By the time the Trump administration moved its war games into high gear this week, Kamasi Washington, the tenor saxophonist, had already issued a counterstatement.
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Jannis Kounellis, a Greek-born Italian artist who made use of humble materials like burlap sacks, wax and coal in works of sculpture and installations that offered a poetic counterstatement to the values of high art and the corporate world, died on Feb.
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Klemetti has stated that she composes very fast, often one album in a week. Her aesthetic vision favors jumble sale clothing and lo-fi sound. She states that she doesn't do "retro" but uses the past as a material to construct new unfashionable things. The use of the past and abandoned things she sees as a counterstatement to the prevailing economic order.
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American literary critic Harold Bloom singled out Burke's Counterstatement and A Rhetoric of Motives for inclusion in his "Western Canon". Beyond his contemporary influences, Burke took Aristotle's teachings into account while developing his theories on rhetoric. A significant source of his ideas is Aristotle's Rhetoric. Drawing from this work, Burke oriented his writing about language specifically to its social context.
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Graham's Hierarchy of Disagreement In reasoning and argument mapping, a counterargument is an objection to an objection. A counterargument can be used to rebut an objection to a premise, a main contention or a lemma. Synonyms of counterargument may include rebuttal, reply, counterstatement, counterreason, comeback and response. The attempt to rebut an argument may involve generating a counterargument or finding a counterexample.
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As foreshadowed, a fiery G minor Allegro spiritoso soon appears, bristling with energy, although the main theme is somewhat formulaic. The formidable quality of Cherubini’s mind, however, may be savored in an elegant contrapuntal woodwind interplay that prepares the theme’s counterstatement: 500px Following a dramatic climax, a transition passage promises a second subject in B-flat major. But Cherubini sidesteps with a chorale-like string theme in warm, distant D-flat major: 400px A flowing B-flat major theme follows, and after a triumphant exposition close, the development begins with a passage that transforms the chorale into new theme (see example), delivered by antiphonal horns against pattering bassoons. The development section is pithy and brief.
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2nd tonal area, D major (bars 24–57): This is signified by a two-bar-long lyrical melody first stated in the viola, then passing through the cello and second violin, then cello again. A long V of D (bars 32–37) is unexpectedly resolved to A major, which is simply a deceptive V-VI cadence (VI of D major would be B, here enharmonically respelled as A). The A-major chord is also V of the Neapolitan (II in D major would be E, enharmonically respelled as D). This V-I motion of the Neapolitan is explicitly stated by the quartet in unison in bar 39. Bars 40–43 return to the lyrical nature of the second theme and solidify D major. A modified counterstatement of this entire gesture occurs, landing us on an even more explicit use of the Neapolitan, again enharmonically respelled as D, in bars 49–50.
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