On "Duologue," their new, Quincy Jones-produced album, the pair find plenty of generative energy in the space between their styles.
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He engages here in duologue with Mr. Cyrille, an exacting and uningratiating drummer who had some history with Mr. Lacy, and many other important figures in the avant-garde.
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Mr. Che and his fellow host (and "Saturday Night Live" partner), Colin Jost, followed the opening number with a duologue that cemented the night's rushed, flat-footed, uninspired feeling.
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She has a separate history of duologue with Mr. Blake, her former mentor at the New England Conservatory in Boston, and a venerable pianist adept at fostering harmonic intrigue.
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A duologue in a restaurant merely reminds you how much crisper and tenser were the comparable exercises in coercion in "Glengarry Glen Ross," the Mamet masterwork that had its own world premiere in London, in 1983.
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He convenes four of those partners — the pianists Aaron Parks and Taylor Eigsti, the bassist Matt Brewer and the drummer Eric Harland — to reinterpret the suite as a combo, though it's likely that some duologue will break out within the ranks.
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Creative Writing covers Poetry Writing, Short Story Writing, Sonnet, Monologue, Duologue, Report Writing for Primary-aged children and Journalism. This section takes place in the Memorial Hall, Wootton Bassett.
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The film features songs from Travis McCoy, Paper Route, Rachael Yamagata, Dead Man's Bones, Corbin Bleu, Between the Trees, Kye Kye, Flint Eastwood, Flagship, Gatlin Elms, Duologue, Danny Leggett, Civilian, Savannah, Alex Bennett, and Bearcat.
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Classes in this section are Verse Speaking, Mime, Solo, Duologue and Group Acting, Prose Reading and Prose from Memory, Bible Reading, Shakespeare Acting, Public Speaking, Youth Debating and Logical Grumbling. The venues for the Speech and Drama section are the Civic Centre and Noremarsh Primary School, both in Wootton Bassett.
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That duologue had even more experimental sound then Mir nomer nol. After the following tour Vadim Kurilev, band's guitarist and bass-guitarist from original Piter line-up, had left a group to begin his solo career. One of Kurilev's last performances as DDT member was released on CD and DVD called Gorod bez okon (A city without windows).
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A benefit was given for Murray at Drury Lane on 27 June 1865, when he was in failing health. Representations were given by various London actors, Murray and his wife delivering a duologue written by Shirley Brooks. Murray died 17 January 1870 and was buried in Brompton cemetery. He was a member of the Garrick Club.
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Like his plays of the 1980s, The Hothouse concerns authoritarianism and the abuses of power politics, but it is also a comedy, like his earlier comedies of menace. Pinter played the major role of Roote in a 1995 revival at the Minerva Theatre, Chichester.Merritt, "Pinter Playing Pinter" (passim); and Grimes 16, 36–38, 61–71. Pinter's brief dramatic sketch Precisely (1983) is a duologue between two bureaucrats exploring the absurd power politics of mutual nuclear annihilation and deterrence.
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There, his motet, a setting of the Psalm Domine Deus, was performed at a celebration of the 250th anniversary of the founding of Harvard University. During the 1880s, Ford was the official accompanist at the Saturday Popular Concerts at St James's Hall, London. He also wrote a number of operas and operettas in the 1880s and early 1890s, including Daniel O' Rourke (1884); Nydia (a duologue by Justin H. M. Carthy, 1889); Joan (Robert Martin, 1890); and Weatherwise (1893).Stone, David.
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In Crouch's next play, ENGLAND, he performed with Hannah Ringham, co-founder of the London Shunt theatre collective. Like My Arm, ENGLAND deals with the world of contemporary art, and was written to be staged in white-walled art galleries. As guides, Crouch and Ringham welcome the audience into the gallery, leading them around the exhibition. In the first half, they share a duologue in which they play a character of undisclosed gender, whose boyfriend is a wealthy art dealer and who is in desperate need of a heart transplant.
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9 They went on to Paris, where she played for a month at the Théâtre du Palais-Royal in a specially-written sketch, La fille adroit, which was highly praised by Jules Janin in the Journal des débats."Waterloo Rooms", Caledonian Mercury, 26 September 1857, p. 1"Mrs. Howard Paul", The London Journal, c. 1855 Mr and Mrs Howard Paul on another sheet music cover from Patchwork Later the same year she acted in her husband's play My Neighbor Opposite and a comic duologue, Locked Out, which proved to be very popular and toured extensively in the provinces.
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His other television credits include All Saints and children's television series Double Trouble. Sam has also accrued a list of theatre credits from a young age, including Summer Rain, Shakespeare Unleashed and Duologue from Titus and Andronicus for the Shakespeare Festival. In 2008, Sam completed filming Steven Spielberg's US mini-series The Pacific. The 10-part tells the intertwined stories of three Marines during America's battle with the Japanese in the Pacific during World War II. Sam also stars in the Australian 2009 horror/thriller film Coffin Rock, starring as Evan, alongside actors such as Lisa Chappell and Robert Taylor.
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Weather or No is a one-act comic opera, styled a "musical duologue", by Bertram Luard-Selby with a libretto by Adrian Ross and William Beach. It was produced at the Savoy Theatre from 10 August 1896 to 17 February 1897 as a companion piece to The Mikado, and from 2 March 1897 to 24 April 1897 with His Majesty, for a total of 209 performances. Copies of the libretto and the vocal score (published in 1896 by J. Williams) are found in British Library. There are five musical numbers, including three duets and a solo for each character.
