Free of his boy band, Styles exults in sound, not image.
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This album whomps and exults, but Lizzo's displays of resilience obscure emotion.
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Trump exults in the office, but detests the responsibilities; Xi, meanwhile, is
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This syrupy life of Winston Churchill's effervescent mother, Jennie, exults in its limitations.
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"I'm telling you, I'm the No. 1 guido, and I still am," he exults.
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"Long live my dead father, who left me such a large inheritance!" she exults.
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It exults in the sensual, scopophilic pleasure of seeing the female form, flesh, and sex.
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From a man who exults in breaking foreign-policy taboos, they would be truly remarkable.
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"I was thinking we could put that out right now, it'd blow people's minds!" he exults.
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Mr Bueno exults that he has joined "the most powerful gang in the world—God's gang".
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In Hungary and Poland the right exults in blood-and-soil nationalism, which excludes and discriminates.
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Krautrock exults in repetition, sometimes as a backdrop to improvisation and sometimes as pure exposed structure.
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" Last month, he released a song called "All My Children," in which he exults, "I love my kids!
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Darvish) who is forever looking for love, another (a warm and funny Mr. Cohn) who finds it and exults.
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"The Iron Curtain dissolved by music," exults the film's protagonist, an American movie producer in Paris played by Fred Astaire.
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Mr. Govan rejects that idea, saying they are beyond repair and exults over the ambition and imagination of the design.
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The music on "Stranger to Stranger" exults in percussion; four of the album's first six tracks don't use guitar at all.
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At its best, his novel not only exults in the historical synchronicities and proximities he has discovered but catches the reader up in its rapture.
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And this slope slips down to that ever-louder demographic that exults in making America great again, among whom the brutal images do more direct work.
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Millennials could use a band that can play instruments in real time, that exults in musical possibilities, that wants to make both a ruckus and a difference.
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It does not dream of an all-white America; it opposes racism and celebrates tolerance and exults in the image of America as a 'nation of immigrants.
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What we learn in this level is not just that Arthas can make ruthless decisions, but that on some level he exults in his capacity to be ruthless.
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The book exults in the failures of a reform movement that the author has spent the past decade denouncing — a movement that has often deserved her indignant critiques.
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Every song exults in the architectural savvy of a musician who, from the drumbeat up, seemed to know exactly how he'd be jamming with himself as he built the song.
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PARELES Alec Benjamin's "Water Fountain" plugs into high-school experience: "She told me that she loved me by the water fountain," he exults — but then he sees her kissing another guy.
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With headliners including Flying Lotus, Princess Nokia, Animal Collective, Zola Jesus, Omar Souleyman, Simian Mobile Disco, DJ Premier, Derrick May and 808 State, Moogfest featured performers whose music exults in technology.
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In less murderous forms, you can see nihilism at work in the banal iconoclasm that exults in anything outrageous, provocative, or "transgressive," that sees no qualitative difference between the offensive and the genuine.
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"I've got memories and travel like Gypsies in the night," she exults over a 4/4 thump, a stop-start bass line and clanky rhythm-guitar chops hinting at 1980s hits by INXS.
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In her behavior toward three very different women — a grieving mother, a strung-out addict and a young protégée, all played hauntingly by Toni Ann DeNoble — she exults in an almost Dickensian self-regard.
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The fourth holiday collection from the long-running, soft-saunter, soul-pop outfit Chicago never exults in the holiday spirit; rather, it sidles up to it casually, gives it a nod and a nudge.
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His kitchen, which exults in the seafood of the Pacific Coast, also points to the ways in which many California restaurants are adapting in the face of environmental concerns, directing diners away from predictable pleasures.
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"No one knows what the DEVS team does except the DEVS team," exults Sergei (Karl Glusman) to his girlfriend Lily (Sonoya Mizuno), who also works for the company, after landing an offer to join the group.
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But to become that thing our culture so exults in—the bravura director who parlays small, personal films into a place at the helm of a blockbuster—you must be more than likable, or smart, or idea-driven.
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Though I prefer the piano original, which exults in steely colors and incisive attacks, the orchestral version draws out the inner richness, even poignancy, of the music, especially as performed here by Mr. Thomas and his dynamic orchestra.
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SEATTLE — Ali Farhadi holds a puny $5 computer, called a Raspberry Pi, comfortably in his palm and exults that his team of researchers has managed to squeeze into it a powerful program that can recognize thousands of objects.
