lower body.
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Something had gone wrong with the chartered bus, and instead of taking us to the airport it had left us in the pink-tiled courtyard of a strange hotel, where Albinoni's Adagio was playing on speakers, and something fell onto our arms, and we looked up and it was ashes.
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On a day of studio and stage rehearsals, as well as costume fittings under Ms. Keenan's watchful eye, the dancers prepared for the ballet, which is especially difficult for the lead ballerina, who soon after her first entrance must dance the famous Rose Adagio, in which Aurora is courted by four suitors.
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In his collaboration with the Irish Chamber Orchestra, Jörg Widmann, as conductor and solo clarinetist, serves up a meticulously balanced program with compositions that showcase his debt to Bach ("Versuch über die Fuge") and rock ("218 beats per minute") alongside works by Mendelssohn, Weber and Mozart's own Bach-flavored Adagio and Fugue in C minor.
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Nevertheless, even if classical music isn't your jam (although if it isn't, I urge you to take a listen to listen to a piece like "Rhapsody in Blue" or Samuel Barber's "Adagio for Strings" and reconsider), the drama that surrounds the live production of it on Mozart in the Jungle is every bit as over-the-top as what goes down on Empire.
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