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53 Sentences With "leap in the dark"

How to use leap in the dark in a sentence? Find typical usage patterns (collocations)/phrases/context for "leap in the dark" and check conjugation/comparative form for "leap in the dark". Mastering all the usages of "leap in the dark" from sentence examples published by news publications.

"A leap in the dark" – Robert Schuman on the Treaty of Paris Schuman told the press the plan was "a leap in the dark".
Scots did not want to take a leap in the dark voting for independence.
The country has opted for a leap in the dark in the form of Brexit.
But the vote on Thursday will still be a leap in the dark for many Republicans.
" She added: "Writing a novel or story is always a leap in the dark, a scary thing.
José de Echave, a former environment undersecretary, described Keiko's proposals as an "extremely dangerous," leap in the dark.
"(Ferragamo) will not take a leap in the dark in choosing a successor (to Poletto)," a second source said.
The colossal leap in the dark that a traditionally cautious people — the British — were prepared to take has to be taken seriously.
He says Britain's interests are best served by staying in the 28-nation bloc and leaving would be a "leap in the dark".
Meetings across Europe reveal uncertainty over what would follow a vote that British Prime Minister David Cameron calls a "leap in the dark".
"The withdrawal agreement is, in short, a reckless leap in the dark," Jeremy Corbyn, leader of the opposition Labour Party, said just before Mrs.
One of the few standouts was the Financial Times, which constantly warned of the leap in the dark, and consistently asked for the Leave plan.
It was the supporting act for a possible American leap in the dark that would place Trump's portrait in United States embassies around the world.
"At a time of severe price volatility and global market uncertainty - I believe it would be wrong to take a leap in the dark," Truss said.
Casting an actor with so little stage experience was dicey, "a leap in the dark," Mr. Andrews called it, but a leap both he and Mr. Foster willingly took.
We need to explain the risks of a Remain vote, but we also have to set out why this is not the great leap in the dark that people think.
In both the United States and Europe, political and economic frustrations have produced a groundswell against the status quo and an apparent readiness to make a leap in the dark.
"An exit from the EU would create an economic shock, it would cost jobs, damage living standards and it would represent a big leap in the dark," he said in an interview on BBC television.
LONDON (Reuters) - The leader of the Labour Party, Jeremy Corbyn, said on Tuesday that the government's proposed Brexit deal was a leap in the dark, and that Prime Minister Theresa May should seek a better one or step aside.
"Leaving Europe is a leap in the dark and I don't believe that is a risk that is worth us taking," Stuart Rose, a former boss of retailer Marks & Spencer who chairs the "Britain Stronger in Europe" campaign, said in October.
Mussolini survived the crisis because of the weakness and division of his political opposition, because Victor Emmanuel III, Italy's king, who had invited Mussolini to form a government, was reluctant to risk a "leap in the dark" by demanding his resignation.
Cameron says dropping out would be a leap in the dark, while Goldman Sachs and HSBC - which have both backed EU membership - cautioned that the world's fourth-most traded currency could lose as much as a fifth of its value if Britain left the club.
"We still don't know what our long term relationship with Europe would look like and that's way so many MPs (Members of Parliament) across parliament are not willing to vote for this blindfold brexit and take a leap in the dark about Britain's future," Corbyn told parliament.
"We still don't know what our long term relationship with Europe would look like and that's why so many MPs (Members of Parliament) across parliament are not willing to vote for this blindfold Brexit and take a leap in the dark about Britain's future," Labour leader Jeremy Corbyn told parliament.
" Conference paper in A. Klusaček and K. Morrison (Eds.) A Leap in the Dark: AIDS, Art, and Contemporary Cultures: 5th International Conference on AIDS. Montreal, Quebec, Canada. Carlomusto, J. (2004). "Radiant Spaces: An Introduction to Emily Roysdon's Photographs.
Listening to this disc only confirms that Willy DeVille is one of the greats who have been ignored for too long.Marcus, Richard (June 24, 2006) “CD Review: Crow Jane Alley Willy DeVille.” Leap in the Dark (Blog) (Retrieved 3-25-08.).
Middlekauff, Glorious Cause, 168; Ferling, Leap in the Dark, 123–24. Most colonists still hoped for reconciliation with Great Britain, even after fighting began in the American Revolutionary War at Lexington and Concord in April 1775.Hazelton, Declaration History, 13; Middlekauff, Glorious Cause, 318.
Marcus, Richard (2006) "Interview: Willy DeVille." Leap in the Dark (blogsite) (Retrieved 1–29–08) Harris, Craig (2006) [ "Willy DeVille: Biography"]. AllMusic. (Retrieved 1–29–08) "I think I owe a lot about my look, my image on stage, and my vocal riffs to John Hammond. A lot of my musical stance is from John," Deville said.
