Frank embroiders pet names and faces on merino wool sweaters from Le Lion.
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Jessica Tang embroiders imagery that illustrates the struggle to define a multifaceted cultural identity.
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She hand embroiders the outline and completes the image of the pet with a sewing machine.
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She then embroiders the drawings onto fabric, stitching them into pillows that she fills with stuffing.
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Matt (who I swear we're just seeing today for the first time) embroiders something onto a pillow.
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Only one of her four children draws and embroiders with her; the other three are in the United States.
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Missouri-based Cap America imports a majority of its baseball caps from China and embroiders them in the United States.
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But the products that really put Frank and Hyla F. on the map are those she custom embroiders with people's pets.
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She recalls the mood being "palpably dismal" among embroiders when she walked into the Lingua Franca office on November 17, 2017.
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Woodcock also embroiders messages into his clothing, perhaps an homage to the time Alexander McQueen allegedly embroidered profanities inside a jacket for Prince Charles.
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She also paints, draws, embroiders, makes things out of seashells, plays chess, and takes care of the house and children, cooking, cleaning, laundry, etc.
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All this embroiders the picture, as does Christine's mental health and girlish bedroom, but none of this gets at why she pulls the trigger.
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In a crafty way to capture people in the midst of their dreams, Iranian artist Maryam Ashkanian creates portraits of sleepers, which she embroiders onto fabric.
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His trailing leg embroiders the glide with lariat-like curlicues, but what draws a viewer's eye, hypnotically, is the motor: the spiraling, snaking motion of those hips.
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I visit a little shop on the main drag owned by a woman who embroiders traditional Majorcan linen in designs that have been in her family for generations.
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Alessandra, the daughter of a wealthy merchant who funds the monastery, embroiders languidly until her father can fund her dowry — she wants love (but will settle for sex).
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What Ginzel does in her work seems to me unique among contemporary practices: She embroiders a variety of disposable items that we are likely to encounter in our daily existence.
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In "Absence," Reichek embroiders the handwriting of a woman who steps aside from herself as author to avoid being linked to the printed text, whose meaning will be determined by the reader.
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Connecticut native Alaina Varrone embroiders enigmatic narratives as a way of understanding the world and, as Varrone tells The Creators Project, locations and seasons have a profound impact on the work she makes.
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Peel and a small team hand-dyes and embroiders the shirts in the basement of his Bushwick apartment on a rickety old embroidery machine he found on eBay and taught himself to use.
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She embroiders all kinds of products, including canvas tote and duffel bags (currently on sale for $20183 and $22018, respectively, on her website) and throw pillows (from $2525 to $22014 each on her website).
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Raúl de la Torre, whose work is featured at the Four Seasons Hotel Abu Dhabi and Morgan Stanley offices, is showing his 2016 "Serendipity X (10)" works on paper, which he both paints and embroiders, for $500.
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Granted, it's somebody else's brain — the one that belonged to Albert Einstein — that's at the center of "Incognito," which embroiders the true story of a Princeton pathologist who spirited away that epochal physicist's gray matter after performing an autopsy.
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Aided by a team of artisans, she paints, embroiders and glazes the surfaces with asymmetrical half-faces and brightly colored wavy lines that are evocative of the white porcelain plates that Grant painted for the workshops, on which smudgy abstractions seem to twitch with joy.
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He embroiders names and secret messages into his clothes, such as "never cursed" in the hem of a wedding dress for a German princess, echoing the late Lee Alexander McQueen, who was rumored to have scrawled profanities inside the lining of a bespoke jacket for Prince Charles.
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She wears pink every day for 18 months to tell the world about it on social media; she records herself folding every item of clothing installed downstairs; she recites a thousand names that the baby girl she yearned for could have had; she embroiders dozens of pink squares with those names.
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These digitized design are then transferred to the embroidery machine with the help of a flash drive and then the embroidery machine embroiders the selected design onto the fabric.
