She was also invited to paint the beet (beta vulgaris) for "The Highgrove Florilegium," a 2008 book that records all the plants in Prince Charles's garden in Gloucestershire, England.
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When his group, Florilegium, began to play an 18th-century flute concerto, "Pastoreta Ychepe Flauta," he was amazed, he said, to hear members of the audience, townspeople who knew the piece, humming the music too.
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Ferrarino is best known as the compiler of a florilegium of Occitan lyric poetry appended to the end of manuscript D, an Italian chansonnier of 1254.The florilegium is called an estrat de tutas las canços des bos trobadors (extract of all the songs of the good troubadours) in the MS. He was also a poet himself. His vida was placed atop his florilegium. Both were written in Italy.
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Georg Muffat (1 June 1653 – 23 February 1704) was a Baroque composer and organist. He is best known for the remarkably articulate and informative performance directions printed along with his collections of string pieces Florilegium Primum and Florilegium Secundum (First and Second Bouquets) in 1695 and 1698.
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Marshal worked on his florilegium for some thirty years, and despite his not being a professional artist, his book boasts some of the most pleasing images in botanical art \- it is now part of The Royal Collection, at the Royal Library at Windsor Castle. The plates depict more than 600 plant species, and detailed studies of insects, birds and mammals. It is notable as being the only known surviving florilegium by an English artist from the 1600s. Samuel Hartlib, the German polymath, wrote that Marshal had by 1650 produced a florilegium for the botanist and gardener John Tradescant the Younger.
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He also played the cor anglais in Richard Wagner's Tristan und Isolde. Malgoire founded La Grande Écurie et la Chambre du Roy, a period-instrument Baroque music ensemble, in 1966. He played the works of Jean-Baptiste Lully and André Campra. He also founded the Florilegium Musicum de Paris,Discography of the Florilegium Musicum De Paris on Discogs a medieval music group.
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The Highgrove Florilegium () is a two-volume book of botanical illustrations recording plants in the garden of Charles, Prince of Wales at Highgrove House in Gloucestershire, England. The volumes, published in 2008 and 2009, contain watercolours painted by invited leading botanical artists from around the world. The colour plates are reproduced in their original size from watercolour drawings. The publication is a limited edition of 175 sets, each signed by the Prince and all the royalties from the Highgrove Florilegium are donated to The Prince's Charities Foundation.
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Mitchell, J. (1981). The Miniatures of the Sacra Parallela, Parisinus Graecus 923. Art History, 4(2), 235. The Parisinus Graecus 923 is the largest and only illuminated Greek florilegium to have survived from the Byzantine era.
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Common sunflower and greyhound, from the florilegium now in The Royal Collection Alexander Marshal (c.1620 – 7 December 1682 in London) was an English entomologist, gardener and botanical artist, noted for four albums of paintings, including the florilegium he compiled, consisting of some 160 folios of plants cultivated in English gardens, and finally presented to George IV in the 1820s. Marshal belonged to a coterie of gentleman gardeners from London, who cultivated and studied rare plants. These previously unknown species were introduced to England from the Near East and the New World in the 1600s.
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Sweert prepared his Florilegium as a guide of his available stock for the Frankfurt Fair of 1612. The plates, depicting some 560 bulbs and flowers, were from the Johann Theodore de Bry Florilegium which in turn was based on that by Pierre Vallet. His attractively depicted bulbs sparked their popularity, leading to 6 editions of the work between 1612 and 1647, and a demand which would later result in "Tulipomania". At the time of the fair Sweert was in the employ of Emperor Rudolf II as head of his gardens in Vienna.
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Besides being described and classified by Solander, every specimen was sketched by Sydney Parkinson. These sketches were rendered as watercolours when Banks and Solander returned to England and then engraved and later included in the publication Bank's Florilegium.
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He borrowed freely from plates that had been published before, so that many of those that appeared in the Florilegium had been cultivated in the gardens of King Henry IV of France at the Louvre. He died in Amsterdam.
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The Auctoritates Aristotelis ("Authoritative [passages of] Aristotle") was a popular florilegium (anthology of brief extracts) probably composed around the end of the thirteenth century by the Italian scholar Marsilius of Padua.Les Auctoritates Aristotelis. Un florilège médiéval. Étude historique et édition critique.
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Emanuel Sweert (1612) Plate 66 from Florilegium Emanuel Sweert (1552-1612) was a Dutch painter and nurseryman noted for his publication in 1612 at Frankfurt- am-Main of Florilegium Amplissimum et Selectissimum. Sweert was born at Zevenbergen and lived in a period when new plants from across the world were being introduced to Europe via Dutch, English and French ships. To meet the burgeoning interest in plants by the public, nurseries were being established by wealthy merchants in order to meet the demand. Botanical illustration suddenly found a new outlet in the production of nursery catalogues.
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The Sacra Parallela is a Byzantine florilegium of quotes from the Bible and patristic texts used in the instruction of ethics, morals and asceticism.Weitzmann, K. (1979) The Miniatures of the Sacra Parallela Parisinus Graecus 923. (pp. 8). Princeton, New Jersey: Princeton University Press.
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Věra Barandovská-Frank, "Panslawische Variationen", in: Cyril Brosch & Sabine Fiedler (eds.), Florilegium Interlinguisticum. Festschrift für Detlev Blanke zum 70. Geburtstag. Frankfurt am Main, 2011, pp. 220–223. Probably due to the political reality of those days, this language was primarily based on Russian.
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Florilegium is an early music ensemble based in London. It was founded in 1991 by the harpsichordist Neal Peres Da Costa and the flautist Ashley Solomon, who is now director of the group. It specialises in period performance of Baroque and early Romantic chamber music.
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The Oculus Sacerdotis was a manual for priests, and probably Pagula's most famous work.Boyle (1955) p.83 The book is divided into three volumes and covers practices in the confessional, sacramental theology and preaching. William drew extensively on the florilegium Manipulus florum by Thomas of Ireland.
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She also spent time in South Africa, and in Rhodesia when her husband was governor there. Her paintings were inherited by her granddaughter, Cynthia Cormack, who only recently disclosed their whereabouts. A book on these paintings was published in 2018 – 'The Tait Florilegium' (Gateway Publishing Ltd).
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1.2, p. 161-233; 2a pars , 48, n 3, p. 479-548. Moreover, he composed a Florilegium (“Anthology”) of some 600 texts from the Early Church Fathers in favour of the Christian tenet of Dyothelitism (positing both human and divine wills in Christ). This document also is lost.
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When Bloody Disgusting asked Palen who inspires his photography, he named Mark Kessell, David LaChepelle, and Joel Peter Witkin. While looking for a manner to market Hostel without using images of mangled body parts, Tim Palen visited the New York art studio of Australian photographer Mark Kessell. Kessell, a former medical physician, had a series of daguerreotypes entitled "Florilegium" (or "collection of floral images") in his studio; each piece this collection featured a "close-up [image] of a surgical instrument, so poetically rendered that it seems almost organic". Palen made a deal to use a photograph from the "Florilegium" series whose focus was a surgical clamp, an image that was used for the theatrical and print promotions of Hostel.
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Page one of the Florilegium of Stobaeus, from the 1536 edition by Vettore Trincavelli. Joannes Stobaeus (;Joseph Emerson Worcester, A Comprehensive Dictionary of the English Language, Philadelphia, 1888, p. 588 ; fl. 5th- century AD), from Stobi in Macedonia, was the compiler of a valuable series of extracts from Greek authors.
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An example of thematic pesharim is text 4Q174, which is known as Florilegium. This scroll discuses several biblical texts including: 2 Sam 7, Ps 1 & 2, Exod 15, Ezek 37, Isa 8 & 65, and Amos. It looks at these texts with messianic implications and characterizes the Davidic Messiah as God's son.
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Erhard Bodenschatz (1576 in Lichtenberg - 1636 in Groß-Osterhausen) was a German pastor, cantor and composer. He was cantor at Schulpforta from 1600 to 1603 and pastor in Groß-Osterhausen/Querfurt from 1608 onwards. He produced several motets. Among his best known works was the edited motet collection Florilegium Portense, meaning "Schulpforta's anthology".
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The commission for the 9th Violin Competition 2016, "Florilegium – Homage to Leopold Mozart" by used variations on music by Leopold Mozart to focus on that seldom performed composer. Since 2013, all events of the competition have been broadcast on the internet via live stream, courtesy of the media lab of the University of Augsburg.
