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94 Sentences With "laths"

How to use laths in a sentence? Find typical usage patterns (collocations)/phrases/context for "laths" and check conjugation/comparative form for "laths". Mastering all the usages of "laths" from sentence examples published by news publications.

The manufacturer of the shield used wooden laths—thin, flat strips of wood used to form a base—to stiffen the structure.
It was constructed of bark and laths, or thin strips of wood, and there is evidence that it was once painted in a red checkerboard design.
It is a natural forming polyoxometalate. Bettertonite forms in clusters of radiating rectangular laths. Laths are thin and usually < 20 μm laterally. Laths are flat on {010}.
Laths are usually nailed with a space of about between them to form a key for the plaster. Laths were formerly all made by hand. Most are now made by machinery and are known as sawn laths, those made by hand being called rent or riven laths. Rent laths give the best results, as they split in a line with the grain of the wood, and are stronger and not so liable to twist as machine-made laths, some of the fibers of which are usually cut in the process of sawing.
Laths were formerly all made by hand. A large quantity, however, are now made by machinery and are known as sawn laths, those made by hand being called rent or riven laths. Rent (riven) laths give the best results, as they split in a line with the grain of the wood, and are stronger and not so liable to twist as machine-made laths, some of the fibers of which are usually cut in the process of sawing. Care should be taken to check the PH value of the wood; oak contains tannic acid which attacks the lime, this can compromise bond strength.
Lath seen from the back with brown coat oozing through Traditionally, plaster was laid onto laths, rather than plasterboard as is more commonplace nowadays. Wooden laths are narrow strips of straight-grained wood depending on availability of species in lengths of from two to four or five feet to suit the distances at which the timbers of a floor or partition are set. Laths are about an inch wide, and are made in three thicknesses; single ( thick), lath and a half ( thick), and double ( thick). The thicker laths should be used in ceilings, to stand the extra strain (sometimes they were doubled for extra strength), and the thinner variety in vertical work such as partitions, except where the latter will be subjected to rough usage, in which case thicker laths become necessary.
The Qum-Darya bow was superseded in the modern area of Hungary by an 'Avar' type, with more and differently-shaped laths. The grip laths stayed essentially the same except that a fourth piece was sometimes glued to the back of the handle, enclosing it with bone on all four faces. The belly lath was often parallel-sided with splayed ends. The siyah laths became much wider in profile above the nock and less rounded, giving a bulbous aspect.
Lath seen from the back with brown coat oozing through Wood laths are narrow strips of some straight-grained wood, generally Baltic or American fir, in lengths of from two to four or five feet to suit the distances at which the timbers of a floor or partition are set. Laths are about an inch Lathing-wide, and are made in three thicknesses; single (1/8 to 3/16 inch thick), lath and a half (1/4 inch thick), and double (3/8-1/2 inch thick). The thicker laths should be used in ceilings, to stand the extra strain, and the thinner variety in vertical work such as partitions, except where the latter will be subjected to rough usage, in which case thicker laths become necessary. Laths are usually nailed with a space of about 3/8 of an inch between them to form a plaster key.
Traditional tukutuku is made from reeds set vertically side by side, with horizontal wooden laths lashed in front of them.
The nock was often further away from the upper end of the siyah than on Qum-Darya type examples. Additional laths were usually added to the belly and back of the siyah, thus enclosing both ends of the stave on four faces. This made a total of up to 12 laths on an asymmetrical bow with a stiff, set-back handle. Examples measured in situ suggest bow lengths of .
These have the same straight double-edged blades as older Roman swords. Representational evidence and recovered laths, as well as arrowheads and bracers, show Roman use of composite bows.
These are hung on laths nailed to wall timbers, with tiles specially molded to cover corners and jambs. Often these tiles are shaped at the exposed end to give a decorative effect. Another form of this is the so-called mathematical tile, which was hung on laths, nailed and then grouted. This form of tiling gives an imitation of brickwork and was developed to give the appearance of brick, but avoided the brick taxes of the 18th century.
Japanese basket showing the kagome pattern Kagome () is a traditional Japanese woven bamboo pattern; its name is composed from the words kago, meaning "basket", and me, meaning "eye(s)", referring to the pattern of holes in a woven basket. kagome pattern in detail It is a weaved arrangement of laths composed of interlaced triangles such that each point where two laths cross has four neighboring points, forming the pattern of a trihexagonal tiling. The weaved process gives the Kagome a chiral wallpaper group symmetry, p6, (632).
Built to meet needs : cultural issues in vernacular architecture (First ed). Architectural, Amsterdam ; London In Canada and the United States the laths were generally sawn, but in the United Kingdom and its colonies riven or split hardwood laths, of random lengths and sizes, were often used. Early American examples featured split beam construction, as did examples put up in rural areas of the U.S. and Canada well into the second half of the 19th century. Splitting the timber along its grain greatly improved strength and durability.
