"Stay in the same low angle of him, intercutting with the key," Haynes said.
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Under Jaki Bradley's direction, the tone is playful, occasionally mocking, and the intercutting sly.
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Mr. Lichte and Mr. Takach are similarly clever in the ordering and intercutting of the songs.
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Thanks to some mad editing skills, Netflix managed to recreate the performance by intercutting scenes from Netflix Originals shows.
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The intercutting between the two was essential, because it was a way to show how accurate this testimony is.
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There's a great back-and-forth scene intercutting the initial strategy the prosecution and defense are planning to take.
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Yara got to work editing the diaries into a cohesive package, intercutting scenes that Mr. Boochani had shot for us inside the detention center.
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Buster's Mal Heart is a delicate balancing act between several genres — not mixed as part of one plot, but delivered in long strings of intercutting vignettes.
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The first and most obvious problem is the show's insistence on intercutting between Mars in the 2040s and interviews on Earth today every 5 to 10 minutes.
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Another film, Two Billion Miles, offered a series of choices to be made for a Syrian refugee, intercutting each decision with real news footage of the likely outcome.
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The intercutting between those periods in two previewed episodes, however, proves relatively flat, portraying Einstein as a guy who likes women but can be something of a self-absorbed jerk.
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The rig was at a reasonable distance for an establishing shot, but, without the option of intercutting closeups, it was too far away for viewers to read the actors' expressions.
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Her constant intercutting of the world-shaking with the quotidian — including her father as a child navigating post-Nazi Budapest — underscores a challenge to more mainstream genres of history writing.
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Cameron delights in intercutting the dull fancy folks in the dining room with the earthy fun of the lower-class passengers downstairs; the sequence is a little patronizing, but it lands.
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Intercutting his interviews with scenes from Frank Capra's It's a Wonderful Life, James clearly tries to draw parallels between Sung and Jimmy Stewart's good natured, small-town banker in the classic film.
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The intercutting of unhurried river scenes and sensuous close-ups invokes a contentious tradition of ethnographic cinema, in which (white, European) filmmakers would reveal the "true lives" of black or indigenous people.
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Francis Lawrence shoots the film as a grand tragedy, intercutting Domenika's ballet accident with the escape of an American spy played by Joel Edgerton whom she will eventually meet and, perhaps, love.
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Instead, Nolan gives us one of the leanest, most ingenious studio films in quite a while: an intercutting montage of competing timelines that expand and contract and collide in ways both inevitable and surprising.
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The resulting film is a love letter to growing up in NYC (Keys has penned many), intercutting select songs with the stories of real New Yorkers, living life among the skyscrapers, captured in classic black and white.
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Crackling like an old VHS tape, the nostalgia-infused title sequence offered a simple juxtaposition, intercutting decades-old bar mitzvah videos with glittering images of drag queens (The footage was taken from the revolutionary 1968 documentary The Queen).
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PBS fended off fireworks from viewers after admitting that its broadcast of the Independence Day Show from the National Mall in Washington tried to compensate for weather-related visibility problems by intercutting footage of pyrotechnics from previous years.
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Intercutting gestures from the stories she tells — about smoking in high school or dancing cumbia in Mexico — she whips up a speedy montage, corralling decades of dance history and personal history into the span of a few minutes.
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Here he takes an even more offbeat approach, however, intercutting between his visit to an Australian town and himself at a later date, explaining to the camera the limits of his approach and problems he ran into making the video.
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The atrocious extent of what people are capable of doing in order to appease these desires is implied through the intercutting of clips from one of Rasdjarmrearnsook's earlier works, which shows the slow, torturous death of a buffalo in an abattoir in Thailand before it is finally butchered and carved.
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Dee smashes away at the punching bag in the corner, or fights the air as she relives a match in her head, and we see video (designed by Katherine Freer and Dave Tennent) on big overhead screens: some footage prerecorded, some shot live (by Stivo Arnoczy) and some brilliantly intercutting the two, blending past glory with present determination.