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They suggest that it is difficult to imagine at which points the piano part takes over material previously intended as part of the orchestral fabric and at which the soloist merely embroiders upon it.Blom, 64-5.
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Cushion embroiders at the shop in Yelizavetpol governorate, Russian Empire (now Ganja, Azerbaijan). Late 19th century. These are both handmade and machine-made (see carpet). Woven rugs include both flat rugs (for example kilims) and pile rugs.
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Chile, 1986, a few days before Pinochet's attempted assassination. It's the love story between "the Queen of the Corner" (Castro), a middle aged travesti who embroiders tablecloths for military wives, and young Carlos (Ortizgris), a guerrilla member of the Manuel Rodríguez Patriotic Front.
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He embroiders unique wedding and evening dresses, accessories, such as a pair of shoes, handbags, belts. Up to 2008, Dimitrios Vlachos-Castano signed his works as ΔΒ, which are the initials of his name in Greek. Since 2009, his artistic signature CASTANO adorns all his embroidered handicrafts.
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Owen campaigned to save Rowley's House museum in Shrewsbury. She also founded The Corbet Bed Embroiders Trust to create period hangings for the sixteenth-century Corbet Bed. In 2010, she was awarded the honour of Most Excellent Order of the British Empire MBE, rewarding contributions to the arts and sciences.
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Souk El Trouk was initiated in the early 17th century by Yusuf Dey to satisfy the Turkish community. At the start, it was dedicated to tailors and embroiders of Turkish costumes such as the kaftan. Its main clients were the Turkish militia in Tunis and the dignitaries of the beylical regime.
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Nowadays, most of handicrafts do not exist or have been transformed into new trades. Some of them are the handicraft of curriers, saddlers, tailors, silk processors, goat wool rug makers, and embroiders potters. On the other hand, even though in a small number, the old craft shops that still exist are blacksmiths and cutlers.
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Most commercial embroidery is done with link stitch embroidery. In link stitch embroidery, patterns may be manually or automatically controlled. Link Stitch embroidery is also known as chenille embroidery, and was patented by Pulse Microsystems in 1994. More modern computerized machine embroidery uses an embroidery machine or sewing/embroidery machine that is controlled with a computer that embroiders stored patterns.
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She listens to the river's song, but makes no move to sing it for some time. Finally she puts aside her sadness and begins work on an embroidered carpet. Into the carpet she puts flowers from the woods and from her dead mother's garden, her father's favorite white rooster. She embroiders the blue cat into the carpet, and he realizes what he must do to thank his friend the barn cat.
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In an interview in 1964, Langley described her writing process as "embroidery of literature" and saw herself as "one who chatters and embroiders all the time, endlessly, a great fantasy of romance". McLeod describes her as "a subtle, ironic and complex novelist"McLeod (1999) p. 170 and says that her best voice is "sometimes lyrical, sometimes cynical, with a marvellous descriptive flair and an ear for dialogue".McLeod (1999) p.
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The Americans concluded that if similar governments had been established in Guatemala, The Saviour and Nicaragua, did not see why Carías could not extend his mandate. In this way United States threw by embroiders it the 'Treaty of 1923'. The General Carías then summoned to a national constituent assembly to modify the constitution. This assembly chose to the 'dedazo' incorporated 30 articles of the Constitution of 1924 in the new constitution.
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Some of this was undertaken by exclusive professional embroiders, but needlework was part of female education at all levels of society. Some of these tapestries were produced by noble ladies, such as the bed valances made by Katherine Ruthven for her marriage in 1551 to Campbell of Glenorchy. These are the oldest surviving examples of Scottish produced embroidery. They display the couple's initials, arms and the story of Adam and Eve.
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Some major supermarket chains have string or calico bags available for sale. They are sold with announcement of environmental issues in many cases. The ones sold in supermarkets often have designs related to nature, such as prints of trees or that of the earth, in order to emphasize environmental issues. One startup company out of Duluth, Minnesota, embroiders their bags with their local Aerial Lift Bridge on it.