"Dutch biscuits" (wood laths wrapped in straw and mud) provided insulation and soundproofing between the ceiling and floors. The exterior was insulated with bricks between the exterior's unpainted weatherboards and the interior's lath and plaster walls.Blair, p. 52–54, 76.
Laths must be nailed so as to break joint in bays three or four feet wide with ends butted one against the other. By breaking the joints of the lathing in this way, the tendency for the plaster to crack along the line of joints is diminished and a better key is obtained. Every lath should be nailed at each end and wherever it crosses a joist or stud. All timbers over wide should be counter-lathed, that is, have a fillet or double lath nailed along the centre upon which the laths are then nailed.
The pillars are of camphor other than one of cypress, perhaps an historic repair; the other elements are largely of cypress, although one zelkova tie-beam again seems to be evidence of an historic repair; some of the wall laths are of pine.
By June 1852, the Church was reported to be a "perfect ruin". The roof was removed and the walls needed replacing. When removing the laths, the ceiling joists fell in several places. A decision had already been made to replace the church.
Representational evidence and recovered laths, as well as arrowheads and bracers, show Roman use of composite bows.Stephenson, I.P., 2001, Roman Infantry Equipment, pp. 81-88.Bishop, M.C. & Coulston, J.C.N., 2006, Roman Military Equipment: From the Punic Wars to the Fall of Rome, pp.
However, Vegetius recommended training recruits "arcubus ligneis", with wooden bows. The reinforcing laths for the composite bows were found throughout the empire, even in the western provinces where wooden bows were traditional.Coulston, J.C. "Roman Archery Equipment. The Production and Distribution of Roman Military Equipment".
Fragments of bone laths from composite bows were found among grave goods in the United Arab Emirates dating from the period between 100 BC and 150 AD.Waele, An De. 2005. "Composite Bows at Ed-Dur (Umm Al-Qaiwain, U.A.E.)". Arabian Archaeology and Epigraphy. 16, no.
Laths must be nailed so as to break joint in bays three or four feet wide with ends butted one against the other. By breaking the joints of the lathing in this way, the tendency for the plaster to crack along the line of joints is diminished and a better key is obtained and it provides restraint for the timber frame. Every lath should be nailed at each end and wherever it crosses a joist or stud. All timbers over three inches (76 mm) wide should be counter-lathed, that is, have a fillet or double lath nailed along the centre upon which the laths are then nailed.
A 1903 work describes the construction of punnets; By 1969 punnets in the United Kingdom were being made out of thinly lathed poplar wood peelers using a semi-mechanical system. While factory workers still had to interlace the laths, metal staples were used to fix the strips.
Teifi coracles are made from locally harvested wood – willow for the laths (body of the boat), hazel for the weave ( in Welsh – the bit round the top) – while Tywi coracles have been made from sawn ash for a long time. The working boats tend to be made from fibreglass these days. Teifi coracles use no nails, relying on the interweaving of the laths for structural coherence, whilst the Carmarthen ones use copper nails and no interweaving. They are an effective fishing vessel because, when powered by a skilled person, they hardly disturb the water or the fish, and they can be easily manoeuvred with one arm, while the other arm tends to the net; two coracles to a net.
Lathbury is a village and civil parish in the Borough of Milton Keynes and ceremonial county of Buckinghamshire, England.Parishes in Milton Keynes - Milton Keynes Council. It is just to the north of Newport Pagnell. The village name is an Old English language word, meaning 'fortification built with laths or beams'.
Abelsonite is semitransparent and pink-purple, dark greyish purple, pale purplish red, or reddish brown in color. The mineral occurs as thin laths or plates or small aggregates up to . The mineral is soluble in benzene and acetone and is insoluble in water, dilute hydrochloric acid, and dilute nitric acid.
During the Shaver ownership, the original hewn logs were covered with poplar siding. The hewn and pegged rafters remain visible, however. The interior walls were also modified during the Shaver era. The walls of the east upstairs room received poplar plank panelling while the lower floor walls utilized laths and plaster.
In Kentucky, instead of curing tobacco attached to laths in vented tobacco barns as they once did, farmers are increasingly curing tobacco on "scaffolds" in the fields.Stull, Donald D. Tobacco barns and chicken houses: Agricultural transformation in western Kentucky, Human Organization, Summer 2000. (via Find Articles). Retrieved 10 February 2007.
The protruding floor joists are concealed by plaster coving built up over shaped brackets and laths,McKenna, 1994, pp. 16–7, 24. in a fashion described by Pevsner as a "speciality of Cheshire". Decorative panels, featuring ogee design The upper storeys have ornamental panels featuring several different decorative motifs, including roundels and diagonal ogee braces.