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Redemption via GIPHY "Redemption" finally gives us the chance to dry our tears and pack up the tissues as we realize Beyoncé has truly grown up, not only as a person but as an artist, intercutting home videos (like a never before seen tape of her wedding!) with shots of her all-female, all-black posse, like this one sitting on the front porch wearing Rosie Assoulin.
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The orderly burial of inhumations oriented in a west to east direction with no intercutting was the normal pattern for graveyard burial.
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It was recorded and produced free of charge in November 2011. A video was produced by Big Buoy TV, intercutting Karim's performance with Ministry of Defence footage of British soldiers in Afghanistan.
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The scene where Baskerville (Nicholas Clay) rapes the girl (Francesca Gonshaw) was criticised for its graphic nature, especially with the scene intercutting the act with the girl's horse struggling and drowning in the mire.
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The show included a parody of The Matrix Reloaded, intercutting actual footage with new material from the hosts with appearances by Wanda Sykes as the Oracle and Will Ferrell as the Architect. The unedited version is featured in the DVD version of the film.
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The original play was performed solely by MacIvor. For the film, Lynd added several other actors, giving the audience members some moments of direct interaction and intercutting Victor's monologue with scenes which directly depict the stories he describes."House a quirky film that fascinates with its oddball insights". Ottawa Citizen, September 10, 1996.
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Godfather Part II, which was released in 1974 and enjoyed success comparable to The Godfather, is noted for its intercutting between two storylines, one from Sicily in the early 20th century, and a second contemporary story that follows the first film's action. Long afterwards, the film was listed as the 22nd best-edited film of all time in a 2012 survey of members of the Motion Picture Editors Guild. Coppola subsequently asked Malkin to edit The Godfather Saga (1977), a television miniseries, that was based on the two films. The miniseries incorporated scenes that could not be included in the original versions, and replaced the complex intercutting between time periods of the original films with a more straightforward chronological ordering.
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A video was made for the song. It depicts the band arriving at a large mansion where a large party is occurring along with many women. Andrew Dice Clay stands at the door and acts as a bouncer. Intercutting with scenes of the band performing the song in front of the houseguests, the video follows a mysterious blonde woman.
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The film is a study of the differences and similarities between human and animal behaviour. The first part of the movie focuses on the behaviour of various animal species. The second half is about the behaviour of humans, often intercutting with footage of animal behaviour. In the original Dutch version writer Anton Koolhaas, who also wrote the script, provided the voice- over.
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Lombardo and Peckinpah remained in Mexico for six months editing the picture. After initial cuts, the opening gunfight sequence ran 21 minutes. By cutting frames from specific scenes and intercutting others, they were able to fine-cut the opening robbery down to five minutes. The creative montage became the model for the rest of the film and would "forever change the way movies would be made".
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Tiki Tiki is a Canadian comedy film, directed by Gerald Potterton and released in 1971."Tiki-Tiki a complicated delight". Montreal Gazette, December 30, 1972. Created by intercutting animated sequences with live-action footage from the Russian children's film Aybolit-66, the animated sequences tell the story of a group of monkeys who are working to produce a film, while the Aybolit-66 footage represents the film they are making.
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In order to do so, he must make more than double his average daily income. In a social-realist style, the camera follows Ming on his deliveries throughout the upper Manhattan neighborhood where social and economic extremes exist side by side. Intercutting between Ming's deliveries and the daily routine of the restaurant, Take Out presents a harshly real look at the daily lives of illegal Chinese immigrants in New York City.
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The story is based on the origin of Robin (Dick Grayson) from Detective Comics #38 (April 1940), which it shows through flashbacks, intercutting an unfolding mystery in the present with the more significant moments of Robin's life. It touches on Robin uncovering who killed his family and how he first met and joined forces with Batman. Meanwhile, it also shows how Batman and Robin are slowly growing apart.
