On Instagram, memes, horsy in-jokes and stylized photography of model horses proliferate.
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He and Ms. Trump maintain a weekend home at Trump National Golf Club in horsy Bedminster.
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And the Brunswick Hotel, at 26th and Fifth, was considered the headquarters of society's horsy element.
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By setting up shop instead on Fifth Avenue near Madison Square, the Demarest Company positioned itself in a neighborhood associated with the fashionable horsy set.
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She entered a three-story stable on West 52nd Street, where dozens of horses live "in little horsy apartments," reached by ramp, on the upper floors.
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Bregoli is a boggling study of proportions — small feet, small frame, superlong acrylic nails and a horsy ponytail that her mangers say they make her wear as a strained prophylactic against sexualization.
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Headquartered in Chester County, a rural and horsy part of Pennsylvania, about an hour's drive west of Philadelphia, Dansko was founded in 1990 by Peter Kjellerup and Mandy Cabot, a pair of married ex-dressage trainers.
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The Devon Horse Show was going on, an annual ritual of the horsy set in the preppy parts of southeastern Pennsylvania, and there was a large tailgate picnic, with horses and horse vans, in a big open field with an eighteenth-century house nearby.
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Up to that point, Shaw has been busy exposing us to two breeds of ineffectual English elites, circa 1914: the cultured but idle bohemian class, represented by Hesione Hushabye (partly based on Virginia Woolf), and the horsy, empty-headed aristocracy represented by her sister, Lady Utterword.
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At Hermès, for example, Nadège Vanhee-Cybulski brought her audience to the Hippodrome de Longchamp, presumably because of the brand's horsy history, and then shied away from actual animals in favor of impeccably understated, perfectly finished and ultimately bland leather and canvas tunics, culottes and black tie overalls.
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Whiteside's work was representative of the Kentucky Derby Eve Party. He described the theme of his work as "horsy".
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Shopping centre in Strontian 'Strontian House' was built for Sir Alexander Murray of Stanhope in the late 1720s and was named after Colonel Horsy, Governor of the York Buildings Company. Latterly known as the Loch Sunart Hotel, it was still referred to as 'Horsy Hall' and sometimes misspelt 'Horsley Hall'. The hotel was destroyed by fire in 1999. A hotel was later opened in an existing building in the village.
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In the first book in the series, Jill's Gymkhana, Jill's father has recently died, and she moves with her mother to a small Pool Cottage near the fictional village of Chatton. Her mother hopes to support them both as a children's author (similarly to E. Nesbit's classic The Railway Children). Jill is at first a social outcast in "horsy" Chatton because she doesn't own a pony and can't ride. When her mother's stories finally begin to sell for £52, however, the first thing she buys is "Black Boy" pony for £12 for her daughter.
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Anna Clarke (April 28, 1919 – November 7, 2004) was a British author of mystery novels popular in the United States and the United Kingdom. The novels belong to a subgenre known as the cosy mystery. Jack Adrian, writing for The Independent, says, "In classic 'cosy' territory the puzzle is all, and the sleuths, of both sexes, tend either to the genteel and spinsterish (variations of Miss Marple from Agatha Christie, and Miss Maud Silver from Patricia Wentworth), or to be fussbudget busybodies with loud, horsy laughs and pushy manners." In many of Clarke's later novels, the sleuth is Paula Glenning, a professor of literature.
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Interviewees range from mainstream figures, such as computer scientist Stuart J. Russell, to more colorful individuals, such as Zoltan Istvan, who ran for the American Presidency on the "Immortality Ticket". Much of the book focuses on radical life extension (the desire to engineer immortality); in addition, O'Connell visits a group of "grinders" in Pittsburgh who surgically implant sensors into themselves. O'Connell makes it clear that he personally chooses to reject transhumanist philosophy, stating that his child playing horsy with his wife could not be "rendered in code... Their beauty was bodily, in the most profound sense, in the saddest and most wonderful sense." The book also examines existential risk from artificial general intelligence, the fear that superintelligent machines will destroy the human race.
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