64 Sentences With "fictionalize" | Random Sentence Generator

In the contract, they have the right to fictionalize your story.

In the contract they have the right to fictionalize your story.

Like if you're going to fictionalize part of F1 go all the way!

It is difficult to neatly fictionalize that kind of physical and psychological violence.

I mean, to use people's lives... what I've tried to do is shift and fictionalize everything.

At first they'd seem to be jokes about photography and its capacity to fictionalize and mislead.

Episode by episode, the show would document (and fictionalize) the downfalls of men in power in Hollywood.

But it wasn't until she sat opposite Abramovic in MoMA that she realized she couldn't fictionalize her.

One thing I've struggled with is writing about people I'm close to, even if I abstract them and fictionalize them.

"We don't have to sort of wonder and fictionalize it," Celine McNicholas, director of labor law and policy at EPI, told me.

Second, the paddock is ultimately such a small world, with 11 well-known teams and their characters, that it is difficult to fictionalize.

If you're gonna fictionalize, you may as well make it all men who screw up and all women who do wonderful work, right?

Some of the dialogue in that book was worthy of Lee Child; Wolff also has a tendency to fictionalize events he heard about but didn't see.

Law & Order SVU has a tendency to fictionalize real-life events, and the current stream of sexual harassment and assault allegations against powerful men is no different.

In Honey Boy, director Alma Har'el and writer/star Shia LaBeouf fictionalize LaBeouf's life as a child star (and he plays a character based on his father).

I worried about all the things I had no control over — that my character would look stupid, that the filmmakers were going to fictionalize the book too much.

I would never fictionalize what I was writing, but in this case, I felt it was OK to say what the bomber was thinking in very general terms.

What I mean is that to fictionalize something is not to add some weird elements to a story, but rather it's just a normal product of remembering something.

And where self-obsessed Instagrammers rely on the retouching apps to buff, clean and fictionalize themselves, Ms. Sherman is paradoxically using her feed to let her many masks fall.

I think I'm interested in how you build up a fiction, how you fictionalize events, and my belief is that you don't need to add anything strange or special to it.

"Amelia was able to fictionalize my grandmother and the world and make it different enough and far enough way to make a more interesting short film rather than just a biography," Jacobs said.

Fifteen years later, when he came to fictionalize his school days in the novel "Beneath the Wheel," the main character goes to just such a school and lives in a dormitory called Hellas.

This trailer makes the film look truly scary, but without seeing the full movie, I'm left very uncertain about whether it handles the subject matter in an appropriate way... or if there even is an appropriate way to fictionalize this at all.

I personally left the theater feeling that to simply swap one for the other is to fictionalize a society in which the personal is not political, and in which all the parts of queerness that go beyond the technicalities of who you fuck, somehow no longer matter.

It is clear from the episodes and set pieces that she has read a lot of background material, absorbed what she has read, and selected both major and minor incidents to fictionalize, usually by adding an array of diverse and wildly interesting characters — bit players, to use Hollywood parlance — that achieve star status.

These ideologies exploit phenomenalism and theoreticism respectively, allowing neocolonialists to factualize literature and ultranationalists to fictionalize history.

These ideologies exploit phenomenalism and theoreticism respectively, allowing neocolonialists to factualize literature and Japanese ultranationalists to fictionalize history.

The Disinherited is a proletarian novel written by Jack Conroy. It was published in 1933. Conroy wrote it initially as nonfiction, but editors insisted he fictionalize the story for better audience reception. The novel explores the 1920s and 30s worker experience through the eyes of Larry Donovan.

The estate became embroiled in legal action lasting more than 100 years after his will was challenged by his son and eventually set aside. Bellingham is immortalized in Nathaniel Hawthorne's The Scarlet Letter and Henry Wadsworth Longfellow's The New England Tragedies, both of which fictionalize events from colonial days.

He died of cancer just as his own work was again in print. Vinea had by then been married four times, and had had numerous affairs; his third wife, actress-novelist Henriette Yvonne Stahl, was still redacting his unpublished novels. These fictionalize episodes of his own life in the manner of decadent literature, establishing Vinea's posthumous recognition as an original raconteur.

Red Jihad: Battle for South Asia is an political/military thriller by Sami Ahmad Khan. It was published by Rupa & Co. in June 2012. Red Jihad was hailed as one of the first novels to fictionalize the Maoist-Mujahideen nexus in the Indian Red Corridor and for dramatizing the links between religious fundamentalism and political terrorism in India. Red Jihad was Khan's debut.

