127 Sentences With "hop it" | Random Sentence Generator

In hip-hop it has not been so shameless and easy.

If you weren't listening or weren't really into hip-hop, it wasn't easy.

Throwing down from it is very hard, and you're surely going to one-hop it.

Here in the birthplace of hip-hop, it should come as no surprise that m.c.

Not only isn't this hip-hop, it isn't pop, and not just because the tunes are vestigial.

As far as hip-hop, it will always be something that is deeply entrenched in the black experience.

If you want to talk about authenticity in hip-hop, it doesn't get much more authentic than that.

Of course they could be empty insults, but we know for women in hip-hop it doesn't work like that.

When you think about the roots of Toronto hip-hop, it goes back to a female rapper, like Michee Mee.

" The Cardi Connection "I've been working with Cardi back before she was on Love & Hip-Hop; it was when she was still stripping.

But, alongside tabloid-tantalizing rock stars and engulfing musical movements like hip-hop, it was easy for pop middlemen to ignore the band.

That's one of the cool things about hip-hop: It has the ability to recontextualize these symbols and imagery to create something totally new.

"No, it was not a bad hop; it was a bad play," Murphy said of his error, one of two committed by the Nationals.

And then of course it got deeper when Will Smith and Jazzy Jeff won the first Grammy for hip-hop; it caused an even bigger rift.

It was my first heartbreak, and I was 14 and I loved R&B and hip-hop: It was the perfect breeding ground for practicing songwriting.

Having been largely underground since emerging in the 2015s, and the frequent target of government censors, hip-hop, it seemed, had finally gone mainstream in China.

But Literal Hitler was an inside joke, destabilizing by design; as with any subcultural code, from camp to hip-hop, it was crafted to confuse outsiders.

It should also be noted that, when I first started playing with the idea of making instrumental hip hop, it was the era of the "super producers".

In its own deceptively nonchalant way, the group has been defying the hard-edge, quantized norms of digital pop and hip-hop; it prefers insinuation and seduction to brittle transparency.

" April Walker: Founder of Walker WearGo-To Brands: Old-school classics like Adidas shell toes or Reebok 5411s "I call fashion the sixth element of hip-hop—It doesn't get the justice it should.

If there were one piece of gear absolutely vital to early electronic music and hip-hop, it would probably be Roland's TR-808 drum machine, known for its distinctively deep kick drum and snappy handclap.

It sounds like jazz, it sounds like silky-smooth hip-hop, it sounds like funk, it sounds like the beads of sweat that once fell from Prince's forehead and onto his guitar, it sounds like poetry.

Fare evasion as a political tactic has been inspired both the day to day life evoked by the "Hop It" video, but also the use of the tactic in Chile during the anti-austerity rebellion there.

The Cleveland Cavaliers are either great or on the verge of self-destruction from moment to moment, and the line between the two is so thin that they might hop it multiple times in any given game.

As much as "The Get Down" is a story about the birth of hip-hop, it is also about the demise of the disco era (which had its own set of superheroes), and of the age of Blaxploitation film.

The editing together of skate footage has indeed benefited from this new type of soundtrack – and whilst many film-makers still use hip hop (it will always go great to skate sections), contemporary videos are marked by their eclectic song choices.

City officials say things will be spruced up in time for the convention, so visitors can enjoy the glass-walled breweries, stay in new hotels and ride a sleek little streetcar that locals call The Hop (it opened in 2018).

D. If, as we learned in the ancient days of hip-hop, "It takes two to make a thing go right/ it takes two to make it outta sight," why shouldn't it also take two to buy a tube of concealer?

As communicated by the hip-hop artist Lowkey Mar in his music video "Hop It" (released last spring, months before FTP itself was consolidated), fare-jumping is a day to day necessity for many New Yorkers, especially poor people of color.

Yet while the Nao we hear on her debut sounds quintessentially her – a fantastical mixture of 1990s R&B, golden-age funk artists, hallowed gospel music, and lilts of hip-hop – it took a while for her to find her true voice.

The Philadelphia Flyers unveiled the googly-eyed, sinister beast to the start off the NHL season, and right off the hop it was clear that Gritty wouldn't be playing the roll of your everyday, child-pleasing mascot we've grown to love and accept.

Resonating with the long-standing Swipe It Forward project, the "Hop It" video proposes the question of what it means for these day to day acts of refusal and kindness to become a collective movement explicitly antagonistic to the MTA and the police.

Now, when the South is widely credited as the center of innovation and hip-hop, it&aposs easy to forget that during the &apos90s, groups like OutKast faced backlash from hip-hop&aposs gatekeepers, who didn&apost like their distinctly country sound.

Potentially taking cues from trendsetter and über-collaborator Charli XCX (whose song with Carly Rae Jepsen, "Backseat," had fans collapsing in on themselves last December, and whose approach to pop actually borrows a lot from hip-hop), it seems that women in pop are noting that there's strength in numbers.

The episode was the latest reminder that even as the Bronx basks in newfound respect — as an increasingly safe yet still affordable place to live, as the home of vibrant immigrant neighborhoods, as the birthplace of hip-hop — it still is often associated in the public imagination with unsavory doings.

