134 Sentences With "intercuts" | Random Sentence Generator

The series intercuts footage from four staged symposiums — in Athens; Paris; Berkeley, Calif.

Mr Balint elegantly intercuts courtroom scenes with episodes from Kafka's biography and cultural afterlife.

Apparently there is a small subset of YouTube videos that intercuts Ariana Grande with screaming goats.

"The Trial" intercuts passages from the resulting propaganda film with shots of crowds demanding the death of the culprits.

Photographed in black and white, it intercuts stage performances, flashbacks and interviews with Bruce's mother, agent and former wife.

Morgen intercuts archival footage with rotoscoped animation to create images that are simultaneously stylized and dazzling in their verisimilitude.

Thus the editing proceeds throughout the project, as Vallée intercuts brief snippets of images that might later make sense.

"Blossom" intercuts James's deterioration there with the exploits he imagines, all tied to his past in a way that's sweet to discover.

Mr. Ross intercuts the camera's progress with black-and-white shots of the black vaudevillian Bert Williams, who frequently performed in blackface.

The Clinton campaign will begin airing a new ad Friday that intercuts Trump insulting women with shots of young girls looking in the mirror.

Nearly every episode in the first half of the season Amazon provided for review intercuts the present-day story with glimpses into the past.

This will work better later, when the book intercuts movie dialogue from the DVDs Anna watches with what is actually happening in her real world.

Taking its title from Mark Antony's speech over the slain Caesar in "Julius Caesar," it intercuts Mr. Wolfert's own memories with text borrowed from Shakespeare.

Ross intercuts him driving into the front entrance of what looks a former plantation with clips of Bert Williams from Lime Kiln Field Day (1913).

Or the sheer number of intercuts between Sally and Emma's boundary-free hookup and the unsexy, strict nighttime routine of David (Alex Macqueen), Sally's sorta-fiancé.

She also intercuts viral videos, performances by Black icons, and remixed footage of police violence, making for a hyper-textured audiovisual piece disengaged from traditional story structure.

As team Selina watches the House vote on television, Catherine intercuts footage of Selina mostly asking her daughter to leave the room or turn off the camera.

When two starships collide, he'll intercuts shots of the people inside those starships, toppling over, never having realized that this particular day was the day they would die.

At times, Mr. Resnais intercuts multiple conversations or matches the sound of one interaction to the image of another so that the movie seems to be talking to itself.

Where to watch: NetflixBeyoncé made history when she became the first black woman to headline Coachella 22 years after its inception, and "Homecoming" seamlessly intercuts between the singer's two 2018 performances there.

Alchemy isn't much in evidence as the performance, presented by the Los Angeles Women's Shakespeare Company, intercuts autobiography and observations on Shakespeare with passages of dialogue from "Hamlet" and other works (6200:2212).

Alchemy isn't much in evidence as the performance, presented by the Los Angeles Women's Shakespeare Company, intercuts autobiography and observations on Shakespeare with passages of dialogue from "Hamlet" and other works (1:00).

The aptly titled clip, from the mind of director Edgar Wright, is a swirling psychedelic production number, cutting rapid intercuts between yellow and blue backgrounds — with an army of similarly hued dancers to match.

Dialog alternates between lowbrow humor and platitudes about the perils of helicopter parenting, with intercuts of Kunis hugging her deeply awkward kids, looking more like their beautiful babysitter than a woman who birthed them.

Throughout, Mr. Sayre intercuts reminiscence with observations about the cosmos, comparing the life and death of stars with what he enumerates as six kinds of love, from adoration to love in absence and beyond.

Presented by the Los Angeles Women's Shakespeare Company, which Ms. Wolpe founded in 1993, it intercuts autobiography and observations on Shakespeare with long passages of dialogue from some of his characters, male and female.

Hyenas opens with a herd of elephants that quickly cuts to a crowd of people, and intercuts images of hyenas as a symbol for the community's loss of dignity in the face of promised wealth.

So on a book-strewn classroom set by Rachel Hauck, the play intercuts cockeyed lectures about the past — from the decimation of the Taíno to the Trail of Tears — with an unlikely current-day family drama.

Sally has the best sex of her life (possibly the only good sex of her life) in a scene, directed by Davis, that intercuts their anatomically thorough lovemaking with images of David vigorously flossing his teeth.

The finished film, which runs about 90 minutes, intercuts the interviews with rich archival footage, often so obscure that it had to be unearthed tenderly from the basements throughout the country where it had languished for decades.

Two high-voiced, high-concept YouTube adepts — Grimes and Poppy — have collaborated on a track that intercuts between thrash guitar chords and perky synth-pop with multitracked female-vocal choruses, using interjections of "oh boy!" at transitions.

Two of them (which you can see below) handle the technical details, while the third (above) intercuts parts of Moon with a shot of a woman watching the clip on a VR headset, to illustrate the viewing experience.

The film intercuts a history of Ms. Greenfield's career with the stories of more than a dozen characters, as they reveal in broad strokes the ways in which the desire for more (money, beauty, attention, success) has tainted society.

They vow not to get mixed up in any more organ-harvesting cults or murder-mysteries, and the show intercuts a flash-forward that has Archie, Veronica, and Betty burning their bloodied clothes (blood and underwear; classic Riverdale!) and Jughead's beanie.

Below is the video for said song, which intercuts shots of Polachek looking timeless like Sade, singing in the band's Brooklyn studio (in the old Pfizer building), with images of her looking vulnerable, gigantic crystal tears suspended on her flushed cheeks.