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In writing the script, the author, Charles Wood, borrowed themes and dialogue from his surreal and bitterly dark (and banned) anti-war play Dingo. In particular the character of the spectral clown 'Juniper' is closely modelled on the Camp Comic from the play, who likewise uses a blackly comic style to ridicule the fatuous glorification of war. Goodbody narrates the film retrospectively, more or less, while in conversation with his German officer captor, 'Odlebog', at the Rhine bridgehead in 1945. From their duologue emerges another key source of subversion – the two officers are in fact united in their class attitudes and officer-status contempt for (and ignorance of) their men.
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The gods begin to lose their youth on Freia's departure During the first entr'acte, the Ring motif is transformed into the multipart and oft- reiterated "Valhalla" music – four intertwined motifs which represent the majesty of the gods and the extent of Wotan's power. Scene two begins on the mountaintop, in sight of the newly-completed castle, where Fricka and Wotan bicker over Wotan's contract with the giants. This duologue is characterised by Fricka's "Love's longing" motif, in which she sighs for a home that will satisfy Wotan and halt his infidelities. Freia's distressed entrance is illustrated by "Love", a fragment that will recur and develop as the Ring cycle unfolds.
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In the same year he made his debut as an actor in Bath, Somerset, England in 1854 in his vaudeville piece My Neighbor Opposite in which his wife appeared, also acting with her in his comic duologue, Locked Out, which proved to be very popular and toured extensively in the provinces."Isabella Featherstone" , Featherstone Genealogy website, accessed 3 May 2014"Obituary: Mrs Howard Paul", The New York Times, 10 June 1879Stone, David. "Mrs. Howard Paul (1877–78)", Who Was Who in the D'Oyly Carte Opera Company, the Gilbert and Sullivan Archive, accessed 3 May 2014 Mr and Mrs Howard Paul on a sheet music cover from Patchwork In 1858 the couple also appeared in Paul's Patchwork, described as "a clatter of fun, frolic, song, and impersonation."Knight, John Joseph.
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Creative Vibes was a record label that sourced, signed and released local Australian acts. It also licensed material from overseas and imported CDs and vinyl from around the world and had its own sales and distribution arm. Creative Vibes was nominated for 'Best Independent Label' at the Australian Dance Music Awards (DMA's), between 2000 and 2004,2003 Australian Dance Music Award Nominees winning the award in 2000 and 2002.Australian Dance Music Award winners A number of Creative Vibes artists have been nominated for ARIA Awards including Gotye (2006 - 'Best Independent Release' : Like Drawing Blood; 2007 - 'Best Dance Release', 'Best Independent Release', 'Album of the Year' & 'Best Male Artist': Mixed Blood),2007 ARIA Award nominees James Muller (2006 - 'Best Jazz Artist' : Kaboom), Mike Nock & Dave Liebman (2007 – 'Best Jazz Album' : Duologue), Joseph And James Tawadros (2006 - 'Best World Album' : Visions).
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The sketch takes the form of a surreal duologue between Cook and Moore's cloth-capped alter egos Pete and Dud, which sees them exchanging stories about being pursued by glamorous film stars in increasingly ludicrous situations. Pete starts by explaining how he received a telephone call from Betty Grable ("just the other night") asking him to fly out to her luxury yacht and spend the night with her. Dud tells Pete it's "funny [he] should say that" (this becomes a running gag throughout the sketch) and goes on to tell the tale about how he woke up in the middle of the night to discover Anna Magnani in his kitchen, "up to her knees in rice", demanding she make love to him. Dud's story reminds Pete of the time Greta Garbo scaled his drainpipe and tried to get into his bedroom via the window but Pete rejected her advances.
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From these few fragments, it is unknown how much more extensive the contents were, or what other matters they discussed, or whether the known fragments present essentially the nature of the whole entity, which is apparently a "sayings" tradition worked into the familiar formula of a duologue. Also, due to the fragmentary nature, it is unknown whether it constitutes a version of some other known text. The Gospel of the Egyptians was apparently read in Egyptian churches in the 2nd and 3rd centuries. The known fragments of text takes the form of a discussion between the disciple Salome and Jesus, who advocates celibacy, or, more accurately, "each fragment endorses sexual asceticism as the means of breaking the lethal cycle of birth and of overcoming the alleged sinful differences between male and female, enabling all persons to return to what was understood to be their primordial and androgynous state" (Cameron 1982).
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Among the writers he would produce were David Rudkin, Cries from Casement as His Bones are Brought to Dublin (1973) , Edward Bond (Narrow Road to the Deep North), William Trevor (Scenes from an Album) and David Cregan and Tom Stoppard on many occasions. Although Caryl Churchill’s first play for radio, The Ants (produced by Michael Bakewell, was broadcast three times in 1962-63, the recording was not retained in the BBC Archives. For Churchill, as for Stoppard, the freedom of the radio form was significant in the development of their writing. Churchill’s work with Tydeman shows an unfettered imagination at work. The plays Identical Twins, Shreber’s Nervous Illness, Henry’s Past, Abortive, Not, Not, Not, Not, Not Enough Oxygen and Perfect Happiness do survive in the BBC, and foreshadow the freedom and discipline of her later stage work. Kenneth Haigh’s performance as twin brothers in Identical Twins, a 'duologue', is a tour-de- force of radio acting and writing.
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