Following a group of Palestinian friends with a passion for hip-hop, it portrays the personal and societal toll of the Israeli-Arab conflict while constantly moving to the beats and melodies of the music the characters make — smart, throbbing raps about life under occupation, traditional folk songs, Palestinian pop and the effortlessly rhythmic banter of the young musicians.

But at around the same time, Houchins teamed up with Ford to form Average Joes Entertainment, a record label devoted to the intersection of country and rap centered on white rural experiences, with a growing stable of burly gool-ol'-boy rappers — "hick-hop," it was occasionally called — operating largely outside the country music mainstream, though Ford regularly collaborated with the genre's stars.

Still praised in 2009 as "the brand for high-quality Dutch hip-hop", it sought to expand into other musical genres.

Southern Stisles Records is a Louisiana based independent record label specializing in hip-hop. It was founded by Holland (Mr. Envi') Witherspoon in 2001.

Sub Verse Music was a record label specializing in hip hop. It existed from 1998 to 2003 and released recordings by MF Doom, Blackalicious and KMD, among others.

Hipster hop, a portmanteau of hipster and hip hop, is a microgenre of alternative hip hop, more specifically, "indie rock-informed hip-hop". It is also known as hipster rap.

Pitchfork Media's Ryan Dombal considers it to be a "classic hip-hop parable". In 2008, it was ranked number 69 on VH1's 100 Greatest Songs of Hip Hop. It was ranked #1 on About.com's Greatest Rap Songs Of All Time.

The EP release was held at I Love Hip Hop. It was hosted by Profisee and MC M.A.D. (Groove Armada). The event showcased his album live, with a performance set piecing together the full album through live scratching and live triggers.

Nerdapalooza Southeast, the first Nerdapalooza event, was a nerd music festival centered in North Central Florida. The show showcased nerdcore hip-hop. It was organized by Rob Tobias. Proceeds all went to benefit "The Purple House", a charity dedicated to helping the homeless.

"Freestyler" is primarily a breakbeat song, with strong influences of UK dance culture and electronic dance music, as well as some influences from hip hop. It is written in the key of E minor with a tempo of 163.84 beats per minute.

It is a considered a root pest of several crops, including Zea mays (corn), and Humulus lupulus (common hop). It also feeds on Silphium species, and Lupinus microcarpus."Species Hydraecia immanis - Hop vine borer moth - Hodges#9513". BugGuide. Retrieved January 18, 2018.

The third CD, Home, is compiled by Maxi Jazz and contains less uplifting songs, from genres such as reggae and trip hop. It is the second Renaissance 3D collection released by the Renaissance club's record label known as Renaissance Recordings, following one by Satoshi Tomiie.

Brainfeeder is an independent record label based in Los Angeles, California, founded by Flying Lotus in 2008, focusing on electronic music and instrumental hip hop. It has signed artists such as Ras G, Samiyam, The Gaslamp Killer, Thundercat, The Underachievers, Lapalux, Daedelus, and Mr. Oizo.

The music of Church of Realities establishes the band's trademark style, which primarily fuses elements of punk rock and hip hop. It also includes elements of funk, jazz and metal. The EP's lyrical themes include "race, overcoming life's obstacles [and] government abuse", according to the OC Weekly.

Although FMJAM played a large role in organizing Bosnian hip hop, it is recognized by the majority of media that Edo Maajka was the artist, with his 2002 debut album, that introduced hip hop to the majority of Bosnia, thus allowing FMJAM to continue their work.

"Hoedown Throwdown" merges from a hybrid of country and hip hop. It is set in common time with a moderate tempo of 104 beats per minute. "Hoedown Throwdown" is written in the key of E♭ major. Cyrus' vocals span two octaves, from B♭3 to F5.

It was he who named her the "Queen of Cooks". One of her employers was Lady Randolph Churchill. One day, Rosa chased Lady Randolph's then ten-year-old, red-haired son Winston out of her kitchen, shouting "Hop it, copper knob." She married butler Chiney Lewis in 1893.

In November, CBS released the single, "This Is Radio Clash", which further demonstrated their ability to mix diverse influences such as dub and hip hop. It reached number 47 on the UK Singles Chart. They set to work on their fifth studio album in the fall of 1981.

The album is noted for its nu metal-influenced sound, a concept that Twiztid first explored on the album Mutant, although metal music on this record gets much more emphasis than the duo's characteristic hip-hop. It features guest appearances from Alla Xul Elu, Young Wicked and Tuckas Budghras.

A Son of the Sun is the debut album by Uyama Hiroto, released on Hydeout Productions on July 16, 2008. Although the album is considered as hip-hop, it incorporates jazzy sounds of multi-layered piano, guitar, saxophone, and keyboards, with little vocals involved. The album combines live instrumentation with samples.

2005 cover of Scratch Scratch was a magazine about the art of creating hip- hop. It featured articles regarding producers, musicians and DJs that make beats for rap records, and details the secret methods, stories, partnerships, philosophies and equipment behind the music. The magazine's tagline was "The Blueprint of Hip-Hop".

Cheetah begins with a -tall drop to a small bunny hop, followed by a larger bunny hop. It continues with a 35-degree decline into a helix. Cheetah's return journey starts with a drop and two more bunny hops. These lead into right turn flat helix, ending with a figure eight.