Following is the list of the Looney Tunes animated short subjects proposed by either Warner Bros. Cartoon studio in the 1930s-1960s or Warner Bros. Animation in the 2000s. In 1945, Bob Clampett planned to direct a Looney Tunes cartoon that would fictionalize the life of Franklin D. Roosevelt as a dog, but when Roosevelt died, the project was abandoned. bcdb.

In 1952, Ed Wood is struggling to enter the film industry. Upon hearing of an announcement in Variety magazine that producer George Weiss is trying to purchase Christine Jorgensen's life story, Wood wants to meet Weiss. Weiss explains that Varietys announcement was a news leak, and it is impossible to purchase Jorgensen's rights. The producer decides to fictionalize the film, titled I Changed My Sex!.

Shadow of the Blair Witch follows "the real James Patterson"'s defense team as the case prepares for trial and as the public reacts to plans to fictionalize the case's events for the big screen. Protests of the film Book of Shadows: Blair Witch 2 are discussed coming from both the families of those involved with the case and from the Wiccan community as a whole.

It took Sikka approximately 8 years to fictionalize the story and arrange it into a cohesive narrative. He fictionalized the name of the main character in order to keep her anonymous. During a recent interview, he has said that the real woman behind the character has since died. As a tribute to her, Sikka formally launched the book aboard Vikrant, which was docked at Naval dockyard in Mumbai.

After the Opara trilogy, Ms. Uhnak branched out into longer, more ambitious police novels such as Law and Order, which became a TV-movie starring Darren McGavin; The Investigation, which was adapted into a TV-movie featuring Telly Savalas as Kojak; and Victims, which seemed to fictionalize the Kitty Genovese murder. Several of her later novels were bestsellers. Uhnak died in Greenport, New York, reportedly of a deliberate drug overdose.

Meyers, 77 The true event, labeled "The Kentucky Tragedy", was fictionalized in many other works, including Conrad and Eudora (1834) by Thomas Holley Chivers, Beauchampe (1842) by William Gilmore Simms, and World Enough and Time (1950) by Robert Penn Warren. Poe would later fictionalize another murder story that became a national headline in his short story "The Mystery of Marie Rogêt".Nelson, Randy F. The Almanac of American Letters. Los Altos, California: William Kaufmann, Inc.

In 2005 Ruffato started – with the novel Mamma, Son Tanto Felice – a series called "Temporary Hell", made up of five volumes. The series continued withO Mundo Inimigo, published a year later. And, later on, Vista Parcial da Noite (2006), O Livro das Impossibilidades (2008) and Domingos sem Deus (2011). Ruffato's project was fictionalize the story of the Brazilian working class, from the beginning of the twentieth century to the beginning of the twenty-first century.

Citizen Kane (1941, RKO, 119 minutes) Orson Welles directed, starred and produced this film that appeared to fictionalize certain events and people in the career of William Randolph Hearst, a powerful newspaper magnate and publisher. However, Welles maintained that his film depicted the career of Col. Robert R. McCormick, who published the Chicago Tribune. 1950s Ace in the Hole (1951, Paramount, 112 minutes) This film touches on the ethical aspects of journalism.

In 2006, The 9/11 Commission Report, a straight to DVD movie, was released by The Asylum. It is based on the findings of the original 9/11 Commission Reports, although it does fictionalize some elements. The report inspired a controversial television miniseries, The Path to 9/11. Dramatizing many specific scenes in the report, it is a synthesis of multiple (and in some cases partisan) sources in addition to the report itself.

Ottaviani grew interested in the time period after reading a book about the Bone Wars. Finding Cope and Marsh unlikeable and the historical account dry, he decided to fictionalize events to service a better story. Ottaviani placed the artist Charles R. Knight into the story as a relatable character for audiences. The novel was the first work of historical fiction Ottaviani had written; previously he had taken no creative license with the characters depicted.

In October 2014 word spread on social media that Duncan Sheik and Steven Sater, who had previously worked together on the Tony Award-winning and commercially successful rock musical adaptation Spring Awakening, were in talks with Karam and Paparelli to adapt columbinus into a rock musical. As of February 2015 the only detail which has been released is the possibility that due to the subject matter's sensitive nature Sheik and Sater may instead fictionalize the two leads.

Carol Bergé (1928–2006) was an American poet, highly active in the literary, performing and visual arts renaissance of the 1960s and 1970s in New York City. In the 1980s a scandal in academia and her choice to fictionalize it cost her teaching jobs as well as support from the publishing industry. From there she championed antiquing as a profession, taking an extended sabbatical from writing until the last few years of her life, when she completed two books, both published posthumously.