Said DeVille about his choice of titles for the album: "I wanted (the album) to sound like those old cowboy movies ... Pis–to–la: the sound has that feel of the western, and something hot too. An exciting sound, just like what I hope the music will be for people."Marcus, Richard (March 5, 2008) "Interview Willy DeVille - December 2007." , Leap in the Dark (a blog).
" The Independent. (Retrieved 2-4-08.) Leap in the Dark praised the album's bold originality: "Pistola is not the type of album you'd expect from as established a performer as Willy DeVille. Most people at his stage in their careers wouldn't be taking the risk of including pieces as unconventional as 'Mountains of Manhattan' and 'Stars that Speak,' but Willy has always marched to the beat of his own drummer.
It's that willingness to take risks that keeps his music fresh and alive, and the ten songs on Pistola are no exception."Marcus, Richard (February 6, 2008) "Music Review: Willy DeVille Pistola." Leap in the Dark (a blog). (Retrieved 2-6-08.) Andrew Carver said, "DeVille ... is one of those rare artists who seem to have dragged their prime years across the decades, and Pistola is another triumph of experience.
Though life in these new lands proved hard for many, the western settlement offered the prize of property, an unrealistic aspiration for some in the East.John Ferling, A Leap in the Dark: The Struggle to Create the American Republic (2003), pp. 257–258 Westward expansion stirred enthusiasm even in those who did not move west, and many leading Americans, including Washington, Benjamin Franklin, and John Jay, purchased lands in the west.Nugent (2008), pp.
Tomb of Thomas Hobbes in St John the Baptist's Church, Ault Hucknall in Derbyshire In October 1679 Hobbes suffered a bladder disorder, and then a paralytic stroke, from which he died on 4 December 1679, aged 91. His last words were said to have been "A great leap in the dark", uttered in his final conscious moments.Norman Davies, Europe: A history p. 687 His body was interred in St John the Baptist's Church, Ault Hucknall, in Derbyshire.
So I went over to London to do this album. It wasn't easy because we didn't want it to sound like a Dire Straits album, and his guitar playing is so unique that it was hard to do. But nothing good is going to be easy. I know that I spent the whole time really trying to impress Mark, I wanted it to be good.Marcus, Richard (2006) “Interview: Willy DeVille.” Leap in the Dark (a blog).
" :— Samuel Rutherford, Scottish pastor (29 March 1661) ;"I shall have to ask leave to desist, when I am interrupted by so great an experiment as dying." :— William Davenant, English poet and playwright (7 April 1668), setting aside the manuscript of a new poem Death of the Viscount of Turenne. ;"I did not mean to be killed today." :() :— Henri de La Tour d'Auvergne, Viscount of Turenne (27 July 1675), struck by a cannonball at the Battle of Salzbach ;"A great leap in the dark.
In the late 1980s, Allison Miner expressed interest in restarting the band's career, and booked them on new tours along with signing them to Rounder Records, who released an album of theirs, I'm Back...at Carnival Time (featuring the ReBirth Brass Band) in 1990. In 1992, the Magnolias toured Europe as part of Willy DeVille's "New Orleans Revue" (along with Dr John, Johnny Adams, and Zachary Richard).See Marcus, Richard (2006) “Interview: Willy DeVille.” Leap in the Dark (a blog).
It's all about finding the sound, or really knowing what I'm hearing inside my head almost, and helping me make it happen.Marcus, Richard (March 5, 2008) "Interview Willy DeVille - December 2007." Leap in the Dark (a blog). (Retrieved 3-16-08.) Producer Philippe Rault said of the album: :His only ever gold album emerged from Los Angeles in 1992 and launched a whole new phase in his professional life, bringing him artistic and financial success that he had never enjoyed before.
Leap in the Dark was a British television anthology series with a supernatural theme. It was broadcast on BBC 2. It ran for 4 seasons - in 1973, 1975, 1977 and 1980 - consisting of 24 episodes in total. The first-season episodes were documentaries, seasons 2 & 3 were presented by Colin Wilson and consisted of docudramas re-enacting real-life cases of paranormal occurrences, and season 4 was original dramas, including episodes written by Alan Garner, Fay Weldon, and David Rudkin.
Jay's Grave was the inspiration for John Galsworthy's short story The Apple Tree, written in 1916. In the 1970s, knowledge of the legend prompted Martin Turner of British rock band Wishbone Ash to write the lyrics to a song called "Lady Jay" which appears on the band's 1974 album There's the Rub. David Rudkin wrote an episode inspired by the tale entitled The Living Grave for the BBC 2 TV anthology series Leap in the Dark, broadcast in 1980. It also inspired Seth Lakeman to write his 2004 song and album, both called Kitty Jay.