Based on Andonov's career, the 2015 documentary Stani na put was made. The film's central plot is Balkan hip-hop. It was directed by Marchelo, and filmed in Belgrade, Sarajevo and Zagreb, featuring eminent rappers from the region, including Edo Maajka, Sky Wikluh, Timbe, Ajs Nigrutin, Juice and various others.

M.C. on their 1986 album Raising Hell. This cover was a touchstone for the new musical subgenre of rap rock, or the melding of rock and hip hop. It became an international hit and won both groups a Soul Train Music Award for Best Rap Single in 1987 Soul Train Music Awards.

1941 is a 2001 EP release from Soul-Junk. It was released as part of a 3-inch disc series by Absalom Recordings. Its sound is unusual even for Soul-Junk, consisting of purely instrumental electronic music blended with low-fi, jazz, and hip-hop. It is most similar to their album 1956.

The album was predominately rap, R&B; and hip- hop. It was released on CD and vinyl; the a-side's music videos for the album were later put on their DVD Oh My Sister Live & Clips, which was released in October 2003. The album was their highest charting album (coming in at #3).

Industrial hip hop is connected to (and sometimes confused with) the more experimental variants of trip hop. It also anticipates many of the developments of dubstep. Illbient is also adjacent to, and possibly a subgenre of, industrial hip hop. Contemporary industrial hip hop is also closely connected to digital hardcore and breakcore.

Mod Club Theatre (commonly called Mod Club) is a theatre in downtown Toronto, Ontario, Canada. Its address is 722 College Street, which is in Little Italy. The venue hosts live performance concerts and DJ nights, featuring genres like rock, pop, electronic music, and hip hop. It also hosted The Weeknd’s first live public reveal XOTWOD.

The album's most notable track, "Northern Touch", was not on the original 1997 pressing of the album, but was released as a one-off non- album single in 1998. After it unexpectedly became one of the biggest hit songs in the history of Canadian hip hop, it was added to later pressings of the album.

African Giant is the fourth studio album by Nigerian singer Burna Boy. It was released on July 26, 2019, by Spaceship Entertainment, Atlantic Records and Warner Music. The album is a mixture of Afrobeats, Afrobeat, dancehall, pop and hip hop. It was produced primarily by Kel P, along with production from Benjamin Zill, Dre Skull and Skrillex, among others.

NJ.com/The Jersey Journal. in an apartment at 1406 Bergenline Avenue in Union City, New Jersey. Influenced by other genres such as reggae, and hip hop, it was also at age 11 that he began DJing weddings for friends and family. He attended grammar school at Saint Joseph and Michael's School, a private Catholic school, graduating in 1985.

Shaft is the soundtrack to the 2000 action film, Shaft. A mix of contemporary R&B; and hip hop, it was released on June 6, 2000 through LaFace Records. The album peaked at number 22 on the Billboard 200 and number three on the Top R&B;/Hip-Hop Albums chart. The song "Bad Man", by R. Kelly, was released as a single.

Other producers contributed to the album are Jason "Asar" Qualls, Ty Fyffe, Rob "Reef" Tewlow, Mark Bassin, and DJ Premier, who produced the album's lead single "Hip Hop". It features guest appearances from Ingrid Smalls, 6 July, Cha Cha and Cutty Mack. The album peaked at number 161 on the Billboard 200 and number 39 on the Top R&B;/Hip-Hop Albums.

Produced by the Dust Brothers, it blends eclectic samples and has been described as an early work of experimental hip hop. It failed to match the sales of Licensed to Ill, peaking at number 14 on the US album charts, but later attracted wide acclaim; Rolling Stone ranked it number 156 on its list of the 500 Greatest Albums of All Time.

Just a Poet with Soul is the debut alternative hip hop album by Def Jef, released by Delicious Vinyl on November 14, 1989 (see 1989 in music). The album was highly praised upon its release, with critics enjoying the sociopolitical lyrics. Many have called the album a lost classic of hip hop. It was in part produced by the Dust Brothers.

Mantronix's final release, with vocalist Jade Trini replacing D.J. D, was The Incredible Sound Machine in 1991, which favored R&B;, new jack swing, and dance music over hip hop. It was considered both a critical and commercial disappointment. Shortly after a European tour and promotion related to the release of the album, the group disbanded, and Mantronik left the music industry altogether for seven years.

Sangue Misto was an Italian band, one of the first groups of Italian hip hop. It was formed in Bologna in the early 1990s. Its members included Neffa and Deda (rappers, producers), and DJ Gruff (rapper, DJ, producer). Their only album, SXM (1994), "revolutionized the world of italian rap forever" and made the band "one of the most influential in the mid-1990s" in Italy.

MTV Chi was a spin-off network from MTV that was targeted at Chinese Americans. The network featured various styles of music such as Mando pop, Canto pop and Chinese American hip hop. It broadcast in English and featured a mix of original programming with the best of MTV's International programming. It launched on December 6, 2005 from MTV's studios in New York City.

"Relaxing Favourites" means that it plays songs that are non hip hop. It also cultivates and encourages the love of classic hits among younger generations aged under 40. In late March 2017, Lite FM launched "Weekend Special" which showcased themed songs playlist such as Mum & Me (songs about Mother's Day), Weather (songs about weather) and so on. It ran every Saturday & Sunday from 7:00 am to 8:00 pm.