Board and batten siding on a chapel named the Wooden Church (Biserica de lemn) in Zvoriștea, Romania Roofing battens or laths are the light colored strips on the Hillsgrove Covered Bridge, Pennsylvania, U.S.A. A batten is most commonly a strip of solid material, historically woodWhitney, William Dwight. "Batten, N.2." Def. 1. The Century Dictionary. Vol. 1.
Flake, pronounced "fleeak", is from the Old Norse fleki meaning a hurdle.American Heritage Dictionary, Houghton Mifflin Flakes in Wharfedale had wooden laths; one at Ling House measured by with 23 cross bars. Those in upper Ribblesdale had strings, over two of which each cake was laid. In some areas the rack was called a bread creel.
Sometime in the early 1930s the railroad was abandoned and removed. The town's economy remained sluggish until the timber industry moved in. The Brown Cooperage Company bought thousands of acres of timber, mostly white oak, for $1 per acre. In 1884, the Bell Messler Company placed a factory at Zalma to cut veneer and box laths.
The Zalma factory was located just upstream from the mill dam. This factory provided work for women who stacked the box laths in long rows in the sun for drying. A second box factory was located on the north side of Green Street near the Railroad Street intersection, a short distance west of the present Highway 51.
This lath floor provides suspension, allows the mattress to ventilate, and can be designed to be vertically adjustable in order to elevate the legs and / or the torso. A more simple approach is to join straight laths with a textile strap so that they can be rolled up for transport and placed right into the bedframe.
Nemalite Brucite crystals from the Sverdlovsk Region, Urals, Russia (size: 10.5 x 7.8 x 7.4 cm Brucite was first described in 1824 and named for the discoverer, American mineralogist, Archibald Bruce (1777–1818). A fibrous variety of brucite is called nemalite. It occurs in fibers or laths, usually elongated along [1010], but sometimes [1120] crystalline directions.
In the more common operations of plastering, comparatively few tools and few materials are required, but the workman efficient in all branches of the craft will possess a very large variety of implements. The materials of the workman are laths, lath nails, lime, sand, hair, plaster of Paris, and a variety of cements, together with various ingredients to form coloring washes, et cetera.
Pueblo buildings are most commonly constructed from adobe, though stone was also used where available, for instance at Chaco Canyon. The buildings have flat roofs supported by rough-hewn wooden beams called vigas and smaller perpendicular laths or latillas. The vigas typically extend through the exterior wall surface. Larger structures often take the form of multistory terraces with setbacks at each level.
The first versions of Gerrit Rietveld's Red- Blue Armchair were created around 1917. However, they were originally stained black - the colour was eventually added to give characteristics of De Stijl in 1923. Rietveld's intent was to design a piece of furniture that could be cheaply mass-produced. He uses standard beechwood laths and pine planks that intersect and are fixed by wooden pegs.
Partially-exposed wallpapered lath and plaster illustrating the technique. Example from the Winchester Mystery House, constructed between 1884 and 1922 The wall or ceiling finishing process begins with wood or metal laths. These are narrow strips of wood, extruded metal, or split boards, nailed horizontally across the wall studs or ceiling joists. Each wall frame is covered in lath, tacked at the studs.
Jerrett took over the shingle and lumber mill business, producing shingles, laths, lobster cases, matched lumber, and clapboard. In 1895, it was reported that Jerrett's Mill was also producing spruce joisting and studding. From 1894-1899 (at least), Jerrett also operated another shingle mill in Shoal Bay, Trinity Bay. In the early 1900s, as the Horwoods moved their operations, at least two other mills opened.
Lath seen from the back with brown coat oozing through Lath and plaster is a building process used to finish mainly interior dividing walls and ceilings. It consists of narrow strips of wood (laths) which are nailed horizontally across the wall studs or ceiling joists and then coated in plaster. The technique derives from an earlier, more primitive, process called wattle and daub.Oliver, Paul (2006).
It is the biggest kolam and uses many laths of the areca tree. The kolam is headed by more than one person due to its heavy weight. After the kolam thullal is over, there will be ritual called Pooppada which is the end of the padayani festival. After that, the days of colours will be over and the colourful memories will be in the minds.
The scant foundation ruins of a mill complex building At its peak the mill complex occupied about . In addition to the sawmill there was a planing mill, storage sheds, the steamboat levee, and piles of cut lumber, shingles, and laths. Between 1888 and 1895 all the wooden buildings were dismantled and the machinery sold off. All that remained were the stone walls of the 1873 sawmill and its water wheel.
In July, 1888, his mill was burned, only to be rebuilt by the opening of the next season. The new mill had a capacity of of lumber, forty thousand shingles and twenty thousand laths per day. Joyce operated this mill until his death in 1895, after which his son, W.T. Joyce, carried on the business, which continued to run as the last of the big mills of Clinton, Iowa.
Retrieved 10 February 2007. As tobacco barns disappear, farmers have been forced to change their methods for curing the crop. In Kentucky, instead of curing tobacco attached to laths in vented tobacco barns as they once did, farmers are increasingly curing tobacco on "scaffolds" in the fields. The 1805 Tracy's Landing Tobacco House No. 2 located at Tracy's Landing, Maryland, was listed on the National Register of Historic Places in 1982.