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I can imagine a version of Industries that fully embraces the identity of a mustache-twirling corporate fat cat and exults in the efficient exploitation of resources natural and human, and the titanic architecture of of heavy industry.
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Not just the act of doing dumb things — like jumping through unseen holes in the world to find a treasure chest you shouldn't have access to yet (true story) — but the way the community exults in these activities together.
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In the Oresteia, after Clytemnestra has slaughtered her husband and his concubine, she exults over the bodies in a speech notorious for its unhinged grisliness (among other things, she compares the blood in which she's drenched to a nourishing rain).
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Troubled yet tranquil, they gaze out from the gloom of a jail cell, and there's a wonderful moment when she closes them, on returning to Virginia, and exults in the light; you can smell the grass and the late-afternoon air.
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Jordan Peele clearly has an encyclopedic knowledge of cinema, and his newest film, Us, exults in shouting out a huge range of movies — everything from Jaws and The Shining to The Goonies and even the lipstick scene from Black Narcissus.
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Unlike " Empire of the Sun " (1987) or " Catch Me If You Can " (2002), which left us with a tussle of competing feelings, Spielberg's latest work exults without a fleck of irony in its moral obligation—to lend dramatic form to the First Amendment.
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As he and Kim exit the room, he exults in how the suckers fell for it — but it's clear that both Kim (lured by the thought that her boyfriend might finally be feeling something) and viewers (sucked in by Odenkirk's magnetic performance) thought the performance was genuine.
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Whether he's picking the right cards out of a pack that has been split and shuffled by a random audience member or guessing what a theatergoer drew on a folded piece of paper, Mr. Guimarães exults as if he couldn't quite believe what he'd just pulled off.
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Ms Runcie spends much of her book in the women's place, on the shore of the East Neuk of Fife, where she walks the dog, hunts for shells and sea-glass, exults in the flight of gannets and sea eagles and visits shrines and caves where saints, all male, communed with God and the waves.
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The exhibition doesn't stop at presenting images like this, but also exults in displaying examples of just the sort of objects they depict — the Buddha, the Rokken, the porcelain — as well as a host of other Asian artworks using all sorts of deluxe materials: lacquer, inlay, ivory, mother of pearl, silver, diamonds, ebony, and embroidery.
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" She makes her joy autobiographical — and musically experimental, with wandering harmonies and eccentric percussion — in "Pete Davidson," a minute-long track named after her fiancé (a "Saturday Night Live" comedian) that exults, "Gonna be happy, happy," and in "Successful," which un-humbly brags, "It feels so good to be so young and have this fun and be successful/I'm so successful!
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Trump, by contrast, exults in arbitrary power and the lawless exercise of violence: Rather than a system of laws in which abstract authority offers the weak protection against the strong, he envisions a rule of law enforcement in which the armed agents of the state do as they please — unless, like James Comey, they fail to cater to the whims and interests of those directly above them in the hierarchy.
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Francisco scorns the tortures that await him, and exults as Sforza dies.
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' (Heaven laughs! Earth exults), 31', is a church cantata by Johann Sebastian Bach for the first day of Easter. Bach composed the cantata in Weimar and first performed it on 21 April 1715.
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Puffy offers Bloodgood the note Mrs. Fairweather has given him in lieu of paying his rent. Bloodgood exults that he now has two sources to extort. Sc. 3 Setting: The interior of Puffy's house. Mrs.
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Mackellar exults at this chance to be rid of the leech, but by an ill fate this letter has crossed with another letter, in which Henry has told the Master that the estate is at last exhausted.
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He explains how there liberalism was arresting the development of science, the economy, and the social studies. Caruana exults England as the bulwark of civilisation, and castigates liberalism for failing to keep England’s scientific, economic and social pre- eminence on an upward and forward trajectory.
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Emma finds Erb with Bill as they emerge from the notary's house with a French document. Erb gives it to Jeanne, who reveals he has just signed a marriage contract. Jeanne exults, Erb is terrified, and Emma and Charles are infuriated. The Adjutant restores order.
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Acts of violence are an important theme within Samson Agonistes as the play attempts to deal with revenge and the destruction of God's enemies. Michael Lieb posits that "the drama is a work of violence to its very core. It extols violence. Indeed, it exults in violence".
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Still alive, Amadigi continues to resist the advances of Melissa. Melissa then makes Dardano look like Amadigi, to deceive Oriana. Oriana follows Dardano, in the visage of Amadigi, to beg his pardon. Dardano exults in the attention of Oriana, and in an impulsive moment, challenges Amadigi to single combat.