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2 (Harvard University Press, 1967), pp. 202–03. His episcopate at Grenoble was marked by conflict with Count Guigues IV of Albon.Aurélien Le Coq, "La trajectoire des Guigues d'Albon: Réseaux et lieux de pouvoir, Xe–XIIe siècle", Florilegium 29 (2012): 201–27, at 214. At Vienne, he provoked displeasure from the Cluniacs and Cistercians.
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She continued to win awards through the 80s and 90s. She was awarded a doctorate from Trinity College, Dublin in 1997. In 1983, her best known book, The Irish Florilegium – Wild and Garden Plants of Ireland, was published. It was awarded a bronze medal for the 'Most beautiful Book in the World' at the Leipzig Book Fair.
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His own students included Remigius of Auxerre and Hucbald. His Miracula sancti Germani was a verse life of St. Germanus. Other works include his Collectaeum,... a florilegium consisting mainly of extracts from classical authors, particularly Valerius Maximus, Rosamond McKitterick, The Frankish Kingdoms under the Carolingians (1983), p. 290. a homiliary, and glosses on the Categoriae decem.
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The main protagonist, other than the circus itself, is Zachary Edge, a former Confederate colonel embittered by war who accepts a position as the Florilegium's equestrian director. Edge's trials, both professional and personal, form the core of the plot, which details Edge's rise in the ranks of the circus in parallel to the rise of the Florilegium.
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The church interior is noted for the quality of its acoustics and it is frequently used by classical music artists for CD recordings, including His Majesty's Sagbutts & Cornetts, Florilegium and I Fagiolini. Also the church was the location of two music videos of Libera.Salva Me by Libera; via YouTube (2008). See also: Matlock and St Bartholomew-the-Great.
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It was written between 435 and 442. ;Sententia and Epigrammata The Sententia was a collection of 392 maxims drawn up against the writings of Augustine of Hippo. The epigrammata was a compilation of 106 epigrams of florilegium in verse. Both were intended to be used as handbooks for the serious Christian, drawn from an Augustinian point of view.
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Although many species in the genus are used in gardens (such as V. exalta, V. incana, V. gentianoides, V. longifolia, V. perfoliata, and V. spicata),Thomas, G. S. Perennial Garden Plants or the Modern Florilegium, 2nd ed. J. M. Dent and Sons, London. 1992. this species is generally seen as a weedVeronica persica. USDA Plants Database.
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The book is a parchment manuscript of the end of the tenth century, containing a miscellany, or florilegium, of religious texts that were apparently selected for private inspiration. The meticulous hand is Anglo-Saxon square minuscule. It was found in the library by Friedrich Blume, in 1822, and was first described in his Iter Italicum (Stettin, 4 vols., 1824–36).
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In 1182 the Sheriff of Lincoln bought Scarlet at 6s 8d/ell, Green and Blanchet both at 3s/ell and Gray at approximately 1s 8d/ell. By 1216 three guilds controlling the cloth trade were established in Lincoln, the Weavers', Dyers', and Fullers' guilds.Sir Francis Hill, Medieval Lincoln, 1948, from a publication of the Pipe Roll Society; noted at Stefan's Florilegium.
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He has performed as gamba- soloist or principal cellist with ensembles including Northern Sinfonia, the orchestra of The Sixteen, Ex Cathedra of Birmingham, the City of London Sinfonia, the St James's Baroque Players, Florilegium, and Paul McCreesh's Gabrieli Players. He was a founding member of Jakob Lindberg's Dowland Consort, Philip Picket's Musicians of the Globe and, Charles Humphries's ensemble Kontraband.
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The species was the subject of an illustration by Sydney Parkinson, artist on HM Bark Endeavour's voyage to the Pacific from 1769 to 1771. A colour botanical engraving based on Parkinson's work is part of Banks' Florilegium. First Fleet midshipman and artist George Raper depicted the species in two works: an untitled watercolour study (c. 1788) and Bird Of Point Jackson (1789).
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He also helped Joseph Banks prepare the Banks' Florilegium and converted most of Sydney Parkinson's Australian plant drawings from the expedition into paintings and helped engrave them for publication. He illustrated the first published scientific description of the duck-billed platypus. There are Nodder drawings and paintings of Australian birds and butterflies in the Natural History Division of the National Museum of Ireland.
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Florilegium, the journal of the Canadian Society of Medievalists / Société canadienne des médiévistes, is a quarterly "international, peer-reviewed academic journal concerned with the study of late Antiquity and the Middle Ages". Originally titled Florilegium: Carleton University Annual Papers on Classical Antiquity and the Middle Ages, the journal was first published in 1979 under the co-editorship of Roger Blockley and Douglas Wurtele, and adopted as the Canadian Society of Medievalists’s official journal in 1997. Currently published by the University of Toronto Press on behalf of the Canadian Society, the journal accepts previously unpublished, "original scholarly research in all areas of late antique and medieval studies and especially welcomes papers […] which take a cross-cultural or interdisciplinary approach to history, literature, or any other relevant area of study". Submissions, which may be in English or French, are subjected to double-blind peer-review.
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Rosarium philosophorum: ein alchemisches Florilegium des Spätmittelalters, translated by Lutz Claren and Joachim Huber, 2 vols. (Weinheim: VCH, 1992). A facsimile of the 1550 edition In the 1541 edition, Petraeus called for the printing of further alchemical texts. This started a period of publishing alchemical collections in large numbers, among them the Artis Auriferae, Verae alchemiae artisque metallicae, citra aenigmata, doctrina and culminating in the Theatrum Chemicum.
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James Ross Sweeney: "Thomas of Spalato and the Mongols: a Thirteenth Century Dalmatian Views of Mongol Customs." Florilegium 4 (1982): 156 – 183. In 1243 a body of canons chose Thomas to be archbishop of Split, however due to his views on Church autonomy in Split, commoners rebelled against him. Fearing for his life, he never occupied that function, and in the end resigned the honor.
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After surrendering at Appomattox Court House in Virginia at the end of the American Civil War, two Confederate soldiers wander off and join Florian’s Flourishing Florilegium of Wonders, a traveling circus that has managed to continue performing throughout the war. Escaping from the coming Reconstruction of the South, the circus embarks for Europe where they meet many adventures as they travel throughout Europe between 1865 and 1871.
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Vincent of Beauvais ( or Vincentius Burgundus; c. 1264) was a Dominican friar at the Cistercian monastery of Royaumont Abbey, France. He is known mostly for his Great Mirror (Speculum Maius), a major work of compilation that was widely read in the Middle Ages. Often retroactively described as an encyclopedia or as a florilegium, his text exists as a core example of brief compendiums produced in medieval Europe.
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Prencipe started in 1999 with his first neomedieval gothic band, LUPERCALIA. They released the first album Soehrimnir with the English label World Serpent distribution (Death in June, Current 93, Antony and the Johnsons, Nurse with Wound) and the second album Florilegium with the Portuguese label Equilibrium Music. In 2005 Riccardo started his idea of the "Workshop of sound", an open team with many artists to collaborate with.
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The most famous fragmentStobaeus, Florilegium, 4.671 ff. describes Stoic cosmopolitanism through the use of concentric circles. Hierocles describes individuals as consisting of a series of circles: the first circle is the human mind, next comes the immediate family, followed by the extended family, and then the local community. Next comes the community of neighbouring towns, followed by your country, and finally the entire human race.
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Stobaeus in the Florilegium relates a story about a symposium where Solon's young nephew was singing a poem of Sappho's; Solon, upon hearing the song, asked the boy to teach him to sing it. When someone asked, "Why should you waste your time on it?" Solon replied , "So that I may learn it before I die."Stobaeus, III, 29, 58, taken from a lost work of Aelian.
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Daniel Yeadon is a British-born Australian cellist and viola da gambist. Together with his partner Neal Peres Da Costa and artistic director Richard Tognetti he won the 2008 ARIA Award for Best Classical Album for the album Bach: Sonatas for Violin & Keyboard. Yeadon is a member of Florilegium and has released albums performing with Da Costa, Genevieve Lacey, Pieter Wispelwey and Richard Egarr, amongst others.
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The spine label of the book is contemporary with the work and indicates the artist as "van den Hoecke". It is therefore possible that the artist responsible for the work was not Robert but his father Gaspar or his brother Jan.Hoecke, Robert van den (attributed to), Manuscript florilegium at Sotheby’s London on 30 April 2015 The largest collection of his paintings is located in the Kunsthistorisches Museum in Vienna.
