Critics have commented on the disturbing coquettishness of the video, but it, too, was a hit.
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If you can't count on Nina Ricci for coquettishness à la française, what's left in this world?
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It also demands a lot of temperament: chivalry in the male arias and a lot of coquettishness from the women.
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Watch Norma watching herself onscreen in a state of mimetic rapture, or seesawing violently between little girl coquettishness and iron imperiousness with her captive lover.
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Backstage Beauty Report The beauty look at Oscar de la Renta's fall/winter 2016 show today was evocative of Edwardian beauties — with a touch of coquettishness.
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All of the celebs mentioned above tout a brand of personal style that, generally speaking, tends to downplay coquettishness in favor of less traditional feminine aesthetics.
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She has studied videos, taking on the plumminess of Diana's accent, the coquettishness of her walk, the tilt of her head, but it can only go so far.
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With her cherubic curls and bashful coquettishness (so wonderfully exhibited in 2001's Riding in Cars with Boys), our long, deep, burning desire to be her best friend was lit.
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She is both warm and indifferent simultaneously, the definition of millennial coquettishness: "This record is a reflection of the fact that yes, I don't give a fuck, but right now is not a time to not give a fuck about people," she says.
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For example, at Lanvin, Bouchra Jarrar married the clean lines and luxurious minimalism of her aesthetic (which is still nascent, given the slow development of her own brand over half a decade of haute couture-focused clothes) with the disco-tinged coquettishness left behind by Alber Elbaz.
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Richard witnesses a demonstration against a tax collector in Annapolis as a result of the Stamp Act 1765 and grieves his grandfather by his adoption of revolutionary political views. Volume Two Mr Allen, Richard's new tutor, tricks him into deceiving his ailing grandfather. Richard is tormented by the coquettishness of Dorothy. At Richard's eighteenth birthday party, he learns that she is to go to England.
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When Don Walker was asked how the band decided which songs to work on next, he replied, "Psychological manipulation, sullen looks, petulance, tantrums, insane rages both faked and real, sexual coquettishness and pathological violence. Sometimes the last two together." Over a hundred songs were considered for the album over a 3-month rehearsal period, all recorded as demos at the Sydney Opera House. Barnes and Prestwich had both stockpiled songs.
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Mahōtsukai Chappy (1972) and Majokko Megu-chan (1974–1975) popularized the term "majokko" (little witch or witch girl) as a name for the genre. Megu-chan has been noted for its portrayal of multiple magical girls and the friendship between girls. Due to the women's lib movement in Japan, magical girls began displaying a "certain coquettishness" in the 1970s. In the 1980s, Magical Princess Minky Momo (1982) and Creamy Mami, the Magic Angel (1983–1984) showed girls transforming into a "grown-up image of themselves".
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He and his brother Jan Verhas were known for their paintings of small family scenes depicting the joyous hubbub of girls and boys with their perfect transparent and pearly skins and controlled facial expressions. Other Belgian artists who were also followers of Alfred Stevens included Gustave Léonard de Jonghe and Charles Baugniet. Like Frans Verhas they evoked the vision of women adorned and painted in a manner that accentuates their coquettishness and seductiveness, like adulated idols.Camille Lemonnier, L'école belge de peinture 1830–1905, G. Van Oest & C, 1906, pp.
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" For Rob Sheffield of Rolling Stone, "the conceptual centerpiece [of the record] is the deceptively giddy 'Private Show,' which isn't quite the stripper-in-a-stupor lapdance goof it pretends to be." Andy Gill of The Independent praised the varied usage of her voice on the track, "where the excess sass suggests an attempt to occupy Katy Perry territory." Alex Macpherson of The Guardian commented positively about her vocals, writing that "the zany 'Private Show' is a showcase for Spears to explore first helium- textured cartoon coquettishness, which seems a touch inspired by young Cyndi Lauper, and then an oddly snappy chirrup about working the pole. It's refreshing to hear Spears having fun on record – Private Show contains more goofy character than Spears's past three albums combined – as well as making a song in which her slinkiness is played for laughs rather than sexiness." Maeve McDermott of USA Today picked it as one of the essential tracks on the album, calling it "one of Glory's most explicitly sexy tracks that, to Spears’ credit, could’ve gone terribly wrong.
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