There's an echo of Warhol's aloof observational style in these early black-and-white images, as well as in a rare silent film by Mr. Shore, "Elevator" (1964), which intercuts shadowy shots of a lift's metal grilles into flickering harmony.

The 6-minute video intercuts footage from the immense news coverage around the lead poisoning with Michael Jackson's music video for "They Don't Care About Us." Moore has also called for the arrest of Michigan Governor Rick Snyder, in connection with the crisis.

In one of the documentary's most arresting moments, the doc intercuts a Bob Hope speech at USC — in which the comedian praises Simpson's character while poking fun at college demonstrations — with footage from the deaths of Martin Luther King, Jr. and RFK.

Green gets the kids trying out for Burke's role to talk about teasing their siblings and intercuts that with actors trying out for patriarch John talking about dangerous games they played as kids—games that could have easily resulted in her accidental death.

In an effort to draw a parallel between the World War II generation and today's young people, the commercial intercuts images and audio of President Franklin D. Roosevelt's 1943 State of the Union address with recent shots of marches by climate-change activists.

Quoting from original letters and other documents, it shimmers with the refracted light of another age; the account of a modern-day love triangle between three Eliot experts, which Ms O'Shaughnessy intercuts with chapters on the novelist and her circle, enhances the main picture.

Grant "speaks" through excerpts from an unpublished autobiography (read by Jonathan Pryce) and home movies he shot, which the documentary's director, Mark Kidel, intercuts with scenes from Grant's many movies to show that this seemingly unflappable leading man was a bundle of doubts and insecurities.

Saunders intercuts facts and semi-facts (culled from books and news accounts) in a collage-like narrative with some ghost stories of his own imagining, allowing a chorus of disembodied spirits to describe Lincoln's visits, while babbling on about their own regrets and misplaced dreams.

Back in 2014, Arrested Development creator Mitch Hurwitz announced that he had decided to recut the show's fourth season Netflix revival, abandoning its original structure — with each episode focused on a single character — and replacing it with a version that intercuts all the characters' stories chronologically.

Its structure and trajectory start out somewhat predictable: The film opens with a brief rundown of the crime, then conducts interviews with Weier and Geyser's parents as they struggle to understand what happened to their kids and intercuts them with footage of Geyser and Weier's taped police sessions.

"Kent State: Recovered" probes whether the F.B.I. provoked National Guardsmen into shooting students; "Play Truman" intercuts excerpts from Truman's diary, in which the president grappled with the A-bomb, with footage from Japanese home movies of the 1940s; "Children of the Disappeared" collects interviews with perpetrators of the Argentine junta's Dirty War.

Embrace of the Serpent tells two straightforward and conventional stories about explorers searching for a long-lost flower purported to have mystical powers, but it sets them decades apart and intercuts them so that one set in the 1940s might pick up seemingly in the middle of a scene set in the 1900s.

But the point of the film, which intercuts footage of actors Evan Peters, Barry Keoghan, Blake Jenner, and Jared Abrahamson with periodic interviews with the actual people they're playing, is that the fun quickly evaporates as you confront the contrast between how these inexperienced kids imagine the heist will go versus the much messier, darker reality they face when they stop dreaming and actually act.

The documentary intercuts scenes from Van Damme's biggest movies with interviews and footage of his surreal existence as a forty-something former movie star living in Los Angeles; he bumps into Lou "the Hulk" Ferrigno at the gym (and comments on his beautiful body), demonstrates a childlike enthusiasm for kickboxing, and holds forth with quasi-deep, rambling philosophizing (about the self-help concept of "awareness").

Scenes are often interrupted by the unconventional editing style of cutting away quickly from the money shot (or nearly cutting off characters' dialogue) and crosscutting several scenes of parallel action to build to a climax. Embedded narratives and crosscutting between different time frames is a major component of Nolan's auteurship.Mooney, p. 11. Following contains four timelines and intercuts three; Memento intercuts two timelines, with one moving backward; The Prestige contains four timelines and intercuts three; Inception intercuts four timelines, all of them framed by a fifth.

Eve then sees Paul on his motorcycle, he tells her to hurry up and get ready. It then intercuts to the scene at night time where Eve gets onto the motorcycle and they begin to sing on the motorcycle. It shows more intercuts of Eve and Paul singing in the club and walking into the club. The video finishes with Eve dancing in the club and Paul dancing against a wall.

During the pre-chorus, Usher is leaning against a wall while pulling up his top to reveal his chest. Entering the chorus, the video intercuts to Usher preparing drinks for himself and the tied up woman– his love interest. With the second verse, Usher is admiring his still tied up love interest. In the second pre-chorus, leaned against a wall Usher removes his shirt, while the video intercuts to him approaching his love interest to make love.

The remainder of the video then intercuts with Elliott and headlamp-sporting others dancing upon open boxes and moving hoverboards. Guest appearances throughout the visual's entirety comprises Les Twins and Missy Elliott's protégée Sharaya J.

A "MOVIE Ver." was released on the Event V of the single. A majority of it is the same as the music video but intercuts with scenes from the film Gomennasai, which Buono! themselves starred in.

Once the first chorus begins, the video focuses on the band performing in a dimly lit room with a large spinning clock hanging behind them. As the refrain begins again, the video intercuts between scenes of the band performing and of them riding motorcycles throughout the city. Following these shots, Jenkins is shown to now be singing in front of a car parked alongside a strip, as intercuts play that focus on the faces of strangers surrounding Jenkins. The video also briefly focuses on two women kissing while walking on the sidewalk, before abruptly arguing.

Vera and Vanja escapes the scene. The biker's gang gives them chase wanting revenge. The narration intercuts with events from previous nights. Vera and Vanja belong to a breed of vampires, who are human-like but can only survive on blood.