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The work was originally divided into two volumes containing two books each. The two volumes became separated in the manuscript tradition, and the first volume became known as the Extracts (also Eclogues) and the second volume became known as the Anthology (also Florilegium). Modern editions now refer to both volumes as the Anthology. The Anthology contains extracts from hundreds of writers, especially poets, historians, orators, philosophers and physicians.
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451-2 Facsimile available online There was also a Latin prose version of the fable included in the Mithologica sacro- profana, seu florilegium fabularum (1666) by the Carmelite monk Father Irenaeus. There it illustrates the moral that prosperity is short and the story is told of either a pine or an olive tree (seu olae) next to which a gourd grows, only to die lamenting in winter.Fable 72, p.
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1–4; Aelian, x. 16; Stobaeus, Florilegium, 13.19 Diogenes Searching for an Honest Man (1640–1647) by Giovanni Benedetto Castiglione held at the National Gallery of Art Diogenes made a virtue of poverty. He begged for a living and often slept in a large ceramic jar, or pithos, in the marketplace.The original Greek word describing Diogenes' "jar" is pithos, a large jar for storing wine, grain, or olive oil.
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Geremia da Montagnone or Hieremias Paduanus (died 1320/1321) was a judge and author active in Padua at the beginning of the 14th century. Little is known about his life and career, but he was apparently involved with the "proto- humanist" literary circle of Lovato Lovati at Padua. His writings include a florilegium entitled “Compendium moralium notabilium” which was published at Venice in 1505 under the title “Epytoma sapientie”.
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He was the co-founder of Florilegium, an internationally renowned period instrument ensemble with which he performed around the world, including France, Spain, Germany, the Netherlands, North and South America, China and Australia, and in major venues such as the Concertgebouw in Amsterdam, the Teatro Colón in Buenos Aires and the Wigmore Hall in London, at which Florilegium held a prestigious residency for several years. Together they have made many award-winning recordings. Neal Peres Da Costa has performed with the Academy of Ancient Music, the Orchestra of the Age of Enlightenment, the Australian Chamber Orchestra, the Sydney Symphony Orchestra, Sinfonia Australis, the Orchestra of the Antipodes, Pinchgut Opera, the Australian Brandenburg Orchestra, the Australian Bach Ensemble, the Sydney Philharmonia, and the Song Company; and with artists such as Dame Emma Kirkby, Nancy Argenta, James Bowman, Derek Lee Ragin, Michael Chance, and Pieter Wispelwey. He is a member of the Australian period- instrument ensemble Ironwood.
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Until 1991, Solomon studied as an undergraduate and then as a post- graduate at the Royal Academy of Music in London. In the same year he won the Moeck/SRP Solo Recorder Playing Competition, and gave the winner's recital at the Wigmore Hall in Wigmore Street, London. Also in the same year, he and Neal Peres Da Costa started an early music group, Florilegium; Solomon has been director of the group since 2001.
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The word herbal is derived from the mediaeval Latin liber herbalis ("book of herbs"): it is sometimes used in contrast to the word florilegium, which is a treatise on flowersJackson, p. 102. with emphasis on their beauty and enjoyment rather than the herbal emphasis on their utility.Blunt & Raphael, p. 10. Much of the information found in printed herbals arose out of traditional medicine and herbal knowledge that predated the invention of writing.
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The band performed at the Comicon Festival with the painter Milo Manara, for the presentation of his book on Caravaggio. The cover picture and all pictures of the album florilegium are photos by the German photographer Achim Bednorz. The cover of the album Respiri is a photo by the Japanese photographer Kenro Izu. The cover of the album I Maestri del Colore is a photo from one of the main Italian photographers, Franco Fontana.
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Roscoe illustrated plates in William Roscoe's botanical work Monandrian Plants of the Order Scitamineae: Chiefly Drawn from Living Specimens in the Botanical Gardens at Liverpool. Her sister Mrs James Dixon also illustrated this botanical work. She went on to write and illustrate Floral Illustrations of the Seasons. A plate from this work was displayed in the 2012 exhibition "Portraits of a Garden, Brooklyn Botanic Garden Florilegium" held at the Hunt Institute for Botanical Documentation.
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Allen first started her artist career as a package designer for a cosmetic maker and an advertising agency in Australia. Once Allen became known as a botanical artist in 1998 she co- founded the Florilegium Society and was pronounced president. While in Sydney, she associates with the Royal Botanic Gardens and Domain Trust and teaches master classes on realism painting and botanical art. She has taught such classes for roughly 12 years.
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Of the 1,658 illustrations within the Sacra Parallela Parisinus Graecus 923, approximately 402 are scenic illustrations and 1,256 are portraits. The placement of images in a manuscript usually follows a pattern. However, as a result of its structure as a florilegium text, the author of the Sacra Parallela lacked any notion of design when distributing the images. Some pages are full of illustrations closely followed by several that do not have any.
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Every specimen collected during the Endeavour voyage was sketched by Banks' botanical illustrator Sydney Parkinson. On the Endeavour return to England in July 1771, Banks' specimens became part of his London herbarium, and artists were employed to paint watercolours from Parkinson's sketches. Banks had plans to publish his entire collection as "Banks' Florilegium", but for various reasons the project was never completed, and it would be ten years before any of the Banksia species were formally published.
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Solander, by John Flaxman Jr, c. 1778, Wedgwood jasperware Solander's reputation has been profoundly influenced by his limited number of publications and his premature death. Although he had detailed descriptions prepared for most of the botanical specimens he collected on the Endeavour voyage, in deference to Joseph Banks he held off publication waiting for the completion of over 700 engravings. However, after Solander's death, Banks, now President of the Royal Society, failed to publish his projected Florilegium.
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Acacia cunninghamii from the 1900 Illustrations of Australian Plants release of part of Florilegium in black and white. Acacia leiocalyx (black wattle, early flowering black wattle, lamb's tail wattle, curracabah) grows in Queensland, Australia and as far south as Sydney. It is widespread and common in eucalypt woodlands, especially on well-drained, shallow soils. It is short- lived and grows 6–7 metres (20–23 ft.) tall, with a trunk about 180 mm (7 inches) in diameter.
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It is part of a florilegium of otherwise classical and patristic writings and Alcuin. The letter M comes from the first letter in its version of the Table, which begins Mulius rex... The manuscripts can be grouped by origin, with ABCD originating north of the Alps and EMF originating in Italy. AB and EMF appear to derive from a common source. In their treatment of the Table of Nations, the manuscripts can be grouped in several other ways.
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His musical development was particularly influenced by his longstanding collaboration with Nikolaus Harnoncourt, with the Tölzer Knabenchor performing in Harnoncourt's first recordings of Bach's works in historically informed performance. In 1978, Schmidt-Gaden founded the "Florilegium Musicum", a chamber orchestra for early music with original instruments. From 1980 to 1988 he was professor of choral conducting at the Mozarteum in Salzburg. From 1984 to 1989 he also worked as choir director at La Scala in Milan.
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Extensions were made leading to other parts of the city. Other conduits were constructed in the 15th century AD (CE).Florilegium Urbanum - The Great Conduit In the 15th century further source was added to the main conduit, from the Westbourne, enabling a new, additional off-tap at Cripplegate: one parish within and one without (outside) a northern gate in ancient, sparesly intact walls. Use of the conduit ceased after the Great Fire of London in 1666.
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Phanocles () was a Greek elegiac poet who probably flourished about the time of Alexander the Great. His extant fragments show resemblances in style and language to Philitas of Cos, Callimachus and Hermesianax. He was the author of a poem on pederasty, entitled Loves or Beautiful Boys (). A lengthy fragment in Stobaeus (Florilegium, 64) describes the love of Orpheus for the youthful Calaîs, son of Boreas, and his subsequent death at the hands of the Thracian women.
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Naumachius was a Greek gnomic poet. Of his poems, seventy-three hexameters (in three fragments) are preserved by Stobaeus in his Florilegium; they deal mainly with the duty of a good wife. From the remarks on celibacy and the allusion to a mystic marriage it has been conjectured that the author was a Christian. The fragments, translated anonymously into English under the title of Advice to the Fair Sex (1736), are in Gaisford's Poetae minores Graeci, iii (1823).
