89 Sentences With "dirty old man" | Random Sentence Generator

"I was the dirty old man with the Cadillac, " he said.

I hit him each time, hard, and told him he was a dirty old man.

Instead I'm looking at a dirty old man who wants to get in my pants.

There is a kind of voyeuristic, sort of quasi-dirty old man aspect to it.

Nicole Eggert's got new beef with Scott Baio -- now she's essentially claiming he's a dirty old man.

Aesthetically, Dzama is the strange little boy to Pettibon's dirty old man; together, they've fathered some exquisite corpses, indeed.

Where to watch: Netflix The Dirty Old Man version of Robin Williams is front and center in Cadillac Man.

Even the hotel's tart proprietor (Rema Webb) and resident dirty old man (Don Sparks) are required to hook up.

" Franken, with a dirty-old-man nod to the audience, replies, "I'm afraid it's a little too late for that.

" Lurie considered self-castration because, as Nunez asks, "would that really be any more disgusting than the antics of a dirty old man?

This calumny seemed to have two roots: I was a "dirty old man"; and I was — even with permission — "cheating" and should be punished.

" In one example, Ofcom pointed to a May meeting with Fox, in which it "described the continuum as going from 'appalling sexual harassment' to 'regular dirty old man talk.

His German soldier prompted the catch phrase "Very interesting," and his dirty old man sketch, with Ruth Buzzi, was notorious for causing his co-stars to break out in laughter.

Lester McClintock is revealed on 60 Minutes to have been the main perv on a metaphorical ship of pervs, and the accompanying headshot shows a picture-perfect dirty old man.

The party was for Robert Baker, a famed mammalogist whom some students called a "dirty old man" for his alleged decades-long habit of sexually harassing both graduate and undergraduate students.

At Craster's Keep, a homestead north of the Wall where a dirty old man impregnates his daughters and sacrifices his sons to the White Walkers, Sam meets Gilly, one of Craster's pregnant daughters.

So, I met six new people, had an Irish coffee, got hit on by a dirty old man who looked a little like George Clooney and was escorted to Penn Station in a cab.

Three of those characters would become stand-outs - a man in a yellow raincoat who inexplicably rode a child-sized tricycle until he tipped over, the dirty old man Tyrone F. Horneigh and Wolfgang, the leering German soldier.

It's been the year of dirty, old man scandals — from Donald Trump dragging Bill Clinton's accusers to the presidential debates, to Fox News hosts dropping like flies after harassment allegations, to sexism run rampant in Silicon Valley and most recently, Harvey Weinstein.

Then there are others who've said that George H.W. Bush was just acting like a dirty old man, or a product of his times, implying that his behavior was therefore morally acceptable and totally OK. I'm not sure at what point in our human development our sins become absolvable simply because of our age. 70?

The home's residents include a photographer who fusses with his old Nikon but can no longer see, and a dirty old man (there's no other phrase for it) who shares recollections of sex parties and, late in the film, tentatively proposes marriage to the offscreen filmmaker, who did her own camera and sound work.

Along with the series Notes of a Dirty Old Man, Portions From a Wine-Stained Notebook includes another deep look into Charles Bukowski's life. It is a lengthened version of Notes of a Dirty Old Man that is more of an autobiography about him becoming a writer than a short story. It is called A Dirty Old Man Confesses. In this short autobiography, Notes of a Dirty Old Man is put more into perspective on when it is occurring in Bukowski's life.

Neufeld has complained other trustees treated him "like a dirty old man".

The film received lacklustre reviews which deemed it "dirty-old-man cinema" and colonialist exploitation.

Robin said that at the time he was "a dirty old man on a lust trip".

Grundy responded, "Did you really? We'll meet afterwards, shall we?" This prompted the following exchange between Jones and the host: :Jones: You dirty sod. You dirty old man.

"Dirty Old Man" is a single by American country music artist George Hamilton IV. Released in April 1973, it was a single from Hamilton's album Out West Country. The song reached #1 on the RPM Country Tracks chart in Canada on June 2, 1973. A version by Valdy reached #38 in Canada in 1978. The song has no connection to the comedy character Albert Steptoe, frequently referred to as a "dirty old man" in the long-running television series.

This song is a scathing assessment of an unidentified man, opening with "you're nothin' but a dirty, dirty old man." The song was used as the title for Ike & Tina Turner's 2002 compilation album Funkier Than a Mosquito's Tweeter.