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In fact, it may help breathe new life into the hardcore scene. Suddenly, you remember the minuscule replicators dormant within your blood. The virus exults in its new-found freedom; it prepares itself and surges forward in a new effort at rebirth. It’s still there, ready to break out. You’re unsure of its motivation.
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Edward exults in his victory at Ludlow Castle, and states that he is willing to make peace with Catherine. Isabella, who has in the meantime been forced to marry Thyrrol, finds out about Tudor's death. Thyrrold insists that Isabella submit to him, but she refuses. As she laments her position, Clarence and his men burst in.
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But short time later Charles I of Naples, who had defeated and killed Manfredi, is in his turn defeated and Arrighetto is set free. When the news arrives in Lunigiana Giuffredi exults, such that his true identity is discovered. Corrado, friend of Arrighetto, releases Giuffredi and agrees to the marriage with his daughter. Arrighetto's family can be reunited.
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After work, Michael picks Jon up in his brand new BMW to show Jon his new apartment. Michael exults at the thought of a life of luxury (“No More”), and pressures Jon further to consider changing his career path. Frustrated, Jon finally agrees to accompany Michael to work the next day and visit a brainstorming session at his firm.
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He is led away by soldiers to be shot by a waiting firing squad. Chauvelin exults at the sound of gunfire, but Percy returns to the tavern very much alive, revealing that the men in uniform are in fact his. After securing Chauvelin in the basement, Percy joins his wife on the ship back to England.
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After the fourth year, Paavo finally gets a rich crop. As his wife exults, thanks God and tells Paavo to enjoy full bread made entirely out of grain, Paavo instructs his wife to mix bark into grain once more, because their neighbour's crop has been lost in a frost and he gives half of his crop to the needy neighbour.
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He first exults over his easy escape but is rapidly disillusioned when the Prince's men start shooting at him and chase him with a speed boat. Just before being caught, Chantecoq jumps into the water. In Paris, at Vallier's criminal trial, Gerfaut renews his accusations. Aubry tries to defend Vallier, convinced that a plot is preventing Chantecoq from demonstrating his innocence.
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Adina and Nemorino learn about the inheritance from his uncle. Dulcamara returns and boasts of the success of his elixir: Nemorino is now not only loved but also rich. Dulcamara exults in the boost this will bring to the sales of his product. As Dulcamara prepares to leave, everyone queues up to buy the elixir and to hail Dulcamara as a great physician.
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Richard exults at having won her over so and tells the audience that he will discard her once she has served his purpose. The atmosphere at court is poisonous. The established nobles are at odds with the upwardly mobile relatives of Queen Elizabeth, a hostility fueled by Richard's machinations. Queen Margaret, Henry VI's widow, returns, though banished, and she warns the squabbling nobles about Richard, cursing extensively.
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The foolish Petrutio is similarly tricked into marrying Lionell's sister Angelia, a young woman he'd formerly courted but neglected. (He believes he's marrying the Duke's sister – and in a sense he is, since the man he thinks is the Duke is actually Lionell.) The real Duke, emerged from concealment at the play's end, exults in the pleasure he's enjoyed and in the fitness of the outcome.
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' (And my spirit rejoices in God my Saviour) is an aria, as an image of personal celebration, sung by soprano II, accompanied by the strings. The major-mode and motifs of joy in the instruments illustrate the exultation. (And exults) begins with a broken upward triad followed by a rest, suggesting a minuet. (my spirit) is a sequence of 16th notes, two for every syllable.
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He is persuaded to gamble, in hopes of gaining the wealth she craves. He plays at cards with Guillot and continually wins, as Guillot doubles and redoubles the wager. As Manon exults, Guillot accuses des Grieux of cheating. Des Grieux denies the charge and Guillot leaves, returning shortly with the police, to whom he denounces des Grieux as a cheat and Manon as dissolute.
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Al-Maqrizi (d. 845/1442) describes how great hills of ashes were formed when the slaves and maids of the Luwata Berber tribe burned the Fatimid books. As an act of further desecration, they used the precious bindings of the volumes to make sandals for their feet. Similarly, Juwayni exults at torching the Ismaili library of Alamut, "the fame of which", he adds, "had spread throughout the world".