I Am the Greatest sold 500,000 copies, and has been identified as an early example of rap music and a precursor to hip hop. It reached number 61 on the album chart and was nominated for a Grammy Award. He later received a second Grammy nomination, for "Best Recording for Children", with his 1976 spoken word novelty record, The Adventures of Ali and His Gang vs. Mr. Tooth Decay.

The game's new progression system, which tasks players to gain followers instead of completing main missions, was another way Ubisoft Montreal hoped to encourage exploration and make the city feel more "free". Watch Dogs 2 had around sixty programmers devoted to its development. The soundtrack was composed by Hudson Mohawke. Ingrained with a combination of electronic music and hip hop, it was approached from the palette of cult science fiction music.

Transamérica Pop was a Brazilian radio network owned by . The network was directed to a young audience and has programming that highlights the musical genres pop, rock and hip hop. It was created in 1990 at the start of the satellite transmissions of Transamérica. The Transamérica Pop network expanded to fourteen stations in Brazil (cities: São Paulo, Rio de Janeiro, Salvador, Brasília, Curitiba, Recife, Balneário Camboriú and Montes Claros).

Lyrical hip-hop is a fluid and more interpretive version of standard hip-hop. It combines the nuances of lyrical dance with the vocabulary and foundational movements found in hip-hop. According to Dance Spirit magazine, what differentiates lyrical hip-hop from standard hip-hop is that dancers interpret the beat differently. In lyrical hip-hop there are still isolations, gliding, and body waves just like in standard hip-hop.

The West Springfield dance team or otherwise known as WSDT, has numerous titles under their belts. They are 7 time consecutive NDA National Champions. 2010 in Medium Varsity Hip-Hop, 2011-2016 in Large Varsity hip hop. It is coached and choreographed by the notorious Jason King and Tara Perez, whose memorable and sometimes dark Hip Hop routines make them a well known Hip Hop choreographing duo in the dance world.

His 2005 CD, Buon Sangue, was influenced by both rock and old school hip hop. It is one of his most innovative works to date. Edoardo Bennato collaborated on one track, while bass player Saturnino co- wrote two of the songs. In 2007 he was featured at the end of Negramaro's song, "Cade la Pioggia," of their CD, La Finestra, and in 2008 he released the new album Safari.

Two singles, "If I Ruled the World (Imagine That)" (featuring Lauryn Hill of The Fugees) and "Street Dreams", including a remix with R. Kelly were instant hits.[ It Was Written: Charts & Awards]. AllMusic. Retrieved August 1, 2008 These songs were promoted by big-budget music videos directed by Hype Williams, making Nas a common name among mainstream hip-hop. It Was Written featured the debut of the Firm, a supergroup consisting of Nas, AZ, Foxy Brown, and Cormega.

We clicked up that night and just talked and just vibed, and I found out he is a huge fan of the Bay Area hip hop, it was a huge new found respect for him on that level." He also explained his reasoning for the title of the song, saying: "I try to illustrate both sides, you know what I mean? There's definitely the fun side of going out and partying. I'm out all the time.

She collaborated with other producers, including Fernando Garibay, J.R. Rotem, Dr. Luke and Greg Wells. Musically, Paris is a pop and R&B; album that is influenced by hip hop. It also incorporates elements of other genres in its production, such as reggae, soul and pop rock. Upon its release, Paris received mixed reviews from music critics, but noted a commercial success, peaking at number six on the US Billboard 200 with first-week sales of 77,000 copies.

"Champion" is a relatively slow-paced, retrospective downtempo ballad that draws heavily from hardcore hip hop. It is also influenced by other genres, such as R&B;, new-age, and space music. The "anthemic" and "inspiring" song features a low-key, woozy, and snaky production, accompanied by prominent military-style drums, heavy synths, and rough, hard strewn beats. "Champion" has been described as one of the few songs that Minaj's delivery is "calm and collected" as opposed to her eccentric "Roman" tracks.

"Para Cosas Buenas" was written by Erreway and Rebelde Way creator Cris Morena, a famous director, producer and composer, and songwriter Carlos Nilson for the band's second studio album Tiempo in 2003 (see 2003 in music). The song combines elements of pop rock with R&B; and hip hop. It became one of the biggest hits ever released by Erreway, topping charts throughout Latin America, Europe and Israel. Band member Camila Bordonaba named "Para Cosas Buenas" her favourite song of the band.erre–way.

Stateless musical style is often described as a cross between Radiohead and DJ Shadow, as well as reminiscent to that of bands as Portishead, Coldplay, UNKLE and Massive Attack. When growing up they state to have drawn influence from the Britpop movement and many other more guitar-oriented bands. Coming from this more traditional rock background, Stateless got heavily influenced by electronic music, dance music, hip hop and trip hop. It was planned from the start not to be a guitar oriented band.

The music video for "Stand Up" was shot in Auckland, and directed by Chris Graham. New Zealand On Air and Dirty Records funded the production of the video. A judging panel by Television New Zealand rated the video the fourth best New Zealand music video, calling it a "Kiwi classic" and "one of the turning points in the commercialisation and mainstream acceptance of local hip-hop." It won the C4 Best Music Video award at the New Zealand Music Awards.

