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"daedal" Definitions
  1. SKILLFUL, ARTISTIC
  2. INTRICATE
  3. adorned with many things

4 Sentences With "daedal"

How to use daedal in a sentence? Find typical usage patterns (collocations)/phrases/context for "daedal" and check conjugation/comparative form for "daedal". Mastering all the usages of "daedal" from sentence examples published by news publications.

Description of Greece, 9.33.5 According to Plutarch, he advised Zeus to have a figure of oak-wood dressed in bridal attire, and carried about amidst hymnal songs, in order to change the anger of Hera into jealousy.Plutarch, De Daedal. Fragm. 5 The name of the wife of Alalcomenes was Athenaïs, and that of his son, Glaucopus, both of which refer to the goddess Athena.
He experimented with photo- mechanical techniques to produce optical patterns as efficiently as possible and in multiples, thereby making it available to more people. The exactitude and impersonal finish of Williams’ paintings directs the viewer’s attention to the images themselves and their own perception, rather than the artist’s touch or sensibility. Important series from Williams’ Op art phase of the 1970s include the Daedal series, the Quotient (1973) and Delta (1978–80) series.
Chromatic Invention No. 2 1970 Silkscreen 435 x 635 mm Mervyn Williams Daedal Series 6 (Epicentre) 1979 Acrylic on Canvas 1220 x 1220mm In the early to mid 1960s, Williams began working in the Op art style that developed over the same period in Europe and the United States. His compositions of closely spaced lines, geometric shapes and high-keyed, contrasting colours were carefully rendered to create optical illusions and vibrations. He aimed to create the impression of movement and three-dimensionality on a static, two-dimensional painted surface, and to bring the experience of visual art closer to that of music, unfolding over time. The Chromatic Invention series (1969–70) reflects the artist's admiration of Johann Sebastian Bach, and his belief that invention is the most important quality in art.
" The project was widely praised for its technical and methodological achievement. Soumitra Das of The Telegraph wrote "Mazumdar could not have created this daedal overlay of optic and aural sensations by simply wishing it would happen. It is obvious that meticulous planning went into it." Das speculated about the time and effort required to paint, sculpt, photograph, arrange the music, and other such usual types of creative work, but also for "hanging at least a hundred framed pictures from the ceiling, rigging up a panel encrusted with the tiny bells of a ghunghru that start jangling in unison from time to time, putting together and installing those sinister, tall black ‘cupboards’ on wheels... punctuated with ‘windows’ embedded with... images, and making sure that the louvres open up and close to reveal just enough of the videos with the regularity of the respiratory system.

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