Pam says in an interview that Michael's birthday "was a good day", and appears to struggle to come up with an explanation for why it was good. The documentary crew suggestively intercuts this with footage of her shopping with Jim.

It opens with Missy Elliott performing her rap while doing her infamous slide-dance move on a pavement outside of a barbershop. The scene then intercuts with Men of Vizion performing their vocals while walking down a street and dancing with Missy.

During the song's bridge, Mo and her girls are seen fighting with the antagonist. By the latter, Mo and accompanying backup dancers are caught in a still frame while the video intercuts with paper-machete aliens dancing with Missy, who is dressed in a Scottish attire.

The remix version intercuts a street scene, with a shirtless Lloyd, a slightly gangsta-looking Ashanti, and a gruff-looking Scarface. It was located outside of a barber shop. It features clips from the original version also. "Southside" also peaked at number one on BET's 106 & Park.

The single's video intercuts scenes featuring Morissette and others dancing at night with black-and-white footage of her loitering, flirting, streetwalking and dancing with friends during the day. The Toronto Sun noted Morissette's "big" hair in the video.Stevenson, Jane. "Acoustic Little Pill goes down easy" .

The 71-minute OVA would later be used as the skeleton for the Australian live-action film In the Aftermath (1987) directed by Carl Colpaert. Colpaert's movie occasionally intercuts with footage from Oshii's Angel's Egg with dubbed over dialogue, which does not appear in Oshii's film.

Parallel to the journey of Durga, another mysterious event intercuts in the film. In a Kerala village, devotees perform 'Garudan Thookkam, a ritual art form submitted as a reward for the problems solved in the abode of Goddess Kali, who represents Goddess Durga's personified wrath & embodied fury.

Gold. is a German experimental short documentary film directed by Alexander Tuschinski. It intercuts abandoned 19th century gold-mining towns in the desert with sequoia trees in a forest. The film had its world premiere at Mykonos Biennale on July 3, 2015,. where it was screened in competition.

The music video features Patti LaBelle singing the track in a recording studio with session musicians. This intercuts with a young woman running through the streets. She recruits other passers-by who follow her to the studio where LaBelle is singing. The city shots were filmed in New York City.

The video then cuts to Frey leaving her high-rise the next morning. In the final shot of the video, Frey gazes out onto a vista of New York City while tossing a cigarette into the Hudson River. Two versions of the video exist: one with the Miami Vice intercuts and one without.

The 2017 edition presented Karie directed by Shanavas Naranippuzha, a Malayalam satire on caste, An Insignificant Man, Vith, Thooppu, Kothanodi, Ralang Road, The Golden Wing, Machines, Eli Eli Lama Sabachthani?, Juze, Ashwatthama, A Billion Colour Story, Turup, Samantharashramangal, Eight And A Half Intercuts: Life And Films Of K.G George and Richter Scale 7.6.

Shooting for Part 2 proceeded slowly because of the large number of exterior shots and the size of the cast in those shots. The writers compensated by putting the actors in pairs or small groups where possible so the director would only need a few of them at a time. Nonetheless, Eick called "Home, Part 2" the most difficult episode in the series up to that point to produce, with the possible exception of the first-season finale, "Kobol's Last Gleaming". Executive producer Ronald D. Moore compared the teaser of Part 2, which intercuts between Roslin's party following scriptural clues to find the Tomb and Adama using scriptural clues to guess Roslin's location, to the teaser of "Kobol's Last Gleaming, Part 1", which also features intercuts.

An award-winning film starring The Hooters and directed by John Jopson, Nervous Night, was produced by Bell One Productions. Nervous Night was shot on 35mm film and intercuts two separate elements: a concert filmed at the Tower Theater in Philadelphia, and a series of short films, each one starring a different band member.

The clip starts with an outside view of a lavishly decorated house during winter time. When the first chorus begins, Evans is seen singing while laying on a bed. During the second chorus and throughout the rest of the video, it intercuts scenes of her on the bed and her standing outside wearing a furcoat.

He and dances, executing various hand routines. Video intercuts follow and the video ends with Usher standing. Right before the last chorus, the screen changes from a small screen to a full one with no framework. The music video debuted on MTV's Total Request Live at number six on May 4, 2004, debuting with "Confessions Part II".

Filmed mostly in black and white, the film's small budget often shows in its minimalist style. Mama's small cast of characters and minimal plot would become trademarks to Zhang's films.Tasker, p. 420 The film is also notable as an example of Zhang's documentary leanings, as Mama also intercuts actual interviews with parents of autistic children throughout the narrative.

The novel is written in a flowing fashion without chapters and very few paragraph breaks between scenes. It intercuts between different time periods and is composed of interlaced narratives. In some senses its structuring can be likened to free jazz. Self has indicated that the book will be the first part of a trilogy, against his own initial expectations.

While on the road, the relationship of the couple is revealed to be unstable, as Del Rey is forced to kiss her boyfriend while expressing sadness. The trip intercuts with scenes of the couple staying at a luxurious hotel, where they are seen lying on a bed together with the boyfriend ominously holding Del Rey's throat at one point. As Del Rey makes her way out the hotel, the scene cuts back to an apparent car accident, with the singer's bloodied corpse being carried by her lover as a huge fire burns behind them. Also, the video intercuts scenes shot at the Palace of Fontainebleau, showing Del Rey sitting on a throne with tigers beside her in the Trinity Chapel or walking in the Gallery of Francis I. The video ends with the opening scene.