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Vaz and Duignan 1996, p. 71. The Rocketeer's attack on the Nazi Zeppelin was filmed over four months near Six Flags Magic Mountain amusement park in Valencia, California through pick-ups. Remaining visual effects footage took place at ILM's headquarters in San Rafael and Hamilton Air Force Base. There, they constructed a 12 ft scale model of the Zeppelin, which was photographed against matte paintings that resembled 1938 Los Angeles for intercutting purposes.
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Lombardo used the laborious trick of stretching time by repeating the individual frames of film two or three times, which required that there be a film splice at every frame. There are typically 24 frames of film exposed each second by standard motion picture cameras, so after tripling Lombardo had 72 frames per second. Intercutting involves the splicing of sections of film from different cameras, or from different "takes" of the same scene.
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Wang is home to a large Neolithic archaeological site with up to six phases of occupation. It was first excavated by Jens Lüning (de) in the 1980s where several intercutting periods came to pass. It is also one of the most southerly eras of the first Linear Pottery culture (LBK) horizon period when sedimentary ideas, although not necessarily new people, came to central Europe. Most famous for the longhouse, this area uncovered several belonging to the LBK.
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Blair Marnell of CraveOnline felt the episode "gave Sasha a memorable send off…and then it just kept on giving it to her. The intercutting between Sasha's dream reunion with Abe, her time with Negan and Eugene, and her final moments in the coffin was an interesting way to chronicle the last hours of her life. But it went on for far too long." Kevin Yeoman of Screen Rant assessed that Sasha's death served as the episode's highlight.
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Most scenes follow the other without intercutting, which gives Caligari more of a theatrical feel than a cinematic one. Heavy lighting is typically absent from the film, heightening the sense of darkness prevalent in the story. However, lighting is occasionally used to intensify the uneasiness created by the distortions of the sets. For example, when Cesare first awakens at the fair, a light is shone directly on a close-up of his heavily made-up face to create an unsettling glow.
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The comedy focused on the lives of Dan, an unemployed aspiring filmmaker and Becs, an aspiring actress and model. The two were a couple from Dalkey and discussed their lives six months into their relationship. The show did not follow the typical format of a sitcom. Each episode was ten minutes long and the two characters were never in the same room with each other (with the exception of both season finales), instead intercutting the individual video diaries of the couple.
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The video intercuts to Iman, and Usher inside a cabin with water gushing in. For the chorus, Usher and Iman are being intimate, with water further entering the singer's cabin. Usher and Iman are once again being intimate for the second verse, sat outside of the Yacht, with water now level with Usher's waist inside the cabin, entering the second chorus, where Usher and Iman make love. During the bridge, both are romancing within the cabin's bathroom, with the video intercutting to different romantic scenarios.
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An accompanying music video for the song was premiered to the official YouTube channel of the Eurovision Song Contest on 15 March 2015. The same day, the video was broadcast on Radio Televizioni Shqiptar (RTSH) at around 20:00 (CET). It prominently makes reference on the diverse role of women in Albanian society, including within highly male-dominated professions. Filmed over three days in Tirana, intercutting scenes portray other females, including a journalist, a doctor, a traffic officer, a firefighter and a flight attendant.
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Early in the season, editor Dean Holland developed a technique that would be used throughout the series. During a scene in "The Reporter" in which Leslie reacts to quotes read to her by the journalist, Poehler improvised a number of jokes, many of which were ultimately going to be cut from the episode. Holland thought they were all funny, so he created a brief montage intercutting several of the lines. The producers sought to lend authenticity to the fictional Pawnee setting by incorporating real-life Indiana elements.
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This technique is frequently an editing method of suspense films. Related, there is the insert shot, which is a shot containing visual detail that is inserted into a scene for informational purposes or to provide dramatic emphasis. A close-up view of printed material in a book, intercut as a character reads, is a type of informational point-of-view insert. The intercutting of a close-up view of a gun resting on a desk within a room where a violent argument is occurring constitutes a type of dramatic insert.