Employing around 500 men, the company's facilities quickly became the town's largest industry, with 60 million feet of pine wood cut and ten million laths produced annually. A 1915 book listed Charles Weyerhauser, Frederick's son, as the president. The company also had saw mills in Oregon and Washington. After reaching its production peak in 1902, less and less wood came out of the facilities, and the company closed its doors around 1920.
The current Bristol County Jail was constructed in 1828 to replace a previous jail erected on the same site in 1792. The new structure was a by -story stone structure topped with a gable roof. According to the Bristol Historical and Preservation Society the stone came from the ballast of Bristol ships. Material from the original jail was used in the new structure, including the clapboards which were split and reused as laths.
The details of manufacture varied between the various cultures that used them. Initially, the tips of the limbs were made to bend when the bow was drawn. Later, the tips were stiffened with bone or antler laths; post-classical bows usually have stiff tips, known as siyahs, which are made as an integral part of the wooden core of the bow. Like other bows, they lost importance with the introduction and increasing accuracy of guns.
A variety of poikolitic texture, known as ophitic texture, is very characteristic of many diabases, in which large crystals of augite enclose smaller laths of plagioclase feldspar. Biotite and hornblende frequently enclose feldspar ophitically; less commonly iron oxides and sphene do so. In peridotites the "lustre-mottled" structure arises from pyroxene or hornblende enveloping olivine in the same manner. In these cases no crystallographic relation exists between the two minerals (enclosing and enclosed).
Lime-ash is generally no longer available, so repairs and reconstruction are usually done using a mixture of lime putty, coal ash, Gypsum (Class A hemi hydrate fine casting plaster), unburnt loamy clay and burnt crushed tile. To this are added retardants such as Keratin (natural) or Sodium Citrate (manufactured). The bedding material is repaired with water reed , or combed winter wheat which is the strongest form of straw, and chestnut laths which can be obtained in lengths.
In 1902, freight shipments were similar to those in 1900. Freight shipped into the bay during 1902 totaled 4,067 tons, and consisted of coal, fruit, grain, feed, and flour, hay, machinery, wool and woolen goods, and miscellaneous merchandise. Freight shipped out of the bay in 1902 totaled 20,826 tons: dairy products, eggs, fish, laths, lumber (the vast majority at 19,327 tons), vegetables and miscellaneous merchandise. There were a total of 1,702 passengers arriving and departing by sea during 1902.
Igneous rocks can become foliated by alignment of cumulate crystals during convection in large magma chambers, especially ultramafic intrusions, and typically plagioclase laths. Granite may form foliation due to frictional drag on viscous magma by the wall rocks. Lavas may preserve a flow foliation, or even compressed eutaxitic texture, typically in highly viscous felsic agglomerate, welded tuff and pyroclastic surge deposits. Metamorphic differentiation, typical of gneisses, is caused by chemical and compositional banding within the metamorphic rock mass.
The formation consists principally of tholeiitic olivine basalt flows with interlayered beds of alluvium. The basalt is distinctive for its olivine content (typically altered to iddingsite) and its diktytaxitic texture, in which the basalt contains laths of plagioclase that are randomly oriented and have angular spaces between grains. Geologists have not reached consensus on whether the alluvium beds should be regarded as part of the formation. These are lithologically similar to nearby sedimentary units of the Santa Fe Group.
A shade house is a garden structure which provides a mix of shade and light to provide suitable conditions for shade-loving plants. Typically, it will have a frame which supports the elements providing shade which might be fabric, mesh or wooden laths. Shade houses may also be used in commercial horticulture. For example, vanilla vines need 50% shade and, in deforested areas of Mexico, this is provided by shade houses of 1,000 – 10,000 square metres.
Now, the drum that is highly valued is that with large dimensions (55, 60 or 65 centimeters in diameter) and drumsticks with point in form of a "club" with which one can strike with force on the skin of the drum. The method of manufacture of the drum also has changed. In the past it was not possible to commission a blacksmith for a box and screws. The people used their ingenuity with laths, to constitute the base of the drum.
Tempering involves a three-step process in which unstable martensite decomposes into ferrite and unstable carbides, and finally into stable cementite, forming various stages of a microstructure called tempered martensite. The martensite typically consists of laths (strips) or plates, sometimes appearing acicular (needle-like) or lenticular (lens-shaped). Depending on the carbon content, it also contains a certain amount of "retained austenite." Retained austenite are crystals which are unable to transform into martensite, even after quenching below the martensite finish (Mf) temperature.