It became a hugely popular after being set to music. His later works also contribute to the nationalist cult, or fictionalize his erotic life. The nationalist investment in Stephen was by then resisted by other writers, in particular George Panu, Ioan Bogdan, and other Junimea members, who favored a critique of Romantic nationalism. In Panu's works, Stephen appears as merely a "Polish vassal"; the one-time Junimist A. D. Xenopol also chided the voivode for his loss of Chilia and his supposed betrayal of Wallachia.

Todd Haynes and his producer, Christine Vachon, approached Dylan's manager, Jeff Rosen, to obtain permission to use Dylan's music and to fictionalize elements of Dylan's life. Rosen suggested that Haynes should send a one-page synopsis of his film for submission to Dylan. Rosen advised Haynes not to use the word "genius" or "voice of a generation". The page Haynes submitted began with a quote from Arthur Rimbaud: "I is someone else", and then continued: Dylan gave Haynes permission to proceed with his project.

As a result, T-shirts, watches, and other souvenirs were made featuring a photo of Frasier, which quickly became popular merchandise. In 1973, Lion Country tried to capitalize on their star with a feature film called Frasier the Sensuous Lion. The film featured a song, by the same title, performed by Sarah Vaughan. However, the film was a major flop, financially and critically, being roundly panned for using a different lion in Frasier′s place and for employing a voice actor for Frasier to fictionalize the story.

Teodoreanu's artistic flair was poured into his regular letters, which fictionalize, rhyme and dramatize everyday occurrences. These texts "push into the borders of literature" (Hrimiuc), and are worthy of a "list of great epistolaries" (Crețu). Călinescu believes that such works should be dismissed, being "without spirit", "written in a state of excessive joy, that confuses the writer about the actual suggestive power of his words." Urban folklore and communist prosecutors recorded a wide array of anti-communist epigrams, attributed (in some cases, dubiously) to Al. O. Teodoreanu.

"Novelist mines boyhood incident in The Ravine". The Globe and Mail, April 28, 2008. In the process of writing his novel about the incident, he resolves to track Norman down to find out once and for all. Quarrington told The Globe and Mail that he and his brother did have a childhood incident in a ravine, although he stated that the real incident wasn't as dramatic or as enduringly haunting as the way he chose to fictionalize it for the sake of the novel.

Until the late twentieth century, most decision games dealt with problems drawn from the realm of tactics. The exceptions to this general rule, moreover, were incidental rather than deliberate. That is, while authors of decision-forcing cases in such disciplines as business management and public policy would sometimes fictionalize their cases (thereby converting them into fictional decision games), these works were invariably (if erroneously) described as "case studies". Because of this, the history of the decision game was, until recently, very hard to distinguish from the history of the tactical decision game.

This story even inspired Hendrik Conscience to fictionalize this anecdote and write the book Eene 0 te veel. The family was subsequently able to rise among the ranks of the Antwerp bourgeoisie and Maurice Joostens his grandfather Constantin Joostens became a senator for the Belgian Liberal Party. Besides from the influence and capital of his family Joostens had also other assets to become a diplomat. His trip to Egypt with his influential uncle Arthur Van Den Nest in 1882 and Joostens orientalist report Du Caire au Tropique are for example prime examples of his fascination for foreign countries.

Myles's next collection, A Fresh Young Voice From the Plains (1981), earned their first major review, by Jane Bosveld in Ms.. Not Me (1991) is Myles's most popular collection of poetry. It contains Myles work, "An American Poem," in which they fictionalize their identity and claims to be a "Kennedy", and comfortably addresses politics in the work. They first performed the work at P.S. 122 in New York City, during their tenure at St. Mark's. Since then "An American Poem" has been filmed and shown in film festivals all over the world, screening in New York and other major cities.

Gelu Ionescu, "Cazul Doinaș", in Apostrof, Nr. 2/2014 The eccentric poet-translator Mircea Ivănescu was also employed by Ivașcu as a columnist. Ivașcu asked him to fictionalize himself into an Italian correspondent, which allowed Ivănescu to study Italian politics.Felicia Antip, "Portret Mircea Ivănescu. Un eșec ireparabil", in Menora. Minirevista Comunității Evreiești din Focșani, Nr. 10/2012 Similar practices were imposed on other staff members of the staff (among them Felicia Antip, Florica Șelmaru, and Cristian Popișteanu), but the magazine also hosted translations from Western intellectuals: Art Buchwald, Sebastian Haffner, Walter Lippmann, Drew Pearson, Jean Schwœbel, and Daily Workers John Gritten.