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Start of the Bayeux Tapestry replica in Reading Museum. The replica was finished in 1886 and is now exhibited in Reading Museum in Reading, Berkshire, England. Elizabeth and Thomas first saw the original tapestry on a visit to Bayeux in 1885 and Elizabeth determined to embroider a replica "so that England should have a copy of its own". As the original work uses wool, the Leek embroiders avoided the use of their typical fibre, silk.
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The request for a prompt beatification was made to Pope Benedict XIII in 1728 but it was not until 11 September 1754 that Pope Benedict XIV issued a decree that confirmed the late religious' local "cultus" - otherwise known as popular veneration - and thus approved of her beatification. The late religious is held as the patron of both seamstresses and embroiders while Pope Pius XI later made her the patron of all Italian working women in 1926.
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After Mauji's mother suffers from a heart attack, the family is thrown into deep waters as with Parasram now retired, they cannot afford the treatment. Mauji's younger brother Jugnu, who lives separately with his wife and son in the same locality, informs him of a clerical job in Meerut. Mauji declines it, and with his wife's support, sets up a roadside tailoring shop in the town market area. He stitches a hospital gown for his mother, which Mamta embroiders.
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The conclusion provides an explanation of "why we can't wait": that Blacks must no longer move towards freedom, but assert their freedom. King writes: "It is because the Negro knows that no person—as well as no nation—can truly exist half slave and half free that he has embroiders upon his banners the significant word ."King, Why We Can't Wait (1964), pp. 123–129. He calls for a Bill of Rights for the Disadvantaged, including reparations for unpaid wages.
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Ninette Gowns was a New Zealand clothing retailer that operated between the early 1920s and 1958, and was located on the corner of Vulcan Lane and Queen Street in Auckland. Along with Trilby Yates and Bobby Angus, it is considered one of the founders of fashion design in New Zealand. It was started by MacKenzie in the 1920s and specialized in wedding and evening garments. By the late 1930s there were around eight staff, including embroiders, steamers, cutters, sewers and an accountant.
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Her husband had recently expanded his business by dyeing the fibre, which he sourced in India. He promoted tussar silk and designed works for the Leek embroiderers. Thomas Wardle imported some tussar silk in woven form, but the embroiders were interested in the dyed yarns, specifically floss which was suitable for embroidery thread. Art needlework was an expression of the Arts and Crafts movement and Elizabeth has been called a leading practitioner of the art, inspired by the likes of William Morris, with whom she was acquainted.
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Particularly benefiting from the development of home embroidery were the traders, who imported the commondies for the embroiders and distributed the finished products back around the world. In the period from 1872 to 1890, the number of installed embroidery machines in the cantons of St. Gallen, Appenzell and Thurgau rose from 6,384 to 19,389, but at the same time, the number of machines installed in factories decreased from 93% to 53%. The value of goods exported to the Americas alone increased between 1867 and 1880 from 3.1 to over 21 million Swiss francs.
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After, he worked as a priest in various places of the USA – Ansonia, Connecticut (1946–47), St. Joseph, Missouri (1947-55), Omaha and Lincoln, Nebraska, Denver, Colorado; and organized parishes in those cities in 1950-1955; Denver (1955–58), Philadelphia, Pennsylvania (1958–59), Houston, Texas (1959-73). After 1973, he published twenty-five scientific works and ten articles in History of the Church, and Ukrainian Religious Embroiders, fourteen albums of embroidered designs. Upon Ukraine's independence from the Soviet Union, Blazejowskyj began to bring exhibitions of his icons and gonfalons.
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Again, in his "The Hops and the Oak",Harrison p.111 Krylov merely embroiders on one of the variants of The Elm and the Vine in which an offer of support by the tree is initially turned down. In the Russian story, a hop vine praises its stake and disparages the oak until the stake is destroyed, whereupon it winds itself about the oak and flatters it. Establishing the original model of some fables is problematical, however, and there is disagreement over the source for Krylov's “The swine under the oak”.
