In 343 she married Mihai Brătescu, and throughout the 1950s and 1960s she worked as a children's book illustrator and draughtswoman.
|
|
I worked for a while in journalism too, though I was into civil engineering before I met Hans—I was a technical draughtswoman.
|
|
Throughout my own writing on Marisol's work, specifically the close study I did of "Self-Portrait Looking at the Last Supper," I realized that the full extent of her talents as a draughtswoman and sculptor are often less so discussed.
|
|
During WW2 Guthrie became head draughtswoman for De Havilland Aircraft Pty Ltd's experimental gliders factory and worked for the Commonwealth as a draughtswoman on aircraft design.
|
|
Christiane Pflug (June 20, 1936 – April 4, 1972) was a German-born Canadian painter and draughtswoman.
|
|
Mercedes Matter (née Carles; 1913 - December 2001) was an American painter, draughtswoman, and writer. She was a founding member of the American Abstract Artists, and the Founder and Dean Emeritus of the New York Studio School.
|
|
Louise-Adéone Drölling, also known as Madame Joubert (29 May 1797 - before 30 April 1836) was a French painter and draughtswoman. Both her father, Martin Drolling, and her older brother, Michel Martin Drolling, were celebrated artists in their day.
|
|
Elsie Louisa Winterton, also known as Elsie Louisa Deacon (27 February 1897 — 4 September 1984) was a draughtswoman for the Great Western Railway (GWR) who became the first woman member of the United Kingdom's Institution of Railway Signal Engineers in 1923.
|
|
Susan Charna Rothenberg (January 20, 1945 – May 18, 2020) was an American contemporary painter, printmaker, sculptor, and draughtswoman. She achieved a place of prominence through her iconic images of the horse, in which she synthesized the opposing forces of abstraction and representation.
|
|
Margaret Elizabeth Burden Proudfit (1824–1911), Henry's and Helen's first daughter, wrote a long biographical account of her family. Margaret was an accomplished draughtswoman and writer. Two of Henry’s grandsons, James A. Burden and William A. M. Burden married granddaughters of Commodore Cornelius Vanderbilt.
|
|
Miles was the name used between 1943 and 1961 to market the aircraft of British engineer Frederick George Miles, who, with his wife – aviator and draughtswoman Maxine "Blossom" Miles (née Forbes-Robertson) – and his brother George, designed numerous light civil and military aircraft and a range of curious prototypes.
|
|
Phemia at age 12, painted by her brother Theo Euphemia Hendrika Maria (Phemia) Molkenboer (Weesp, 10 September 1883 – Amsterdam, 10 May 1940) was a Dutch ceramist, furniture designer, draughtswoman and art teacher. Groot, M.(2007); Vrouwen in de vormgeving in Nederland 1880–1940; retrieved through GoogleBooks, 9 March 2016.
|
|
In the midst of her teenage years she was intrigued by the studies conducted by Georges Cuvier and provided him with specimens and illustrations. Buckland established a name for herself as a scientific draughtswoman, who helped Conybeare, Cuvier and soon to be husband, William Buckland. Burek, Cynthia V., and B. Higgs.
|
|
Between 1939 and 1940 Stewart studied engineering for a year at Dalhousie University, Nova Scotia. She then went on to work as a draughtswoman at Halifax naval dockyard for the National Research Council of Canada between 1940 and 1943. For the remainder of the war she worked for the Royal Navy in Edinburgh.
|
|
Her grandfather, Jan Chalon, was an artist, collector and engraver and her great-aunt, Christina Chalon, was a painter and draughtswoman. In 1840 she married Henry Moseley,London Metropolitan Archives, Saint Pancras Parish Church, Register of marriages, 22 October 1840 a painter and engraver. From this time on she was known as Mrs. Henry Moseley.
|
|
Maxine "Blossom" Miles, born 22 September 1901 as Maxine Forbes-Robertson, was a British aviation engineer, socialite, and businesswoman. She was born into a well-known family of actors. She became interested in aviation in the 1920s, and married her flight instructor, Frederick George Miles. Together they eventually founded Miles Aircraft Ltd, where she was also a draughtswoman.
