"His gruffness brings out her, sort of, flirtatiousness," says Graham.
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If your flirtatiousness makes your partner jealous, that requires another conversation.
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The ease and flirtatiousness of the clothes is part of the draw.
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Ms. Yende sang beautifully from the start, gaining warmth and depth as nonchalance and flirtatiousness developed into love.
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Don't worry, though—what you lack in decisiveness, you make up with the charm and flirtatiousness of any good Air-sign.
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Sweet, swirling, and serene from the first note, the vocal-heavy track contains all the flirtatiousness of locking eyes with someone from across the dancefloor.
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But you may not even recognize Dormer, who exchanged Margaery's infamously low-cut gowns and flirtatiousness for a buttoned-up turtleneck and severity to be reckoned with.
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And he was at his best in the crucial third act, when Rodolfo confesses to his friend Marcello that it's not Mimì's supposed flirtatiousness but her terrifying illness that he's fleeing.
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An older Cary Grant indulges in some romantic intrigue with Audrey Hepburn in "Charade" (19513), a sort of Hitchcock homage directed by Stanley Donen with more emphasis on bubbly flirtatiousness than espionage.
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Joshua Wynter brings an ease to both Marley and the merry Mr. Fezziwig, Scrooge's long-ago boss, while Nathan Richard Wagner gives a gentleness to Bob Cratchit and a teasing flirtatiousness to Mrs. Fezziwig.
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Mr. Bizic had excellent moments trying to stem Rodolfo's despondency over Mimi, whether because of her supposed flirtatiousness or her illness, while coping with his own frustrations at the hands of the genuinely flirtatious Musetta.
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His phenomenal 1952 portrait of a girlish, hip, centered Billie Holiday is unusual in that she is facing the camera, relating to DeCarava with what looks like a mixture of curiosity, flirtatiousness, and defiance: "This is me," she seems to say.
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Chris Carter was reviving a television tradition of science-fiction-inflected horror (or horror-inflected science fiction) that ran from "The Twilight Zone" to "Night Gallery" to "Kolchak: The Night Stalker," but his and his writers' great contribution was the addition of flirtatiousness and genuine adult emotion to the mix.
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I don't want to call hers a definitive performance, because that would imply that her Mary is a kind of fly in amber—which is the last thing you think as you watch her jump from flirtatiousness to maternal concern, from junkie selfishness to contempt for male self-regard, from deviousness to the sting of loss.
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They beamed energy and care at everyone: at Jean-Louis, who's 76 and straight, with an irreverent and disarming flirtatiousness; and at a Native couple struggling to change their two small children out of wet clothes, by handing them extra mittens and a hundred-dollar bill, and promising to find them space in a room for the night, which Hey straightaway dropped everything to fulfill.
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His pursuit of her is hampered by her own flirtatiousness, which is frowned upon by the other expatriates when they meet in Switzerland and Italy.
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If not interpreted as "flirtatiousness", Carter could be "truly touched at being let into the 'inner circle' of [O'Neill's] life, and finally being 'one of the guys'".
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Contrary to her outward flirtatiousness, she's an aikido master and Yuri enthusiast. She has a broad outlook and is good at reading the atmosphere. ; : :The student council's clerk. She's brilliant and keeps her calm no matter what the situation is, except for her infatuation with Sasami.
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Attitude appears responsible for the effect of sociosexuality on mate preferences, assortative mating, and romantic partner's flirtatiousness outside the relationship.Penke, L. (2011). Revised Sociosexual Orientation Inventory. In T. D. Fisher, C. M. Davis, W. L. Yarber & S. L. Davis (Eds.): Handbook of sexuality-related measures (3rd Ed.) (pp. 622-625).
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Both are expensively dressed, show signs of lives of luxury and flirtatiousness and show a lack of spiritual depth.Bisson, pp. 91–95. The Prioress's Tale is an account of Jews murdering a deeply pious and innocent Christian boy, a blood libel against Jews that became a part of English literary tradition.Rubin, 106–07.
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The fashion is thought to have originated as a way of disguising pox scars and other blemishes, but gradually developed coded meanings. A patch near the mouth signified flirtatiousness; one on the right cheek denoted marriage; one on the left cheek announced engagement; one at the corner of the eye signified a mistress.
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The series received GLAAD Media Awards nominations in 2007 and 2008. Her character was depicted as a trainer whose uninhibited flirtatiousness often got her into trouble when working at a gym/spa in Beverly Hills, California. In the 2007 season 2 she was depicted as having a relationship with Jackie Warner, a fellow-trainer and owner of the spa.