In 1995, Joya released her first single "I Like What You're Doing to Me" off her debut album Here I Am released on A&M; Records on June 20, 1995. The song is described as having an R&B; feel with a touch of Hip hop. It reached number 46 on the Billboard charts in the fall of 1995. Her second single "Gettin' off on You", was released and hit number 67 on the Billboard Hot R&B;/Hip-Hop Singles & Tracks chart.

It became number one in December on the Piczo Chart 3 months after its physical release. The song also topped the Billboard Hot 100 and peaked at number 2 on the UK Singles Chart when it was released there. The song ranked #3 on Rolling Stone's "100 Best Songs of 2006" and #91 on VH1's "100 Greatest Songs of Hip Hop". It was the best selling ringtone in 2006, with 3.2 million sales, certified by the RIAA as the first multi-platinum Mastertone artist in history.

For a more modern style, the English born and of Algerian descent, Potent C is gradually becoming a success for younger generations. Encompassing a mixture of folk, raï, and British hip hop, it is a highly collective and universal genre. Although is welcomed and praised as a glowing cultural emblem for Algeria, there was time when raï's come across critical cultural and political conflictions with Islamic and government policies and practices, post-independency. Thus the distribution and expression of raï music became very difficult.

While "Bongo Flava" is clearly related to American hip hop, it is also clearly distinguished from its Western counterpart. As the bongoflava.net website puts it, "these guys don't need to copy their brothers in America, but have a sure clear sense of who they are and what sound it is they're making". The sound "has its roots in the rap, R&B; and hip hop coming from America but from the beginning these styles have been pulled apart and put back together with African hands".

The track is a dance-pop and techno house song that draws influence from trance, R&B; and hip hop. It is backed by "hard, chilly synths" and contains an electro-inspired breakdown sequence. The song's lyrics interpolate Geoff Mack's 1959 song "I've Been Everywhere" and speak of a woman who is searching for a partner who will sexually please her. "Where Have You Been" was met with positive reviews from most music critics, who likened the song to Talk That Talk's lead single, "We Found Love".

"Lies Greed Misery" is said to "highlight the band’s ability to play with genres such as hip-hop, it seems that this is as heavy as it gets." AltSounds states that the song has a "buzzing authoritative energy that you can’t help getting caught up in." Billboard says that "thick bass wobbles and programmed drums offer a bold new look for Linkin Park, as Bennington's screeching is choked out by the static." and even makes a reference to Skrillex due to the electronic beats throughout the song.

In 1980, Kurtis Blow released his self-titled debut album featuring the single "The Breaks", which became the first certified gold rap song. In 1982, Afrika Bambaataa and the Soulsonic Force released the electro-funk track "Planet Rock". Instead of simply rapping over disco beats, Bambaataa and producer Arthur Baker created an electronic sound using the Roland TR-808 drum machine and sampling from Kraftwerk. "Planet Rock" is widely regarded as a turning point; fusing electro with hip hop, it was "like a light being switched on," resulting in a new genre.

The aircraft made a brief hop, but yet again it was unable to achieve flight. Another attempt was made with similar results, but during the short hop it was found that the torque from the As 10C-3 caused stability problems. One more attempt was made, but stability problems resulted in one of the landing gear legs collapsing. After this, Baltabol lost interest in the project, telling Sack that his AS-6 was dangerous and to stop flight testing until after wind tunnel testing and necessary modifications could be made.

Influenced by hip hop, it is primarily a ballad. The standard edition album closer, "Rare", is a folk song accompanied by an acoustic guitar and galloping beat. Several critics speculated that a particular lyric may have been aimed at Shelton's ex-wife, Miranda Lambert; an article from Fox News reported that "the lyrics appear to be a slam at Lambert for letting Shelton go", particularly: "You're rare / And only a stupid girl would let it go." Chuck Campbell of Go Knoxville compared Stefani's vocals in "Rare" to Ariana Grande's.

Skippy Blair. 1995 p 27 The name East Coast Swing was coined initially to distinguish the dance from the street form and the new variant used in the competitive ballroom arena (as well as separating the dance from West Coast Swing, which was developed in California). While based on Lindy Hop, it does have clear distinctions. East Coast Swing is a standardized form of dance developed first for instructional purposes in the Arthur Murray studios, and then later codified to allow for a medium of comparison for competitive ballroom dancers.

In 2008 "Make 'Em Say Uhh!" it ranked #26 on VH1's 100 Greatest Songs of Hip Hop. It ranked at #36 on Blender's list of the "50 Worst Songs Ever" In 2008, it ranked #94 on VH1's 100 Greatest Songs of Hip Hop. "Here We Go", featuring Fiend and Mystikal, was a b-side, released on the "I Miss My Homies" single. Though not a single, there was a video for the song Ghetto D that was aired on November 23, 1997 on both MTV & BET.

On June 3, 2010, a video of Silkk freestyling over DJ Khaled's "All I Do Is Win" was posted to Youtube. Silkk released his first mixtape called All I Do Is Win on August 21, 2010, the mixtape marks Silkk's return to hip-hop. It was confirmed that Silkk signed with his nephew Romeo's new record label, No Limit Forever Records and is working on his sixth studio album called Incredible. Some of the producers on this album are Manny Streetz, Marvz, Mike Bangum of Da Beat Kadetz and JoJo Ryder.