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Thommy, a Christian migrant labourer from Kerala is an obedient slave of his aggressive, tyrannical landlord Bhaskara Pattelar. Thommy obeys all the orders of his master, whether it is to make his own wife sexually available to his master or in killing Pattelar's kindly wife, Saroja. When Pattelar escapes to a jungle, due to his own deeds, Thommy escorts him like a pet. But when Pattelar is killed Thommy exults in freedom.
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Ariodante is in despair and wants to die (Aria:Tu preparati a morire) but Lurcanio comes from the shadows and advises Ariodante to live, and seek revenge (Aria:Tu vivi). Ariodante sadly bewails his beloved's (supposed) infidelity (Aria:Scherza infida). As day breaks, Polinesso and Dalinda emerge from the palace. Polinesso promises he will reward her, to her delight (Aria:Se tanto piace al cor) and, alone, Polinesso exults in how well his plot is proceeding (Aria:Se l'inganno).
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Next Cellini encounters the Duke's cousin, Ottaviano, who demands that he conspire to kill the Duke, but Cellini refuses, and Ascanio helps him escape. At the summer palace, the Duke exults in the opportunity to have his way with Angela ("While the Duchess is Away"). But Cellini has sneaked in, and he eavesdrops as the Duke makes his move. The Duke senses Cellini's presence and is unnerved, and his attempt at seduction degenerates into spoonerisms ("The Nosy Cook").
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They eventually tie the ghoul to a pillar in the center of the room using chains. Si Hua is informed of the monster's presence, and the gang discover the monster's flesh-eating disposition. Ren Hao exults in having the monster as a captive, stating that since it's not a human, they can do anything they want to it. Lin meanwhile, sympathizes with the ghoul, stating to her that the bullies will probably let her go after they've had their fun.
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In A Hard Heart, Riddler, described by the playwright as "A Woman of Originality" is called upon to use her considerable brilliance in fortifications and tactics to save her besieged city. But each choice she makes seems to render the city more vulnerable to attack, but that outcome seems to exhilarate rather than upset her. "My mind was engine-like in its perfection," she exults in the midst of destruction.< Barker's heroes are drawn into the heart of the paradoxical, fascinated by contradiction.
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Hardly has she gone when a third messenger arrives, declaring that men in their multitudes are now flocking to join the new city-in-the-sky. Another set of unwelcome visitors arrives as advertised, singing due to the inspiration of the new city. One is a rebellious youth who exults in the notion that here at last he has permission to beat up his father. The famous poet, Cinesias, is next, waxing incoherently lyrical as the poetic mood takes hold of him.
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The letter is from Krogstad, yet Torvald demands to read the letter and takes it from Nora. Torvald exults that he is saved, as Krogstad has returned the incriminating bond, which Torvald immediately burns along with Krogstad's letters. He takes back his harsh words to his wife and tells her that he forgives her. Nora realizes that her husband is not the strong and gallant man she thought he was, and that he truly loves himself more than he does Nora.
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The poem may be saying that the poet should re-imagine the natural world, neither escaping to Plato's world of Forms or the Christian heaven, nor relying on Victorian imagination. "Invective against Swans" perhaps "shows" how to do that re-imagining. Its allusion to Paphos, the mythical birthplace of Aphrodite—embodiment of the values of love, sex, and beauty—doesn't bespeak an attitude that exults in slipping "the surly bonds of Earth." Instead it expresses summer's end in a pungently non- Victorian way.
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Crassus says that this is quite an easy task, since he asks him to tell about his own oratory ability, and not about the art of oratory in general. Therefore, he will expose his usual method, which he used once when he was young, not anything strange or mysterious nor difficult nor solemn. Sulpicius exults: "At last the day we desired so much, Cotta, has come! We will be able to listen from his very words the way he elaborates and prepares his speeches".
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T. O. Clancy and G. Márkus, The Triumph Tree: Scotland's Earliest Poetry, 550–1350 (Edinburgh: Canongate Books, 1998), , pp. 7–8. In addition to French, Latin too was a literary language, with works that include the "Carmen de morte Sumerledi", a poem which exults triumphantly the victory of the citizens of Glasgow over Somairle mac Gilla BrigteI. F. Grant, The Lordship of the Isles: Wanderings in the Lost Lordship (Mercat, 1982), , p. 495. and the "Inchcolm Antiphoner", a hymn in praise of St. Columba.