|
|
Having trained as a draughtswoman designing air raid shelters, she worked for the British army of occupation after the Second World War and met Hans Tasiemka in 1949, while he was working as an interpreter for the war crimes trials. They moved to London where they married with the actor Peter Lorre as the best man.
|
|
Monica Walker was a writer and illustrator, active in the United Kingdom in the 1940s and 1950s. She was a student at the Central School of Arts and Crafts in the late 1930s. She is depicted as a shopkeeper in an illustration, High Street, by her fellow student Hilary Stebbing. Walker worked for a time as a draughtswoman in an aircraft factory.
|
|
Guthrie began selling her designs for modular furniture to various companies. She was employed as furniture draughtswoman with Grace Bros Ltd's department stores. Guthrie also developed a private practice in interior design specialising in the modernist style. Her group of friends included Hal Missingham, Kenneth Slessor and Dulcie Deamer who invited her to write for the Australian Woman's Mirror in the late 1930s.
|
|
Comte was born in Switzerland in 1967 and she became a draughtswoman. As the result of a motorcycle accident she had her left leg amputated. Comte lives in Petit- Lancy, Geneva and she became a Paralympic archer. In 2008, she went to Beijing to compete in the Archery at that year's Summer Paralympics taking part in the Women's individual recurve and finishing 16th.
|
|
Her works were exhibited at Leicester Galleries, Royal Academy and the New English Art Club (NEAC). Her considerable skills as a draughtswoman made her much in demand as a teacher of drawing. Salmond taught at the Chelsea Art School, which was managed by her friends Augustus John and William Orpen from the Slade, London County Council and Clapham Art School.Chelsea Art School.
|
|
Seund Ja Rhee (also transcribed as Seongja Lee; June 3, 1918 – March 8, 2009) was a South Korean painter, engraver, draughtswoman, and illustrator. She also designed tapestries and mosaics. She was a prolific artist with more than 1,000 paintings, 700 prints, 250 ceramics, and numerous drawings. She exhibited mainly in France and in South Korea, with 84 solo exhibitions and almost 300 group exhibitions during her lifetime.
|
|
She painted in the kitchen of the cottage she lived in with her husband at Cappagh Cross, Finglas. She primarily worked in oils, with her later works becoming more abstract showing modernist influences. As well as painting she was a draughtswoman and calligrapher, designing greetings cards and illustrating annuals and journals. In the 1960s she illustrated a series of booklets of religious meditations by her uncle Brian O'Higgins.
|
|
Tobie Steinhouse earned a diploma from Sir George-Williams University in Montréal (now Concordia University) in Engineering Drawing. After graduation, she was hired as a draughtswoman, designing Anson warplanes from 1944 to 1945. During this time, she also worked for the Royal Canadian Air Force illustrating manuals. At the end of the war, Steinhouse attended the renowned Art Students League of New York with a scholarship to study art.
|
|
Antonina Houbraken (30 May 1686 - December 1736) was an 18th-century Dutch draughtswoman who is known for her many topographical drawings of Dutch sites. She also drew landscapes.Antonina Houbraken, Fantasy view of the ruins of a castle on a river, with a barge crossing the ford in the Victoria and Albert Museum She is recorded as a skilled portraitist.Bert Kolkman, Jacobus Stellingwerf en Antonina Houbraken, Retrieved on 25 February 2015.
|
|
Born in Greenwich, south-east London, Thompson entered Girton College, Cambridge, in 1942. During the war, her work as an industrial draughtswoman for Royal Dutch Shell interrupted her formal education. Nonetheless, she continued to pursue a career in history and was politically active. She joined the Young Communists, married the historian Edward Thompson in 1948, and moved to Halifax, where Edward worked in adult education and they were both active in the peace movement.
|
|
Woolley married Katharine Elizabeth Keeling (née Menke; born June 1888 – died 8 November 1945), who was born in England to German parents and had previously been married to Lieut. Col. Bertram Francis Eardley Keeling (OBE, MC). He had hired Keeling in 1924 as expedition artist and draughtswoman; they married in 1927 and she continued to play an important role at his archaeological sites. Woolley died on 20 February 1960 at age 79.