On two walls, usually the long walls, the dimensional lumber girts at the top of the walls are doubled, one on the inside and one on the outside of the posts, and usually through-bolted with large carriage bolts to support the roof load. The roof structure is frequently a truss roof supporting purlins or laths, or built using common rafters. Wide buildings with common rafters need interior rows of posts. Sometimes rafters may be attached directly to the poles.
Construction comprised small panel framing with interrupted mid-rails formed by vertically set studs extending between the horizontal members (for example sill beam and side girt at ground floor level, visible in the west wall of the kitchen). The horizontal mid- rails were jointed between the studs (or between post and stud) creating panels. The panels were in-filled first with staves, then laths and the daub applied. No bracing is extant at this level although some may be concealed behind later finishes.
Lead nails were also used, long enough to be bent over the laths from the inside. In time these developed into strips cut from lead sheet. Such roofs are common and are particularly well known in Wales, where the high quality slate from North Wales was exported worldwide. As the slate was of high quality it could be split very thinly by experts and so gave a lightweight roof covering that was still strong and long-lasting against harsh weather.
Usually the vigas are simply peeled logs with a minimum of woodworking. In traditional buildings, the vigas support latillas (laths) which are placed crosswise and upon which the adobe roof is laid, often with intermediate layers of brush or soil. The latillas may be hewn boards, or in more rustic buildings, simply peeled branches. These building techniques date back to the Ancestral Puebloan peoples, and vigas (or holes left where the vigas have deteriorated) are visible in many of their surviving buildings.
Both contain organic components (proteins, sugars and lipids) and the organic components are characteristic of the layer, and of the species. The structures and arrangements of mollusc shells are diverse, but they share some features: the main part of the shell is a crystalline Ca carbonate (aragonite, calcite), despite some amorphous Ca carbonate occurs; and despite they react as crystals, they never show angles and facets. The examination of the inner structure of the prismatic units, nacreous tablets, foliated laths... shows irregular rounded granules.
2: 154-160. Abstract: This article discusses seven bone fragments excavated during the second Belgian archaeological campaign at ed-Dur (tomb G.3831, area N). Rather than weaving implements, these objects are identified as the reinforcing bone laths of composite bows. Information on the composite bow in general—origins, structural composition and technical advantages—will be given. Additionally, the question of which types of composite bows could have been present at ed- Dur and what role these weapons could have played at the site are discussed.
On simple houses the gable above is just filled in with vertical timber laths; on more complicated buildings the timber- framing of the steep gable extends almost to the roof ridge. In the Altes Land projecting gables are preferred. In Schaumburg Land and the area around Hanover the gable is topped by a roof section sloping at about 80°. The stepped gable on the living room side was only decorated in a few cases, for example, in the Vierlande where it was on the road-facing side.
Design elements which were common to American tobacco barns include: gabled roofs, frame construction, and some system of ventilation. The venting can appear in different incarnations but commonly hinges would be attached to some of the cladding boards, so that they could be opened. Often the venting system would be more elaborate, including a roof ventilation system. The interior would have its framing set up in bents about ten to fifteen feet apart so that laths with tobacco attached to them could be hung for drying.
From about the 4th century BCE, the use of stiffened ends on composite bows became widespread. The stiffened end of the bow is a "siyah" (Arabic, Persian),In Arabic سِئَة siʾaḧ, سِیَة siyaḧ (pl. سِیَات siyāt), سَأَة saʾaḧ (or سَاءَة sāʾaḧ), سُؤَة suʾaḧ "szarv" (Hungarian), "sarvi" (Finnish; both 'sarvi' and 'szarv' mean 'horn') or "kasan" (Turkish); the bending section is a "dustar" (Arabic), "lapa" (Finnish) or "sal" (Turkish). For centuries, the stiffening was accomplished by attaching laths of bone or antler to the sides of the bow at its ends.
After long use the surface can start to break up: this can be ignored, or a further screed of lime-ash composition can be laid over the original floor. This was often done in the past but does increase the weight of the structure. Damp can cause fungi to rot the bedding material, or insects to gnaw away the laths and indeed the joists, taking with it the floor. Knocking through service ducts without due care can destroy the floor, as can overloading due to change of use or addition of partition walls.
The canal was by then largely disused (the Bolton arm had been mostly closed in 1924) and Dibnah sometimes dredged it with an iron hook on a rope, for what he called 'plunder'. Much of this was stored in the back yard of his mother's house. Dibnah and his friend Alan Heap built a canoe from old bicycle wheels (cut in half to make the ribs), slate laths and a canvas sheet from the back of a lorry. Much to the consternation of his mother, Dibnah sailed the boat along the nearby River Croal.
The airer consists of a rack with several horizontal wooden rails or laths, suspended in two mounts or rack ends which were originally cast iron, but may be other metals or alloys today. The rack ends serve to hold and space the rails, and act as points to secure the cords that raise and lower the unit. Cords go from the metal tether points to pulleys mounted on the ceiling, and then to a cleat hook mounted on the wall. The defining feature of this airer is its pulley system.