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Belmonte and Pedrillo come to the garden with ladders (Aria, Belmonte: "Ich baue ganz auf deine Stärke" – "Love, only love, can now direct me"). Pedrillo gets the attention of the women by singing a ballad about a rescue similar to the one he is planning (Romanze, Pedrillo: "In Mohrenland gefangen war" – "In Moorish lands a maiden fair"). However, Osmin enters, sees the ladders, and rouses the castle. Osmin exults in the prospect of seeing them all hanged (Aria: "O, wie will ich triumphieren" – "My triumphant hour's approaching").
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Now, Eve exults, Lloyd will write brilliant plays showcasing her. Angered that Eve believes she can manipulate him as easily as she does everyone else, Addison reveals he knows that her back story is all lies. Her real name is Gertrude Slescynski, she was never married, and she had been paid to leave town over an affair with her boss. Addison blackmails Eve, informing her that she will not be marrying Lloyd or anyone else; in exchange for Addison's silence, she now 'belongs' to him.
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Once Corineus dies, Locrine brings his affair into the open; Guendoline's brother Thrasimachus vows revenge. The defeated Humber has been living in seclusion and grinding privation for seven years since his defeat; when he kills himself, the ghost of Albanact exults. Corineus's ghost also appears to witness Locrine's fate; defeated in battle by the forces of Guendoline and Thrasimachus, Locrine and Estrild commit suicide, and their daughter Sabren eventually drowns herself. Guendoline has her husband buried royally, next to his father, but consigns Estrild to an obscure grave.
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Storm in a Teacup () is a short story by Lu Xun, the founder of modern Chinese literature. Originally published in September 1920 in the journal New Youth (新青年), it was later included in his first collection of short stories, A Call to Arms (吶喊). A Chinese boatman hears news of the abortive Manchu Restoration of July 1917 and fears that he will be executed as he had abandoned the queue after the fall of the Qing dynasty. At the same time his neighbour, who has kept his, exults.
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M. Fry, Edinburgh (London: Pan Macmillan, 2011), . Many other stories in the Arthurian Cycle, written in French and preserved only outside Scotland, are thought by some scholars, including D. D. R. Owen, to have been written in Scotland.T. O. Clancy and G. Márkus, The Triumph Tree: Scotland's Earliest Poetry, 550–1350 (Canongate Books, 1998), , pp. 7–8. In addition to French, Latin was a literary language, with works that include the "Carmen de morte Sumerledi", a poem which exults triumphantly the victory of the citizens of Glasgow over the warlord Somairle mac Gilla Brigte.
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Aldona comes out of the ruins of a cloister, where a battle between the Lithuanians and Teutonic Knights is taking place nearby. She meets Walter, and hopes for a happy future of love, but Walter has been betrayed for causing the defeat of the Teutonic Knights by the Lithuanians. Later, back in the castle, Albano tells Walter that a secret court has sentenced Walter to death. Rather than falling into enemy hands, Walter drinks poison and exults in the victory of the Lithuanians, asking Albano to give Aldona his last farewell.
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The monk Ambrose arrives seeking help for Aymer who has been captured by Locksley's men. Ch. 14 (28): (Retrospective chapter detailing Rebecca's care for Ivanhoe from the tournament to the assault on Torquilstone.) Ch. 15 (29): Rebecca describes the assault on Torquilstone to the wounded Ivanhoe, disagreeing with his exalted view of chivalry. Ch. 16 (30): Front-de-Bœuf being mortally wounded, Bois-Guilbert and De Bracy discuss how best to repel the besiegers. Ulrica sets fire to the castle and exults over Front-de-Bœuf who perishes in the flames.
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Facilier pleads for both of them to shake his hand, and grins evilly as they do, sealing a contract with him and summoning his "Friends on the Other Side", who take the form of voodoo dolls, masks, and shrunken heads. Retrieving a talisman from the largest mask Friend, Facilier uses it to prick Naveen's finger and take his blood, starting his transformation into a frog. Lawrence is terrified as his master shrinks down into the shape of an amphibian, as Facilier exults with dancing and fireworks, before the camera fades to black with a warning of "Hush..." from the magician.
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Praying, he reminds God he is fighting his cause and wonders if God is dead, but concludes God cannot die but only hide. In the Diet of Worms, Inquisitor Johann Eck confronts Luther, interrupting his "Here I Stand" speech to warn greedy commoners would be incited to revolt if Luther does not recant. Luther refuses, and the knight exults that Luther could have led a successful revolt but disgustedly recounts Luther advocated the rebels' extermination in his Against the Murderous, Thieving Hordes of Peasants. As Luther declaims this, the emperor and princes leave to repress the revolt.