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Reichenberg took part in many concerts and recordings with Concentus Musicus, and gradually increased his activities with that group. In 1977, Reichenberg formed the Munich-based orchestra, Florilegium Musicum, which gave numerous performances of Bach cantatas and Mozart masses. During that year, Reichenberg received several requests to play in England. Most notable among these was the offer to participate in the Deutsche Grammophon/Archiv recordings of the Bach Orchestral Suites with the English Concert, directed by Trevor Pinnock.
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But the search for "philosophers by means of fire" is not limited to the mere transmutation of lead into gold; it is indeed a philosophy, which most often takes the form of an "experimental metaphysics", and which has also given birth to a language—the Qabalah—and an extraordinary florilegium of and symbols. Aromatico explores in the book this compound of science and myth, examining ancient texts and illuminated manuscripts to shed light on an enigmatic science of spells, ceremonies, and secret beliefs.
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The third and fourth books ("Florilegium") are devoted to subjects of a moral, political, and economic kind, and maxims of practical wisdom. The third book originally consisted of forty-two chapters, and the fourth of fifty-eight. These two books, like the larger part of the second, treat of ethics; the third, of virtues and vices, in pairs; the fourth, of more general ethical and political subjects, frequently citing extracts to illustrate the pros and cons of a question in two successive chapters.
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It was never published, but it was available for study by anyone interested, first at Banks' London home, then at the Natural History section of the British Museum. Solander's return to Britain with Cook and Banks made him the first Swede to circle the globe. On their return in 1771 Solander resumed his duties at the British Museum but also collaborated with Banks on the Florilegium. In 1772 he accompanied Banks on his voyage to Iceland, the Hebrides and the Orkney Islands.
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Dendrophthoe vitellina, commonly known as long-flowered- or apostle mistletoe, is a hemiparasitic plant of the mistletoe family Loranthaceae. The genus Dendrophthoe comprises about 31 species spread across tropical Africa, Asia, and Australia. Despite being collected by Joseph Banks and Daniel Solander in 1788, and depicted in Banks' Florilegium, it was not until 1860 that it was described by Ferdinand von Mueller as Loranthus vitellinus after being collected near Ipswich, and renamed by Philippe Édouard Léon Van Tieghem in 1895.
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Podger was born to a British father and a German mother. She was educated at a German Rudolf Steiner school then returned to study first with Perry Hart, then at the Guildhall School of Music and Drama with David Takeno, Pauline Scott, and Micaela Comberti. During her studies, she co-founded Baroque chamber groups The Palladian Ensemble and Florilegium, and worked with period instrument ensembles such as the New London Consort and London Baroque. Podger often conducts Baroque orchestras from the violin.
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Frontispiece of Howard Pyle's 1883 The Merry Adventures of Robin Hood showing tunic and leggings approximating a Lincoln green shade Lincoln green is the colour of dyed woollen cloth formerly originating in Lincoln, England, a major cloth town during the high Middle Ages. The dyers of Lincoln, known for colouring wool with woad (Isatis tinctoria) to give it a strong blue shade, created the eponymous Lincoln green by overdying this blue wool with yellow weld (Reseda luteola)Reseda luteola. or dyers' broom, Genista tinctoria.Stefan's Florilegium.
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The Prebiarum de multorum exemplaribus is a Hiberno-Latin interrogatory florilegium of the mid-8th century, written as a dialogue in a series of 93 short questions and answers. The word prebiarum seems to be a corruption of breviarium,Joseph F. Kelly, "Scripture and Tradition in the Early Irish Church", Scripture, tradition and reason: a study in the criteria of Christian doctrine: essays in honour of Richard P.C. Hanson (Continuum International Publishing Group, 1988), p. 163 online. Multorum is also given incorrectly as multorium.
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Almost 800 specimens were illustrated by the artist Sydney Parkinson and appear in Banks' Florilegium, finally published in 35 volumes between 1980 and 1990. Notable also was that during the period when the Endeavour was being repaired, Banks observed a kangaroo, first recorded as "kanguru" on 12 July 1770 in an entry in his diary. Satire on Banks titled "The Botanic Macaroni", by Matthew Darly, 1772: A macaroni was a pejorative term used for a follower of exaggerated continental fashion in the 18th century.
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On the other hand, Ferrarino's florilegium may have been written without a specific purpose or with a general purpose in mind. Or it may have been intended for a private student, one Tuisio or Tuixio, later a master (fl. 1302). Some of these works may be "Italian" masked in Provençal orthography in order to teach the latter to a young pupil. Ferrarino, who is called doctor proençalium and said by his biographer to sab molt be letras (know many good letters), could have been a teacher of Occitan and Latin (letras means "Latin").
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In the early eighties, Spare was involved in printing the 'Banks' Florilegium' (Egerton-Williams Studio), the largest restorative printmaking project of the twentieth century. The plates for the 743 engravings of plants, from watercolours by Sydney Parkinson were made during the first voyage of James Cook to Australia. Having been stored in the British Museum for 200 years, wrapped in a paper containing acid, they had become corroded. Meticulous restoration and demanding à la poupée printing ended with the Museum's Botanical Editor checking them for botanical correctness before they could be published.
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Retrieved: 12 July 2016.Istoricul Victor Spinei, noul vicepreședinte al Academiei Române. In: Telegraf, 27 November 2015. Retrieved: 12 July 2016. He is member of several editorial boards, including Arheologia Moldovei, Dacia, Historia Urbana, Studii și Cercetări de Istorie Veche și Arheologie, Res Historica, and Acta Euroasiatica; he also founded and coordinates several academic book series published by the Alexandru Ioan Cuza University and the Romanian Academy.Istoricul ieșean Victor Spinei a devenit vicepreședinte al Academiei RomâneSeries Florilegium Magistrorum Historiae Archaeologiaeque Antiquitatis et Medii Aevi by the Iași Institute of Archaeology. Retrieved: 12 July 2016.
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The story of how she left behind her former life, carrying with her only the bracelet that marked her service to the cross, suggests a form of "white" martyrdom. The homily's color triad of martyrdom appears with a fragment of a Latin triad on ethical martyrdom requiring "self-control in abundance, generosity in poverty, chastity in youth."Continentia in habundantia, largitas in paupertate, castitas in iuventute, from the question-and-answer florilegium Prebiarum de multorum exemplaribus. Discussed by Charles Darwin Wright, The Irish Tradition in Old English Literature (Cambridge University Press, 1993), pp.
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Solander helped make and describe an important collection of Australian plants while the Endeavour was beached at the site of present-day Cooktown for nearly seven weeks, after being damaged on the Great Barrier Reef. These collections later formed the basis of Banks' Florilegium. Solander also wrote a manuscript describing all the species collected from New Zealand during the six months the 1768 expedition spent there. It was called Primitiae Florae Novae Zelandiae ('beginnings of a New Zealand flora'), and was to be illustrated with the plates prepared by Banks.
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In the first work of the Florilegium Secundum, Fasciculus I. – Nobilis Juventus. 1. Ouverture, Georg Muffat writes an Ouverture in stile Francese, in which he writes out the notes inégales in the topmost part, the Violino, in an approximate performance "realization" where the long–short pairs are explicitly notated in dotted eighth/sixteenth note pairs as the stylistically correct performance practice of long–short notes inégales. In the Violetta part immediately below, Muffat writes out the part in conventional, unrealized, notation. This can be seen when stepwise eighth notes are introduced in measure 12.
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Diogenes stated that "other dogs bite their enemies, I bite my friends to save them."Diogenes of Sinope, quoted by Stobaeus, Florilegium, iii. 13. 44. Statue of Diogenes at his birthplace in Sinop, Turkey The term "cynic" itself derives from the Greek word κυνικός, kynikos, "dog-like" and that from κύων, kyôn, "dog" (genitive: kynos). One explanation offered in ancient times for why the Cynics were called dogs was that Antisthenes taught in the Cynosarges gymnasium at Athens.. Cf. The Oxford Companion to Classical Literature, 2nd edition, p. 165.
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Godwyn was a voluminous writer, and about 1614 he published Florilegium Phrasicon and Romanae Historiae Anthologia (an English treatise on Roman antiquities), both for use by Abingdon School. These were the only school text books on the subject for a century. He also wrote a Synopsis of Hebrew Antiquities, and in 1625 Moses and Aaron, or Civil and Ecclesiastical Rites Used by the Ancient Hebrews. In his preface to Roman Antiquities, Godwyn gives a picture of the difficulties of writing his book in the noisy surroundings of the school room.