The album featured material previously released as singles on the Macola Records label, which was responsible for distributing the releases by N.W.A and other artists like the Fila Fresh Crew, a West Coast rap group originally based in Dallas, Texas. Eazy-E's debut album, Eazy-Duz-It, was released on September 16, 1988, and featured twelve tracks. It was labeled as West Coast hip hop, gangsta rap and, later, as golden age hip hop. It has sold over 2.5 million copies in the United States and reached number forty-one on the Billboard 200.

The term originated during the swing era of dancing, probably borrowed or appeared in parallel with the expression "jam session" in music. Scenes with jamming may be seen in movies and musicals, such as Hellzapoppin. At the same time, this kind of dance behavior is not unusual in folk dances in various cultures all over the world and is often included in scenic performances when a group dance is interweaved with several solos. In Lindy hop, it is common for jam circles to take place on or around special occasions such as birthdays or weddings.

The musical style of the soundtrack has been described by Korb as "acoustic frontier trip hop". It was intended to evoke both the American frontier and an exotic fantasy world. The songs combine "heavily sampled beats in layers, along with acoustic elements", and he determined that he wanted to create the soundtrack in that style as it was different from video game soundtracks that he had heard before. The music was recorded in Korb's closet at his New York City apartment, as were the sound effects and more than three thousand lines of narration by Cunningham.

In 1976, "At the Hop" was re-issued, and it made its way into the Top 40 of the UK Singles Chart. The single was commercially used for the Canadian National Exhibition, changing the words to "Let's go to the Ex" rather than "Let's go to the hop." It was parodied by the band Dash Rip Rock with their single entitled "Let's Go Smoke Some Pot", and by NRBQ during the 1973 energy crisis under the title, "Get That Gasoline". Rapp was found dead in a hotel in Arizona on April 5, 1983, of an apparent suicide.

Gasteier, Matthew Nas's Illmatic 2009 pp. 52–54. Reginald Dennis described to the reaction that followed Minya Oh's review: "I was happy, Jon was happy, Nas was happy, everybody was happy – except for all of the people who felt that The Chronic should have also gotten a 5." Only two years prior, Dr. Dre's groundbreaking The Chronic failed to earn the coveted rating, despite redefining the musical landscape of hip hop. It was later revealed that while everybody at the magazine knew it was an instant classic, they decided to comply with the strict policy of staying away from a perfect rating.

As the lyrics began to take shape, the band felt that they needed to make the music tougher to "capture a kind of rage as well as the inherent sexiness of rock 'n' roll". Flood thought that the song had more potential and advocated for them to "go further". The group spent months working on it before Bono said "Let's give it one more night", at which point they told Flood, "let's hip-hop it, let's strip it back, let's get a beat together, let's see where it goes". Flood and producer Howie B subsequently spent a weekend deconstructing the song.

The term crunk is used as a blanket term to denote any style of southern hip hop, it is mainly used to denote a musical style that was originated by Three Six Mafia in Memphis, Tennessee, in the mid-to-late 1990s. It was popularized by Atlanta rapper Lil Jon,"Lil Jon crunks up the volume", New York Times, November 28, 2004 and gained mainstream popularity in the period 2003–04."Southern Lights", Vibe Dec 2003 A typical crunk track uses a drum machine rhythm, heavy bassline, and shouting vocals, often in call and response manner.

AllMusic's John Bush cites the track as "the production peak of the Bomb Squad and one of Chuck D.'s best rapping performances ever ... [N]one of their tracks were more musically incendiary". "Burn Hollywood Burn" assails the use of black stereotypes in movies, while "Who Stole the Soul?" condemns the music industry's exploitation of black recording artists and calls for reparations. "Revolutionary Generation" celebrates the strength and endurance of black women with lyrics related to black feminism, an unfamiliar topic in contemporary hip hop. It also addresses sexism within the black community and misogyny in hip hop culture.

Produced entirely by Kno, it features artists such as Devin the Dude, Phonte of Little Brother and Witchdoctor, and was described by CMJ New Music Monthly as "a defiant album that questions everything, even the assumed standards of hip hop". It was lauded by Michael Kabran of PopMatters as "easily one of the best hip-hop albums of 2007 and arguably one of the best albums of the past decade". CunninLynguists made their way across the United States, Europe and Canada in support of the album, headlining the Dirty Acres Tour in 3 parts over the course of 2008.

In the years since its release, The Low End Theory has garnered recognition from music critics and writers as a milestone in alternative hip hop. The album is regarded as Phife Dawg's breakout and is credited for helping launch rapper Busta Rhymes's successful solo career. The album's influence on artists in hip hop, R&B; and other genres has been attributed to the group's lyricism and Q-Tip's production, which bridged the gap between jazz and hip hop. It is widely regarded as one of the greatest albums of all time, appearing on many best album lists by music critics and writers.

Greg Kot praised the album as one of "the year's freshest rap releases" and wrote that "Though it lacks the cinematic production of the best East Coast hip-hop, it marks the arrival of an assertive and unusually insightful new voice in Kelly." He released his second solo album, Insomnia, in 2004 on the same label, shortly after he received his law degree. Insomnia was noted for its heavily political themes, which led some critics to compare it to Noam Chomsky, and was also highlighted for addressing Kelly's newfound religion of Islam. All Natural's third album, Vintage, was released in 2005 and was also heavily influenced by Kelly's religious views.