With opposite opinion, fellow bandleader Artie Shaw frequently disparaged the band after Miller's death: "All I can say is that Glenn should have lived, and 'Chattanooga Choo Choo' should have died."For another source that intercuts critiques by Gary Giddins and Artie Shaw about Glenn Miller, see Jazz: A Film By Ken Burns. Episode Five. Dir. Ken Burns. 2000. DVD.

At a cafe, Winnie (Chelsea Mundae) asks her co-worker Louise (A.J. Khan) why she pushed Winnie so hard into telling Laura about Cynthia and Nelson. Louise admits that she is a potential novelist, and that she is writing an exposé about the town's sexual goings-on. The scene then intercuts with both Nelson and Cynthia, and Laura and Jennine having sex.

" (March 2, 2001) Doylestown Intelligencer The Mexican' is sporadically entertaining. It works when Gandolfini is on screen; when he leaves, he takes the movie with him. ... From here, director Gore Verbinski, intercuts between two road movies, one of which (the one with Pitt) is downright boring"."Star power doesn't save 'The Mexican (March 2, 2001) Titusville Herald "Roberts and Pitt are generally terrific.

Then, Pérez is shown at an underground graffiti place rapping his verse on the song. Scenes are intercut with both of them at a club playing pool. The video intercuts with scenes of Furtado and Pérez dancing while performing the song, crowded with other people around them. The video ends with both of them walking towards the bridge in an early morning.

An "alternative" music video for the song was released on the band's YouTube channel on 26 April 2018. It is filmed in monochrome and intercuts backstage tour footage with a live performance of the song. As of May 2020, the video has accumulated over 200 million views. The song's official music video was released on 2 August 2018 while the band was in Japan for their tour.

They're monsters now too. Aberrations. The stuff of nightmares. The big bad wolf." (In parallel intercuts, the viewer is shown Mitchell's recruitment and awakening as a vampire, and George's survival of a werewolf attack followed by a scene of his transformation from man to wolf: also shown is Mitchell's killing of a young woman, Lauren, by draining her blood.) Annie continues her monologue: "So here we are.

The final style of scene has Ross performing in what is supposed to be the glamorous front exterior of the TV studio. A quick shot of the control room is shown with the lead producing yelling in shock or frustration, before the scene continues. It's assumed the producers have lost control of the broadcast. The video ends with intercuts of the TV performance, the exterior, and the control room.

The video for "Explode" was shot in the Central Technical School in Toronto, Ontario and directed by Bradley Clayford and Nelly Furtado. It starts with the real Furtado walking into a room with her guitar singing in front of a microphone. It then shows the cartoon Furtado walking at school with her guitar case. At the chorus it has intercuts of the real Furtado and the cartoon version.

The video was filmed in front of Chango Coffee at the corner of Morton Ave and Echo Park Ave in Echo Park, Los Angeles, California. The video intercuts images of Train singing with a woman (Kiana Bessa Chastain) walking around her apartment and a man (actor Andrew Craghan) painting the words to the song on the landscape. Eventually the two meet each other in the street in front of the band.

At the conclusion of the second chorus, Scherzinger is shown singing in an elevator while performing in front of a 1965 Buick Riviera and a Ford Mustang with and without a balaclava. The next scene displays Timbaland and his two friends planning a robbery with intercuts of Scherzinger, Hilson and Timbaland singing in front of a car. The video concludes with Timbaland and his two friends walking into the targeted house.

During the second verse, Eve is shown sitting on bleachers within another crowd of people while a basketball game goes on. During the final verse, she's shown rapping in yet another crowd of people dancing at a house party. Throughout, the clip intercuts with scenes of inclined people, Eve jumping rope with kids, and people dancing. The video also features verses from "Double R What" at the end.

Retrieved on August 28, 2015. The main interviews of Davis, Jordan, and Walker were filmed in the present day. Davis and Jordan discuss the effects of Rosa Parks, Fannie Lou Hamer, and other activists; as well as women's roles in black churches during the Civil Rights Movement and the outcome of the 1960s Black Power movement. Parmar took a 1970 prison interview of Davis and intercuts scenes of poetry of June Jordan.

Part IV, p. 1. Gary Arnold of The Washington Post called the film "an undeniably sensational movie, a fast, tense, explosively vicious little cops-and-robbers enterprise" with "a deliberately nervewracking, runaway quality ... It's a cheap thrill in the same way that a roller coaster ride is a cheap thrill. It seems altogether appropriate that the showiest sequence intercuts between a runaway train and a recklessly speeding car."Arnold, Gary (November 12, 1971).

The video intercuts between September and one of the clones singing the song, while another clone dances atop a podium. On the bridge, one of the clones breaks ranks. As she runs away, she takes off her black glasses and hood of her cat suit to reveal she is September. She is pursued by the female guards dressed in white who fire their laser guns, but September reaches a door and escapes outside.

The video starts with a satellite in outer space before quickly transitioning to an American Flag patch on a man's leather jacket. With the refrain playing, the band members and a dog are shown driving a car on a highway. As the first verse begins, Jenkins walks down the sidewalk of a neighborhood in San Francisco while singing. He passes through an outdoor cafe as the video intercuts with scenes of people riding motorcycles.

Daniel (Jon Cryer) and Stan (Rick Stear) search for a childhood friend of theirs - Richie (Rafael Báez), who they believe may be homeless and mentally ill. The film intercuts with flashbacks from their youth to their 30s. Daniel works at a jewelry store that is basically a pawn shop. Stan, who limps as a result of a childhood medical procedure, is a borderline alcoholic and gambler who fights endlessly with his longtime girlfriend, Gabby (Ione Skye).