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Three music videos were produced for "Bodyrock". The version released in the United Kingdom, directed by Fredrik Bond, features a man frenetically dancing in an urban setting while Moby looks on. During the video, Moby acts as an effects man, turning on a wind machine and later a flame bar, accidentally blowing up a nearby car. An alternate second cut was later released, featuring audition footage of dancers supposedly auditioning for the video; the video can be seen two ways: one with only the dancers, and one intercutting to Moby.
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Crimson Romance was a low budget production that relied on the large amount of footage that had been shot for Hell's Angels. The advantage of having Ben Lyon as the lead actor in both features allowed for intercutting between previously shot footage and new scenes that were shot at Wilson Airport in West Hollywood, California, owned by aviators Roy and Tave Wilson, the only airport that was exclusively devoted to film work.Wynne 1987, p. 95. Lyon was filmed in a Royal Aircraft Factory S.E.5 that had been seen in numerous films.
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Eyes Upside Down: Visionary Filmmakers and the Heritage of Emerson. Oxford University Press, 2008. Intercutting footage shot with his 16mm Bolex during "travels over four continents in six years," Carriage Trade was the first in a two-decade succession of films with similarly radical montage, in which each cut was designed to open up multiple connections and associations. "From the first stunning cut, between building reflections in twin panes of glass and a distant waterfall that divides the frame similarly, the editing both expands the film's space and creates a variety of links between shots," wrote Fred Camper.
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In 1986, Mulcahy became well known after directing the cult film Highlander, starring Christopher Lambert and Sean Connery, featuring music from Queen. Mulcahy said "I loved the genre, I loved the action, and I loved the strange complexity of the intercutting timelines. What really grabbed me though was the sense of tragic, epic romance in the story." Mulcahy directed several Queen video clips for the Highlander soundtrack (including "A Kind of Magic") as well as works for Billy Joel, Kim Carnes, Kenny Loggins, Def Leppard, Elton John (including "I Don't Wanna Go on with You Like That") and Rod Stewart.
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The intercutting of the scene between Daniel and the girl's perspectives is largely identical to Double Dare, as is the suggestion that the girl will meet a horrible fate if Daniel does not intervene. A minor reference to Double Dare is the fact that Daniel's literary agent (Roy Hudd) is also called Ben. Double Dare is also a follow-on from an earlier Potter play, Follow the Yellow Brick Road (1972), which features an embittered, cuckolded actor ('Jack Black', played by Denholm Elliott) who believes himself to be an actor trapped in a television play. Unlike Double Dare, however, the central protagonist is able to subvert the narrative by challenging its anonymous author.
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Its influence is less obvious but still apparent in Out of Sight, a 1998 film directed by Steven Soderbergh. The famous intercutting technique used in the sex scene was used to similar effect in a sex scene featuring George Clooney and Jennifer Lopez. The film's imagery and stylistic techniques have served as an inspiration to films such as Schindler's List directed by Steven Spielberg, Memento by Christopher Nolan, The Dark by John Fawcett, Frozen by Juliet McKoen, Submarine by Richard Ayoade, and Snow White and the Huntsman by Rupert Sanders. David Cronenberg regards it as the most frightening film he has seen, and its influence has been detected on Cronenberg's The Brood.
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Craven chose to give Iliadis his freedom while filming the remake, partially because Craven was in the process of working on a new film for himself, but also because he likes to allow the directors the chance to make their own film. For the 2009 remake, Iliadis wanted to keep a consistency among the scenes of his film, as compared to the 1972 original. Iliadis stated that he felt the intercutting of comedic scenes with the rape scene in the 1972 film had the tendency to take one out of the moment. Iliadis wanted to "cut those diversions out", as a way of "[throwing the audience] into this scene with no place to cut away to".