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Her work explores the intersection of natural and artificial colours and landscapes. She began her artistic career with embroidery which heavily influenced her later painting style. Brenda Croft, senior curator of Aboriginal and Torres Strait Islander art at the National Gallery of Australia, states that Huddleston "embroiders the canvas with paint" through her inclusion of patchwork, tapestry, and quilting in her acrylic style. Huddleston's use of embroidery imagery and technique "links the celebration of female work with the Women’s Movement and the reappraisal of marginalised individuals and cultures against the hegemony of Western art".
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The Abbott further noted that Ivanoff spoke perfect English, German and French, and that "he was knowledgeable of the lesser details of the court of Russia". He also appeared to suffer from haemophilia, just like the real Tsarevich Alexei. At the time that the article was published, Ivanoff was reported to be living in Bydogoszcz as the guest of a Russian emigre family named Zuruk. It was noted that "he sews and embroiders: feminine craftsmanship that the authentic Czarevitch has picked up as a habit during his long illnesses".
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Mantle of the Vestments of the Order of the Golden Fleece, Imperial Treasury, Vienna Detail of the Mantle of the Vestments of the Order of the Golden Fleece. The piece pictured is the hood. It depicts the Eucharist in the new tradition of the Devotio Moderna that arose in the Netherlands in the fifteenth century. The embroidery uses one of the most expensive of the Tournai embroiders' techniques, the or nué (shaded gold) technique in which the juxtaposed gold threads are more or less closely covered by silk threads.
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Galdós also shows a Balzacian interest in technology and crafts, for example the lengthy descriptions of the ropery in La desheredada or the detailed accounts of how the heroine of La de Bringas (1884) embroiders her pictures out of hair. Portrait of Benito Pérez Galdós, by Joaquín Sorolla, 1894. He was also inspired by Émile Zola and Naturalism in which, under the influence of the deterministic philosophy of Hippolyte Taine, writers strove to show how their characters were forged by the interaction of heredity, environment and social conditions – race, milieu, et moment. In addition, these writers were keen to suggest that their works were scientific dissections of society.
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For the series "Forever Young" (ongoing), Lagunas embroiders her current age using gray strands of her own hair. Lagunas is also interested in book arts, and was the 2012 Artist in Residence at the Center for Book Arts, NY. For Historias Íntimas (2009–11), the artist collected letters from female family members in which they recount the first time they experienced menstruation. Between 2012 and 2015, Lagunas worked on a book project titled Feminicidio en Guatemala (Femicide in Guatemala), in which she embroidered femicide statistics from 2000–2010 in Guatemala. Violence against women, as well as the violence experienced in Guatemala during the 36-year armed conflict, are of interest to Lagunas.
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The White Doe of Rylstone opens outside Bolton Abbey in Wharfedale, where the poet sees the white doe enter the churchyard and lie down by one particular grave, where it is recognized as a regular visitor by the parishioners. The poem then moves back in time to Emily Norton at Rylstone Hall; at her father's command she embroiders a banner for his followers, who are to rise in rebellion. Emily's brother Francis tries unsuccessfully to dissuade their father from this course, then resolves to follow them unarmed, in the hope that he can still dissuade his father. Norton's band of soldiers, including other brothers of Emily, joins forces with those of the Earl of Northumberland and other Catholic rebels, and they march to Wetherby.
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The Tay Bridge Stole was worn by Her Majesty and was exhibited at the "Skill" exhibition staged by the Institute of Directors, The Craft Centre of Great Britain and the Scottish Craft Centre in 1968. It was shown again in 1987 in a retrospective exhibition of her work, organised by the Scottish Branch of the Embroiders' Guild and held in the Edinburgh College of Art. Kathleen's book Design in Embroidery was published in 1982 and Kathleen Whyte Embroiderer, her biography written by Liz Arthur, was published in 1989. The work of Kathleen Whyte was featured in "A Scottish Celebration", a touring exhibition of contemporary textiles to mark the centenary of the foundation of the Embroiderers' Guild, which opened at Aberdeen Art Gallery in October 2006.