The video intercuts a live performance by Thorogood and his band with his playing a lengthy game of pool with Bo Diddley. Pool player Willie Mosconi is summoned from another room by a spectator (played by Michael Fusco), and he wagers a large sum of money on Diddley. As Thorogood appears to be winning, a group of children outside celebrate while Diddley gets a dirty look from Mosconi. Thorogood smokes a fat cigar throughout the pool-playing sequence.

As the video progresses it intercuts skits with the solo video parts of the skaters. These skits are meant to show how ludicrous peoples reactions to skateboarders are: in a crime ridden area with robbery, drugs, and prostitution, the one cop arrests a kid for skateboarding on the sidewalk. The skits also present the skaters in a "classy" scenario: Four skaters are in a parking lot dressed as golfers. They have caddies and golf bags with skateboards in them.

Also a documentary film by the name '8 ½ Intercuts – Life and Films of K G George' that was based on the life and career of KG George was screened at the event. CPC Cine Awards 2018 award ceremony was held on 17 February 2019 at IMA House, Kochi. In the event, the senior stunt master Thyagarajan was honored with Special Honorary Award. He was draped with a ‘ponnada’(shawl) by actor Joju George and scriptwriter P. F. Mathews.

New features include MLB The Show 17s "Road to the Show" story mode, "Pave Your Path", in which the user controls the progression of their player's career. The mode intercuts scenes that present the player with decisions that affect the storyline. MLB The Show 17 also added features to other pre-existing game modes like "Franchise" and "Diamond Dynasty". Franchise mode places the user in control of an entire MLB team, including coaching, player development, and general- manager duties.

The style of City News owes a debt to various pop culture sources, including the cartooning of R. Crumb, Harvey Pekar, 1950s film noir narration, and the use of silhouettes to make the film's reality look more cartoon-like. Several sequences are modeled on early-1980s MTV music videos, including a seduction scene that unfolds during the playing of an arcade driving game, and an automobile wreck that intercuts live footage with comic strip imagery of the accident.

A Cow at My Table is a 1998 documentary film examining Western attitudes towards farm animals and meat. It covers the conflict between animal rights advocates and the meat industry, and their respective attempts to influence consumers. It was directed, shot, and edited by Jennifer Abbott, who spent five years travelling across Canada, the United States, Australia and New Zealand to interview representatives on all sides. The film intercuts these interviews with images of farm animals and industrial farming operations.

The Making of the Mob is an American television docu-series detailing the emergence of organized crime in 20th-century America. The series premiered on June 15, 2015, on AMC, and is narrated by actor Ray Liotta. The series also features intercuts within each episode of archival footage and interviews with historians, authors, actors, law enforcement personnel, and family members. On July 31, 2015, AMC renewed the series for a second season of eight episodes, which premiered on July 11, 2016.

The video opens with Black in a studio, finishing the song recording with a studio band: guitarist Kellen McGee, bassist Jeremy Steel, and keyboardist Jourdan Steel. The video intercuts scenes of the studio with footage of Black making TV appearances, walking on red carpets, driving around Hollywood and greeting fans. Next, the singer is seen on a makeup chair and rehearsing several dance steps. She then starts the full choreography with So You Think You Can Dance finalists Robert Roldan and Kent Boyd.

Blender commented that "Relief from 'Prelude [3.0]' arrives quickly in the basic minor-key riffs and grooves of... 'The Nameless'..." Dan Silver from NME said "'The Nameless' intercuts thrash riffs with softly-strummed interludes". Robert Cherry of Rolling Stone said it "splices a cooing boy-band chorus onto a g-g-gunky speed metal verse". Yahoo!s Chris Heath said the song "confusingly stitches both extremes together – the ludicrously vicous and ridiculously placid – into one track that simply feels awkward, wrong even".

The music video for "Into the Ashes" intercuts a brief tale of a girl and a man with the band performing the song in a catacomb setting. The dark ambiance and characters' period dress creates a gothic feel over the entire video, although the band members remain in contemporary apparel, including T-shirts and jeans. The story begins during the instrumental introduction of the song. A girl sets a dining room table in a dark room lit only with two candles.

The four-and-a-half-minute video for "Too Many Rappers" was directed by Roman Coppola but, for undisclosed reasons, never got an official premiere. The clip intercuts seemingly raw footage of Ad-Rock, Mike D, MCA and Nas rolling through various vignettes — a park, a bridge, a store — with live and studio footage. In January 2015, a contributor to the BeastieBoys.com message board discovered and posted the clip, which had been hosted on the website of film editor Neal Usatin.

The video intercuts to Iman, and Usher inside a cabin with water gushing in. For the chorus, Usher and Iman are being intimate, with water further entering the singer's cabin. Usher and Iman are once again being intimate for the second verse, sat outside of the Yacht, with water now level with Usher's waist inside the cabin, entering the second chorus, where Usher and Iman make love. During the bridge, both are romancing within the cabin's bathroom, with the video intercutting to different romantic scenarios.

The video begins with the message "Working to change lives across the world, in support of Sport Relief". Then, it intercuts a performance of Lewis in front of a wall and greyscale scenes: an image of a child walking on a landfill site, a funeral, a child lying in the street, and a kid sat in a traffic island. As the first chorus begins, the video continues showing scenes of poverty and AIDS issues in the country. Whilst the second verse goes, pictures of malnourished people appears.

And Deborah is trying to become one of the few African-American women to ever write and direct a feature film, though she's struggling just to pay her bills while she searches for money to produce her script. Between these stories, the film intercuts critical insight from such Hollywood screenwriters as James L. Brooks, Nora Ephron, Carrie Fisher, Gary Ross, Steven E. de Souza, Ed Solomon, Paul Guay, Scott Alexander and Larry Karaszewski.Creative Screenwriting magazine, January–February 2006, "Daniel Snyder Documents the Dream," p. 16.