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The orchestra is of modest size (no percussion). Unlike in his first concerto, where cellist and orchestra are in fierce contrast, Lindberg removes conflict by painting with glowing instrumental colors an exotic sonic landscape around which the cello dives and dances and exults." Theodore Bell of Culture Spot LA called it "a wonderful concerto" and opined, "Its intensity derived from the occasional expressionist motifs mixed in with delightful tonal snippets. Themes would bounce back and forth between the orchestra and Karttunen, but the orchestral writing was relatively conventional in comparison to his endless variations of timbre and effect.
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Scene 1: A room in the castle Macbeth is now king: Duncan's son Malcolm has fled the country, suspicion having conveniently fallen on him for his father's murder: but Macbeth is still disturbed by the prophecy that Banco, not he, will found a great royal line. To prevent this he tells his wife that he will have both Banco and his son murdered as they come to a banquet. :[1865 revised version: In her aria, La luce langue / "The light fades", Lady Macbeth exults in the powers of darkness] Scene 2: Outside the castle A gang of murderers lie in wait. Banco, sensing danger shares his misgivings with his son.
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As the trailer heads out to the theater the Presenter exults, "Pisney has already done this?". Lastly before the first animated music segment (Prélude à l'après-midi d'un faune), the Presenter introduces "The Animator" (Maurizio Nichetti). as the Orchestra Master retrieves him from a dungeon-like cell in which the Animator ("a free artist") has been chained to a wall (as the Presenter puts it: "a binding contract based on trust and mutual respect"). A pretty young cleaning woman (Marialuisa Giovannini) also appears in each segment, although she's barely acknowledged by any of the characters except the Animator (who seems to take an increasing fancy to her as the movie progresses).
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He provides funds and instructions to the underground network of hidden rebels, who conduct secret Protestant preaching at night, publish and disseminate Protestant Bibles and revolutionary tracts, and produce arms and ammunition for the rebels. In secret gatherings, Uilenspiegel sings songs he had composed himself, calling the people to arms against the cruel Spanish governor, The Duke of Alva. With the revolt having been blocked on land, Uilenspiegel and his companions turn to the sea and join the rebel fleet of the Sea Beggars (Geuzen), where Uilenspiegel is eventually promoted to become the captain of a ship. He exults with the growing success of the revolt, following the Capture of Brielle in 1572.
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When Beaufort agrees to see her, she "confesses" that she is in love with Selenger, and will give herself to Beaufort so long as she is given the page in return. He is disgusted by this insult and sends her back home, vowing vengeance on her husband. She exults at having kept her honesty in this way and hopes Beaufort will carry out his threat against Knavesbe, who she now hates. Meanwhile, Camlet catches up with Young Franklin and attempts to arrest him for the theft of the cloths; Franklin, with the help of a passing French bawd, manages to persuade Camlet that he is a Frenchman and it is a case of mistaken identity.
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Video and audio of Arnold Schwarzenegger as Adam Gibson from The 6th Day is loosened up and reworked by a videomaker, subjecting him to "a cruel series of digital replications". It opens with "dreamed double encounters," followed by "the looped abyss of eyes within eyes, a mosaic of multiplying greetings" ("I'm Adam Gibson"), a looped descent, a montage of Schwarzenegger's reaction shots (slowed), and a pulsing screen atop a screen in which "even the frames are replicating". The manipulation stops with the arrival of the Sabbath, when "the videomaker rests," and the Schwarzenegger of his creation appears to be perimitted to speak angrily for himself, demanding that he be left alone. The videomaker replies, calling his creation a "Frankenstein", and exults in his own powers to digitally re-create him yet again.
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Dr. Bergson is brought in as an expert witness; he says that Joan is not insane. She remains silent, and Eric uses this silence to convince the jury that there is more to the story and, whatever the truth may be, she is innocent of murder. After a long deliberation, the jury returns, smiling; clearly they have found her not guilty. In Joan's mind, Karen exults: She will have Eric now, and when she tires of him, he will meet the same fate as Bob. Joan leaps to her feet screaming over and over “I’m guilty!” In prison awaiting execution, Joan refuses to explain to anyone. Lying on her cot in utter misery, she weakly murmurs to Eric “I want to die. When I die, she dies.” This sets Dr. Bergson thinking, and, with the execution imminent, he persuades the governor (Minor Watson) to listen to his theory—that here are two women living in one body, one guilty and one innocent.