There is a small amount of andesite in the lavas from the field, mostly erupted from monogenetic vents or Larch Mountain. Sometimes, Boring Lava overlaps with volcaniclastic conglomerate from other Cascade eruptions in Multnomah County and the northern part of Clackamas County. The Boring Lava also contains tuff, cinder, and scoria; it is characterized by plagioclase laths that show a pilotaxitic texture with spaces between them that show a diktytaxitic texture. The Boring Lava exposures show aeromagnetic anomalies with short wavelengths and high amplitudes suggestive of their relatively young geological ages.
Both stem and stern- posts were straight and rather long, and connected to the keelplank through intermediate pieces called hooks. The lower plank hoods terminated in rabbets in the hooks and posts, but upper hoods were nailed to the exterior faces of the posts. Caulking was generally tarred moss that was inserted into curved grooves, covered with wooden laths, and secured by metal staples called sintels. The cog-built structure would be completed with a stern-mounted, hanging, central rudder on a heavy stern-post, which was a uniquely northern development.
Lockley House, Skokholm Island Trefeigan Cottage, Pembrokeshire A conventional slate roof consists of thin slates, hung over wooden laths. Slates are hung in place by wooden pegs through a hole at the top of each slate. The peg stops the slate slipping downwards, the weight of the slates above it hold the slate down. Later roofs replaced the peg by an iron nail driven into the lath, but the nail is always primarily a hook and it is the weight of the slates above that hold the roof covering down onto the frame.
A simple rafter roof consists of rafters that the rafter foot rest on horizontal wall plates on top of each wall. The top ends of the rafters often meet at a ridge beam, but may butt directly to another rafter to form a pair of rafters called a couple. Depending on the roof covering material, either horizontal laths, battens, or purlins are fixed to the rafters; or boards, plywood, or oriented strand board form the roof deck (also called the sheeting or sheathing) to support the roof covering. Heavier under purlins or purlin plates are used to support longer rafter spans.
However, the Victorian gold rush of the 1850s combined with wide- spread and indiscriminate land clearing for mining, agriculture and settlement became one of the major causes of forest loss and degradation. Over the next three decades, the forests were denuded in the wasteful scramble to produce timbers for mining operations, such as poppet legs, props, laths, sawn timber and firewood for boilers. The forests were being rapidly and recklessly cleared in ever-widening circles around the goldfields. By 1873 it was estimated that were some 1150 steam engines in the gold mining industry, devouring over one million tons of firewood.
Artesonado or spanish ceiling is a term for "a type of intricately joined wooden ceiling in which supplementary laths are interlaced into the rafters supporting the roof to form decorative geometric patterns",Maldonado found in Spanish architecture. Artesonado in the Throne Room of the Aljafería in Zaragoza, Spain Usually the decoration is in regular recesses between the rafter beams, and the woodwork is gilded or painted. It originates in Islamic Spain and North Africa, but was adopted in Christian Mudéjar architecture. The name comes from the Spanish word artesa, a shallow basin used in bread making.
Clay plaster is a mixture of clay, sand and water with the addition of plant fibers for tensile strength over wood lath. Clay plaster has been used since antiquity. Settlers in the American colonies used clay plaster on the interiors of their houses: “Interior plastering in the form of clay antedated even the building of houses of frame, and must have been visible in the inside of wattle filling in those earliest frame houses in which …wainscot had not been indulged. Clay continued in the use long after the adoption of laths and brick filling for the frame.
These rocks are characterised by a 'bostonitic' texture of clusters of subparallel, divergent or radiating irregular feldspar laths in a fine grained matrix. Typically they occur as dikes or as thin sills, often in association with nepheline syenite; and they seem to bear a complementary relationship to certain types of lamprophyre dikes. Though nowhere very common they have a wide distribution with occurrences in Scotland, Wales, Massachusetts, Ontario, Portugal, Bohemia, and other places. The term was widely used in the geologic literature of the late 19th and early to mid 20th centuries, but is currently being discouraged in petrologic usage.
All these artworks are sculptures or installations made of bricks, canvas, laths, color lacquer and screws. In 1989 The New York Times reviewer found the figurative paintings of Herold, Martin Kippenberger and Rosemarie Trockel exhibited at the Solomon R. Guggenheim Museum making "little sense in a pictorial context" while in 1990, on the occasion of a group exhibition held at the Tony Shafrazi Gallery, another The New York Times reviewer found Herold's caviar paintings "seminal and astral". In 2012 took place a New Art Dealers Alliance fair in Chelsea where Herold exhibited a 1989 caviar painting and an artwork made of bricks.
Tools and materials include trowels, floats, hammers, screeds, a hawk, scratching tools, utility knives, laths, lath nails, lime, sand, hair, plaster of Paris, a variety of cements, and various ingredients to form color washes. While most tools have remained unchanged over the centuries, developments in modern materials have led to some changes. Trowels, originally constructed from steel, are now available in a polycarbonate material that allows the application of certain new, acrylic-based materials without staining the finish. Floats, traditionally made of timber (ideally straight-grained, knot-free, yellow pine), are often finished with a layer of sponge or expanded polystyrene.