In Scorpio Rising, Anger intercuts images of Christ from the cheap religious film with those of Scorpio. The whole film has a soundtrack made up of popular 1960s songs, including "Blue Velvet" by Bobby Vinton, "Torture" by Kris Jensen and "I Will Follow Him" by Little Peggy March. Anger himself described the film as "a death mirror held up to American culture ... Thanatos in chrome, black leather, and bursting jeans." It immediately became popular on the underground cinema scene although was soon brought to court with complaints claiming that it was obscene.

The music video, released in October 2003, is shot in black-and-white and has a narrative theme. The video is directed by Jamie Thraves, who had previously directed the band's third video for "The Scientist". The video intercuts footage of the band performing the song with the story of a businessman (played by actor Paddy Considine), who is walking when he bumps into a mysterious barefooted stranger. As the businessman continues walking, he drops his briefcase, and when he attempts to pick it up, he is shocked when his hand goes through it.

The animated woman (pictured) is a representation of Utada Hikaru, and the creation was inspired by several anime films and shows such as the 1997 entry Princess Mononoke. The visual opens with a small microscopic organism-like figure, eventually zooming out on an animated woman. Dancing in the wind, the opening chorus has the woman gliding through a vast field of clouds, often flying in front of the sun. A strong force field follows her as she is about to land onto buildings, but intercuts into Utada walking through digitized clouds.

As many stations across America were phasing out 1960s and 1970s music, in a gradual fashion to keep the core demographics younger, the station did a more drastic change. On Thursday, January 7, 2010 following the Bubba the Love Sponge Show, the station shifted its focus to the 1980s using the slogan, "Now more '80s and the same great '70s". It also included short intercuts of old radio imaging from WDJX, WTUE and WGTZ (Z-93). The connection was made to the stations playing hit music in the late 1970s and 1980s in the market.

The narrative takes place in Richmond, Virginia, marking the first time the series is not set in Georgia. It takes place 17 days after Beth Greene's (Emily Kinney) death as the group finds Noah's walled community known as "Shirewilt Estates", a nod to a similar location in the comic book series. The episode primarily focuses on Tyreese, his struggle accepting death, and the guilt he faces over the losses of other group members due to actions he believes he could have done differently. The opening montage intercuts among a funeral that appears to be Beth's and previous sanctuaries: Woodbury, the prison, and Shirewilt.

The Library of Congress had this to say of the film and its significance: > Cry of Jazz...is now recognized as an early and influential example of > African-American independent filmmaking. Director Ed Bland, with the help of > more than 60 volunteer crew members, intercuts scenes of life in Chicago’s > black neighborhoods with interviews of interracial artists and > intellectuals. Cry of Jazz argues that black life in America shares a > structural identity with jazz music. With performance clips by the jazz > composer, bandleader and pianist Sun Ra and his Arkestra, the film > demonstrates the unifying tension between rehearsed and improvised jazz.

Poźniak is also a painter, and continues to work in film, often appearing in experimental and independent productions, several of which she has also directed. In her directorial debut, which was a short film, "Mnemosyne", she used several art pieces made by herself. Praised by F.X. Feeney LA Weekly: "the multitalented Pozniak rapidly intercuts news footage of violence with live models and her own sensual sculptures to express a fierce moral sense." Through her art, Poźniak often explores what it is to be a woman in today’s world with recurring themes of women's rights, social justice and women's history.

The music video for "Knock Knock" was shot by director Chris Robinson, and produced by Dawn Rose for Partizan Entertainment. It was filmed in various locations throughout Miami, Florida on in mid-late July 2003, and widely serves as the sequel ("Part II") to the video for "So Gone", the first single released from After the Storm. The video features a second appearance by actor Derek Luke (Antwone Fisher), who plays Monica's boyfriend, and intercuts a clip of simultaneously released club single "Get It Off" with a dance scene. The "Knock Knock" video premiered worldwide in July 2003.

The video for "Fight for Love" premiered on AOL Music on May 1, 2009. AOL Music’s PopEater blog describes it as “what might be the world's coolest scavenger hunt”.Elliott Yamin 'Fights' for His Love in New Video The video intercuts scenes of Yamin singing as he descends an ornate staircase with scenes of a young woman receiving a series of cards that lead her to an encounter with a magician (Farrell DillonMagician comes home for Salinas benefit - Monterey Herald) and a breakdancer (one of the members of SuperCr3w) and concludes at the Los Angeles Theater. The theater marquee displays “Fight for Love”.

The music video was filmed in September 2013 in Rome, Italy and was officially released on 6 October 2013. The video starts with Pausini wearing a bejeweled veil and long eyelashes. She lifts the veil and the song intercuts with scenes of Pausini in a white suit singing and playing guitar, Minogue in a black lace dress, Pausini submerged in water save for her face, Minogue and Pausini submerged in glitter covered water save for their faces, and an African dancer wearing rope braids dancing on a sandy surface. The video ends with a shot of Minogue and Pausini together in the water.

The video begins with the singer laying across the desert floor from the ending of "Perfect Illusion" during sunset, as black SUVs approach her from afar. Gaga's crew comes out of the SUVs and takes her to a video shoot where she prepares to sing "Million Reasons". As she starts getting ready, the singer notices a small box with a bow atop it on her desk. The video then intercuts to a number of flashbacks—Gaga singing in a white studio while playing the guitar, getting rescued by her friends from the desert and breaking down in tears.