The Rage project was originally started sometime in 2006 as The (Silent) Rage with four songs ("Switch Hitter", "Dirty Old Man", "Big Spill" and "Take No Prisoners") available to listen on the band's Myspace page. Several music videos were directed by Randy Link in support of the band, including the previously unavailable song "Black Fly". Since then the band was featured in the 2008 film The Rocker, where another song from the future album, "Tailgate", was briefly played. The film also featured a re-recording of the song "Dirty Old Man" with new lyrics, retitled "Pompeii Nights".

In the fall of 1966, Kendrick finally secured a distribution contract with Columbia Records to release "Dirty Old Man" with "This Week's Children" as its B-side. However, copies of the single, which were issued on the subsidiary Date Records, were recalled as it was discovered that the Electras' name was copyrighted by another group who released an album in 1961 that included future Massachusetts Senator and Secretary of State, John Kerry. Without the band's input, Kendrick changed their name to 'Twas Brillig, and rereleased "Dirty Old Man" in February 1967. Elfving was drafted for service in Vietnam soon after, which consequently resulted in the group losing advertising support from Columbia.

They are currently made by Walnettos Incorporated of Valencia, California. Comedian Arte Johnson's dirty-old-man character Tyrone Horneigh on the popular 1968-1973 television comedy Laugh-In used the tagline "Wanna Walnetto?", which briefly entered popular culture as a minor comedic catchphrase and spurred sales.

A dirty old man who explains about his sex life with elements of toilet humour from Frank Hovis. He frequently talks about masturbation and oral sex. He is often billed as "the oldest man in Wales". There was also a short sketch with Siadwel, previously performed on Naked Video.

A journalist from The New York Times described the book as "the essence of icky...", and similarly opined that "The author could certainly be considered a dirty old man." A journalist from Time stated he was both amused and repelled by the book, calling it "as campy as it is creepy".

A few years later, Yanrong marries Li Liwei, but is often beaten and humiliated by him. She leaves home to search for Nan, but only finds that his spirit is broken and he has become a dirty old man that she does not recognize.窗外(电影). Accessed Nov. 4, 2015.

Rebel Visions: The Underground Comix Revolution, 1963-1975 by Patrick Rosenkranz (Fantagraphic Books, 2002). It was noted for its coverage of radical politics, rock music, psychedelic culture and the "Notes of a Dirty Old Man" column by Charles Bukowski."Open City" San Francisco Public Library, Herb Caen Magazines and Newspapers Center, July 21, 2010. Retrieved Sept.

When he changes to a human form, he looks oddly handsome compared to his lord. (Who looks like a dirty old man.) In return for the help Yoshimori gave him, he gave him a feather that calls crows, and allows Yoshimori to understand them. ; : :: Can disguise themselves as cute, harmless-looking creature until they cannot hide their hideousness. Badly injured Tokine.

In 1974, a full-length comedy LP album was released on the Doré label under the title The Dirty Old Man, with sketches written by Bob Hudson and Ron Landry, who also appear on the album, along with voice-actress Jane Webb. Backus also played the voice of God in the recording of Truth of Truths, a 1971 rock opera based on the Bible.

In other words, ageism can become a self- fulfilling prophecy. Ageist beliefs against the elderly are commonplace in today's society. For example, an older person who forgets something could be quick to call it a "senior moment," failing to realize the ageism of that statement. People also often utter ageist phrases such as "dirty old man" or "second childhood," and elders sometimes miss the ageist undertones.

Hudson & Landry were an American comedy team who wrote and recorded four gold albums on the Doré Records label in the 1970s: Hanging In There (1971), Losing Their Heads (1972), Right-Off! (1972), and The Weird Kingdom (1974). The vignette "Ajax Liquor Store" (1971) was nominated for a Grammy Award. They also wrote material for (and appeared on) Jim Backus' 1974 Dore album The Dirty Old Man.

Superdupont is a French, highly patriotic answer to US super-heroes who wears a vest and beret and fights a secret organisation called Anti-France. Gotlib mostly wrote or co-wrote Superdupont stories, though he drew a handful of them. The strip was successful enough to be made into a stage show by Jérôme Savary. Pervers Pépère is a stereotypical mac-sporting dirty old man who appeared in one-page stories.

Albert Steptoe, a "dirty old man", is an elderly rag-and-bone man, set in his grimy and grasping ways. By contrast, his son Harold is filled with social aspirations and pretensions. The show contained elements of drama and tragedy, as Harold was continually prevented from achieving his ambitions. In 2000, the show was ranked number 44 on the 100 Greatest British Television Programmes compiled by the British Film Institute.