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Satisfied - and a little bored - by his success as a kingmaker through the simple summoning of his gifted mind, he recedes into the shadows to write Arthashastra, the science of wealth and tactics. But history, which exults in repeating itself, revives Chanakya two and a half millennia later, due to a curse put on him by his childhood playmate and crush Suvasini, who was a part of his grand plans. Chanakya takes birth again in the form of Pandit Gangasagar Mishra, a poor Brahmin teacher in a small town of India who becomes a puppeteer to a host of ambitious yet foolish individuals - including a certain slum child-Chandini Gupta, who grows up to be a beautiful, intelligent and a powerful woman. Modern India happens to be just as riven and divided as ancient Bharat by casteist and communal hatred, corruption and divisive politics and this happens to be Gangasagar's feasting ground.
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The second part of Beethoven's song sets the extravagant death fantasy of the final stanza, in which flowers sprout from the poet's grave to express his undying love. Strikingly, Beethoven sets this stanza in tones not of despair but of ecstasy; the tempo marking is allegro molto. In an essay on this song, Carla Ramsey offers an almost lurid account of the final section: > "A culmination of the yearnings expressed in the earlier part of the song, > the Allegro molto might be viewed as a kind of triumphal march in which the > young lover exults in a death and a transfiguration whereby he is > symbolically united with his beloved... The march crescendos and culminates > on F above middle C with an impassioned outcry of the beloved's name. The > final eleven measures, marked calando, musically portray an almost post- > coital relaxation of the exhausted lover into his lover's arms with a dying, > prayer-like exhalation: "Adelaide.
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They visually defined it, giving crisp money the appearance of provenance and what Denning called "a casual English attitude about grandeur." Often perceived as "...the Odd Couple. Boyish, down-to-earth Denning is the hardest worker, while Fourcade sniffs the client air to gauge if it's socially registered before he goes beyond the fringe.""Inside the Decorating Establishment – The Ant and the Grasshopper" by Rosemary Kent, New York, April 28, 1975 Jewelry designer Kenneth Jay Lane developed a passion for art pieces from the Middle East which the firm was in the vanguard of introducing and has also used some of their lighting treatments.Home Design 2002: Jewels in the Town by Bob Morris, April 8, 2002, New York online retrieved June 29, 2006 Denning designed Jason Epstein's SoHo home"A Vision for Books That Exults in Happenstance" by Dinitia Smith January 13, 2001, The New York Times online retrieved August 9, 2009 from scratch in the shell of the building that housed the first consolidated New York police department.
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Making the game up on the spot, Pollyanna's father taught her to look at the good side of things—in this case, to be glad about the crutches because she did not need to use them. With this philosophy, and her own sunny personality and sincere, sympathetic soul, Pollyanna brings so much gladness to her aunt's dispirited New England town that she transforms it into a pleasant place to live. The Glad Game shields her from her aunt's stern attitude: when Aunt Polly puts her in a stuffy attic room without carpets or pictures, she exults at the beautiful view from the high window; when she tries to "punish" her niece for being late to dinner by sentencing her to a meal of bread and milk in the kitchen with the servant Nancy, Pollyanna thanks her rapturously because she likes bread and milk, and she likes Nancy. Soon Pollyanna teaches some of Beldingsville's most troubled inhabitants to "play the game" as well, from a querulous invalid named Mrs.
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"Even Now" reflected Seger's original concept for The Distance of writing an album about relationships, even though he did not ultimately stick to that concept. Seger has stated that the line "Out in the distance, always within reach/There’s a crossroad where all the victims meet" was intended to set up the entire album. "Even Now" is a love song that Rolling Stone Magazine critic Dave Marsh describes it as an "[anthem] of perseverance" in that it uses "personal relationships as metaphors for a vision of the world and the way that it works and what it takes (and costs) to cope with such a place and time." It was dedicated to Seger's long-time companion at the time, Jan Dinsdale. Seger has stated "The idea is that there’s always a way you can screw up when you’re in a relationship. There’s always that little thing in the back of your mind saying, ‘I’m gonna screw up. I’m gonna go out with somebody else and lie, or whatever.’ Whatever it takes to mess up a relationship.” Music journalist Gary Graff described it as song where Seger exults "in triumphing over adversity.
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