The Legend of the White Snake, also known as Madame White Snake, is a Chinese legend. It has since been presented in a number of major Chinese operas, films, and television series. The earliest attempt to fictionalize the story in printed form appears to be The White Maiden Locked for Eternity in the Leifeng Pagoda (白娘子永鎭雷峰塔) in Feng Menglong's Stories to Caution the World, which was written during the Ming dynasty. The legend is now counted as one of China's Four Great Folktales, the others being Lady Meng Jiang, Butterfly Lovers, and The Cowherd and the Weaver Girl (Niulang Zhinü).

Legal drama is distinct from police crime drama or detective fiction, which typically focus on police officers or detectives investigating and solving crimes. The focal point of legal dramas, more often, are events occurring within a courtroom, but may include any phases of legal procedure, such as jury deliberations or work done at law firms. Some legal dramas fictionalize real cases that have been litigated, such as the play- turned-movie, Inherit the Wind, which fictionalized the Scopes Monkey Trial. As a genre, the term "legal drama" is typically applied to television shows and films, whereas legal thrillers typically refer to novels and plays.

The Halifax Explosion has frequently been the subject of works of popular culture. The canonical novel Barometer Rising (1941) by the Canadian writer Hugh MacLennan is set in Halifax at the time of the explosion and includes a carefully researched description of its impact on the city. Following in MacLennan's footsteps, journalist Robert MacNeil penned Burden of Desire (1992) and used the explosion as a metaphor for the social and cultural changes of the day. MacLennan and MacNeil exploit the romance genre to fictionalize the explosion, similar to the first attempt by Lieutenant-Colonel Frank McKelvey Bell, a medical officer who penned a short novella on the Halifax explosion shortly after the catastrophic event.

The illustrations for the latter book were by Vernon Howe Bailey. Ravenel was a good writer and an able historian, and Charleston: The Place and the People—which devoted nine-tenths of its 500 pages to the years before 1830—was influential in establishing a strain of backward-looking literature in South Carolina. Ravenel's book on Eliza Pinckney, which centered on Pinckney's letters with a running commentary by Ravenel, was the first full-length biography of Pinckney that didn't heavily fictionalize her life, and it helped to spur renewed scholarly interest in Pinckney's life and accomplishments. Ravenel was one of the earliest members of the South Carolina Historical Society and served as president (1896–98) of the South Carolina Society of the Colonial Dames of America.

Thomas Mann referred to Bilse and his novel when he found himself subjected to a "trial by press" ("Preßprozeß") in his home town of Lübeck, a fictionalized description of which he had published in his own novel Buddenbrooks. Mann's essay "Bilse and I" ("Bilse und ich", 1906) defends the right of writers to fictionalize living persons, which had been held against Mann by several of the burghers of Lübeck. However, Mann was also at pains to draw a distinction between "taking liberties and the writer's freedom" ("Frechheit und Freiheit"). Mann further noted that his accusers had called Buddenbrooks a "Bilse-Novel" ("Bilse-Roman"), a phrase which, for a while, became synonymous with roman à clef in German.Thomas Mann, „Bilse und ich“, in idem, Gesammelte Werke in zehn Bänden (Frankfurt/Main: S. Fischer, 1925), vol.

Herzog, p. 67 Herzog is also able to determine a correlation between the number of programs listened to per day and the complexity of the listener's troubles, "The more complex the listener’s troubles are or the less able she is to cope with them, the more programs she seems to listen to".Herzog, p. 69 Herzog alludes to three main types of gratification for listening: # "Listening as emotional release": Herzog highlights that the radio programs offers listener's emotional stimuli and opportunities for emotional release, such as through crying and excitement. Herzog also points out listeners feel relief knowing "other people had their troubles too";Herzog, p. 72 # "Listening as means of remodelling one’s drudgery": Herzog suggests listeners tend to fictionalize themselves in order to be able to experience what is occurring in the radio program.

When applying feminist ethics and care, it is important to consider in what way does that apply to those who are transgender, either Female to Male or Male to Female. As there is a historical with ethics being deeply rooted in religious ethics. For those who are transgender and wish to be identified as their preferred gender have to apply either masculine or feminine ethics in both appearance and thinking to pass. One notable mention is when “Halberstam claims that surgical intervention in the case of “sex-change” serves to “fictionalize” gender (i.e., render or expose as artificial) … a masculine performing butch lesbian, for example…”• Halberstam, Judith, 1994, “F2M: The making of female masculinity”, in The lesbian postmodern, Laura Doan (ed.), New York: Columbia University Press, 210–28.