He also meets a guy, Affe, who tries to force Sune to join a gang of girl haters, which Sune doesn't want. Sune also fears getting affected by his father becoming a "dirty old man", and the Andersson family will soon be expanded. At school, the children play theater, when Sune gets the girl role Little Red Riding Hood. He also ends up at the hospital, for a cecum removal surgery.

Alcoholism is very prevalent in both of Bukowski's Dirty Old Man pieces. He displays many of the outcomes that most people with alcoholism show as well: self-control problems, difficulty in identifying feelings, apathy toward external reality, difficulty in emotional processing, and more depressed and/or anxious, and a face deformed by its abuses. However, his alcoholism is not an issue that Bukowski wishes to change; it is simply a way of life for him.

The Electras were an American garage rock band formed in Ely, Minnesota in 1962. The group recorded between 1965 and 1967 during their musical career, including their most-known tune "Dirty Old Man". The band, which also worked under the moniker, 'Twas Brillig, released a version of the song "Action Woman", a composition that was made into a garage rock classic by the Litter, and has consequently caused the two groups to be wrongly associated with each other.

He frequently abuses his authority as a police detective in order to get closes to Miyuki. In return, Miyuki frequently abuses his kindness in order to get free rides to the grocery store and other locations to which she needs to go. This really annoys Masato, who is always calling him a "dirty old man" for chasing after his sister. ; : :Kenji is in the same year as Masato, a teacher's dream student who is good at sports and academics.

2, 1966, p. W36. Author Charles Bukowski's Open City column Notes of a Dirty Old Man was taken on by the Los Angeles Free Press beginning in 1969, when Open City folded. Cartoonist Ron Cobb created an ecology symbol and published it on November 7, 1969, in the Los Angeles Free Press', and then placed it in the public domain. The symbol was a combination of the letters "E" and "O" taken from the words "Environment" and "Organism", respectively.

While teaching, he reported to the director of the program, John Anthony Walker. Whitworth had gained a reputation for being dedicated to his Navy work, but others also noticed an overwhelming effort in him to try and fit in. This was also noticed by Walker, who sensed an easy mark in expanding his spy ring, and befriended Whitworth by offering to spend weekends together sailing. The boat, acquired with Soviet money from spying, was christened Dirty Old Man.

Despite this, a May–December relationship between them develops. Female family members of both of them strongly disapprove. Mrs. Mueller calls him a "dirty old man," while Jerry's sister calls Betty a "fortune hunter" and him a fool, although Lillian's husband Jack offers his congratulations, earning scorn from his wife and causing them to quarrel. A colleague, Walter Lockman, trapped in a long and unhappy marriage, urges Jerry to do whatever it takes to find true happiness.

Part of the controversy around NOLA Express was that it included graphic images that many in Sixties society was deemed as pornographic. Bukowski's syndicated column, Notes of a Dirty Old Man, ran in NOLA Express, and Francisco McBride's illustration for the Bukowski's "The Fuck Machine" was considered sexist, pornographic, and created an uproar. All of this controversy helped to increase the readership and bring attention to the political causes that editors Fife and Head supported.Illustration. Fife, Darlene.

Although the band members are not credited, the album cover features original members Elaine "Spanky" McFarlane, Nigel Pickering, Paul "Oz" Bach and Malcolm Hale and was recorded prior to the addition of John "The Chief" Seiter, Kenny Hodges and Lefty Baker. The wide variety of musical tastes includes the bluegrass derived "Nagasaki," John Denver’s “Dirty Old Man”, Goffin and King’s “Wasn’t It You?” (introduced by the band as "Gypsy") plus Gordon Lightfoot’s "Steel Rail Blues" and "That's What You Get for Lovin' Me".

Although their first meeting goes badly, Kazuma runs into Tsubasa a few days later. He saves her from a "dirty old man with money", but when the police arrive, they assume that he is the bad guy due to his appearance, so Tsubasa has to save him. After spending some time together they realize that they are similar in their loneliness, and immediately bond like a real brother and sister. After their parents marry and move in together, Tsubasa and Kazuma become inseparable.

In the United States, writers Charles Bukowski, Henry Miller, Jack Kerouac, Joseph Heller, Kurt Vonnegut, Jr., William S. Burroughs, Edward Abbey, Jim Morrison and Ken Kesey owe an obvious debt to the author of Voyage au bout de la nuit, not so much in terms of writing style, but as a major aesthetic, amoralistic influence.O'Connell p. 148 Poet and novelist Charles Bukowski wrote "'first of all read Céline; the greatest writer of 2,000 years"Bukowski, Charles. Notes of a Dirty Old Man.