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During these years, they branched out to America and Europe and found modest success. They performed with drummer Ginger Baker's band Salt at the 1972 Munich Olympic Games in Munich at the World Music Festival. The New York Times reported that the sisters were "smiling free spirits" who mixed "sisterly banter and flirtatiousness" in their performances which featured positive messages such as the benefit of returning home.
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Karin later dines with Maria, saying that Anna was devoted to Agnes and probably deserves a memento. She also reveals her resentment of Anna's familiarity with her and Maria, her suicidal tendencies, and her hatred of Maria's flirtatiousness and shallow smiles. The sisters reconcile after the argument, touching each other. In a dream sequence, Agnes briefly returns to life and asks Karin and then Maria to approach her.
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He too is in love with her primarily because of the wonderful letters she sends him daily. Unbeknownst to him, the letters are actually written by the real Valentine. He has a difficult time reconciling the "Valentine" of the letters with the gaiety and flirtatiousness of Sylvia, the woman he believes to be Valentine. She does not behave at all like a well- bred orphan recently bereft of her uncle.
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He served as Navy League of the United States ambassador in 2011, and was also president of the San Diego-Alcalá de Henares Sister City Society, and led a few tourist trips to Alcalá de Henares. Bourbon was known for his flirtatiousness. While living in La Jolla, he became involved with the socialite Magda Gabor, the eldest of the three Gabor sisters. Advised by her sisters, Gabor turned down his marriage proposal.
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In 1664, she became the first woman to perform the title role in Jonson's Epicoene. She also occasionally spoke prologues and epilogues, and often danced and sang in or between acts. Knepp's husband was reputedly "ill-natured" and treated her badly. Samuel Pepys was fascinated by Knepp, and his diary for 1666—68 is full of references to her, including mentions of amorous encounters, and descriptions of how much he enjoyed her flirtatiousness and especially her singing.
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By the time Lord Carlisle died in 1911, Lady Carlisle's autocracy had estranged her from most of her children and friends. She strongly disapproved of her daughters' flirtatiousness and bitterly argued with her eldest son Charles, a Tory politician. For several years, Lady Carlisle refused to speak to her daughter Dorothy due to her marriage to the brewer Francis Henley (afterwards Baron Henley). Lady Henley later claimed that her mother was privately a tyrant, despite appearing at her best in public.
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On a Mission is an album structured in the electronic dance music genre, incorporating its subgenres, including dubstep, UK garage, UK funky, house, rave, and drum and bass. The album also takes subtle influences of Contemporary R&B; and 90s dance music. The album most notably showcases Katy B's warm, natural vocals with a feel of hostility and flirtatiousness emanating through the songs. The music on the album has been compared to notable acts in the United Kingdom like the Sugababes in the early stages of their careers, Basement Jaxx, Kathy Diamond, and Lily Allen.
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In order to make Cooper appear left-handed like Gehrig, the film was reversed. Outside the realm of baseball, Flaherty was usually cast in blunt, muscle-bound roles, notably Fredric March's taciturn male nurse "Cuddles" in A Star is Born (1937). One of Flaherty's most unusual roles was in Wheeler & Woolsey's Off Again, On Again (1937), in which his character finds his wife (played by actress Patricia Wilder) in a compromising position with Bert Wheeler; he does not pummel the hapless Wheeler as expected, but instead meekly apologizes for his wife's flirtatiousness.
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Although Cooper tried to respect Stargate SG-1's reputation as a sex-free family show, he was aware that the character's flirtatiousness might cause a strong audience reaction. Robert. C. Cooper suggested Australian actress Claudia Black for the role of Vala and contacted her agent two days before the filming of "Prometheus Unbound" began. The Stargate producers had approached Black several times before, but she had always been busy with other projects. At "Prometheus Unbound"'s casting stage, the actress had just finished dialogue looping sessions for Farscape: The Peacekeeper Wars in Australia.
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Author Chris Barsanti writes: "It's the film's canny flirtatiousness that makes it such ingenious entertainment. Grant and Hepburn play off each other like the pros that they are". The film, well received by the critics, is often called "the best Hitchcock film Hitchcock never made". In 1964, Grant changed from his typically suave, distinguished screen persona to play a grizzled beachcomber Walter Eckland who is hired by a Commander (Trevor Howard) to serve as a lookout on Matalava Island for invading Japanese planes in the World War II romantic comedy, Father Goose.
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Mammy was lovable to both blacks and whites, matronly, but hearkening to European peasant woman sensibilities. Her main role was to be the devoted mother figure in scenarios about the perfect plantation family.. Minstrel show performers Rollin Howard (in wench costume) and George Griffin, c. 1855 The wench, yaller gal or prima donna was a mulatto who combined the light skin and facial features of a white woman with the perceived sexual promiscuity and exoticism of a black woman. Her beauty and flirtatiousness made her a common target for male characters, although she usually proved capricious and elusive.