Color Me Badd's second studio album, Time and Chance, was released in November 1993. An ambitious project, with 19 new tracks, the album represented a shift in musical style for the group. Working with producers including David Foster, DJ Pooh, and Jimmy Jam and Terry Lewis, it was more soulful and funky than their previous work, but lacked a cohesive sound. With the music industry at the time embracing grunge music and West Coast hip hop, it was difficult for Color Me Badd to deliver the same success on the singles charts as they had done before, and the group started to lose momentum.

Living in a white New Hampshire town, Birdie's primary connection to her blackness and her past is the box of Negrobilia gifted to her by Deck before he and Cole left for Brazil. Even Deck, a man who once claimed that no child of his could pass as white, dismisses Birdie's struggle for identity by saying that race does not exist. In attempting to find her identity, Birdie identifies with the objects and people she sees around her, most notably her sister Cole. When Birdie makes a trip to New York City and sees young black people dancing to hip-hop, it seems to motivate her to reconnect with her blackness.

"Rock and Roll Is Here To Stay" is a song written by David White and first recorded by his group, Danny & the Juniors. Released in January 1958 by ABC- Paramount Records as the follow-up to the group's number one hit "At the Hop", it reached number 19 on the Billboard Hot 100 and #16 R&B.; The song - with its lyrics of "Rock and roll is here to stay / It will never die" - was originally written in response to attacks on rock and roll music by some conservative radio stations, including KWK in St. Louis, that included the smashing of "undesirable" rock and roll records. Dik de Heer, "Danny & the Juniors", BlackCat Rockabilly.

She calls off the engagement and while searching for Dre sees Reese and Dre in a parting embrace that she misconstrues as more. While at Hot 97 waiting for Cavi's (Mos Def) first single to play on the Angie Martinez show, Dre hears Sid talking about her new book I Used to Love H.I.M. Though based on her love affair with hip-hop, it really is a chronicled timeline of her love affair with Dre. He recognizes this and rushes over to the station to confront his feelings, as well. Meanwhile, in the production booth, Sid's cousin Francine (Queen Latifah) finally asks Cavi out on a date, which is something he has been trying for since their first meeting.

While still far from mainstream success, he received several odd jobs in Canada's entertainment industry, including making soundtrack music and providing narration for a TV commercial for NBA apparel, and song lyrics for the popular children's program Sesame Street. Man Overboard, originally released on Anticon in 2001, was a significant turning point in his career. The record, and the entire Anticon collective (of which Sixtoo was also a part), were considered hallmarks of a new avant-garde movement in underground hip hop. It was at this time that Buck met Cincinnati DJ Mr. Dibbs, who inducted him into the 1200 Hobos, a loosely knit hip-hop collective named for their proficiency in manipulating the Technics 1200 turntable.

His versatility and ability to MC across a range of different tempos earned him praise amongst his peers and listeners alike. As one of the earliest MC's to take UK garage instrumentals and use dark lyrics similar to US influenced hip hop it was this sound which saw the birth of grime. Early affiliates included Dizzee Rascal with whom he recorded one of his first ever tracks. In later years he was part of a group of jump-up MCs called SaSaSaS and also worked under an anonymous and masked alias Teddy Bruckshot inspired by Louie Rankin's character in the 2002 movie release Shottas releasing on labels such as Deep Medi Musik.

The chart is dominated by contemporary R&B;, rap and hip-hop. It lists the most popular R&B;, dancehall, rap and hip-hop songs, calculated weekly by airplay on rhythmic and urban radio stations and sales in urban record stores and dance club play. For the German music industry and trade, they have grown into a respected and vital yardstick of this specific music genre since its formation and have found a high level of recognition among DJs and young consumers of these styles of music. A song is able to chart for a maximum of ten weeks before they become a "drop out", allowing new releases to debut in following weeks.

In November 2002, a second EP, Goodtimes, was issued, containing five tracks. On 22 September 2003, the group released their debut studio album, Learn Yourself, which was co-produced by McHugh and Ian Pritchett. United States pop-rocker Mason Jennings provided lead vocals on the track "Freedom (Part 2)", and former Soul Asylum drummer Ian Mussington provided percussion on two tracks. In 2004, The Beautiful Girls toured Japan, Canada, and the US. In January 2005, they released a four-track EP, The Weight of the World, where the title track was a "rollicking, dance hall tune, featuring, wails of melodica and a tinge of hip hop, [it] has already been added to rotation on JJJ".

Because Wakatu is a dual-purpose hop, it can be used in Single Malt and Single Hop (also known as SMaSH) beer recipes with excellent results. Because of the middle road that was taken between this hop possessing high aroma and high alpha rating, it has a slightly lower alpha rating than some other hop varieties, generally in the range of 6%-9%. Put simply, this translates to a lower bittering potential when compared to dedicated bittering hops, but also offers the advantage of being able to contribute aromatics to the beer, to which non-dual-purpose bittering hops aren't so well suited. Wakatu hops have a distinct presence of myrcene measured to be at 35.5% or even up to 59%.