The Bishop of Lincoln confirms that it was Edith's money and will that created the community although she had enjoyed support from Henry I of England. The abbey was again enlarged between 1176 and 1188 when Henry II gave the establishment £258 (which included £100 for the church), 40,000 shingles, 4,000 laths, and a large quantity of timber. Because the abbey was the burial place of his mistress Rosamund Clifford, Henry, who received patronal rights from the nuns, paid special favour to the Abbey. In 1446 Alice Henley became the abbess and she served until 1470.
A layer of smaller branches or saplings known as latillas or Latias (laths) covers the top of the Vigas with Adobe for insulation and water repeal. Although in prehistoric times Vigas were reused from old constructions to new buildings, this practice depended on the history of some sites since some Spanish settlement reused them such as the Walpi. In the 19th century, the traditional craftsmanship of Vigas changed with the arrival of the railroad in the 1880s and immigrants from the east coast. New dimensioned 2" X 4" (50 mm x 100 mm) lumber was introduced in the area.
The rafters are laid flat rather than on edge as in modern roofs and the framework covered with split laths. There is a small chapel to the south bearing the year "1573" over the door, the Instruments of the Passion and the initials of Sir John Plunket and his third wife Jenet Sarsfield. Sir John was the grandson of Sir Thomas, who built Dunsoghly, and like his grandfather he presided as Chief Justice in one of the courts of common law. Jenet was a much married lady, Sir John being the fifth of her six husbands.
A spline A spline, or the more modern term flexible curve, consists of a long strip fixed in position at a number of points whose tension creates a smooth curve passing through those points, for the purpose of transferring that curve to another material. Before computers were used for creating engineering designs, drafting tools were employed by designers drawing by hand. To draw curves, especially for shipbuilding, draftsmen often used long, thin, flexible strips of wood, plastic, or metal called splines (or laths, not to be confused with lathes). The splines were held in place with lead weights (called ducks because of their duck-like shape).
Photomicrograph of a porphyritic-aphanitic felsic rock, from the Middle Eocene in the Blue Ridge Mountains of Virginia. Plagioclase phenocrysts (white) and hornblende phenocryst (dark; intergrown with plagioclase) are set in a fine matrix of plagioclase laths that show flow structure. Rocks can be classified according to the nature, size and abundance of phenocrysts, and the presence or absence of phenocrysts is often noted when a rock name is determined. Aphyric rocks are those that have no phenocrysts, or more commonly where the rock consists of less than 1% phenocrysts (by volume);Some use a 1% boundary condition, and , while others suggest a limit of 5%.
To maintain ideal curing temperatures over the course of the curing process, farmers not only rely on the vents but on heat. While charcoal fires have been replaced in many barns with propane heaters, both methods help reduce moisture. With all of the variables that can impact the curing process, it is no wonder that the unique design of the tobacco barn has remained constant as a time-tested method for drying tobacco. The interior framing would be set up in bents up ten feet, but more often about four feet apart horizontally, so that laths (also called "tobacco sticks") with tobacco attached to them could be hung for drying.
Manufactures mainly cluster in or near the city of Aberdeen, but throughout the rural districts one finds much milling of corn, brick and tile making, smith-work, brewing and distilling, cart and farm-implement making, casting and drying of peat, and timber-felling, especially on Deeside and Donside, for pit-props, railway sleepers, laths and barrel staves. A number of paper-making establishments operate, most of them on the Don near Aberdeen. In 1911 the chief mineral wealth comes from the noted durable granite, quarried at Aberdeen, Kemnay, Peterhead and elsewhere including for causewaying stones. Sandstone and other rocks are also quarried at different parts.
During the archeological investigations of the fortress of Tustan over 25,000 archeological findings were collected. Among them were wooden elements from the construction, metal items, pottery, glass, and leather goods. The most interesting metal items are an engolpion, a ring head with an engraved image of a bird, a bronze mace, a sledge-hammer, an axe, arrowheads for a crossbow, arrowheads for a longbow, spearheads, fire strikers, spurs, bell clappers, cutters, wood chisels, needles, and book clasps. Wooden findings are represented with a number of wooden structures, among which are fragments of six doorposts, pole structures of galleries, fragments of beams, treenails, boards with dovetails joints, laths, shingles, wooden spoons, and a spade.
The airer is lowered to be loaded or unloaded, then raised to move the items up into warmer air and as out of the way of room occupants as the ceiling height allows. A pulley clothes airer is sometimes also described as "Victorian", "Edwardian", or "Lancashire" and then comprises two iron frames positioned as far apart as desired to provide a suitable length, with wooden laths, typically four or six, passed through holes in them. The frames are suspended from the ceiling by a system of rope and pulleys. The result is a hoistable rack with several parallel bars on which clothes can be draped out of the way, or hung, extending further down, with clothes hangers.