The parliamentary Radicals joined with the Whigs and anti- protectionist Tory Peelites to form the Liberal Party by 1859. Demand for parliamentary reform increased by 1864 with agitation from John Bright and the Reform League. When the Liberal government led by Lord Russell and William Ewart Gladstone introduced a modest bill for parliamentary reform, it was defeated by both Tories and reform Liberals, forcing the government to resign. The Tories under Lord Derby and Benjamin Disraeli took office and the new government decided to "dish the Whigs" and "take a leap in the dark" to take the credit for the reform.
With Boorman, he pioneered the approach of "filming ordinary people telling their extraordinary stories straight to camera." After Boorman began working on cinema films, Croucher became head of documentaries at Bristol, and produced a series of films with largely rural settings, including The Curious Character of Britain, Summer 67, The Way of the Warrior, Seven Ages of Man, and Leap in the Dark. He also produced the semi-fictionalised Diary of Anne Hughes (1978), many one-off films, and the series The French Way, The Italian Way, The Yugoslavian Way, and The Irish Way. In technical work, he pioneered techniques of colour separation.
Thousands of troops and policemen were prepared, but the crowds were so huge that the government did not dare to attack. The Home Secretary, Spencer Walpole, was forced to resign. Punch cartoon from August 1867 portraying Disraeli as a horse, taking Britannia on a leap in the dark Faced with the possibility of popular revolt going much further, the government rapidly included into the bill amendments which enfranchised far more people. Consequently, the bill was more far-reaching than any Members of Parliament had thought possible or really wanted; Disraeli appeared to accept most reform proposals, so long as they did not come from William Ewart Gladstone.
She subsequently acted in Fellini's 8½ (1963), Jacques Demy's Lola (1961), George Cukor's Justine (1969), Bernardo Bertolucci's Tragedy of a Ridiculous Man (1981) and Robert Altman's Prêt à Porter (1994). She won the Golden Globe Award for Best Actress - Motion Picture Drama and the BAFTA Award for Best Actress and was nominated for the Academy Award for Best Actress for her acting in A Man and a Woman (1966). The film "virtually reignited the lush on-screen romance in an era of skeptical modernism," and brought her international fame. She won the Award for Best Actress at the 1980 Cannes Film Festival for Marco Bellocchio's film A Leap in the Dark.
He made his film debut with a minor role the 1980 Marco Bellocchio-directed comedy-drama Salto nel vuoto (English title: A Leap in the Dark). Frezza then went on to play a variety of juvenile roles, most often in horror films. In 1981 he had a starring role in the gory, supernatural-themed Lucio Fulci-directed The House by the Cemetery as Bob Boyle, an imperiled child living in a sinister New England house.Lucio Fulci's A House by the Cemetery He worked with Fulci a second time in 1982's Manhattan Baby as the brother of a little girl possessed by a supernatural amulet.
Americans had long recognized the importance of navigation rights on the Mississippi River, as it was the only realistic outlet for many settlers in the trans-Appalachian lands to ship their products to other markets, including the Eastern Seaboard of the United States.John Ferling, A Leap in the Dark: The Struggle to Create the American Republic (2003), pp. 211–212 Despite having fought a common enemy in the Revolutionary War, Spain saw U.S. expansionism as a threat to its empire. Seeking to stop the American settlement of the Old Southwest, Spain denied the U.S. navigation rights on the Mississippi River, provided arms to Native Americans, and recruited friendly American settlers to the sparsely populated territories of Florida and Louisiana.
Her debut solo album A Leap in the Dark: Live at Feinstein's / 54 Below was released by Broadway Records in June 2018. It is a live recording of her autobiographical concert, where she blends story and song to tell the tale of her adventures, her highest highs and lowest lows, and the most formative moments of her life that led her to be the woman she is today. Featuring the music of Celine Dion and Sarah McLachlan along with songs from many of her favorite roles that she's played (including songs from In the Heights, Aladdin, Wicked, Rent, Into The Woods and more). Featuring Nicholas Christopher (Hamilton, Miss Saigon) and Javier Colon (The Voice season 1 winner).
Richard Marcus called the album "…a great example of not just Willy's talents as a songwriter, but as an interpreter of songs." He added, "A combination of his world-weary voice and the genuine emotion he seems to be able to invest in any song he sings are certainly a good part of why he is successful where others fail, but there's more to it than that. The intangible quality of having looked into the darker part of your soul and come out the other side with your spirit intact that can't be taught, only experienced, is always present when he performs.”Marcus, Richard (August 7, 2007) "Music Review: Willy DeVille - The Willy DeVille Acoustic Trio In Berlin.” Leap in the Dark (Blog) .
