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"extemporary" Definitions
  1. EXTEMPORANEOUS

14 Sentences With "extemporary"

How to use extemporary in a sentence? Find typical usage patterns (collocations)/phrases/context for "extemporary" and check conjugation/comparative form for "extemporary". Mastering all the usages of "extemporary" from sentence examples published by news publications.

Curated by Toke Lykkeberg, the exhibition features seven artists wrestling with what the press release calls "extemporary art" — questioning what's contemporary — and "larger time perspectives"; I was especially excited to see Parker Ito and Eduardo Terrazas, who come from different generations, in the same show.
The net-art series "Extemporary Land Art on Google Earth" aims to create an extemporary-temporary virtual land-art through augmented reality technology, constructing and re- constructing a sort of "mise en abyme" or "droste effect" in which an element shifts the other in depth. The Google earth environment merges with the augmented area in order to create a new space. "Live sculpture"From the publication Dark Precursor is an interactive software-artwork where the body of the viewer is fully involved and becoming a three-dimensional marble sculpture constituted by variable virtual meshes. In 2005 Passa created the blog-art projectfrom turbulence.
There is a long tradition in Indonesia, particularly among ethnically Malay populations, of extemporary, interactive, oral composition of poetry. These poems are referred to as pantun. Contemporary Indonesian poets include among others, Sutardji Calzoum Bachri, Rendra, Taufiq Ismail, Afrizal Malna, Binhad Nurrohmat, Joko Pinurbo, Sapardi Djoko Damono.
Performer, Rosemary Butcher Dance Company, 1986 -99. Early pieces choreographed for Extemporary Dance Theatre, Spiral Dance Company, Sadler's Wells Royal Ballet, and the Royal Ballet Choreographic Group. Made experimental work at Riverside Studios in his early career. Founded Jonathan Burrows Group in 1988, which became a resident company at The Place Theatre, London, 1992 – 94.
He carefully constructed an apparently extemporary, conversational, style making his stories seem like anecdotes concerning strange events that had happened to him. The endings were whimsical and unexpected. Contrary to the common belief that his stories were told "off the cuff", Lambert took immense care over his broadcasts which were, of course, live. He used cards rather than papers to avoid rustling noises and kept a candle lit in case the lights failed.
They started preparing material and recorded their first demos. Some of the recordings found their way to Radio Študent station, were aired successfully and, consequently, the song "Extemporary Ending" (called "Pet petnajst" in the Slovene version) reached fourth place on the International Crossradio chart of best singles of 2001. In 2004 they reached seventh place with the song "Duet". After the first recordings and initial radio success, the band had increasingly more concerts.
In 1935 Gertrude Stein gave a series of talks in the United States that included, on January 12 and 13, a visit to Choate. Fortunately for literary posterity, her audience included both a stenographer and Dudley Fitts, critic, translator, and longtime teacher of Greek and Latin at Choate. Stein's public speaking style was extemporary, and Fitts recognized the permanent value of a stenographic transcript. After an exchange of letters, Stein authorized Fitts to oversee publication of her talk in The Choate Literary Magazine.
Armitage has created dances for numerous companies including the Paris Opera Ballet, American Ballet Theatre, The Tasmanian Dance Company, Extemporary Dance Company, England, The White Oak Dance Project, the Deutsche Oper Berlin, the Bayerische Staatsoper in Munich, Les Ballets de Monte Carlo, Lyon Opera Ballet, Ballet Nacional de Cuba, The Greek National Ballet, the Washington Ballet, Alvin Ailey American Dance Theater, The Kansas City Ballet, the Bern Ballet, The Washington Ballet, Balletto Teatro di Torino, Rambert Dance Company, Introdans in Holland and the Boston Ballet.
Aggiss and Cowie's first commission for another company was Dead Steps, made in 1988 for London's Extemporary Dance Theatre. This was a bridal dance performed, on the front apron of the stage, by seven androgynous brides dressed in slate grey satin, who become 'a nightmare anarchic anti-chorus line.'Dead Steps on the archive section of Liz Aggiss's website Allen Robertson in Time Out wrote, 'Your response to the bitter, bizarre bridal dance 'Dead Steps' will depend on your tolerance for deliberately ugly cabaret pastiche with an S&M; undercurrent. Alienation and humilation are Aggiss' watchwords.
Gebhardt Service Productions"Hybrid fantasy role play show The Quest films on location in Austrian castle" (7 Aug 2014) THE LOCATION GUIDE Arie Bohrer of Location Austria of The National Film Commission of Austria,Location Austria – The National Film Commission of Austria said that the location was very film-friendly and had a huge courtyard which lent itself to set construction. The castle was closed to the public for a month and the furniture was moved out and replaced with props. Location Austria grants funding subsidies for scripted film and television productions but The Quest was not eligible as reality shows are largely extemporary.
He exhibited also a zeal for foreign missions; by his great care, pains, an charges, he procured a pious minister to go and settle in Carolina. Possibly this was one of the ‘poor students’ towards whose maintenance at Cambridge he liberally contributed. He was exceedingly charitable, and was diligent in his pastoral duties, preaching three times a week (besides village services) in a plain style with a winning voice, visiting and catechising with assiduity, and, though greatly attached to the prayer-book, constantly using the liberty of extemporary prayer before sermon. His character was somewhat wanting in geniality. A malignant fever carried him off in a week’s time.
This compilation, published 1763, as A Form of Prayer and a New Collection of Psalms, for the use of a congregation of Protestant Dissenters in Liverpool, is often described as Seddon's work; he edited it, but had two coadjutors; of its three services, the third was by Philip Holland; the remaining contributor was Richard Godwin (1722–1787), minister at Gateacre, near Liverpool. The book was used in the Octagon Chapel, Liverpool, from its opening on 5 June 1763 till 25 February 1776, after which the building was sold, and converted into St. Catherine's Church. Seddon declined to become the minister of the Octagon Chapel, and in his own ministry practised extemporary prayer.
Catharine, the youngest, was early remarkable for her sagacious intellect, for her facility in acquiring knowledge, her cleverness in teaching herself the art of penmanship, and her delight in making extemporary verse. Nothing is recorded of her education, but from her own allusion to it in her "Poem on the Busts", it may be inferred to have been slight and ordinary. Nothing, however, could repress her eager desire for information; and obstacles, as usual, proved incentives to effort. She read with avidity, and wrote with emulative zeal; works of imagination occupying, as in such cases they are wont, her childish attention; and these, as her reasoning powers matured, and her judgment became formed, giving place to tractates and treatises on moral philosophy and religion.
Afterwards, he earned extra money with a small group covering current American pop tunes. Utilizing the calypsonian tradition of social commentary, while playing with a rhumba band at the posh Orchid Room, he put together an extemporary few bars in honor of guest Prince Philip. The staff and proprietor were aghast, but when he returned to play the next night, London's upper crust showed up for that very reason. Unfortunately, Browne had scrapped the song after being lectured by an irate manager of the Orchid Room staff. With this success behind him, he toured Paris, returning to London in 1951. In 1952 Tiger signed to Melodisc, the first British company to record calypso music. He inherited the name Young Tiger from the calypsonian Growling Tiger when in 1953 he recorded a cover version of Tiger's song "Single Man".Jason Ankeny, "Young Tiger" Answers.com.

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