Beginning in 1967, Bukowski wrote the column "Notes of a Dirty Old Man" for Los Angeles' Open City, an underground newspaper. When Open City was shut down in 1969, the column was picked up by the Los Angeles Free Press as well as the hippie underground paper NOLA Express in New Orleans. In 1969 Bukowski and Neeli Cherkovski launched their own short-lived mimeographed literary magazine, Laugh Literary and Man the Humping Guns. They produced three issues over the next two years.

Part of the controversy about NOLA Express included graphic photographs and illustrations of which many even in today's society would be banned as pornographic. Charles Bukowski's syndicated column, Notes of a Dirty Old Man, ran in NOLA Express, and Francisco McBride's illustration for the story "The Fuck Machine" was considered sexist, pornographic, and created an uproar. All of this controversy helped to increase the readership and bring attention to the political causes that editors Fife and Head supported.Illustration. Fife, Darlene.

Generally, a binbōgami appears as a skinny, dirty old man, who wields both an uchiwa and a kendama in his hands and wears one broken geta on his foot. Toen Shōsetsu (兎園小説), the mystery stories written by Kyokutei Bakin and others includes a story of kyūki (窮鬼): > In 1821, there was a bushi house with ever-present misery. One day, the man > who served the house went to Sōka and came across a bonze. The man asked him > where he came from.

Lennon said he "put together three sections of different songs ... it seemed to run through all the different kinds of rock music ..." and described it as a miniature "history of rock and roll". This results in a three-part through-composed structure. The song begins with surreal imagery inspired by an acid trip that Lennon and Derek Taylor experienced, with Taylor contributing the opening lines. The three sections were described by Lennon as "the Dirty Old Man", "the Junkie" and "the Gunman (Satire of '50s R&R;)".

The MP3 file "Faithless - Live in Berlin.mp3", contains a live recording of the band Faithless. At this concert, Faithless performed eight songs in the order shown below. Therefore, the track listing is as follows: #Faithless – Reverence #Faithless – She's My Baby #Faithless – Take the Long Way Home #Faithless – Insomnia #Faithless – Bring the Family Back #Faithless – Salva Mea #Faithless – Dirty Old Man #Faithless – God Is a DJ Since the MP3 is one file containing the entire performance, burning it to a CD as-is would make it inconvenient to skip to individual songs.

Mickey Sabbath (modeled after American Jewish painter R.B. Kitaj) is an unproductive, out-of-work, former puppeteer with a strong affinity for prostitutes, adultery, and the casual sexual encounter. Sabbath takes great pleasure in his status as the (prototypical) "dirty old man." He takes an equal pleasure in manipulating the people around him, primarily women—in a sense, they play the same role as his puppets. The loss of a decades-long wingman—the equally depraved Drenka—precipitates a crisis in a life he has long considered an utter failure.

"Happiness Is a Warm Gun" is a song by the English rock band the Beatles from their 1968 album The Beatles (also known as "the White Album"). It was written by John Lennon and credited to the Lennon–McCartney partnership. The song was composed into three distinct sections, referred by Lennon as "the Dirty Old Man", "the Junkie" and "the Gunman (Satire of '50s R&R;)". He derived the title from an NRA magazine and explained that the lyrics were a double entendre for guns and his sexual desire for Yoko Ono.

Her most famous character was dowdy spinster Gladys Ormphby, clad in drab brown with her bun hairdo covered by a visible hairnet knotted in the middle of her forehead. Buzzi first used this look when she played Agnes Gooch in a school production of Auntie Mame. In most sketches, she used her purse as a weapon, with which she would flail away vigorously at anyone who incurred her wrath. She most often was the unwilling object of the advances of Arte Johnson's "dirty old man" character Tyrone F. Horneigh.

The (Silent) Rage (T(S)R) is Lazlo Bane's alter ego side project which is stylistically similar to AC/DC. For the project the members of Lazlo Bane switched instruments and took pseudonyms: Dino (Chicken) - vocals, Fuzzy (Tim Bright) - bass, Licks (Chad Fischer) - drums, and Stixx (Chris Link) - guitar. The band's Myspace page was added in 2006 with four songs available to listen: "Dirty Old Man", "Switch Hitter", "Big Spill" and "Take No Prisoners". Another song titled "Black Fly" was made available as a music video on YouTube in 2007.