|
|
The Sons of Marshal Ney Marie-Éléonore Godefroid (20 June 1778 in Paris - June 1849), was a French painter, watercolorist, pastellist, and draughtswoman. Some of her major works include Portraits of the Children of Marshall Duke d'Enghien (1810), Portrait of Queen Hortense with her Children (1812), the Royal Princes, Portrait of the Princesses Louise and Marie d'Orléans, and Portrait of the Prince de Joinville. Godefroid is best known as a portrait painter.
|
|
Dorothy Louise Eady, also known as Omm Sety or Om Seti (16 January 1904 – 21 April 1981), was keeper of the Abydos Temple of Seti I and draughtswoman for the Department of Egyptian Antiquities. She is especially well known for her belief that in a previous life she had been a priestess in ancient Egypt, as well as her considerable historical research at Abydos. Her life and work has been the subject of many articles, television documentaries, and biographies.
|
|
Serge Le Bailly de Tilleghem, La Peinture en Belgique au XIXe Siecle. Conférence Prague & Brno, April 2007 He initially used the sober color palette favored by Leys. He later abandoned Leys' themes in search of a warmer, more modern range, often more daring in its presentation. Draughtswoman at the banks of the Scheldt Lagye also painted some portraits of fashionable women such as the Young woman resting on a park bench (Hôtel de Ventes Horta Brussels auction of February 2018 lot 213).
|
|
When the Australian Painter-Etchers Society in 1932 held its only thematic exhibition, Sydney Harbour Bridge Celebrations, Traill contributed a series of seven prints. The works comprised six etchings completed across the period 1927 to 1931, and a coloured aquatint created after construction was finished in 1932. These have become Traill's best known and most highly regarded images. At the time they were created, the artist Arthur Streeton observed: > Melbourne should be proud of that fine draughtswoman and etcher Miss Jessie > Traill.
|
|
Young artists remain interested in Clara Vogedes' work. The 2005 exhibition "Pictures from the Backpack - Pictures without Sketches", held at Studio Group Lünen in Heinz Cymontkowski's studio contrasted Clara Vogedes’ pictures with his own creations from 2000 onwards.Stadtmag.de: "Bilder aus dem Rucksack – Bilder ohne Skizzen": Exhibition of the Lünen Studio Group Two of her granddaughters have followed in her footsteps: Kristine Oßwald (1961-2017), draughtswoman and video artist, and Dr. Cornelia Oßwald-Hoffmann, art historian and freelance curator for contemporary art.
|
|
In 1930, Miles intended to emigrate to South Africa to remove himself from a difficult situation when he fell in love with one of his pupils, but he returned after a year and then married the former pupil, Maxine Freeman-Thomas. Blossom, as Maxine was known, was daughter of the actor Sir Johnston Forbes-Robertson. She was a pilot, a designer, draughtswoman, aerodynamicist and stress engineer and a director of a manufacturing company. She oversaw the development of the Miles Technical School.
|
|
81 According to Barbara Lesko, "She was a great help to Egyptian scholars, especially Hassan and Fakhry, correcting their English and writing English-language articles for others. So this poorly educated Englishwoman developed in Egypt into a first- rate draughtswoman and prolific and talented writer who, even under her own name, produced articles, essays, monographs and books of great range, wit and substance." Through her keen interest in antiquities, she met and befriended many of the famous Egyptologists of the era.Cott, p.
|
|
In 1941 she was employed by the Commonwealth Department of the Interior as a draughtswoman. She married Frederick Thomas Kite on 26 October 1946; their marriage would produce four children. Kite joined the Labor Party in 1948, and held various positions including secretary of the Granville and Rose Bay branches, secretary of the state electorate councils for Granville and Vaucluse, and secretary of the federal electorate councils for Reid and Wentworth. In 1976, Kite was appointed to the New South Wales Legislative Council.