Rene is a Ryerson University film student struggling to complete her thesis project. Alone and longing for a little connection, she finds comfort in her work: a feature film, also called Spice It Up, about seven 17-year-old girls who fail their final year of high school and decide to join the Canadian Armed Forces. The film intercuts scenes from Rene's thesis film with her efforts to lock picture. Rene travels from office to office, defending her work against her professors’ and peers’ condescending notes, all of whom find her film disjointed and tonally challenging.

She decides to take up her best friend Eliza's offer to spend time in Israel, while she undergoes basic training for her compulsory Israeli military service. As they fly out Erin starts to read the diary, and becomes fascinated; it opens with Len describing "the worst day of his life so far" – the horror of liberating Bergen-Belsen concentration camp. Thereafter the series intercuts between the two stories as they develop, hers in 2005 and his in the 1940s. Len's unit is posted to Stella Maris base near Haifa, as part of the British Mandate forces keeping the fragile peace between Arabs and the growing Jewish population.

College junior Bret lives a hedonistic lifestyle at a fictional mediocre West Coast college called Poniente University. Fraternity tradition states that he has to take 21 drinks on his birthday night, which coincides with a raging party at his fraternity house. Bret seems to live the perfect life--wealthy, good-looking, and ultra-popular--but as the night moves forward and he gets progressively drunker, he begins to reflect on the long-forgotten decisions that got him to the top of the social pyramid. The action of the book intercuts between the wild fraternity party raging around him and flashbacks to critical moments in his younger life.

It shows Bowie and band mimicking to the record intercut with footage of the Lindsay Kemp mime troupe, dancing on stage and behind a back-lit screen. The clip was turned down by the BBC, who reportedly found the homosexual overtones of the film distasteful, accordingly Top of the Pops replaced it with footage of bikers and a dancer. The "Jean Genie" clip, produced for just US$350, was shot in one day and edited in less than two days. It intercuts footage of Bowie and band in concert with contrasting footage of the group in a photographic studio, wearing black stage outfits, and standing against a white background.

The film's story intercuts between a Nazi concentration camp in Poland, in 1944 and New York City in 1976. In 1944, Tomasz Limanowski, a captured member of the Polish resistance, manages to aid the resistance from inside a concentration camp, where his slave labor includes supervising distribution of loaves of bread. His resistance task in the camp has been to capture photos of the horrifying war crimes taking place and smuggle out the negatives that will reveal the crimes to the outside world. This is unknown to Hannah Silberstein, a young German Jew in the work camp with whom Tomasz is in love and who has recently discovered she is pregnant.

Infernal Affairs III is a 2003 Hong Kong crime action film directed by Andrew Lau and Alan Mak. It is the third and final installment in the Infernal Affairs film series, and is both a sequel and a semi-prequel to the original film, as it intercuts events before and after the events in the first film. Andy Lau, Tony Leung, Kelly Chen, Anthony Wong, Eric Tsang, and Chapman To reprise their roles again, joined by new cast members Leon Lai and Chen Daoming. Infernal Affairs III received mixed to positive reviews, grossed $4.5 million and was nominated for seven Hong Kong Film Awards.

The Lonedale Operator includes "elements of romance, drama, suspense, Western, and even a bit of comedy near the end." Unlike most films at the time which had a simple plot line set in one location, The Lonedale Operator "intercuts three primary spaces—the telegraph office interior, the criminals outside, and the rescue train." Although audiences in 1911 were not used to such editing, the use of the telegraph helped them understand the crosscutting between scenes in such a way that they could follow the plot. The film is also significant for Griffith's use of a close-up of a wrench, which the girl had pretended was a gun.

Antebellum focuses on themes of social injustice as it intercuts between two alternate stories throughout the play: one which takes place in Atlanta in 1939, the other in Germany in 1936. The Atlanta plot-line centers on a young Jewish couple living in the South who dress up in Civil War era attire to attend the premiere of Gone with the Wind. In Berlin, a Third Reich officer at a Nazi death camp is in love with his prisoner, a black, male cabaret performer, yet still allows him to be tortured. The play premiered at the Woolly Mammoth Theatre in Washington, D.C. on March 30, 2009.

Wood and Miles consider Martin to have been "hopelessly out of his depth" in directing The Chase, suggesting that the previous story, The Space Museum, would have played to his strengths as a director instead. Journalist Peter Haining had a different opinion of Martin's direction of The Chase, claiming that Martin's use of techniques such as fast intercuts, overlays and animation made the final battle of the story "one of the finest battle scenes ever filmed for Doctor Who." Martin himself attributes the flaws with The Web Planet and The Chase to inadequate budgets, and in the case of The Chase restrictions on his use of moving camera techniques.

The film begins at a dinner party. Filmmaker and actress Marianna Palka, 33 years old, is joined by friends in anticipation of the genetic testing results she will receive the next day, revealing whether or not she has inherited the fatal and untreatable neurodegenerative illness, Huntington's disease, from her father, who has the illness. Palka recounts how she has always felt she does not have the disease, and the film intercuts with home movie scenes from her childhood, as her father's disease develops, as well as with interviews with Palka, her mother, and Palka's close friend Jason Ritter. The film finishes with Palka making the trip to the hospital with her friends to get the results.

Night scenes of a young man (Mitchell) alone with a young woman (Lauren) are intercut with parallel night scenes of a different, haunted-looking young man (George) walking alone through the woods. Mitchell and Lauren's date has ended up in her flat, but despite the seductive atmosphere Mitchell seems more interested in talking to an uncomprehending Lauren about George's situation. In subsequent intercuts, George is seen finding a suitable place in the centre of the woods, stripping naked, and then slowly and painfully transforming into a werewolf, screaming throughout the process. Mitchell reaches the end of his musing — his eyes turn jet black, his fangs lengthen and he attacks Lauren, drinking her blood.