Black Fly on YouTube This song is, actually, a dance influenced track, which is a departure from hard rock style of T(S)R. In 2008 The (Silent) Rage was featured in the film The Rocker, starring Rainn Wilson and Teddy Geiger. The songs "Promised Land" and "Pompeii Nights" attributed to the fictional band Vesuvius were written and performed by the members of The (Silent) Rage, with lead vocals sung by Keith England.Keith England MySpace page "Pompeii Nights" is a re-recording of a song "Dirty Old Man" with different lyrics.

Although initially seeming favourable to Gerald Gardner, by the mid-1960s she had become hostile towards him and his Gardnerian tradition, considering him to be "a 'dirty old man' and sexual pervert." She also expressed hostility to another prominent Pagan Witch of the period, Charles Cardell, although in the 1960s became friends with the two Witches at the forefront of the Alexandrian Wiccan tradition, Alex Sanders and his wife, Maxine Sanders, who adopted some of her Luciferian angelic practices. In contemporary times luciferian witches exist within traditional witchcraft.

When Ringo is asked if he's a mod or a rocker, he replies: "Uh, no, I'm a mocker", a line derived from a joke he made on the TV show Ready Steady Go!. In the original interview Ringo admits he borrowed the line from John. The frequent reference to McCartney's grandfather (Wilfrid Brambell) as a "clean old man" sets up a contrast with the stock description of Brambell's character, Albert Steptoe in Steptoe and Son, as a "dirty old man". Audiences also responded to the Beatles' brash social impudence.

Irish actor Wilfrid Brambell, who played Paul McCartney's fictional grandfather John McCartney, was already well known to British television audiences as co-star of the British sitcom Steptoe and Son. The recurring joke that he was very "clean" reflects a contrast to his sitcom role, where he was always referred to as a "dirty old man". In other roles, Norman Rossington played the Beatles' manager Norm, John Junkin played the group's road manager Shake, and Victor Spinetti played the television director. Brian Epstein, the group's real manager, had an uncredited bit part.

Sasha, too, is becoming something expensive and without character. Ashley helps Sasha move in the final few things, and tries again to warn her about Val, but Sasha is adamant she won't permit them to say nasty things about each other. When Chloe returns (having spent a holiday with Zack in Majorca to recover from the accident), she exclaims that the place has been turned into a brothel. Snapping, she calls Val a dirty old man, tells Sasha she will pay for her "gifts" eventually and declares she will live in a hotel until the furniture is gone.

She offers compassion for the abductor, and says that all little boys, including the abductor when he was one, deserve a happy childhood. She tells him she's sorry if he did not have one, that she does not see him as an ugly, dirty old man, and that she hopes that if he ever goes fishing and catches something he cooks it for Jacob. She writes that she and her family are looking for answers, that only he can answer them, and that she wants to know what became of Jacob after the kidnapping. The letter generated some tips, but nothing substantial.

Margaret Wente (2004) An Accidental > Canadian, p. 30, HarperCollins Regarding the persona, Wente wrote: > As Rudolf J. Needleberry or Rasputin J. Novgorod, he cultivated an alter ego > of a fairly disreputable, dirty old man who rescued first-class women from > second-class men, who, regrettably, rule the world… In person, Needham was > neither dirty nor disreputable. He was a tall, crewcut, polite fellow who > stayed married to the same wife for fifty two years. In spite of his > loathing of institutions, organized religions and conventional pieties of > all kinds, he was a small-c conservative who was deeply suspicious of > liberal efforts to reform mankind and protect the world.

When Hancock steered his show away from what he considered gimmicks and silly voices, Williams found he had less to do. Tiring of this reduced status, he joined Kenneth Horne in Beyond Our Ken (1958–64), and its sequel, Round the Horne (1965–68). His roles in Round the Horne included Rambling Syd Rumpo, the eccentric folk singer; Dr Chou En Ginsberg, MA (failed), Oriental criminal mastermind; J. Peasemold Gruntfuttock, telephone heavy breather and dirty old man; and Sandy of the camp couple Julian and Sandy (Julian was played by Hugh Paddick). Their double act was characterised by double entendres and Polari, the homosexual argot.

First edition Notes of a Dirty Old Man (1969) is a collection of underground newspaper columns written by Charles Bukowski for the Open City newspaper that were collated and published by Essex House in 1969. His short articles were marked by his trademark crude humor, as well as his attempts to present a "truthful" or objective viewpoint of various events in his life and his own subjective responses to those events. The series is currently published by City Lights Publishing Company but can also be found in Portions from a Wine- Stained Notebook, which is a collection of all of Bukowski's wide ranging works.