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The best-selling novel presents Whitman's story as a morality tale against flirtatiousness, but also depicts Eliza as a sympathetic, complex character, extending the novel's purpose beyond that of simply a sermon against immorality. Foster's second novel, The Boarding School; or, Lessons of a Preceptress to Her Pupils, an exploration of the topic of women's education, was far less commercially successful than The Coquette. Taking place in a female academy, the novel consists of the headmistress's reflections on morality and the students's letters to each other regarding their education. Through the novel, Foster advocated for women's education.
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Although the appearance typically associated now with flappers (straight waists, short hair and a hemline above the knee) did not fully emerge until about 1926,. there was an early association in the public mind between unconventional appearance, outrageous behavior, and the word "flapper". A report in The Times of a 1915 Christmas entertainment for troops stationed in France described a soldier in drag burlesquing feminine flirtatiousness while wearing "short skirts, a hat of Parisian type and flapper-like hair". Despite the scandal flappers generated, their look became fashionable in a toned-down form among respectable older women.
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The Mountaintop is full of symbols that a multitude of readers skip over thinking they are "extra details" included in the play. These symbols help further develop the themes throughout the play, as well as give a hidden meaning to some of the most simplistic things. Katori Hall explains that she has created the image of Martin Luther King Jr. with "warts and all". This can be seen in her description of his "smelly feet", socks with holes in them, a sense of being vain as he debated whether he should shave his mustache or not, and his flirtatiousness and infidelities with other women despite being married.
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Jane Sterling (née Siegel) (Peyton List) begins as a secretary at Sterling Cooper; she is assigned to Don in Season 2 and her flirtatiousness leads to her quickly becomes a magnet for her male colleagues. As she confides to Roger in the Season 2 episode "The Gold Violin", she has previously shopped at Klein's and, to Roger's amusement, lived on Jane Street. Jane clashes frequently with Joan and is fired by her due to leading a group of employees to sneak into Bert Cooper's office to look at his new painting, then lying about it to Joan. Crying, she then successfully manipulates Roger into intervening on her behalf.
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The grisette became a frequent character in French fiction but have been mentioned as early as in 1730 by Jonathan Swift. The term, compare The grisette in poetry, signifies qualities of both flirtatiousness and intellectual aspiration, George du Maurier based large parts of Trilby on his experiences as a student in Parisian bohemia during the 1850s. Poe's 1842 story was based on the unsolved murder of Mary Cecilia Rogers near New York City, subtitled "A Sequel to 'The Murders in the Rue Morgue'", it was the first detective story to attempt the solution of a real crime.Edgar Allan Poe, Tales of Mystery and Imagination, (Introduction and notes by John S. Wiley), Wordsworth Editions, 1993, p. 90.
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In this case, the artist intervened the façade and interior of the Centro Contemporáneo Wilfredo Lam in Havana, Cuba with hundredths of EPS foam sculptures combined with a sound component. This work "takes on limitless resonances in the Cuban context," writes art critic and curator Clara Astiasarán, "for it emerges as/appears in a tacitly harmless form, but its effects provoke suspicious thought and/or action in the face of the unknown." She describes the work as a series of protuberances that arise out of the pink-painted wall, "taking capricious but essentially ovoid forms, whose 'aestheticity' and their flirtatiousness toward feminine and/or maternal signs, conceal the violence of their invasiveness." Astiasarán goes on to describe the sound as discreet, yet insistent and unsettling.
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Yorick and the Grisette by Gilbert Stuart Newton, illustration from Sterne's A Sentimental Journey Through France and Italy In 1730, Jonathan Swift was already using "grisette" in English to signify qualities of both flirtatiousness and intellectual aspiration. (See The grisette in poetry below.) The grisette also makes an appearance in Lawrence Sterne's 1768 novel A Sentimental Journey Through France and Italy. In Chapter II of the novel, the Reverend Mr. Yorick (the narrator and Sterne's alter ego) recounts his obsessions with Parisian grisettes, and especially with a particularly beautiful one who worked in a Paris glove shop: > The beautiful grisette looked sometimes at the gloves, then sideways to the > window, then at the gloves, and then at me. I was not disposed to break > silence.
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Always trying to flirt with any of DEAVA's female residents at any chance he gets, Pierre hides the pain of a lost love from the past, whom he abandons in order to join the fight against the Shadow Angels. Despite his teasing and flirtatiousness, Pierre can be very passionate with himself and others and is among the most clear-sighted Elements, able to see attractions and fears in more conflicted individuals, such as Silvia and Apollo. His elemental power is a "Fire Kick" attack that is a perfect combination of his passion for soccer and his burning spirit. Pierre was the first to become addicted to Aquarion's merging process, and became unable to pilot a Vector when it soon got so bad, his mind almost shut down on him causing him near death.
