The one thing you might wish is for more: What might Stritch have done with some of Parker's most penetrating social critiques — "Horsie," say, or "The Waltz"?
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Richie d' Horsie was added to the cast as Joey's second sidekick.
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The modern Morley company has continued to release new models to this day. Many modern artists endorse and use their pedals. Artists known to use them include Steve Vai, who has three signature models: the Bad Horsie and Bad Horsie 2, and the Little Alligator volume pedal. Adam Darski (Nergal) from Behemoth and Mark Tremonti are also notable Morley artists; the latter has a signature wah-wah pedal.
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Dan Haigh co-founded the production company Horsie In The Hedge with Alex Gingell in 2005 and has directed numerous music videos and other film material. Haigh wrote and directed the video for Tesseract's 'Singularity' with long time collaborators Alex Gingell and Alex Westaway. Produced by Horsie In The Hedge and Pari Passu films, directing team "Horsie In The Hedge" (Dan Haigh, Alex Gingell, and Alex Westaway) brought together Bafta nominated and Emmy award-winning director of photography Mark Wolf (Blue Planet) and Richard Van den Bergh's team at Evolution VFX (Skyfall) in order to create a visually arresting and cerebrally stimulating music video. At the behest of the directing team the video embraces and celebrates real life practical visual effects, prosthetics and make-up in stark contrast to most modern CGI laden horror / science fiction works.
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After some misunderstandings with the Student Canteen's main hosts, they decided to accept the offer and Eat Bulaga! aired its first episode on July 30, 1979. The Sottos and de Leon were accompanied by Richie D' Horsie and Chiqui Hollmann.
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His pedalboard has a TC Electronic Chorus/Flanger, an MXR Micro Flanger, Digitech Whammy IV pedal, a Morley Bad Horsie 2 wah, an Ampeg Scrambler, a Vox Time Machine delay. In his amp rack, there is an ISP Decimator, and a Digitech Valve Distortion, Plus Line 6 G50 wireless systems.
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Westaway was born and raised in Northamptonshire and attended Rugby School where he met future bandmates and co founders of Horsie In The Hedge LLP, Dan Haigh and Alex Gingell. He has two younger sisters: Hannah, who is married to Dan Haigh, and Fleur, who runs the YouTube channel FleurDeForce.
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Aside from design, Dan also created music for video games, most notably for Valve's Day Of Defeat. In the film industry Dan co-founded the London-based production company 'Horsie In The Hedge'. He has written and directed numerous music videos including Tesseract’s controversial video "Singularity" and Fightstar's videos for "Palahniuk's Laughter" and "Paint Your Target". Dan also co-wrote and directed the film In God We Trust.
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Joe cannot stop thinking of his late sister, Bertie. Moe and Larry humour him by making him think that Bertie will meet them the following day downtown, in some form. When the boys trek downtown, they meet up with a horse that turns out to be Bertie reincarnated, much to Moe and Larry's surprise. The boys are ecstatic, and try to persuade their horsie sister to return home with them.
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His other favourite guitars include "BO", a JEM77BRMR prototype, also equipped with Fernandes Sustainer system and blue LED dot inlays, which was stolen in 2015, but recovered after; the original "FLO" guitar, a transformed original 77FP JEM to 7VWH specifications, also equipped with Fernandes Sustainer System and EVO 2 bridge pickup; and "Bruno" aka "For the Love of God" Ibanez Universe UV77MC seven-string guitar with burnt finish and mirror pickguard (this guitar was used in the For the Love of God music video). Vai uses his signature Carvin Legacy amplifier, as well as Morley Pedals, with whom he has his signature Bad Horsie and Bad Horsie II wah pedals, and Little Alligator volume pedal. Vai uses the Ibanez Jemini distortion pedal, a signature twin distortion pedal with separate overdrive and distortion sections. Before his endorsement with Ibanez, Vai was endorsed by Charvel guitars, most notably using a green and black San Dimas model.
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Blood Pressure premiered in Winnipeg on February 22, 2013 with sold out screenings at the city's Cinematheque, followed by a run at the Empire Theatres 8 in Grant Park, Winnipeg starting Mar. 8. The film opened in Toronto at The Royal Theatre on March 15, and was moved to the Carlton Theatre on March 22, where it was held over. The film reportedly averaged $3000 per screen in Toronto and Winnipeg, according to distributor Flying Horsie Films.
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In February 2011 "Hammerhead" won the Grammy Award for Best Rock Instrumental Performance, he had five previous Grammy Awards in this same category. The other nominees were "Black Mud" by The Black Keys, "Do the Murray" by Los Lobos, "Kundalini Bonfire" by Dave Matthews and Tim Reynolds, and "The Deathless Horsie" by Dweezil Zappa. It was one of three awards Beck received that night also winning Best Pop Instrumental Performance for "Nessun Dorma" and Best Pop Collaboration with Vocals for his contribution to "Imagine" from Herbie Hancock's The Imagine Project.
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Generally for live use he utilizes the unit for stereo effects such as delay, chorus, and phase, with a separate preset for the parameters of each different song in his setlist. The Axe-Fx MFC-101 foot controller is set up in conjunction with the unit, allowing Vai to switch effects on and off in a fashion reminiscent to that of standard stompboxes. Vai's pedalboard consists of a wah-wah pedal (either his Morley Bad Horsie signature pedal, or a Dunlop Cry Baby 95q), an Ibanez Jemini twin distortion pedal, and DigiTech Whammy DT pitch shifting pedal. The centerpiece of the pedalboard is the Axe-Fx MFC-101 foot controller for the Axe-Fx II XL, which, as previously mentioned, controls the effects in a manner similar to switching on and off stompboxes.
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There are two expression pedals used for the Axe-Fx, one to act as a volume pedal, and the other to control the harmonizer built into the Axe-Fx unit. The signal from the guitar (usually one of the main guitars "EVO" or "FLO III") goes into either the Morley Bad Horsie or Dunlop 95q wah pedal. From there, it goes directly into the Ibanez Jemini twin distortion pedal, and then to the Digitech Whammy DT. From the output of the Whammy, the signal heads into the input of the Carvin Legacy amplifier head. Out of the effects loop of the Legacy, the signal heads directly into the Axe-Fx II XL, where it is split into stereo and the effects are applied (and controlled via the MFC-101 foot controller).
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"Alien Love Secrets (1995)". vai.com. Retrieved 2014-12-10. Stylistically Alien Love Secrets marks a return to the more familiar instrumental rock of Vai's 1990 album Passion and Warfare, following the highly mixed reception to Sex & Religion. Notable tracks include "Bad Horsie", which was derived from a riff played by Vai during the final scenes of the 1986 film Crossroads; "Juice" was featured on the soundtrack of the 1996 PlayStation video game Formula 1; "Ya-Yo Gakk" is a call and response interplay with vocal recordings of Vai's young son Julian; "Tender Surrender", one of Vai's most popular songs, bases itself around a familiar sound, structure and tempo as Jimi Hendrix's "Villanova Junction" from his 1969 performance at Woodstock, although written in a different key; and "The Boy from Seattle", which is a tribute to Hendrix written by Vai.
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