The Last Times was a tabloid underground newspaper published in San Francisco in 1967 by beatnik poet and printer Charles Plymell. It lasted only two issues, but included work by William Burroughs, Claude Pelieu, Allen Ginsberg, and Charles Bukowski. The Last Times featured William Burroughs' text Day the Records Went Up (a version of which later appeared in Evergreen Review, November 1968), Claude Pelieu's Do It Yourself & Dig It, Allen Ginsberg's poem "Television Was A Baby Crawling Toward that Deathchamber" (also published in Ginsberg's book T.V. Baby Poems , London: Cape Goliart Press, 1967), and a Charles Bukowski column, collected in his Notes of a Dirty Old Man, reprinted from the Los Angeles-based underground journal Open City.Open City vol.

Unlike almost all other underground papers which were published in tabloid newspaper format, Open City was printed in the larger broadsheet-sized format. It published some of Charles Bukowski's earliest professionally published prose in his regular column "Notes of a Dirty Old Man," which appeared in all but a few issues. In March 1968 Bryan was prosecuted on an obscenity charge for printing an image of a nude woman in a record company advertisement for Leon Russell. Six months later, in September 1968, there was a second obscenity bust over the short story "Skinny Dynamite" by Jack Micheline, about the sexual antics of an underage girl, in a literary supplement to Open City edited by Charles Bukowski.

In addition a compilation album, Rare Tracks, included the two groups together and mistakenly claimed in the sleeve notes that Warren "used the Litter musicians to record also some obscure singles under the name of 'Twas Brilling, Electras...Thus 'Dirty Old Man' or 'Soul Searchin' were played identically by Litter under several names of groups." However, other than for having the same producer and record label, the bands have no correlation between each other. In 2010, the Electras were inducted into the Mid-America Music Hall of Fame, which saw original group members reconvene for a reunion concert. The band's material has been compiled on The Scotty Story and The Best of the Electras.

There were also two feature film spin-offs, a stage show and an American incarnation titled Sanford and Son, some episodes of which were almost exact remakes of the original British scripts. The success of Steptoe and Son made Brambell a high-profile figure on British television, and earned him the supporting role of Paul McCartney's grandfather in the Beatles' first film, A Hard Day's Night (1964). A running joke is made throughout the film of his character being "a very clean old man", in contrast to his being referred to as a "dirty old man" in Steptoe and Son. In real life, he was indeed nothing like his Steptoe persona, being dapper and well- spoken.

Eventually he was able to move out on his own and began entering drinking and gambling contests because he found he was very good at it. He began his cycle of getting kicked out and moving into different homes and hotels (which is elaborated more on in Notes of a Dirty Old Man). His life would go downhill fast until his writing career became slightly successful and then go downhill again; his article was published in Story and other magazines, the underground newspaper published his stories, and then eventually by Essex House. In between each success he would work unfulfilling jobs, drink more than usual, and take advantage of the generosity of anyone who would let him.

In the past several months in between the first and second series, Rose and Carol have turned their backs on prostitution and are trying to make a living by running their own cleaning company, "Scrubbit", with the financial support of Anita. But the women's old enemy, George Ferguson, is released from jail wanting revenge and needing a way to clear the debts he owes the local gangster Alf Black. Meanwhile, Tracy is still on the game and is in a sexual dalliance with Alf Black a dirty Old Man and most powerful crime lord on the streets, he also supplies her drugs. But is just using as a pawn in a grander scheme to import lucrative drugs into the country.

The cost of Bryan's legal defense and a $1,000 fine on the first charge eventually put the shoestring operation out of business. (Bukowski's "Notes of a Dirty Old Man" was subsequently taken on by the Los Angeles Free Press.) Bukowski published a satirical and somewhat cruel fictional account of Open City in Evergreen Review under the title "The Birth, Life and Death of an Underground Newspaper." John Bryan's follow-up to Open City was the ambitious but brief- lived Sunday Paper, which published six or seven issues in San Francisco in February and March 1972. Published in the large broadsheet format, each issue was fronted by a two-page section of underground comics edited by Willy Murphy and printed in full color.