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The dedication to Monsieur de Gericke Conseille de Legation appears in the left margin on p. 38 in Howard's reconstruction of the work. The selection and juxtaposition of themes from Figaro and Don Giovanni may have had special significance for Liszt. Leslie Howard describes it as follows: > Bearing in mind George Bernard Shaw's perceptive observations upon Liszt's > musical interpretation of the morality of the Don in the Don Giovanni > Fantasy, it might be similarly if cautiously suggested that the combination > and disposition of the themes in the minuet scene in the present work also > adumbrate a moral fable: that the flirtatiousness of Cherubino which may > seem harmless enough at the beginning could be leading to the unforgivable > behaviour of a Don Giovanni, unless good common sense (See Figaro: "Non più > andrai...") hinders him from doing so.
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Zelma Hedin was enrolled in the Dramatens elevskola in 1840, made her debut at the Royal Dramatic Theatre 8 December 1842, and was contracted as an actress there between 1845 and 1868 (from 1852 as a premier actress). Zelma Hedin made a success in the French salon comedies, a very popular and fashionable genre of the time, in which she was seen as the successor of Emilie Högquist, and she gradually replaced Charlotta Almlöf in coquette roles. According to a critic, while Charlotta Almlöf had always been shallow and superficial in seduction scenes, for Hedin "...flirtatiousness seemed to me to be a profession". She was famed for the elegance of her costume which was called "truly Parisian", was said to have "a grande and beautiful figure", and critics claimed that she attracted attention more for her appearance than for her ability and characterized her popular romantic roles as a "hallow declamation".
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" On Metacritic the film has score of 59 out of 100, based on 30 critics, indicating "mixed or average reviews". A.O. Scott of The New York Times called the film "the type of modern Hollywood production that aspires to nothing more than the competent dispensing of mild amusement and easy emotion. The writer and director, Marc Lawrence ... shows some imagination as he parodies the music-video styles of various eras, and he contrives a bit of novelty in making the movie's central couple creative partners as well as potential lovers ... Mr. Grant is at his best when he allows a hard glint of caddish narcissism to peek through his easy flirtatiousness, something he did in About a Boy and American Dreamz. There is not quite enough of that here, nor enough of the anarchic loopiness that Ms. Barrymore brought to roles opposite Adam Sandler in The Wedding Singer and 50 First Dates.
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Armand seized this opportunity to outline his theses supporting revolutionary sexualism and "camaraderie amoureuse" that differed from the traditional views of the partisans of free love in several respects. Later Armand submitted that from an individualist perspective nothing was reprehensible about making "love", even if one did not have very strong feelings for one's partner. "The camaraderie amoureuse thesis", he explained, "entails a free contract of association (that may be annulled without notice, following prior agreement) reached between anarchist individualists of different genders, adhering to the necessary standards of sexual hygiene, with a view toward protecting the other parties to the contract from certain risks of the amorous experience, such as rejection, rupture, exclusivism, possessiveness, unicity, coquetry, whims, indifference, flirtatiousness, disregard for others, and prostitution." He also published Le Combat contre la jalousie et le sexualisme révolutionnaire (1926), followed over the years by Ce que nous entendons par liberté de l'amour (1928), La Camaraderie amoureuse ou “chiennerie sexuelle” (1930), and, finally, La Révolution sexuelle et la camaraderie amoureuse (1934), a book of nearly 350 pages comprising most of his writings on sexuality.
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"The camaraderie amoureuse thesis", he explained, "entails a free contract of association (that may be annulled without notice, following prior agreement) reached between anarchist individualists of different genders, adhering to the necessary standards of sexual hygiene, with a view toward protecting the other parties to the contract from certain risks of the amorous experience, such as rejection, rupture, exclusivism, possessiveness, unicity, coquetry, whims, indifference, flirtatiousness, disregard for others, and prostitution." He also published Le Combat contre la jalousie et le sexualisme révolutionnaire (1926), followed over the years by Ce que nous entendons par liberté de l'amour (1928), La Camaraderie amoureuse ou "chiennerie sexuelle" (1930), and, finally, La Révolution sexuelle et la camaraderie amoureuse (1934), a book of nearly 350 pages comprising most of his writings on sexuality. In a text from 1937, he mentioned among the individualist objectives the practice of forming voluntary associations for purely sexual purposes of heterosexual, homosexual, or bisexual nature or of a combination thereof. He also supported the right of individuals to change sex and stated his willingness to rehabilitate forbidden pleasures, non-conformist caresses (he was personally inclined toward voyeurism), as well as sodomy.
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