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These form only a small share of the over 100 Renaissance manuscripts. There are also a number of extracts from Tibullus in Florilegium Gallicum, an anthology from various Latin writers collected in the mid-twelfth century, and a few extracts in the Excerpta frisingensia, preserved in a manuscript now at Munich. Also excerpts from the lost Fragmentum cuiacianum, made by Scaliger, and now in the library at Leiden are of importance for their independence of A. It contained the part from 3.4.65 to the end, useful as fragments go as the other manuscripts lack 3.4.65.
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Ursinus also commissioned the monk Defensor to compile the florilegium Liber scintillarum from the patristic writings in the abbey's collection. Ganz, Knowledge of Ephraim's Writings in the Merovingian and Carolingian Age An Ursinus wrote the Vita sancti Leodegarii.Jacques-Paul Migne, Patrologia Latina, v. xcvi Later authors tell this story: In 684, bishop Ansoald of Poitiers requested of the new abbot Andulf (684–96) that his monks provide him with a beatific Life of Bishop Leodegar of Autun, martyred three years prior at Sarcing in Artois; and Andulf delegated this task to Ursinus.
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Of Ferrarino's work we only possess one cobla of a tenso composed in Italy with Raimon Guillem. It was added to the florilegium, so Ferrarino's vida relates, only later by the book's owner, who wished his anthologist to be remembered. From the little of his work which survives, however, it can be gleaned that Ferrarino was an able lyricist in the academic Occitan he had acquired, and his original structures merit his works' inclusion in the corpus of trobar clus. In his lost works, however, he may have abandoned this defining characteristic (clus), so unusual of the Italian troubadours.
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In 1872 the family moved from Breda to Amsterdam, where Perk attended the Hogere Burgerschool. Influenced by his Dutch teacher Willem Doorenbos,For his influence on the Tachtigers, see Corrado Hoorweg: Florilegium - Een humanistische stroming in de Nederlandse dichtkunst sinds 1880 (Baarn, 2014), pp 17ff. he developed a strong interest in the Renaissance ideal of well-rounded education. Disappointed with the intellectual climate of the HBS, he left it in 1877, and by next year his father had found him a position with the Algemeen Handelsblad, an important liberal newspaper, where he translated and edited from French.
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Reed, p. 70. John Parkinson (1567–1650) was apothecary to James I and a founding member of the Worshipful Society of Apothecaries. He was an enthusiastic and skilful gardener, his garden in Long Acre being stocked with rarities. He maintained an active correspondence with important English and Continental botanists, herbalists and plantsmen importing new and unusual plants from overseas, in particular the Levant and Virginia. Parkinson is celebrated for his two monumental works, the first Paradisi in Sole Paradisus Terrestris in 1629: this was essentially a gardening book, a florilegium for which Charles I awarded him the title Botanicus Regius Primarius – Royal Botanist.
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The one surviving medieval manuscript to contain Julian's writings, the mid- to late-fifteenth-century Westminster Manuscript, contains a portion version of the Long Text, refashioned as a didactic treatise on contemplation. It is part of a medieval florilegium, now known as "Westminster Cathedral Treasury, MS 4", which was inscribed on parchment 1450-1500. The manuscript has '1368' written on the opening folio. Along with Revelations of Divine Love, "Westminster Cathedral Treasury, MS 4" also contains commentaries on Psalms 90 and 91, purportedly by the 14th century Augustinian mystic Walter Hilton, and a compilation of Hilton's The Scale of Perfection.
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112 of National Museum of Paris of the probable Greek original text was identified in 1975M. Richard, Opera minora, I, Leuven-Tournhout 1976, pages 52-53 as one item in a florilegium of patristic fragments. In 1964, the Greek text of the prayer over the oils in Chapter 5 was recognised in an eleventh or twelfth century manuscript liturgy for the anointing of the sick, preserved in the monastery of St Catherine at Mount Sinai. The surviving Bohairic and Arabic versions are translations of the Sahidic, which was itself translated from a Greek manuscript around the 9th century.
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B. integrifolia by Sydney Parkinson, from Banks' Florilegium B. integrifolia was first collected at Botany Bay on 29 April 1770, by Sir Joseph Banks and Dr Daniel Solander, naturalists on the Endeavour during Lieutenant (later Captain) James Cook's first voyage to the Pacific Ocean. However, the species was not published until April 1782, when Carolus Linnaeus the Younger described the first four Banksia species in his Supplementum Plantarum. Linnaeus distinguished the species by their leaf shapes, and named them accordingly. Thus the species with entire leaf margins was given the specific name integrifolia, from the Latin integer, meaning "entire", and folium, meaning "leaf".
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The Greek additions were apparently never part of the Hebrew text. Eight copies of the Book of Daniel, all incomplete, have been found at Qumran, two in Cave 1, five in Cave 4, and one in Cave 6. Between them, they preserve text from eleven of Daniel's twelve chapters, and the twelfth is quoted in the Florilegium (a compilation scroll) 4Q174, showing that the book at Qumran did not lack this conclusion. All eight manuscripts were copied between 125 BCE (4QDanc) and about 50 CE (4QDanb), showing that Daniel was being read at Qumran only about 40 years after its composition.
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B integrifolia from Banks' Florilegium. The first botanical collection of B. integrifolia was made by Sir Joseph Banks and Dr Daniel Solander, naturalists on the Endeavour during Lieutenant (later Captain) James Cook's first voyage to the Pacific Ocean. Cook landed on Australian soil for the first time on 29 April 1770, at a place that he later named Botany Bay in recognition of "the great quantity of plants Mr Banks and Dr Solander found in this place". Over the next seven weeks, Banks and Solander collected thousands of plant specimens, including the first specimens of a new genus that would later be named Banksia in Banks' honour.
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It was dedicated to "young women", presumably those who might follow in Madame Vincent's footsteps. The subjects of the watercolors included common flowers like tulips, pinks, narcissus, hyacinths, carnations, and anemones; the fruits depicted included grapes, cherries, plums, and strawberries. The finely detailed, naturalistic images typically show clusters of flowers and fruits with their leaves against a plain background and may be further particularized by such details as water droplets, a ladybug sitting on a leaf, or butterflies flitting nearby. Although not notable for scientific exactitude, Vincent's paintings continue to be appreciated as masterpieces of delicacy and beauty from the heyday of the florilegium.
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167 (9th century), that the work was originally divided into four books and two volumes, and that surviving manuscripts of the third book consist of two books which have been merged. As each of the four books is sometimes called Anthologion, it is probable that this name originally belonged to the entire work. The full title, according to Photius, was Four Books of Extracts, Sayings and Precepts (Ἐκλογῶν, ἀποφθεγμάτων, ὑποθηκῶν βιβλία τέσσαρα [Eklogon, apophthegmaton, hypothekon biblia tessara]). At some time subsequent to Photius the two volumes were separated, and the two volumes became known to Latin Europe as the Eclogae and the Florilegium respectively.
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Spangle is a historical novel written by Gary Jennings (1928–1999). Published in 1987, it follows a circus troupe known as "Florian's Flourishing Florilegium of Wonders" from the Confederate surrender at Appomattox to Europe, ending in France during the Franco-Prussian War. The book chronicles the rise of the troupe from a small "mud show" with few acts to the glittering toast of Paris, while delving into the evolving personal lives of its performers. The book is also an examination of the social structures of both post-Civil War America and Europe during a period in which the ancient system of monarchy was toppling.
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Finally, in response to homiletic and practical needs, there appeared, previous to the tenth century, a number of collections of moral sentences and paraenetic fragments, partly from Scripture and partly from the more famous ecclesiastical writers; sometimes one writer (e.g. Gregory of Nazianzus, Basil the Great, especially John Chrysostom whom all the catenae- makers pillage freely) furnishes the material. Such collections are not so numerous as the Scriptural or even the dogmatic catenae. They seem all to depend on an ancient Christian "Florilegium" of the sixth century, that treated, in three books, of God, Man, the Virtues and Vices, and was known as τα ιερά (Sacred Things).
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He has also performed as a concerto soloist in Sydney Opera House with the Australian Baroque Orchestra. He works regularly with leading ensembles including Florilegium, the Bach Choir, BBC Singers, BBC Concert Orchestra, English Concert, London Baroque Soloists, Royal Philharmonic Orchestra, Wallace Collection, Endymion Ensemble the Orchestra of the Age of Enlightenment, Britten Sinfonia, the Academy of Ancient Music and Polyphony. He has a particular commitment to contemporary music, and has been involved in premieres of works by composers as diverse as Patrick Gowers, Francis Pott, Judith Bingham, Thomas Hyde and Howard Goodall. He also collaborated with Thomas Adès in a recording for EMI of the composer's Under Hamelin Hill.