The metaphor of life as a journey has been used by Pope Francis before, notably in his address to the bishops of Brazil in July 2013. In Lumen fidei, he observes that faith was formerly viewed as a light that dispels the darkness and illuminates the way, but later came to be "understood either as a leap in the dark, to be taken in the absence of light, driven by blind emotion, or as a subjective light, capable perhaps of warming the heart and bringing personal consolation, but not something which could be proposed to others as an objective and shared light which points the way."Pope Francis. Lumen fidei, §3, June 29, 2013, Libreria Editrice Vaticana Part of the purpose of the encyclical is to restore the light of faith to an understanding of its place in the common journey of mankind.
Bellocchio's films include China is Near (1967), Sbatti il mostro in prima pagina (Slap the Monster on Page One) (1972), Nel Nome del Padre (In the name of the Father – a satire on a Catholic boarding school that shares affinities with Lindsay Anderson's If....) (1972), Victory March (1976), A Leap in the Dark (1980), Henry IV (1984), Devil in the Flesh (1986), and My Mother's Smile (2002), which told the story of a wealthy Italian artist, a 'default-Marxist and atheist', who suddenly discovers that the Vatican is proposing to make his detested mother a saint. In 1991 he won the Silver Bear – Special Jury Prize at the 41st Berlin International Film Festival for his film The Conviction. In 1995 he directed a documentary about the Red Brigades and the kidnapping of Aldo Moro, entitled Broken Dreams. In 2003, he directed a feature film on the same theme, Good Morning, Night.
On 7 July, Bethmann Hollweg told his aide and close friend Kurt Riezler that "action against Serbia can lead to a world war". Bethmann Hollweg felt such a "leap in the dark" was justified by the international situation. Bethmann Hollweg told Riezler that Germany was "completely paralysed" and that the "future belongs to Russia which is growing and growing, and is becoming an ever increasing nightmare to us". Riezler went to write in his diary that Bethmann Hollweg painted a "devastating picture" with Russia building rail-roads in Congress Poland that allow Russia to mobilize faster once the Great Military Programme was finished in 1917, and that an Austro-Serbian war would probably cause a world war, "which would lead to an overthrow of the existing order", but since the "existing order was lifeless and void of ideas", such a war could only be welcomed as a blessing to Germany.
In 2000 his Academy Award-winning score for La Vita è bella (Life Is Beautiful) was further nominated for a Grammy Award in the "Best Instrumental Composition Written for a Motion Picture, Television or Other Visual Media" category, losing to Randy Newman. In 2005 he was a member of the jury at the 27th Moscow International Film Festival. In light of his recent work with French directors, notably Danièle Thompson, Philippe Lioret, and Éric-Emmanuel Schmitt, the French Minister of Culture gave him the title of Chevalier (Knight) of the Ordre des Arts et des Lettres on 21 May 2008 at the Cannes Film Festival. To date, Piovani has over 130 film scores to his credit, including films such as Slap the Monster on Page One (1972), The Perfume of the Lady in Black (1974), Flavia the Heretic (1974), Le Orme (1975), A Leap in the Dark (1980) The Night of the Shooting Stars (1982), and Kaos (1984).
In Turgot's proposed system, landed proprietors alone were to form the electorate, no distinction being made among the three orders; the members of the town and country municipalités were to elect representatives for the district municipalités, which in turn would elect to the provincial municipalités, and the latter to a grande municipalité, which should have no legislative powers, but should concern itself entirely with the administration of taxation. With this was to be combined a whole system of education, relief of the poor, etc. Louis XVI recoiled from this as being too great a leap in the dark, and such a fundamental difference of opinion between king and minister was bound to lead to a breach sooner or later. Turgot's only choice, however, was between "tinkering" at the existing system in detail and a complete revolution, and his attack on privilege, which might have been carried through by a popular minister and a strong king, was bound to form part of any effective scheme of reform.
The Hull system lasted until the 1940s, when the systematic bombing of the city during the Second World War led to the destruction of much of the infrastructure, and the company was wound up in 1947, when Mr F J Haswell, who had been the manager and engineer since 1904, retired. The man responsible for the Hull system was Edward B. Ellington, who had risen to become the managing director of the Hydraulic Engineering Company, based in Chester, since first joining it in 1869. At the time of its installation, such a scheme seemed like "a leap in the dark", according to R. H. Tweddell writing in 1895, but despite a lack of enthusiasm for the scheme, Ellington pushed ahead and used it as a test bed for both the mechanical and the commercial aspects of the idea. He was eventually involved on some level in most of the hydraulic power networks of Britain.

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