Sangue Misto was one of the first groups of Italian hip hop; it was formed in Bologna in the early 1990s, "from the remains of the legendary Isola Posse All Stars",ItalianRap.com, "Sangue Misto" and its base point was the social center called the Isola nel Kantiere. In the beginning the group also included Papa Ricky, DJ Fabbri, and Gopher D, who left the group before its first release to dedicate themselves to raggamuffin and reggae music. Their debut album SXM was released in 1994, obtaining great underground support and becoming a model of genuine hip hop music even today but, because of the distribution, the record had marketing problems, so the original SXM in its first issue is somewhat rare.

Andy Kellman of AllMusic felt that, despite "no songs with the smooth elegance" of "Me, Myself and I" or "Be with You", the album is "lean in a beneficial way". The Boston Globes Sarah Rodman commented that the production team helped Beyoncé "focus on edgier, up- tempo tracks that take her sweet soprano to new places". Caroline Sullivan of The Guardian felt that, "apart from a few pop-R&B; space-fillers, there's not much to dislike about B'Day". Robert Christgau from MSN Music said "on most of [the songs] she's wronged yet still in control because she's got so much money" and felt that Beyoncé "earns her props" if "opulence can signify liberation in this grotesquely materialistic time, as in hip-hop it can".

"Intro" was composed by Baria Qureshi, Jamie xx, Oliver Sim and Romy Madley Croft. It is an instrumental with a duration of approximately two minutes and eight seconds, performed in the key of A minor—with a chord progression of F–Am followed throughout the song—and in common time at a tempo of 100 beats per minute. The instrumentation consists of a "fuzzy keyboard, a simple guitar riff, wordless chanting" and "double-tracked drums", according to The A.V. Clubs Vadim Rizov; Chase McMullen from Beats Per Minute described the song as "nearly trip hop". It opens with a riff that BBC Music's Lou Thomas compared to "Fot I Hose" by Casiokids, before the beat drops in which he said was "heavy enough for dubstep".

Despite the popular thought that "TKN" would be the lead single of the singer's third studio album, in July Rosalía told the press during a Zoom conference that her upcoming album would be released "hopefully in 2020 but whenever it makes sense" and that it would follow a concept. More focused on hip-hop, it will not include the seven own singles released since the release of El Mal Querer, including in this list "Con Altura" and "TKN". She has also discarted the idea of releasing a box set or a compilation album where these songs would be included. Recording sessions for this new conceptual album started in the summer of 2020 in Miami immediately after the concept was settled down and the collaboration with Billie Eilish was finished after almost two years of work.

Borrowing from traditional rap music that first emerged in New York in the 1970s, "young Palestinian musicians have tailored the style to express their own grievances with the social and political climate in which they live and work." Palestinian hip hop works to challenge stereotypes and instigate dialogue about the Israeli–Palestinian conflict. Palestinian hip hop artists have been strongly influenced by the messages of American rappers. Tamar Nafar says “when I heard Tupac sing “It’s a White Man’s World” I decided to take hip hop seriously”. In addition to the influences from American hip hop, it also includes musical elements from Palestinian and Arabic music including “zajal, mawwal, and saj” which can be likened to Arabic spoken word, as well as including the percussiveness and lyricism of Arabic music.

In addition to the influences from American hip hop, it also includes musical elements from Palestinian and Arabic music including "zajal, mawwal, and saj" which can be likened to Arabic spoken word, as well as including the percussiveness and lyricism of Arabic music. Historically, music has served as an integral accompaniment to various social and religious rituals and ceremonies in Palestinian society (Al-Taee 47). Much of the Middle-Eastern and Arabic string instruments utilized in classical Palestinian music are sampled over Hip-hop beats in both Israeli and Palestinian hip-hop as part of a joint process of localization. Just as the percussiveness of the Hebrew language is emphasized in Israeli Hip-hop, Palestinian music has always revolved around the rhythmic specificity and smooth melodic tone of Arabic.

The gold deposit at Frog's Leg was discovered in 1999 and mining originally occurred in an open pit operation from April 2004 to October 2005, when operations ceased again.Frog's Leg Mine La Mancha website, accessed: 6 January 2010 To the frustration of Dioro, Mines and Resources Australia Pty Ltd, a subsidiary of the French company Areva,Historique AREVA NC accessed: 7 January 2010 delayed the development of an underground mine at the location, an impasse only solved by the sale of its 51% stake.Frog's Leg may give Dioro the hop it needs to crack open some vintage Penfold The Age, published: 21 May 2007, accessed: 7 January 2010 In September 2006, La Mancha Resources announced the takeover of Mines and Resources Australia's 51% share of the project and began a major drilling program to define potential resources. With this transaction, La Mancha also acquired the White Foil Gold Mine.

It avoided the usual plotlines about sex, money and violence and touched on everything from his faith to his fears of failure and other crises from his life." According to DJBooth journalist Brad Callas, the album also "helped solidify chipmunk soul as not only the defining sound of the Roc-A-Fella era but also the most popular sub-genre in hip-hop". "It feels like that album birthed an entire sub-genre", Max Weinstein wrote in retrospect for Vibe, going on to say, "The palette of emotions was so broad, the depth of topics so searingly relevant, that it was bound to make an impression on any artist that heard it. RZA might have birthed chipmunk soul, and Black Star perfected smart lyricism for the JanSport bunch, but 'Ye brought all that to the masses in one single, digestible product, breaking down the divisions between mainstream rap and Rawkus-grade consciousness.