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Gethsemane is a chamber-oratorio by the British composer Matthew King. Commissioned for the opening concert of the 1998 Spitalfields Festival, the work was composed for the early music group, Florilegium and is scored for 4 vocalists (soprano, alto, tenor, bass) and a 'Baroque' ensemble consisting of flute solo, 2 oboes, 3 natural trumpets, strings, harpsichord and percussion. The oratorio uses a compilation of Biblical texts to relate the New Testament narrative from Christ's triumphal entry into Jerusalem until his arrest in the Garden of Gethsemane. Each of the four vocalists represents several characters in the story and all four join together to sing collectively as disciples, pharisees and various crowds.
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Liber Scintillarum (literally "The Book of Sparks") is a late seventh or early eighth-century florilegium of biblical and patristic sayings in Latin. It was compiled by Defensor, a monk who in the preface identifies himself as a member of St Martin's Abbey at Ligugé, near Poitiers, and who wrote the work at the behest of his teacher Ursinus, the abbot of St Martin's. Virtually nothing is known of the monk beyond what the preface offers us. The compilation was written sometime between 636, when the important source Isidore of Seville died, and about 750, when the earliest extant manuscript appears to have been produced.
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Fioretti The Little Flowers of St. Francis () is a florilegium (excerpts of his body of work), divided into 53 short chapters, on the life of Saint Francis of Assisi that was composed at the end of the 14th century. The anonymous Italian text, almost certainly by a Tuscan author, is a version of the Latin Actus beati Francisci et sociorum eius, of which the earliest extant manuscript is one of 1390 AD. Luke Wadding ascribes the text to Father Ugolino da Santa Maria, whose name occurs three times in the Actus. Most scholars are now agreed that the author was Ugolino Brunforte (c. 1262 - c. 1348).
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The place has potential to yield information that will contribute to an understanding of the cultural or natural history of New South Wales. The place is of state significance as a place of important technical achievement with the collecting efforts of Banks and Solander who during their visit in 1770 made the first important collection of fauna and flora from Australia. The Banks and Solander collection included many items that had never before been described and classified. The publication of Banks's Florilegium, a full colour edition which included illustrations and descriptions of the entire collection from the voyage in 1770, was the culmination of Banks's and Solander's work.
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Meanwhile she was also employed by the University to continue her work on improving the campus and was the curator of the Muirhead Herbarium. In 2010 Shepherd was employed by the Royal Botanic Gardens, Kew and was positioned in the Shirley Sherwood Gallery of Botanical Art. During this time she freelanced as an illustrator for scientific journals and books whilst developing her own painting techniques and delivered several talks about the Marianne North Gallery. She was elected Fellow of the Linnean Society of London in 2012 and was elected as a member of the Chelsea Physic Garden Florilegium Society in 2013 and a member of the Chelsea Arts Club in 2017.
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When the Ottomans conquered the remains of the Byzantine empire, many Greek scholars brought versions of Planudes' version with them into exile in Italy. The Greeks became teachers to Italian scholars. In 1494 they printed an edition of the Planudean book, the Florilegium Diversorum Epigrammatum, in Florence. Most of what we know of Straton's work comes instead from a manuscript copied around 980 AD, which preserved many of the poems from the earlier Cephalan anthology. This manuscript was discovered in the library of the Counts Palatine in Heidelberg in 1606 or 1607, by a young visiting scholar named Claudius Salmasius, now called the Palatine Anthology.
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A certain "Ferrarino, maestro di grammatica", of the Trogni family of Ferrara, mentioned in 1330, has been identified with the troubadour. This lengthens the poet's life considerably, but there is a reference in a juramentum fidelitatis praestitum anno 1310 a populo ferrariense Clementi pp. V (an oath of fealty of the people of Ferrara to Pope Clement V in 1310) to a Magister Ferrarinus doctor grammatice ("Master Ferrarino, doctor of grammar") and Guicardus (or Guiçardus) filius dicti magistri Ferrarini ("Guizzardo, son of the aforementioned master Ferrarino"). It is generally accepted that this is the same Maistre Ferari de Feirara of the florilegium and this pushes his dates back at least to 1310, making the 1330 reference probable.
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The surviving medieval romance is a lengthier account which agrees with the content of the ballad.Richard Utz, "Medieval Philology and Nationalism: The British and German Editors of Thomas of Erceldoune," Florilegium: Journal of the Canadian Society of Medievalists 23.2 (2006), 27–45. The romance opens in the first person (migrating to the third),-- or, to be more precise: "The narrative begins in the first person, but changes to the third, lapsing once for a moment into the first" but probably is not genuinely Thomas's own work. Murray dated the authorship to "shortly after 1400, or about a hundred years after Thomas's death", but more recent researchers set the date earlier, to the (late) 14th century.
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His anthology is a very valuable collection of extracts from earlier Greek writers, which he collected and arranged, in the order of subjects, as a repertory of valuable and instructive sayings. In most of the manuscripts there is a division into three books, forming two distinct works; the first and second books forming one work under the title Physical and Moral Extracts (also Eclogues; Greek: ), the third book forming another work, called Florilegium or Sermones (or Anthology; ). The extracts were intended by Stobaeus for his son Septimius, and were preceded by a letter briefly explaining the purpose of the work and giving a summary of the contents. It is evident from this summary, preserved in Photius's BibliothecaPhotius, Cod.
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The omission was not rectified till he prepared the second edition in 1994, although the preface reveals Stearn's extensive contribution. His continuing interest in botanical illustration led him to produce work on both historical and contemporary artists, including the Florilegium of Captain Cook and Joseph Banks from their first voyage to the Pacific on the Endeavour, the similar account of Ferdinand Bauer's later botanical expedition to Australia with Matthew Flinders on the Investigator (1801–1803), and the work of illustrator Franz Bauer (the brother of Ferdinand). Stearn's studies of Ferdinand Bauer's Flora Graeca (1806–1840) enabled him to combine his passion for Greece with that of illustration. Other illustrators of this period that he wrote about included William Hooker.
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90v, and the major cereal crops of the day on ff. 94–96. The insects represented are butterflies and moths, dragonflies, grasshoppers, caterpillars, beetles, flies, carpenter bees, crickets, earwigs, bees and beetles. The small animals represented are snakes, lizards, slow worms, frogs, turtles, squirrels, snails, rabbits, monkeys and spiders. The style borrows from the elaborate and realistic borders of natural life developed in the preceding decades by Flemish illuminators, but unlike them Bourdichon generally treats only one species on a page, and often shows roots and bulbs, and labels each page with the plant's name in Latin and French, in the manner of a florilegium or a herbal (a book on medicinal plants).
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When Lt. James Cook beached his ship, , at the mouth of the Endeavour River in 1770, Joseph Banks, Daniel Solander, and Sydney Parkinson made good use of the enforced 7-week stay to make and illustrate an extensive collection of the plants of the area, where they collected the vast majority of plants they brought back to England from Australia. The illustrations were later published as the famous Banks' Florilegium. Since then, Cooktown and the Endeavour River Valley area have become a major attraction to biologists and illustrators of plants and animals. Vera Scarth-Johnson (1912–1999), spent almost thirty years illustrating the flowering plants of the region and then gave her collection to the people of Cooktown.
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He conscripted soldiers—including Bolognese students and merchants of the Guelph party—and levied taxes from all the cities of Tuscany, most notably Siena, to which he temporarily transferred the silver mines of Montieri as partial compensation for his exactions. In Florence, the chief city of Tuscany, internal conflict between the Guelph and Ghibelline parties allowed the emperor to install Frederick as imperial podestà there (February 1246). His appointment was understood by Vita da Cortona, the biographer of Florentine holy woman Umiliana de' Cerchi, as a fulfillment of her prophecy about the coming of a tyrant. A. M. Schuchman, "Politics and Prophecy in the Life of Umiliana dei Cerchi" Florilegium 17 (2000), 101–14.