The book was included in more than a dozen college reading lists, and remained among the top ten bestselling gay fiction in 2000. Provenzano often trained, competed and medalled with the Golden Gate Wrestling Club from 1992 to 2006. He also competed and medalled in track and field events with the San Francisco Track & Field Club from 2003-2006. After being commissioned to adapt PINS to the stage, the work premiered at New Conservatory Theatre Center, running from August through September 2002. A Chicago staging took place in 2006. In 2003, Provenzano published Monkey Suits, about gay cater-waiters in 1980s Manhattan, and Cyclizen (2007) about a gay bicycle messenger in 1990s New York City, which both fictionalize his experiences in AIDS activism. Nearly two dozen anthologies published from 1998 to 2007 include his short stories and essays.

Fabián Dobles was born in San Antonio de Belén, but his father, a medical doctor who had trained in the United States, soon resettled the family in the rural town of Atenas, in the province of Alajuela. The father was a very strict and devout Catholic and had intended that his son Fabían prepare for the priesthood, but a series of incidents, which he would later fictionalize in his last novel, Los años, pequeños días ("Years Like Brief Days"), led Fabián to abandon that career path and to study law at the University of Costa Rica. At an early age, he saw some of his poetry published in Joaquín García Monge's influential literary magazine Repertorio Americano ("American Repertoire"). Dobles was active in left-wing political causes, eventually becoming a leading figure within the Communist Party of Costa Rica.

All three, close to a nervous breakdown, proclaim their innocence. The tie-in mockumentary to Book of Shadows: Blair Witch 2, Shadow of the Blair Witch, establishes the events of the film being a film within a film; the in-universe mockumentary reveals that Book of Shadows: Blair Witch 2 is "a film adaptation" based on the "Black Hills murders" that took place shortly after the release of The Blair Witch Project. Shadow of the Blair Witch follows "the real James Patterson"'s defense team as the case prepares for trial and as the public reacts to plans to fictionalize the case's events for the big screen from the defense's point-of-view. Protests of the film Book of Shadows: Blair Witch 2 are discussed within the documentary coming from both the families of those involved with the case and from the Wiccan community as a whole.

Linda Hutcheon coined the term "historiographic metafiction" to refer to works that fictionalize actual historical events or figures; notable examples include The General in His Labyrinth by Gabriel García Márquez (about Simón Bolívar), Flaubert's Parrot by Julian Barnes (about Gustave Flaubert), Ragtime by E. L. Doctorow (which features such historical figures as Harry Houdini, Henry Ford, Archduke Franz Ferdinand of Austria, Booker T. Washington, Sigmund Freud, Carl Jung), and Rabih Alameddine's Koolaids: The Art of War which makes references to the Lebanese Civil War and various real life political figures. Thomas Pynchon's Mason and Dixon also employs this concept; for example, a scene featuring George Washington smoking marijuana is included. John Fowles deals similarly with the Victorian period in The French Lieutenant's Woman. Kurt Vonnegut's Slaughterhouse-Five has been said to feature a metafictional, "Janus-headed" outlook in the way the novel seeks to represent both actual historical events from World War II while, at the same time, problematizes the very notion of doing exactly that.

Hutchinson) Cover artist (bottom): Henri Félix Emmanuel Philippoteaux, Les Gentilshommes du Duc d'Orléans 1839 Mozart and the Wolf Gang is a 1991 novel by Anthony Burgess about the life and world of Wolfgang Amadeus Mozart. Published in the U.K. under this title, in the U.S. it was published as On Mozart: A Paean for Wolfgang, Being a Celestial Colloquy, an Opera Libretto, a Film Script, a Schizophrenic Dialogue, a Bewildered Rumination. Among other things, it attempts to fictionalize Mozart's Symphony No.40. This is one of numerous Burgess books in which music figures prominently, others being A Vision of Battlements; The Worm and the Ring; The Malayan Trilogy; A Clockwork Orange, especially for its use of Beethoven's Symphony No. 9; Honey for the Bears; Napoleon Symphony: A Novel in Four Movements, which is modeled structurally on Beethoven’s Symphony No. 3; The End of the World News; Any Old Iron; The Devil's Mode and Other Stories; The Pianoplayers, about the music hall era; and Byrne: A Novel.