Asimov would often fondle and kiss women at conventions and elsewhere without regard for their consent. Several of Asimov's own personal writings testify to this, including Asimov's 1971 The Sensuous Dirty Old Man, in which he wrote, "The question then is not whether or not a girl should be touched. The question is merely where, when, and how she should be touched." In his 1979 autobiography, In Memory Yet Green, he allowed Judith Merrill to write a three-paragraph footnote, in which she wrote: Alec Nevala-Lee, a writer of the history of science fiction, has written that Asimov's behaviour, as a leading science- fiction author and personality, contributed to an undesirable atmosphere for women in the male-dominated science fiction community.

Patsy, on the other hand, generally calls her insulting names such as "bitch troll from Hell". As the ever-virtuous intellectual, Saffron is the perfect foil for Edina and Patsy, enduring abuse from both, especially regarding sexual modesty. Many times Edina and Patsy refer to her as being a virgin, and even she herself makes comments regarding it, but in it is suggested that she may no longer be one: in one episode, Humphrey, a "dirty old man" and hedonistic acquaintance of Ed and Pats, rudely introduces himself to Saffron by fondling her, and invites the young lady to allow him to spread a mixture of honey, yogurt and almonds over her body and allow "a man old enough to be your father to lick it off." She is disgusted with the suggestion.

It was this ability to play old men that led to his casting in his best remembered role as Albert Steptoe, the irascible father in Steptoe and Son, a man who – when the series began – was said to be in his sixties, even though Brambell was only aged 50 in 1962 (thirteen years older than Harry H. Corbett, who played his son Harold). The series began as a pilot on the BBC's Comedy Playhouse, and its success led to the commissioning of a full series. It ran from 1962 to 1974, including a five-year hiatus. A constant thread throughout the series was Albert being referred to by Harold as a "dirty old man"; for example, when he was eating pickled onions while taking a bath, and retrieving dropped onions from the bathwater.

Gardner incorrectly believed that Montalban "claimed to be a Witch; but got wrong" although he credited her with having "a lively imagination." Although initially seeming favourable to Gardner, by the mid-1960s she had become hostile towards him and his Gardnerian tradition, considering him to be "a 'dirty old man' and sexual pervert." She also expressed hostility to another prominent Pagan Witch of the period, Charles Cardell, although in the 1960s became friends with the two Witches at the forefront of the Alexandrian Wiccan tradition, Alex Sanders and his wife, Maxine Sanders, who adopted some of her Luciferian angelic practices. She personally despised being referred to as a "witch", and was particularly angry when the esoteric magazine Man, Myth and Magic referred to her as "The Witch of St. Giles", an area of Central London which she would later inhabit.

"Gimme Dat Ding" is a call-and-response duet between a deep, gravelly voice, that of Tony Burrows, and a high tenor, that of Roger Greenaway. The voices are said to represent a piano and a metronome. The gravelly voice is also thought to be an imitation of Arte Johnson's recurring dirty old man character "Tyrone F. Horneigh" on the NBC-TV show Rowan & Martin's Laugh-In, of Popeye the Sailor Man, of Wolfman Jack, or of the 1930s and 1940s film actor Eugene Pallette. When Hammond and Hazlewood wrote and composed "Gimme Dat Ding," it was one selection from their musical sequence "Oliver in the Overworld," which formed part of the British children's show Little Big Time, hosted by Freddie and the Dreamers; this narrated a surreal story of a little boy seeking the parts to mend his grandfather clock.

By combining herself with P-Shiro, Kuki's counterpart of the word processor robot, Onyomiko transforms to a stronger form, Hyper-Onyomiko, but hardly wants to do it because she has to be stripped by the robot, who's like a dirty old man, in the transformation procedure. The family name is named after Kuki clan, which consisted of famous samurai. The alias is a portmanteau of On'yomi (one of the two ways of kanji reading) and miko (Shinto priestess) because, in an early stage of scenario development, another storyline—in which Onyomiko and Bifū Kunreikan (the family name is a portmanteau of Kun'yomi and shireikan (commander)) plot to rule all the kanji around the world and Agedaman comes and fights to save people—was laid on the table, the manga versions followed this plot. ; Raizo Kuki: (voiced by Junpei Takiguchi) :An antagonist, Rei's grandfather, a.k.a.

At the time the 348th began ground support operations from San Marcelino, the infantry had taken Subic Bay and Olongapo and had started east with the objective of sealing off Bataan so that the Japanese, retreating southward from Lingayen, could not use the Bataan Peninsula's defensive strength as did the U.S. forces in 1942. However, a few miles East of Olongapo stubborn Japanese resistance suddenly had been met in Zigzag Pass, where the road climbed in a series of hairpin turns overlooked by the enemy's positions. Our ground forces had suffered some casualties, had dug in, and in four days had been unable to make any appreciable gain. North American P-51D-10-NA AAF Serial No. 44-14175 "Dirty Old Man" of the 342d Fighter Squadron, 1945 Second Lieutenant Stanley E. Michalowski, 342nd Fighter Squadron, standing by his P-51D Mustang, Ie Shima, Japan, August 1945.