|
|
Winterton was admitted to the drawing office at GWR in 1915 and two years later was appointed draughtswoman, a skilled technical role within the engineering field. Her two younger sisters later joined GWR. She had been engaged in making wiring diagrams of electric signalling appliances for track circuits and signal and point machines for use on the railways. While working at GWR, she enrolled at University College, Reading where she passed examinations in machine construction and drawing, electricity and magnetism, applied mechanics, general physics and mathematics.
|
|
Her parents, who lived in a small town Hroznětín near Karlovy Vary, moved to Strakonice in South Bohemia soon after her birth. She grew up there as the oldest of three children and enrolled at the local grammar school. Soon after completing studies she left home, seeking independence. She experienced hardship in a variety of low-paid jobs (shop-fitter, labourer, railway level crossing gate operator, confectioner, cleaning lady, draughtswoman of the Architects´ Cooperative, Conservationists´ archive-keeper, employee of a public education organisation, waitress).
|
|
Within a year she was one of the top three mountain-bike racers in the UK. She left her job as a draughtswoman in Barrow shipyards and became a full-time cyclist. She represented Britain at the 1996 Summer Olympics in Atlanta and the 2000 Summer Olympics in Sydney. She was a reserve for the British Cycling team at the 2001 UCI road world championships Alexander also represented Britain at the UCI Women's Road World Cup events in 2002. Alexander represented Scotland in the first mountain-bike event in the Commonwealth Games in 2002.
|
|
Through these new opportunities, the 1920s and 1930s in the UK were an active time for women in engineering and WES. In 1923 Elsie Louisa Winterton, a draughtswoman working for the Great Western Railway (GWR) became the first woman member of the Institution of Railway Signal Engineers. In July 1925 the First International Conference of Women in Science, Industry & Commerce was held in London, during the British Empire Exhibition. It was organised by Caroline Haslett & WES, and opened by the Duchess of York in her first public engagement since her marriage into the royal family.
|
|
"Cott, p. 231 Barbara Lesko wrote, "She was a great help to Egyptian scholars, especially Hassan and Fakhry, correcting their English and writing English language articles for others. So this poorly educated Englishwoman developed in Egypt into a first rate draughtswoman and prolific and talented writer who, even under her own name, produced articles, essays, monographs and books of great range, wit and substance." William Golding wrote of the Egyptologists he met in his travels through Egypt in the 1980s who were "as well disposed to the Mystery as any child could have wished.
|
|
The pitch of the main hip roof is shallow enough to give the passer-by on the sidewalk in front of the house the impression that it is a flat roof. The ornamental glass "light screens" in this house were designed by Wright with the assistance of Oak Park Studio draughtswoman, Isabel Roberts, who would later become an architect in her own right. They were fabricated by the Temple Art Glass Company of Chicago, which was the same firm Wright had just used for his renowned Unity Temple (Oak Park, Illinois, 1905). The Sutton House is a private residence, and should be viewed only from the public sidewalks.
|
|
She attended the IRSE's summer meeting in Southampton in 1924, and, in July 1925, she attended the IRSE's first international Convention in Brussels, Belgium, later (1929) travelling to the IRSE's summer convention in the Netherlands. Through her work at GWR and involvement with the IRSE, she met her husband, Edward Charles Deacon (1898-1939), and on 14 June 1930 they were married in Caversham. As was usual at the time, she left employment. However, after her husband died (on 11 October 1939 at the Royal Berkshire Hospital) leaving her a widow with two small children to support, Elsie Deacon rejoined the GWR Signal Department in Reading, remaining in employment there as a draughtswoman until retiring in 1962 aged 65.
|
|
Born in 1926, Vita Gollancz was the fourth daughter of noted publisher Victor Gollancz, and his wife Ruth (née Lowy), an artist who had studied at the Slade School of Art under Henry Tonks. Painting and drawing featured prominently in Vita's early life, not only from the influence of her mother, but from the many established art luminaries that visited their home. Vita read Modern History at Girton College, Cambridge, becoming the Sparke History Scholar and also the Chairman of the Cambridge University Labour Club. After graduating she worked from 1952 to 1962 as manager of Sir Hugh Casson's architectural practice, and subsequently as Assistant and draughtswoman for Sir Basil Spence from 1964 to 1971.