He also recruits his fun-loving friends, DeeDee Baker (Jennifer Missoni), Nate (Jonathan Keltz), and Brianna Baker (Alessandra Torresani) to re-enact the murder scene, allowing him to produce a gory slasher movie. One night, Quinn watches footage from the aftermath of the tragedy, where Harlan is taken away after having been shot. Still alive, Harlan awakes as the video intercuts, leading to the spiritual possession of Quinn's body by way of video playback transmission. Besides cataloging footage, Quinn is paid by a perverted cop, Officer Frank Lyons (Christian Slater), to set up spy cameras to privately record teenage girls, using this chance to initially possess Brianna, who finds and looks into the camera.

While the video intercuts scenes of Norwood performing on a platform with two black- painted men in collars and leashes, it ends with her sitting in the passenger's seat in a lowrider, amid a sea of lowriders. The final scenes feature cameo appearances by Rodney Jerkins and Norwood's younger brother Ray J. The final edit of "What About Us?" world premiered at the end of its Making the Video episode on MTV on January 10, 2002. It debuted on the network's Total Request Live top ten video countdown on January 25. The video entered the MuchMusic Countdown in Canada in the week ending February 8, and it peaked at number seven in the week ending February 22.

The movie is set on the life of an unnamed protagonist who is called Gandu by most who address him in the movie (an Indian slang/swear word that would literally translate to 'of the ass', the English translation running in the subtitle translates it to the English 'Asshole'). Gandu is portrayed as a frustrated teenager whose state of mind is shown by intercuts of him rapping in Bengali (it is later revealed in the movie that he is also the member of a rap band). Gandu's mother seemingly supports the family through the magnanimity of her 'lover' Dasbabu. Gandu's mother and Dasbabu are shown having graphic sex a number of times.

The video was filmed on 25 and 26 October 2010, The video was directed by Emil Nava, An explicit version premiered 9 November 2010 and a clean version the next day on 4 Music. In the music video for "Price Tag", as J says the words "video hoes", a scene of her wearing the same outfit as in her "Do It like a Dude" video. The video begins with a close-up shot of Jessie's black bejeweled lips as she sings. The scene then intercuts with: someone being tattooed, a woman slicing a pig's trotter, a woman doing some chemical experiments and licking a bottle of "poison", before following Jessie dancing in an orange hoodie and entering the flat where alt-looking women are seen throughout the video.

The music video for "Round & Round" features a series of eight successive black-and-white head- and-shoulder shots of young, female models, casually sitting in front of a camera as it records them, with the women occasionally talking (though what they say is not heard in the video). Randomly intercut into the footage of the women are various colorized short clips of flowers or marbles. During the filming of the various models, it was decided to film additional footage of one model (Patty Sylvia) for an alternative cut of the video that features only Sylvia and the brief one-second color intercuts. Bernard's second wife, Sarah, is also rumoured to have appeared in the video; however, as she is rarely seen in public, it is difficult to confirm which one she is.

Vanessa Williams in a winter landscape, watching the snow coming down in the music video of "Save the Best for Last". There are two versions of the music video for this single. The original version of the music video begins with Williams walking around in a winter landscape for the first few seconds, then intercuts between black-and-white footage of Williams singing in front of a dark curtain, an orchestra playing along to the blue-tinted footage as it is being projected on a screen, and Williams singing in a living room with candles, a fireplace and a sofa. A "behind the scenes" cut was also later made of the video, predominantly zooming on the orchestra scenes and the blue- tinted footage of Williams as well as showcasing footage from the making of the video.

" Lasswell noted that "Labash specializes in going after catfish of the human variety: the unpopular, the no-hopers, the has-beens and the rogues." While Labash "doesn't pull his punches" in such pieces as his profile of former Washington mayor Marion Barry, "he succeeds in producing an affecting portrait of a rapscallion in twilight.... the deep satisfaction of finishing a story and feeling that it couldn't have been told better." The magazine First Things, in its review of Fly Fishing with Darth Vader, stated that comparisons to Hunter S. Thompson and P.J. O'Rourke don't "do justice to the deeply sympathetic twist" in Labash's voice. "The Weekly Standard senior writer intercuts biting analysis of America's declining fortunes with juicy, hilarious portraits of its damaged politicians, and somehow manages to humanize even the most inhuman among us....Unlike his first-person-possessed New Journalism forebears, Labash subordinates his own tough-guy persona in favor of the absurdities in his notes.

The video intertwines five different stories together. The first is of a woman who supposedly drowned her female lover in a pool; the second involves an elderly Central American man who is journeying on an unsuccessful mountain climbing attempt; the third involves the son of a man whose home is invaded by armed robbers; the fourth involves Zedd portraying a liquor store robber who becomes hostile with the management by threatening him with a knife; and the fifth depicts a distraught girl laying down on a railroad. As the song progresses, the video intercuts to scenes of family happiness, good times with friends, dancing and rejoicing before concluding the five stories. The first woman's lover is pulled from the water before drowning, and the ex realizes the gravity of the situation; the old man attempts to climb the mountain and falls, but survives, without reaching the summit; the armed robbery victim's son confronts the hostiles at gunpoint and subdues them; Zedd's character reflects over what sunk him to his current point in life and seems to change his ways; the suicidal girl is missed by the train and reflects on her life and why she chose such an extreme act.