The bombs missed the centre of the museum, leaving the fragile ceilings of the Central and North Halls undamaged. In 2017 a blue whale skeleton was suspended from the ceiling of the recently renamed Hintze Hall, replacing the "Dippy" Diplodocus cast which had stood there for many years. Since the 1975 restoration the ceiling once more began to deteriorate, individual sections of plaster becoming unkeyed (detached from their underlying laths), paintwork peeling from some panels, and the delicate plasterwork cracking. The ends of the Central Hall suffered the worst deterioration, with some cracks above the landing and the northern end of the hall becoming large enough to be visible to the naked eye, while the gilding in the North Hall became gradually tarnished.
The wall construction of the east wing survives to a far greater extent than that of the main range. Tucked away to the rear of the house and performing a subsidiary function, the kitchen/service wing was out of the public eye and less susceptible to change. The wing was of timber frame construction and the in-fill was daub over an infrastructure of wide laths woven into staves fixed to stave-holes in the corresponding members of the timber frame. The daub finish was flush to the external walls of the building and much of this is visible within the house (for example: in the tank cupboard of the garret, to the rear of the east wing via a small cupboard at eaves level).
In the mid-17th century the Guests' Hall was referred to as Mr Booth's Chamber, after the genealogist Jack Booth of Tremlowe, a cousin and family friend of the Moreton's and a regular occupant. Its substantial carved consoles, inserted not just for decorative effect but to support the weight of the Long Gallery above, have been dated to 1660. What is today known as the Prayer Room, above the Chapel, was originally the chamber of the first William Moreton's daughter Ann, whose maid occupied the adjoining room. The floors of the rooms on this level are made from lime-ash plaster pressed into a bedding of straw and oak laths, which would have offered some protection against the ever-present risk of fire.
It appears that electors from Bathurst and the wider Gloucester County were not in favour of Confederation. Residents of a harbour that in addition thrived as a shipbuilding centre could see little advantage in tying themselves to the anchor that was at the time the United Provinces of Canada. They were instead focused on trade with the United Kingdom and its Atlantic colonies, in addition to any nation which had an Atlantic seaport, including especially the American seaboard states; shipments of lumber, deals or laths were common enough to Manhattan NY. In the 19th century, men were eager to fell trees in the forest around Bathurst all winter long from sunup to sundown (Sundays excepted) for eight to ten dollars a month.
Beyond the chapels of the ambulatory stands the Chapterhouse. First one passes through a fine portal by Diego Copin (1510) to the Antesala, an old chapel of small size which serves as a kind of vestibule through which the Chapterhouse is entered; it has a marble floor, an artesonado (a coffered wooden ceiling with lacery of interlaced laths), by Francisco de Lara (1517), and a plateresque frieze by Juan de Borgoña. The Antesala is furnished with wardrobes or cabinets; the finer work on the left with Hellenistic decoration is by Gregorio Pardo (1551), and that on the right is by Gregorio López Durango (1780). The square portal leading from here to the Chapterhouse proper was executed in the so- called Cisneros style by Master Pablo and Bernardino Bonifacio de Tovar, combining Mudéjar features with Plateresque decoration, in 1510.
Traditional lime based mortar/plaster often incorporates horsehair which reinforces the plasterwork, thereby helping to prevent the keys from breaking away. Eventually the wood laths became less common, and were replaced with rock lath (also known as "button board"), which is a type of gypsum wall board with holes spaced regularly across it, usually in sheets sized by (60 cm by 120 cm). The purpose of the four-foot length is so that the sheet of lath exactly spans three interstud voids (overlapping half a stud at each end of a four-stud sequence in standard construction), the studs themselves being spaced apart on center (United States building code standard measurements). The holes serve the same purpose as the spaces between the wood lath strips, allowing plaster to ooze through the board when the plaster is applied, making the keys to hold the plaster to the wall board.
20 Phillips worked for most of his career at the Society for the Preservation of New England Antiquities (SPNEA) in Boston, now Historic New England, and the organization's Conservation Center was largely built around his research and that of his apprentices. Phillips pioneered a number of techniques that would subsequently become standard in the field, including the microscopic examination of historic paint layers, the use of epoxies for wood repairs, and the acrylic consolidation of fragile historic material. He and Andy Ladygo perfected an acrylic injection technique for re-attaching historic plaster walls and ceilings to wooden laths. His contributions to historic paint analysis ranged from developing the technique of 'cratering' using sandpaper (to macroscopically reveal multiple paint layers), to the microscopic evaluation of paint cross-sections in situ and in the laboratory, to techniques meant to reverse the natural yellowing of linseed oil and thus reveal the 'true' colors of historic paints.

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