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Lee details how Alfred incorporated the principles of the Mosaic law into his Code, and how this Code of Alfred became the foundation for the Common Law. In the book's extensive prologue, Alfred summarises the Mosaic and Christian codes. Dr Michael Treschow, UBC Faculty of Creative and Critical Studies, reviewed how Alfred laid the foundation for the Spirit of Mercy in his code,Michael Treschow, The Prologue to Alfred’s Law Code: Instruction in the Spirit of Mercy, Florilegium 13, 1994 pp79-110. stating that the last section of the Prologue not only describes "a tradition of Christian law from which the law code draws but also it grounds secular law upon Scripture, especially upon the principle of mercy".
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Banks had plans to publish his entire collection as "Banks' Florilegium", but for various reasons the project was never completed, and it would be ten years before any of the Banksia species were formally published. By this time, a sixth species had been collected; in 1776, during Cook's third voyage, David Nelson collected specimens of B. marginata (Silver Banksia) from South Bruny Island, Tasmania. The genus Banksia was finally described and named by Carolus Linnaeus the Younger in his April 1782 publication Supplementum Plantarum; hence the full name for the genus is "Banksia L.f.". Linnaeus placed the genus in class Tetrandra, order Monogynia of his father's classification, and named it in honour of Banks.
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Di Laccio continued her education at the Royal College of Music in London, where she gained post graduate diplomas in opera performance and as an early music specialist. Operatic roles include Adina (L'elisir d'amore), Gilda (Rigoletto), Cleopatra (Giulio Cesare), Adele (Die Fledermaus), Despina (Così fan tutte), Zerlina (Don Giovanni), Susanna (The Marriage of Figaro), Semele (Handel), Musetta (La bohème) among others. Baroque opera productions include Platée by Rameau at the Athens Concert Hall in Athens, L'Orfeo by Monteverdi and Dido and Aeneas by Purcell with the English Bach Festival in London. As a performer of the Baroque repertoire she has sung with the Amaryllis Consort, Il Festino, Concerto Instrumentale, Di Profundis, Baroque Orchestra of Mercosur and Baroque ensemble Florilegium.
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When he settled in London, he began work on his Florilegium. He kept in touch with most of the scientists of his time, was elected a foreign member of the Royal Swedish Academy of Sciences in 1773, and added a fresh interest when he was elected to the Dilettante Society in 1774. He was afterwards secretary of this society from 1778 to 1797. On 30 November 1778, he was elected president of the Royal Society, a position he was to hold with great distinction for over 41 years. Banks as painted by Benjamin West in 1773 In March 1779, Banks married Dorothea Hugessen, daughter of W. W. Hugessen, and settled in a large house at 32 Soho Square.
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S. violaceum from Ferdinand Bauer's 1813 Illustrationes Florae Novae Hollandiae. S. turbinatum in cultivation. Discovery and description of new Stylidium species has been occurring since the late 18th century, the first of which was discovered in Botany Bay in 1770 by Joseph Banks and Daniel Solander during their travels in the Pacific with James Cook aboard the Endeavour. Seven species were collected by Banks and Solander, some of which were sketched by Sydney Parkinson on board the Endeavour and were later engraved in preparation for publication in Banks' Florilegium. Later, in the early 19th century, the French botanist Charles François Antoine Morren wrote one of the first descriptions of the triggerplant anatomy, illustrated by many botanical artists including Ferdinand Bauer.
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The Bank also commissioned the publication of "An Irish Florilegium" that year. In 1995, Bank of Ireland merged First New Hampshire Bank with Royal Bank of Scotland's Citizens Financial Group. In 1996, Bank of Ireland bought the Bristol and West building society for €882m, which kept its own brand. In 1999, the bank held merger talks with Alliance & Leicester, but they were called off. In 2000, it was announced that Bank of Ireland was acquiring Chase de Vere. In 2002, Bank of Ireland acquired Iridian, a US investment manager, which doubled the size of its asset management business. In 2005, Bank of Ireland completed the sale of the Bristol and West branch and Direct Savings (Contact Centre) to Britannia Building Society.
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After having worked as a microbiology technician, Johannette Zomer shifted gears in 1990 and studied voice at the Sweelinck Conservatory Amsterdam in Amsterdam with Charles van Tassel, where she received her Performance Diploma in 1997.Johannette Zomer on Bach Cantatas website As a Baroque specialist,Classic Dutch - Johannette Zomer, Radio Netherlands Archives she has worked with Frans Brüggen, Reinhard Goebel, Philippe Herreweghe, René Jacobs, Sigiswald Kuijken, Paul McCreesh and Jos van Veldhoven. She took part in the project of Ton Koopman to record the complete vocal works of Johann Sebastian Bach with the Amsterdam Baroque Orchestra & Choir and is engaged also in the ongoing project Dieterich Buxtehude – Opera Omnia to record the complete works of Dieterich Buxtehude. She has also collaborated with the ensemble Florilegium.
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Pour que les fruits mûrissent cet été was written for the seven musicians of the Florilegium Musicum of Paris (Jean-Claude Malgoire, Jean-Claude Veilhan, Jean-Marie Nicolas, Françoise Bloch, Monique Bouret, Jacques Prat, and Jacques Bidart), each of whom is capable of performing on a number of different instruments. Goeyvaerts chose fourteen instruments for his composition: positive organ, lute, soprano shawm, bombarde (tenor shawm), two crumhorns, hautbois de Poitou, rackett, two recorders, discant fiddle, viola da gamba, baroque violin, and rebec (; ). The year of composition is given variously as 1975 (; ) and 1976 (; ). In 1988, Goeyvaerts made a new version under the Dutch translation of the title, Voor het rijpen van de zomervruchten, for a chamber ensemble of eleven instruments (flute, oboe, clarinet, bassoon, horn, trumpet, trombone, harp, violin, viola, and cello) .
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However, Nighman has argued that, although it was surely used by preachers, Thomas did not actually intend his anthology as a reference tool for sermon composition, as argued by the Rouses, but rather as a learning aid for university students, especially those intending on a clerical career involving pastoral care.Chris L. Nighman, "Commonplaces on preaching among commonplaces for preaching? The topic Predicatio in Thomas of Ireland's Manipulus florum", Medieval Sermon Studies 49 (2005), 37-57. See also, Marc Cels, "Anger in Thomas of Ireland’s Manipulus florum and in Five Texts for Preachers," Florilegium 29 (2012), 147-70; and Chris L. Nighman, "The Manipulus florum, Johannes Nider's Formicarius, and late medieval misogyny in the construction of witches prior to the Malleus maleficarum," Journal of Medieval Latin 24 (2014), 171-84.
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Messingham was honoured by the Holy See, and was raised to the dignity of prothonotary Apostolic, and acted as agent for many of the Irish bishops. As well as seeking materials with a view to an ecclesiastical history of Ireland, Messingham was rector of the Irish College, and organized the course of studies with a view of sending forth capable missionaries to work in their native country. He got the college affiliated formally to the University of Paris, and, in 1626, got the approbation of the Archbishop of Paris for the rules he had drawn up for the government of the Irish seminary. In 1624 he published, in Paris, his famous work on Irish saints, Florilegium Insulæ Sanctorum, containing also a treatise on St. Patrick's Purgatory, in Lough Derg.
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A painting of Cao Pi and two ministers, by the Tang dynasty artist Yan Liben. Beginning with the 3rd- century Huanglan, the first Chinese "encyclopedia" genre was the "imperial florilegium" that compiled excerpts from other writings and arranged them under appropriate headings for the convenience of the emperor and his ministers (Needham et al. 1986: 200). Chinese traditional leishu encyclopedias differ from Western encyclopedias in that they consist almost entirely of selected quotations from written sources and arranged by a set of categories, the name encyclopedia having been applied to them because they embrace the whole realm of knowledge (Teng and Biggerstaff 1971: 81). The emperor summoned a group of Confucian scholars to compile a completely new type of reference work that would provide the emperor and his ministers with a quick source for finding moral and political precedents (Zurndorfer 2013: 505).
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Nicholls has performed with Academy of St Martin in the Fields, the BBC Symphony Orchestra, the Bochum Symphony Orchestra, the Brighton Philharmonic Orchestra, the Britten Sinfonia, the City of Birmingham Symphony Orchestra, the Darmstadt Hofkapelle, Florilegium, the Gdansk Music Festival, the Hanover Band, Huddersfield Choral Society, the London Handel Players, the London Mozart Players, the London Philharmonic Orchestra, the Mikkeli City Orchestra, the Orchestra of St John’s, the Orchestra of the Age of Enlightenment, Le Parlement de Musique, the Philharmonia Orchestra, the Royal Scottish National Orchestra and the Scottish Chamber Orchestra, as well as at the Brighton, Chelsea, Fishguard, London Handel and Three Choirs Festivals. She has appeared in both the Valparaiso University and Carnegie Hall, New York, in Bach's Mass in B minor, performed by the Bach Collegium Japan, conducted by Masaaki Suzuki, commemorating the Fukushima disaster.