The FBI kept a file on him as a result of his column Notes of a Dirty Old Man in the LA underground newspaper Open City. Bukowski published extensively in small literary magazines and with small presses beginning in the early 1940s and continuing on through the early 1990s. As noted by one reviewer, "Bukowski continued to be, thanks to his antics and deliberate clownish performances, the king of the underground and the epitome of the littles in the ensuing decades, stressing his loyalty to those small press editors who had first championed his work and consolidating his presence in new ventures such as the New York Quarterly, Chiron Review, or Slipstream." Some of these works include his Poems Written Before Jumping Out of an 8 Story Window, published by his friend and fellow poet Charles Potts, and better known works such as Burning in Water, Drowning in Flame.

Author John Winn divides the completed composition into five sections: the fingerpicked guitar intro, with the line "She's not a girl who misses much"; the portion when the full band enters, containing more of the lyrical images supplied by Taylor; the blues-based "I need a fix" section; the "Mother Superior" refrain; and the doo wop-style section exploring the "warm gun" theme. The composite structure features several changes in time signature. According to Kenneth Womack, this consists of shifts from 4/4 to 6/4 time in the "Dirty Old Man" section; 9/8 and 12/8 in "the Junkie", although the drums play in 6/8 throughout; four-bar sequences of 6/8, 6/4, 6/8 and 7/4 over the "Mother Superior" portion; and 6/8 and 4/4 for "the Gunman" (even though the drums remain in 4/4). The musical keys used in the song are E minor, A major, A Lydian and C major.

Travis Sutton, in an essay about the portrayal of disability in horror films, compares Deafula to the 1972 blaxploitation film Blacula, as both are retellings of the classic vampire story through the lens of their filmmakers' own experiences. However, he wrote that the film's ideas of associating disability with the Devil are "a surprising theme in a film prepared by and distributed within a disabled community," and adds that "although Deafula dramatizes an entirely non-normative world (absent hearing/able-bodied characters), it succeeds not only in demonizing queerness but also disability itself." Kim Newman wrote in 2018 that the film is "sincere in its commitment to the Deaf community," however "Wolf stretches thin resources and tries for expressionist effects, but that papier-mâché nose and evil beard keep dragging the film to the level of Dracula, the Dirty Old Man." Psychotronic Video magazine reviewed the film in 1999, lauding the cinematography as "actually pretty good" and describing the ending as "very Christian".

Another great segment on the tape collections took place on the "Supertape" series when Lord Alfred Hayes would voice "The Call of the Action" in which a match or two would be slowed down and each manoeuvre named and explained (for instance, the audience could learn what a reverse crescent kick was, long before it became more famously known as "Sweet Chin Music"). It was also an example of how as late as 1990 or so, professional wrestling was still presented with "Kayfabe", the veneer of reality. He later appeared on the video releases of WrestleMania VII where he had a corny Love Story-like part regarding the reunion of "Macho Man" Randy Savage and his former manager Miss Elizabeth following Savage's career-ending loss to The Ultimate Warrior, WrestleMania VIII, and Royal Rumble 1993 where he famously asked to watch Sensational Sherri put on her stockings while interviewing her in her dressing room, prompting Sherri to mockingly call him a "dirty old man". He also appeared on some early episodes of Monday Night RAW).

While his earlier 8mm films largely consisted of nothing more explicit than the models posing topless, late-sixties titles like Apartment 69 and The Amorous Masseur were generally softcore pornography. Marks had been eager to shoot soft porn material ever since the Window Dresser case, much to the disdain of Pamela Green, who dissolved their business partnership in 1967. "He was fond of good living and a drink or two, and he wanted to go on to soft porn," Green told Tit-Bits magazine in 1995, adding "there was this one film where he was dressed as a dirty old man and he's creeping round Piccadilly Circus, then you see him in bed with this girl".David Flint "Peeping at Pamela", Tit-Bits, 1995 One Maximus short The Ecstasy of Oral Love adopts a pseudo-documentary format, showing a couple frantically licking each other, ending with some relatively graphic oral sex scenes which are inter-cut with ostensibly socially redeeming title cards issuing advice to "young married couples".