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"lady of the evening" Definitions
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8 Sentences With "lady of the evening"

How to use lady of the evening in a sentence? Find typical usage patterns (collocations)/phrases/context for "lady of the evening" and check conjugation/comparative form for "lady of the evening". Mastering all the usages of "lady of the evening" from sentence examples published by news publications.

Sex Pot () is a 1975 Italian comedy film directed by Giorgio Capitani. Alternative titles for the film in the English language include Poopsie & Co., Gun Moll, Get Rita, Lady of the Evening, Oopsie Poopsie and Poopsie.
By her middle teens, Lou was an orphan with nothing to rely on but the mercy of relatives. During this time, she was abused, attempted suicide, and her older sister became a prostitute. She later wrote that she "fell, step by step, until at last I was beyond redemption". In 1873, Lou was a well paid lady of the evening when a deadly cholera epidemic swept through Birmingham.
Telegraph- Journal, February 1, 1999. The band's supporting lineup has varied at different times, including both Mi'kmaq and non-Mi'kmaq musicians; at the time of Message from a Drum, the band included guitarist Jason Ratchford, bassist Peter Christmas, chanter and percussionist Justin Francis, and drummer Sean Parris. The band first emerged in 1990, when their single "Lady of the Evening" was a minor country music hit in both Canada and the United States.Brian Wright-McLeod, The Encyclopedia of Native Music: More Than a Century of Recordings from Wax Cylinder to the Internet.
A popular legend about the 1889 vote to move the capital to Phoenix says that the block intending to move held a one-vote lead in the house before the vote. Delegate Charlie Warren of Bisbee engaged a lady of the evening the night before the vote. He supposedly placed his glass eye in a glass of water and later mistakenly swallowed the eye when he awoke thirsty and took a drink. Refusing to appear in public without the eye, he refused to vote which would have kept the capital in Prescott.
George Kneeland articulated his growing concern about the organized sex business in America well, saying that prostitution had grown into a "highly commercialized and profitable business that penetrated the deepest recesses of the political, cultural and economic life of the city." Brothels were commonly referred to as "disorderly houses", and their residents were called by many names, some euphemistic—e.g., "abandoned woman", "bawd good-time daisy", "fallen angel", "fille de joie", "jeweled bird", "lady of the evening", "shady lady", "soiled dove", "wanton woman", and "woman of the town"—and some less kind—e.g., "hooker", "slut", and "whore".
Lizzie Lape was born Amy Elizabeth Rogers in Whitley County, Kentucky before the Civil War. She was the daughter of Prior and Cynthia (Whitman) Rogers of Williamsburg, Kentucky and granddaughter of a Revolutionary War veteran named James Rogers of Laurel and Whitley Counties, Kentucky. In the late 1970s, family oral history revealed these details to Lizzie's descendants: she came from the South, was a lady of the evening, had a business in Chicago, and became a madam who ran a house of ill repute in Stow, Ohio. A great-great-granddaughter, Debra Lape, discovered much more of Lizzie's purposely-obscured story over the next forty years, publishing a book in 2014 titled, Looking For Lizzie – The True Story of an Ohio Madam, Her Sporting Life and Hidden Legacy.
"Too Many Parties and Too Many Pals" was written by Tin Pan Alley songwriter Billy Rose with New York City songwriters Mort Dixon and Ray Henderson, and had already been recorded by one of the first singing cowboys, Carl T. Spargue, as the "Wayward Daughter." The song contains the testimony of a man defending a "social enemy, a lady of the evening" who is on trial for her promiscuous ways. Williams biographer Colin Escott deems it "a morality play in one mercifully short act..." The song contains a similar theme as Hank's own "Men with Broken Hearts" but, like "The Funeral," somehow lacks the down-to-earth gravitas that characterized his own lyrics. Williams recorded the song in Nashville at Castle Studio at the first Luke the Drifter session on January 10, 1950 with Fred Rose producing.
Harvey Lipschultz, played by Fyvush Finkel, was a history teacher. Harvey was a somewhat stereotypical elderly Jewish man. He was not a fan of political correctness, and his character seemed to switch from being a well-meaning old man that once met with the school's football team to ask them not to discriminate against a player who was rumored to be gay, while other times he came off as an Archie Bunker-type bigot or a simple comical buffoon of a bygone era. As a young man, Harvey served in World War II. On the night before he left to go to Europe, he had a one-night stand with an African-American "lady of the evening" who later gave birth to a son named Lester who, at the age of sixty, was able to track down Harvey and introduce him to his family, including Lester's children and grandchildren.

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