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Cook described the countryside as "visibly worse" than at Botany Bay, with dry and sandy soils, woods free of undergrowth, the same sort of numerous "birch" tree (coastal ironbark), mangroves skirting the lagoon and palm trees on low, barren, sandy places. He also noted bustards, black and white ducks, small oysters and other shell fish - mussels, pearl oysters and cockles. Botanist Joseph Banks, who accompanied Cook on his "little excursion in to the woods", noted the great variety of plants even though the plant cover was not thick. He recognised plants already seen in the Tropics, and described many birds on shore including one species of Bustard. Some of the 55 specimens collected in the general area were illustrated and described in Banks' Florilegium, which was printed from copperplates under Banks' direction from Parkinson's unfinished sketches.
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Harris was a student of Haris Kittos at the Royal College of Music, graduating in 2016. She has an interest in Baroque instruments, and in 2013 was a finalist in the National Centre for Early Music's Composer Competition, writing her The Dahomey Amazons Take a Tea Break for Florilegium. She writes of the piece: > I had written a fusion piece, melding a Baroque-style melody with the > Adzogbo rhythm common across many African cultures; the percussive, ‘spitty’ > and unusual sounds ended up being my favourite, as the particularly human, > vocal quality of the recorder and the richer, brighter tone of the Baroque > cello had a cohesiveness that I probably would not have felt had the > ensemble been on modern cello and flute, for example. The piece was a fun > experiment that left me eager to go further.
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From this biography we know that he composed no more than two cansos and one retroensa (or retroncha), yet he was also a composer of sirventes and couplets, but what this contradiction in the vida means is probably that he compiled the best sirventes and extracted couplets from them. From his choice of excerpts for his florilegium can be derived another characteristic of Ferrarino the poet: a preference for moralising and didactic works. If he was, as his vida indicates, already old when he sojourned at the Da Camino court in Treviso, it may be that he composed his short anthology for Gherardo III da Camino (Giraldo or Girardo), in order to instruct his three children: the celebrated Gaia of Dante Alighieri's Divina Commedia, Rizzardo, and Guecellone. That there were didactic Occitan poets in Italy is known: Uc Faidit composed his Donat there and Terramagnino da Pisa his Doctrina.
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Among the texts are the important alchemical works the Rosarium Philosophorum,Joachim Telle: Rosarium philosophorum, Verfasserlexikon, Band 8, 1992, Sp. 172-176 presented with illustrations in the second edition (1550); the Summa Perfectionis of Pseudo- Geber; and the Tabula Smaragdina of Hermes Trismegistus. The Rosarium Philosophorum is itself an alchemical collection, taking the form of a (florilegium), or a collection of citations of earlier alchemical authorities, among them Khalid ibn Yazid, Pseudo-Arnaldus of Villa Nova, Alphidius, and Pseudo-Lull) and which includes verses explaining the preparation of the Philosopher's stone accompanied by allegorical illustrations, which depict, for example, the union of the male and female principles. The collection is preserved in many manuscript copies and comes perhaps from the end of the fourteenth or the beginning of the fifteenth century (some even date it to the sixteenth century).Alchemy Website, Woodcut from the Rosarium; Universitätsbibliothek Glasgow, Illustrationen aus einer Handschrift der Bibliothek von Ferguson; Joachim Telle, ed.
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16; Stobaeus, Florilegium, 13.19 but it is similarly uncertain that the two men ever met. Some scholars, drawing on the discovery of defaced coins from Sinope dating from the period 350–340 BC, believe that Diogenes only moved to Athens after the death of Antisthenes,Long 1996, page 45 and it has been argued that the stories linking Antisthenes to Diogenes were invented by the Stoics in a later period in order to provide a succession linking Socrates to Zeno, via Antisthenes, Diogenes, and Crates.Dudley 1937, pages 2-4 These tales were important to the Stoics for establishing a chain of teaching that ran from Socrates to Zeno.Navia, Diogenes the Cynic, page 100 Others argue that the evidence from the coins is weak, and thus Diogenes could have moved to Athens well before 340 BC.Navia, Diogenes the Cynic, pages 34, 112-3 It is also possible that Diogenes visited Athens and Antisthenes before his exile, and returned to Sinope.
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307-310; and Henry A. Kelly, The Devil at Baptism: Ritual, Theology, and Drama (Ithaca, 1985). Ritual blowing occurs in the liturgies of catechumenate and baptism from a very early period and survives into the modern Roman Catholic, Greek Orthodox, Maronite, and Coptic rites.Alongside Martène and Suntrup (cited above), convenient collections of illustrative material include W. G. Henderson, ed., Manuale et Processionale ad usum insignis Ecclesiae Eboracensis, Surtees Society Publications 63 (Durham, 1875 for 1874), especially Appendix III "Ordines Baptismi" [cited below as York Manual]; Joseph Aloysius Assemanus, Codex liturgicus ecclesiae universae, I: De Catechumenis and II: De Baptismo (Rome, 1749; reprinted Paris and Leipzig, 1902); J. M. Neale, ed., The Ancient Liturgies of the Gallican Church...together with Parallel Passages from the Roman, Ambrosian, and Mozarabic Rites (London, 1855; rpt. New York, 1970); Enzo Lodi, Enchiridion euchologicum fontium liturgicorum (Rome, 1978); Johannes Quaesten, ed., Monumenta eucharistica et liturgica vetustissima, Florilegium Patristicum tam veteris quam medii aevi auctores complectens, ed.
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Blaze has performed with conductors including Harry Christophers, Stephen Cleobury, John Eliot Gardiner, Philippe Herreweghe, Richard Hickox, David Hill, Christopher Hogwood, René Jacobs, Robert King, Ton Koopman, Nicholas Kraemer, Gustav Leonhardt, Paul McCreesh, Nicholas McGegan, Trevor Pinnock, and Masaaki Suzuki. He has appeared with ensembles including the Academy of Ancient Music, Akademie für Alte Musik Berlin, Amsterdam Baroque Orchestra & Choir, Bach Collegium Japan, Berlin Philharmonic Orchestra, BBC Philharmonic, La Chapelle Royale, City of London Sinfonia, Collegium Musicum 90, Collegium Vocale, The English Concert, Fretwork, Gabrieli Consort, Hallé Orchestra, Hanover Band, Israel Chamber Orchestra, King's Consort, Manchester Camerata, National Symphony Orchestra, Netherlands Radio Philharmonic, Northern Sinfonia, Orchestra of the Age of Enlightenment, Florilegium, Palladian Ensemble, The Parley of Instruments, Philadelphia Orchestra, Royal Flanders Philharmonic, Royal Liverpool Philharmonic Orchestra, RIAS Kammerchor, Saint Paul Chamber Orchestra, Scottish Chamber Orchestra, The Sixteen, Tafelmusik Baroque Orchestra and Chamber Choir, and Winchester Cathedral Choir. In November 2017 he performed at Tilford Bach Festival under Adrian Butterfield. Blaze works regularly with pianist Graham Johnson and lutenist Elizabeth Kenny.
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Thomas was the author of three short works on theology and biblical exegesis, and the compiler of the Manipulus florum ('A Handful of Flowers'). The latter, a Latin florilegium, has been described as a "collection of some 6,000 extracts from patristic and a few classical authors".Richard Rouse and Mary Rouse, "Preachers, florilegia and sermons: Studies on the Manipulus Florum of Thomas of Ireland", Toronto, 1979. Thomas compiled this collection from books in the library of the Sorbonne, "and at his death he bequeathed his books and sixteen pounds Parisian to the college".A New History of Ireland, volume one, p. 958. On Thomas' reception of Sorbonne manuscripts for excerpts from Peter of Blois, see Chris L. Nighman, "Editorial agency in the Manipulus florum: Thomas of Ireland’s reception of two works by Peter of Blois," in From Learning to Love: Schools, Law, and Pastoral Care in the Middle Ages – Essays in Honour of Joseph W. Goering, T. Sharp et al. (eds.), Papers in Mediaeval Studies 29, Toronto: PIMS Publications (2017), 224-48. The Manipulus florum survives in over one hundred ninety manuscripts, and was first printed in 1483.
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