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The second of the four ads premiered on October 14, 1993, and was mainly played in the Ontario market, a market seen as heavy in swing voters. The ad featured still pictures of Chrétien's face interspersed with comments by actors posing as regular Canadians; the first voiceover asked "Is this a Prime Minister?" with other voices questioning his record. The final, and most prominent, line was "I would be very embarrassed if he became Prime Minister of Canada." While the ad's creators claimed they had meant for the voiceover lines to refer to Chrétien's policies and ethics, the intercutting of the lines with images of the Liberal leader's face, focusing on his facial deformity, were interpreted by many as an attack on Chrétien's appearance and health condition.
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The film tells its story using non-traditional narrative techniques, intercutting the storylines of seven different Dylan-inspired characters. The title of the film is taken from the 1967 Dylan Basement Tape recording of "I'm Not There", a song that had not been officially released until it appeared on the film's soundtrack album. The film received a generally favorable response, and appeared on several top ten films lists for 2007, topping the lists for The Village Voice, Entertainment Weekly, Salon and The Boston Globe. Particular praise went to Cate Blanchett for her performance, culminating in a Volpi Cup for Best Actress from the Venice Film Festival, the Golden Globe Award for Best Supporting Actress, along with an Academy Award for Best Supporting Actress nomination.
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Frederick A. Talbot, writing in 1912, records that "the scene of the accident was a field, in which the scenery was erected with considerable care, and a long length of model railway track was laid down, while the trains were good toy models." According to Michael Brooke of BFI Screenonline, it "is one of the earliest examples of this technique in practice". Brooke notes that "unlike some of his other films of the period, Booth does not attempt to enhance the effect by intercutting obviously full-scale material, though his successors would undoubtedly have added a shot inside a carriage full of screaming passengers." Despite the contrived nature of the scenario and the basic nature of the model work, viewers appear to have found its depiction convincing.
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He returned to the James Bond films in 1977 with The Spy Who Loved Me. Among other tasks, Meddings spent four months on location in the Bahamas, where he supervised the construction of a "miniature" supertanker more than long and three "miniature" nuclear submarines for exterior sequences filmed at sea. He also designed and built the Lotus Esprit car which converted into a submersible, cleverly intercutting full-sized body shells with one-quarter-scale miniatures. For Moonraker (1979), Meddings created and photographed miniatures of Drax's space shuttles and space station and also realised the final space battle. Due to the film's tight schedule, Meddings was unable to use optical compositing (which is a lengthy process due to the extensive film processing involved) to combine the different elements for the space sequences.
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These same theaters had shown Retreat Hell! as their only feature for several months earlier in the same year, until they switched over to showing One Minute to Zero as their only option for the following several months that July. These same drive in theaters would only do this again on one more occasion, which would be for the movie Tarzan and the Lost Safari which was released in 1957Movies Under the Stars: A History of the Drive-in Theatre Industry, 1933-1983 by David Bruce Reddick, University Microfilms, 1989 pp. 27-28 The intercutting of stock footage of USAF Lockheed F-80 Shooting Star and Royal Australian Air Force North American P-51 Mustang fighter-bombers, along with other aerial sequences has made One Minute to Zero an aviation film buff's favorite.
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The film premiered at the 2000 Cannes Film Festival on 14 May 2000, and it was shown at various film festivals as well as having commercial releases in Belgium, France, Switzerland, the United States and Canada. The film grossed $684,000 in the US. It also aired on HBO. Reviewing the film in The Guardian, Alex Tunzelmann noted Peck's "commendable effort to get as close to the truth as possible, incorporating many details from historical investigator Ludo de Witte's The Assassination of Lumumba. Tunzelmann suggested the film might move too quickly through the Congo and Lumumba's history for viewers not already familiar with it to keep up, but said the "last part of the film, from Lumumba's falling out with Mobutu to his death, is gripping to watch, building to a superb last scene intercutting Lumumba's fate with Mobutu's attempt to rewrite history.