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In 1948, after the sudden death of her husband, Lilι was professionally involved in making dolls with the support of her mother, Despina Pappa - Paschalidou , who used to be a prominent dollmaker during the Interwar period (she owned a workshop for handmade dolls in Athens, in the operation of which Lili herself had contributed). The new workshop was also in Nea Smyrni, Athens, and employed two more women, refugees from Asia Minor, one of whom was Lili' s mother's former colleague. Lili Paschalidou - Theodoridou standardizes two doll sizes and makes the lower part of their legs lead with pencil so that they stand better. She makes handmade dolls which she dresses with Greek local costumes that she designs, sews and embroiders on her own.
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One of them was organized in August 2008 by Galeria Marta Traba, at the Latin American Memorial, in São Paulo, and another was held at the Roemer- und Pelizaeus-Museum Hildesheim, in Hildesheim, Germany, in 2009. In 2012 he participated in the Trienal of San Juan, Puerto Rico, featuring the drawings from “Nasca Correspondences,” which were this time turned into handmade embroidery. These drawings-embroideries were made in collaboration with embroiders Maria Elita Alves Borges and Ana Claudia Bento dos Santos, mothers who graduated from the ACTC (Associação de Assistência à Criança e ao Adolescente Cardíacos e aos Transplantados do Coração—Association for Children and Adolescents with Heart Disease or Heart Transplant), which is based in São Paulo, Brazil. In 2013 he was invited to participate in the 30th Biennial of Graphic Arts, Ljubljana.
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The reference to a nightingale alludes to the tale of Philomela in Ovid's Metamorphoses on several levels. Philomela embroiders her story in a tapestry much like the lady of Laustic; Philomela herself is transformed into a nightingale at the end of Ovid's story; and as Michelle Freeman suggests, the broken body of the nightingale, which signifies the end of the lovers' communication, is symbolic of the cutting out of Philomela's tongue, which effectively silences her. The servants hide traps for the nightingale in hazel trees, a plant that is also found in Chevrefoil and Le Fresne, two of Marie's other Lais. In 1950, William S. Woods commented that Marie's lays display "her feminine attitude and style in a great number of places", which he called "one of the most endearing" qualities of her writing, and says that she has "a true womanly love for forceful and superlative adverbs and expressions".
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Over the next thirty-five years he lays traps for revolutionaries fighting against Napoleon III, provides intelligence during the days of the Paris Commune and forges the bordereau that would trigger the Dreyfus affair. All of this earns him enough to pay the bills and to indulge his passion for fine food, but he wants to retire on a decent pension. He hatches a plan to forge what will one day become the infamous Protocols of the Elders of Zion, a document that claims the Jews were plotting world dominion. Simonini's idea is first inspired by an account of a masonic gathering in Alexandre Dumas's novel Joseph Balsamo, and he gradually embroiders it using other sources, each inspired by the other — Eugène Sue's Les Mystères du Peuple, Maurice Joly's The Dialogue in Hell Between Machiavelli and Montesquieu and a novel called Biarritz by a Prussian secret agent called Hermann Goedsche who used Sir John Retcliffe as a nom de plume.
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In the years after 1860, the demand for embroidered products rose so sharply that embroidery companies sprang up like mushrooms. Many farmers, artisans, and former weavers had an embroidery machine installed in their houses for credit. Thus, embroidery had soon become in large part homework and a major addition to the income of the peasants and craftsmen, mainly in winter, as it had partially been before in the linen or spinning time. For the former, it was particularly the bad reputation of the factory and the dependence on a single employer, which let them decide for this kind of economic model; for the latter it was the capability to benefit from the possibility to increase and decrease the capacities very quickly and to let the entire economic risk remain with the workers. The embroiders also appreciated the freedom to schedule their working hours and the unlimited use of child labor, especially since the introduction of the federal factory labor law in 1877, which denied young people under 14 years of age work in factories.
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