|
|
Joyce Reopel (1933–2019) was an American painter, draughtswoman and sculptor who worked in pencil, aquatint, silver- and goldpoint, and an array of old master media. A Boris Mirski Gallery veteran, from 1959–1966, she was known for her refined skills and virtuosity. She was also one of very few women in the early group of Boston artists that included fellow artist and husband Mel Zabarsky, Hyman Bloom, Barbara Swan, Jack Levine, Marianna Pineda, Harold Tovish and others who helped overcome Boston's conservative distaste for the avant-garde, occasionally female, and often Jewish artists later classified as Boston expressionists. Unique to New England, Boston Expressionism has had lasting national and local influence, and is now in its third generation.
|
|
Color is its non-arbitrary choice in trans-figuration. Texture is the crystallization of this choice. The line does not exist, it is already form. Shadow does not exist, it is already light”. (Grimberg, p5) During Lamba's early life, and into late adolescence, she had worn pants, cropped her hair and referred to herself as “Jacko.” This nickname and change in appearance seemed to have been the result of her parent's disappointment after receiving a girl at birth, Lamba, and not a boy. Lamba was well read and had very educated opinions. However, she also had a temper that earned her the nickname “Bastille Day.” Jacqueline Lamba would eventually become known for being a painter and draughtswoman later in life.
|
|
Her music was encouraged by the family doctor and she began to compose and study the violin, receiving lessons in Bournemouth with the first violinist of the symphony orchestra and after the start of the Second World War she continued in Aberystwyth. Wynne-Jones went on to study the violin and composition at the Royal Academy of Music, London (1940–43). While in London she also served as a Voluntary Aid Detachment nurse until 1943 and later as a draughtswoman at the Ordnance Survey. After the War Wynne-Jones purchased and managed a bookshop on the King's Road in Chelsea, but it was not a financial success. She returned to painting, studying at the Heatherley School of Fine Art, London from 1951 to 1952 and the Chelsea School of Art from 1952–1955.
|
|
This expedition succeeded in entering the valley discovered the previous year, and circumstantial evidence collected from an old Tibou at Kufra Oasis confirmed the identity of the valleys as Zerzura. Later on this expedition, Almasy succeeded in entering Wadi Talh, (the third valley of Zerzure), and at the very end of the expedition Almásy, together with Lodovico di Caporiacco, discovered the prehistoric rock paintings of Ain Dua at Jebel Uweinat.Hollriegel, ArnoldZarzura, die Oase der kleinen vögel, Orell Füssli, Zürich 1938 In the autumn of 1933 Almásy embarked on a further expedition, this time with the noted German ethnographer Leo Frobenius, his assistant Hans Rhotert and draughtswoman Elisabeth Pauli (later Elisabeth Jenssen). They copied and cataloged the known prehistoric rock art sites, and made a large number of new discoveries at Karkur Talh (Jebel Uweinat) and the famous Cave of Swimmers at Wadi Sora in the Gilf Kebir.
|
|
Evelyn De Morgan, The Storm Spirits, the De Morgan Collection The De Morgan collection comprises 58 oil paintings by Evelyn De Morgan, ranging in style from classicism, Pre-RaphaeliteRachel S. Gear, ‘Morgan, (Mary) Evelyn De (1855–1919)’, Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, May 2006 accessed 7 March 2015 and Symbolism, and in scale from the domestic and intimate to extremely large canvases. Evelyn De Morgan was also a prolific draughtswoman and the collection contains over eight hundred drawings which vary from compositional sketches and life drawings to highly finished pastel studies for her oil paintings. It includes a few watercolours and unframed works by Evelyn, and some works on paper and canvas by William De Morgan. William De Morgan, Fish and Petal Rice Dish, decorated by Charles Passenger, the De Morgan Collection The collection also comprises over 700 ceramics by William De Morgan, including 50 tile panels and 420 individual tiles, and 260 plates, chargers, vases, bottles, and bowls, etc.
|
|