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Code Geass has received best-selling success and broad critical acclaim since its release. Anime News Network's columnist Todd Ciolek attributes the soaring popularity of Code Geass to "the series hitting every important fan sector", with the audience appeal points ranging from a "complex cast of characters and a fast-paced story, told with Goro Taniguchi's capable direction" for "general-interest fans" to "pretty and just-a-little-broken heroes" for "yaoi-buying female fans". Carl Kimlinger also finds that the series "has the skill and energy to carry viewers over the top with it, where they can spend a pleasurable few hours reveling in its melodramatic charms." He also adds that Taniguchi "executes the excesses of his series with care, skillfully intercutting events as Lelouch's plans come together (or fall apart) and using kinetic mecha combat".
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The film also stars Robbie Coltrane, Nigel Planer and Keith Allen (all of whom play multiple roles), in addition to fleeting appearances from most of the regular Comic Strip performers, including Adrian Edmondson, Rik Mayall and Dawn French. Its subject matter, cinema release, and prestigious award success all contributed to making The Strike one of the most famous of all the Comic Strip films. In addition, the film's theme (of a Hollywood studio creating a warped version of a British historical event) and its chief stylistic device (intercutting the narrative concerning the making of the film with "completed footage" from it, in a film-within-the-film) would be revisited twice by Richardson and Richens: first in the later Comic Strip film GLC: The Carnage Continues..., and then in the movie Churchill: The Hollywood Years. Neither of these films, however, achieved success comparable to The Strike.
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Pottery from the period has been found in Attenborough and Holme Pierrepont, and Neolithic stone axes have been found in the city manufactured as far away as Great Langdale in the Lake District and Penmaenmawr in North Wales. Holme Pierrepont is also the site of the area's most impressive Stone Age monument: an early Neolithic burial monument consisting of several intercutting concentric ditches surrounding a central mound containing five shallow pits. Abundant evidence exists of Bronze Age habitation in the area, including tools and weapons found in the River Trent and other local rivers, a flat axe found in Edwalton and a looped palstave found in Bestwood. A large hoard of Bronze Age metalwork was discovered during building works in Great Freeman Street in 1860, dating from the late 9th or 8th centuries BC and consisting of ten socketed axes, four bronze arrowheads, a palstave, a hollow ring and the base of a spear shaft.
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The new genre was extensively influenced by Méliès's experience in theatre and magic, especially his familiarity with the popular French féerie stage tradition, known for their fantasy plots and spectacular visuals, including lavish scenery and mechanically worked stage effects. In an advertisement he proudly described the difference between his innovative films and the actualities still being made by his contemporaries: "these fantastic and artistic films reproduce stage scenes and create a new genre entirely different from the ordinary cinematographic views of real people and real streets." Because A Trip to the Moon preceded the development of narrative film editing by filmmakers such as Edwin S. Porter and D. W. Griffith, it does not use the cinematic vocabulary to which American and European audiences later became accustomed, a vocabulary built on the purposeful use of techniques such as varied camera angles, intercutting, juxtapositions of shots, and other filmic ideas. Rather, each camera setup in Méliès's film is designed as a distinct dramatic scene uninterrupted by visible editing, an approach fitting the theatrical style in which the film was designed.
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In October 2001, Hill moved to ITV in a lucrative deal, in which he created an all new show, Harry Hill's TV Burp, where he would take a look at the week's television, showing clips from various British television programmes, and framing them with commentary or intercutting additional footage. The series would feature a regular stable of all new characters, including the Knitted Character; a small knitted rabbit, Wagbo, a demon love child whose parents are reportedly Wagner Carillho and Mary Byrne of X Factor fame, an interpretation of Heather Trott from EastEnders, played by Steve Bernham, as well as a doll of The Apprentice star Alan Sugar, who would regularly rap before clips of The Apprentice were introduced. The show was piloted in December 2001, before running for eleven full series between 2002 and 2012, before being cancelled to allow Hill to work on other projects. The show won a number of BAFTA awards, and spawned five Best of TV Burp DVD compilations, and a book based on the series, which was released for Christmas 2009.
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